Paul Blart:Mall Cop

With an opening at #1 for the week, you know it must be January. "Blart" scored based on the popularity of comedian Kevin James in the starring role. Mr. James is a funny physical comedian and the slapstick will appeal to kids but for adults, "Blart" has little to offer. This is usually the case with January openings.

The script is not bad but the direction is flat and much of the material misses the mark. The first half of the film is spent much too long establishing the fact that Blart is a overweight, lovable loser and only comes barely to life when his beloved mall is threatened by a robbery.

Skip this one unless the kids are restless and catch up on some of December's quality films you may have missed.

Revolutionary Road

Sam Mendes directs his wife, Kate Winslet and Leo DiCaprio in this suburban period piece. Reunited after starring together in "Titanic", this serious exploration of a marriage cracking at the seems, couldn't be more different than that box office titan.

The direction is excellent and the cinematography beautiful. The acting is what you'd expect from Mr. DiCaprio and Ms. Winslet. They both give their best to inhabit these characters. Ms. Winslet, in particular, is simply amazing and I'm convinced can do anything at this point in her career. Michael Shannon in a minor role does outstanding work in his scenes and helps bring out DiCaprio's best. What bothers me about the film is the script. Frankly, watching these two unlikeable characters come apart is boring. They have two children who we barely see and for all their scenes together, only a few really crackle with energy.The film also seems to end on four different occasions which is not the best sign for a good script.

The TV show "Madmen" captures the same period and characters better than this film. The complicated marriages in Madmen has much more depth of it's characters and their relationships. Save "Revolutionary Road" for DVD and be glad "Madmen" has been renewed for another season.

Valkyrie

You have to give director Bryan Singer and screenwriter Christopher McQuarrie a lot of credit. They have crafted a very suspenseful film even though you already know the outcome. This is not easy and they really pull it off. You almost expect a different ending to World War II based on this true story.

Tom Cruise plays Col. Claus Von Stauffenberg, a German soldier who believes his country but not Adolf Hitler and along with others plot his assassination. Mr. Cruise is passably in the role but only because there is not much range to the part. The film is well stocked with a fine supporting cast including Kenneth Branagh, Tom Wilkinson, Bill Nighy, and Terrance Stamp. Everyone plays Germans but speak in their natural English voices. This is an interesting decision on Mr. Singer's part to not bother with phony accents but rather start the film in German and blend it into English almost as if the audience has a Star Trek universal translator.

Everyone acts with with much pomp and circumstance and Mr. Singer frames the film with a countdown clock reminding us of the building tension. The taut direction and moody music all contribute to the mounting suspense of the operation. You almost expect them to pull it off but of course they don't. Everything leads to an unsatisfying conclusion but watching the plot unfold and learning the aftermath still make for a suspense filled thriller.

Doubt

A master class in acting. Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis are all superb in the film adaption of the John Patrick Shanley play, "Doubt".

Mr. Shanley wrote the screenplay and directed the film himself. Unlike "Frost/Nixon", which opened the stage play up quite a bit while still maintaining the intimacy of the conversations, Shanley opts to keep the action pretty much confined to the church and it's adjoining school. The film is powerful but is viewed like a filmed play. We only get a few glimpse's of life beyond the church and school grounds.

The scenes between the principle actors are all volatile and riveting. Ms. Streep is just a wonder taking on the persona of Sister Aloysius, the school principal who accuses Father Flynn of a very inappropriate act with one of the male students. Viola Davis has but one major scene but she too is excellent as the boy's mother in a confrontation with the Sister.

Regardless of your religious background, "Doubt" is a universal story about the ramifications of accusation and the aftermath of all involved.

Best of 2008

(10) Frozen River- Excellent Indy film. Melissa Leo is remarkable in a stripped to the bone, raw performance as a mother forced to do the unthinkable to save her family.
(9) The Reader- Intense drama with unexpected twists capped by an excellent performance by Kate Winslet.
(8) The Visitor- Another excellent Indy film with terrific performances and an emotional punch.
(7) Iron Man- Robert Downey Jr. makes you believe he is Iron Man. The comic book as film, done completely right.
(6) Wall-E- The most amazing animated film ever. The first 20 minutes are sheer poetry and the cautionary tale disguised as a robot’s love story is honest and poignant.
(5) Milk- Sean Penn in a wonderful performance that honors Harvey Milk and what he stood for.
(4) The Wrestler- Mickey Rourke in the comeback of the decade. Powerful, raw and not what you’d expect.
(3) Frost/Nixon- Frank Langella and Michael Sheen dazzle in this recreation of the political equivalent of Rocky.
(2) Slumdog Millionaire- Everything you could want in a film. It transports you to another world and pulls no punches while being extremely entertaining at the same time.
(1) Tell No One- The perfect thriller and perfect film. It works on every level. Direction, acting, plot, cinematography, editing and the music all come together to leave you breathless by the credits.

Honorable mention –

In Bruges- One of the best buddy films in a long time. Dark, yet extremely funny, this tale of two hit men hiding out in a picturesque city is bloody good fun.
The Dark Knight- Heath Ledger steals the film as The Joker but Christian Bale holds his own a s a dark brooding Batman in a very adult comic book movie.

2009 Worst of-

(10) The Spirit- All style and no substance.
(9) Leatherheads- Clooney tries hard but misses in this “screwball” period piece.
(8) Baby Mama- All the good jokes are in the trailer.
(7) Indiana Jones & the Kingdom of the Crystal Skull- A total rehash of every Spielberg/Lucas film ever made. Completely unoriginal and I hate to say it…boring.
(6) Hancock- All over the place. The “Sybil” of movies.
(5) The Day The Earth Stood Still- Cheesy effects including Keanu Reeves acting and boring non-action can’t even be helped by the dynamics of IMAX.
(4) You Don’t Mess With The Zohan- The rudest, crudest, stupidest film Adam Sandler has ever done. Who was the audience for this mess?
(3) Marley & Me- The dog was cute. The film was not.
(2) Righteous Kill- DeNiro and Pacino should be ashamed of themselves.
(1) Cloverfield- What the @*$%&? Gave me a headache.

Dishonorable mention-
The Happening- The word of mouth was so bad, I didn’t even have to see it to tell you it stunk.

The Reader

An intense human drama capped by an excellent performance by Kate Winslet. "The Reader" starts as an affair between a young man and older woman in post war Germany that affects them both for the rest of their lives.

The young man is played by David Kross and his older version played by Ralph Fiennes. Both are very well cast. Mr. Fiennes is particularly good as the elder Michael Berg, tortured by actions of the past. As good as the two men are, the film really belongs to Ms. Winslet. She plays Hanna Schmitz with restrained emotion, holding on to secrets of her own.

The film takes unexpected twists and turns with intricate results. It is a film that is sure to spark conversation and debate when it ends. A fascinating story that will definitely stay with you.

The Curious Case of Benjamin Button

David Fincher has always been a visionary director. He's made some remarkable films over the years and "Benjamin Button" is no exception. Everything about the production is first rate. There's just one thing nagging you as you sit in the dark enjoying the film, "where have I seen this before?", you're thinking to yourself...

"Benjamin Button" is "Forest Gump" revisited. Don't get me wrong. I thought Brad Pitt and Cate Blanchett were excellent, especially Ms. Blanchett. I thought the special effects of Mr. Pitt's aging were amazing but the story was "Forest Gump" with a different plot device and it just bothered me throughout the film.

The concept of reverse aging was original and the love story, classic with a twist. If you haven't seen, "Gump", you will have a wonderful film experience seeing "Benjamin Button". But even if you have seen the earlier film, "Button" is still very enjoyable, just not original.

Run Benjamin, run....

Marley & Me

A terrific memoir reduced to a TV movie of the week masquerading as big screen entertainment. Yes, the dog is cute but unfortunately the film is not.

To begin with, Marley as a young puppy is adorable but there is too little screen time for the pup and before you can say pooperscooper, Marley is an adult dog tearing through the house chewing anything in his way. Nicknamed "the world's worst dog" simply because he was never trained properly is certainly not Marley's fault. Who waits until a dog is an adult before going for training or obedience lessons? I guess his owners, played by Owen Wilson and Jennifer Anniston, were too busy trying to find chemistry between them or solving their own life problems. For a film named for the dog, way too much attention is spent on the humans.

All the cute fun moments are found in the trailer or commercial and for the few laughs and smiles they produce, there is much more sad and unsettling moments throughout the film. Certainly any dog lover will need a full box of tissues by the credits.

Pass on " Marley & Me" and rent the DVD of "My Dog Skip" instead.

Happy Go Lucky

From writer/director Mike Leigh comes a charming story of an eternal optimist. The film has all but disappeared from most theaters but is well worth hunting down. It has made quite a few Top 10 lists for this year and much about it is merited.

Sally Hawkins stars as Poppy, a free spirited young woman who rolls with life's punches with a smile and laugh. Ms. Hawkins is wonderful in the role and you can't help getting caught up in her good nature and positive outlook. When her bike is stolen Poppy signs up for driving lessons and Scott, her instructor turns out to be her exact opposite. This makes for some terrific scenes during the driving lessons. During the course of the film, Poppy encounters many of life's curveballs but she keeps swinging away affecting everyone around her.

This is a "small film" filled with many little pleasures. The acting is terrific and Mr. Leigh's direction, as always, is simple and direct, letting his actors create their roles along the way. You can't help but feel good after "Happy Go Lucky".

Slumdog Millioniare

A friend recommended this months ago and then the buzz began to build. I finally got a chance to see it for myself and the buzz is real. This is one of the best movies of the year.

When an Indian street kid gets a chance to appear on the Indian TV version of game show, "Who Wants To Be A Millionaire?", it seems like everyone in India begins to root for him except the police who think he's cheating. Through flashbacks we learn how a poor, uneducated boy named Malik manages to make it to the final question.

This is a suspenseful journey giving us a glimpse of life on the streets of Mumbai. It is also at it's heart, a love story between brothers, Salim and Malik and Latika, the true love of Malik's life. It is a remarkable tale of survival, love and destiny.

Throughout his life, Malik endures terrible hardships which the camera doesn't hide but the film is ultimately uplifting and director Danny Boyle does a wonderful job with his Indian cast.

Don't miss this soaring achievement.

The Spirit

"The Spirit" was created by Will Eisner, a pioneer in American comics. Artist and writer Frank Miller brings the character to life in the film version. The film has the look and feel of Mr. Miller's earlier film, "Sin City" but not the energy.

Comic fans and fans of "Sin City" will flock to "The Spirit" and probably admire the effort but the problem is Mr. Miller should have left the direction to someone else. The material is fun and the visuals unique and exciting but the film drags the thin plot out like a wet rope. There are some inspired sequences but much of the film is boring exposition and Mr. Miller would have been better off again with Robert Rodriquez as director.

Curiously the look of the film is 1940's and yet, people use computers and cell phones. There is also a Nazi sequence for absolutely no reason. While it's an interesting script, it does tend to meander in strange directions and that's where a better director might have tightened the story.

The film stars Gabriel Macht as The Spirit, Samuel Jackson as his nemesis, The Octopus. Mr. Macht plays the part as straight as a boy scout while Mr. Jackson is totally over the top, obviously having fun with the part. Also starring as various good/bad girls are Eva Mendes, Paz Vega, Sarah Paulson, and Scarlett Johansson. Jamie King also has a minor role as Lorelei, the angel of death and is barely recognizable. Louis Lombardi plays multiple clones of henchmen to The Octopus and Dan Lauria does his best tough cop bit as Inspector Dolan.

This one is strictly for the fans...

Gran Torino

Archie Bunker meets Dirty Harry. These may be dated references but they are American icons and so is Clint Eastwood. More occupied in directing (including this one) than acting, this may be Mr. Eastwood's acting swansong. If so, he goes out on top with an Oscar worthy performance as Walt kowalski, a cranky, bigoted Korean War veteran.

Walt is a combination Archie, Harry and some William Munny thrown in too. The film opens with the funeral of his wife and we quickly learn this is a man living with past demons in a modern world not to his liking. Walt could easily have been played over the top but Mr. Eastwood has tight control on the character and the layers come away ever so slowly.

The Asian family next door set off a series of events that reluctantly begin to involve Walt and while the racial slurs fly, he slowly comes around to his new neighbors.
The gang that terrorizes the family are stereotypical but a necessary evil to further the story. While you may think you know where it's going, you just may be surprised.

El rey de la montanta (King of The Hill)

A U.S. Premiere at the Spanish Cinema Now festival at Lincoln Center features the beautiful scenery of Spain's mountains but transforms them into something evil and menacing.

A man and woman, strangers brought together by a chance encounter soon find themselves targets of an unseen sniper. The film is a tense game of cat and mouse and plays out like an existential "Deliverance". There are no heroes nor villains, no clear motives and while there is closure, it is devastating and the final image may haunt you for some time.

Shot entirely on location in the mountains with a minimal cast and not much dialog, this may not be a film for everyone. Ultimately, it will provoke conversation long after it ends. The film is in Spanish with English subtitles.

Changeling

This one will be hard to find as it's been shoved aside for newer holiday films. I still wanted to see it before Award season and I'm glad I did.

Directed by Clint Eastwood, with his usual attention to detail. "Changeling" tells the true story of a missing child in 1928 Los Angeles. Angelina Joie stars as Christine Collins, a single mother who comes home from work to find her 9 year old son, Walter missing. What follows is an absorbing but tragic story that goes deeper than just an abduction. Christine's treatment by the Los Angeles Police department is a horrendous crime by itself.

Showing great range, Ms. Joie is excellent as Christine. It's amazing that this is the same actress who was so tough and strong in "Wanted". Her frailty here masks an inner strength that rises to the surface over the course of her ordeal. Ms. Jolie does a great job losing herself in the character and keeping the audience involved in her plight.

The film co-stars John Malkovich, Amy Ryan ( who steals her few short scenes), and Jeffrey Donovan. Credit Mr. Eastwood for employing many other actors who are just right for their parts and not stuffed into the film for name recognition. Colm Feore, Michael Kelly, Peter Gerety, and the rest of the cast are all terrific.

One could argue that the film runs too long but that is typical of Mr. Eastwood. He doesn't make short movies. He takes his time to involve his audience and give you a full, rich movie experience.

The Day The Earth Stood Still

Not even the grandeur of IMAX can save this stinker. Keanu Reeves is perfectly cast as an emotionless alien who drops into Central Park (in a swirling globe of bad CGI) to warn earthlings that the grand intelligence of the cosmos has decided to wipe us out as a species because we're screwing up the planet.

We then spend almost two hours watching a ridiculous Katy Bates as the Secretary of Defense, Jennifer Connelly as an Astro-biologist going all weepy over her step son, and Jaden Smith as the annoying step son, all debating over to kill or listen to Mr. Reeves.

As a New York Jet fan, my only satisfaction was watching Giant Stadium get destroyed by the aliens although I think I have a better model in a snow globe at home.

This film is boring, badly acted and a complete waste of time. Rent "Independence Day" ironically starring Jaden Smith's father, if you want to see landmarks being destroyed. And if you really want quality Sci-fi, rent the original "Day The Earth Stood Still" (cheesy effects by today's standard, but still the superior film).

And note to John Hamm- stick to "Mad Men"

Frost/Nixon

There are simply not enough superlatives to fit a 30 second review. This film is a crowning achievement for director Ron Howard and everyone associated with the movie.
Frank Langella and Michael Sheen recreate their Broadway roles and both are remarkable.

Mr. Langella won the Tony Award for the Broadway show and there is no doubt he will be nominated and have an excellent chance of taking home an Oscar as well. With hardly any makeup, he completely transforms himself into Richard Nixon. It is a performance of such depth and honesty, it takes your breath away. Michael Sheen matches him scene for scene in the interview sequences and channels every nuance of Mr. Frost.

The direction is crisp, lively and Mr. Howard opens up the story very naturally while keeping the intimacy of the theater experience. The lighting, music, and sets all recreate the period perfectly and enhance the story which plays out like a political version of "Rocky".

I can't say enough about the supporting cast either. Kevin Bacon, Oliver Platt, Sam Rockwell, Rebecca Hall, Toby Jones, and Matthew MacFadyen are all brilliant.

Intellectual, yet immensely entertaining, "Frost/Nixon" is not to be missed.

Milk

Utilizing archival footage and recreated scenes, director Gus Van Sant brings us the life and times of Harvey Milk (not to be confused with the documentary of the same name). Mr. Milk was the first openly gay official elected to public office back in the late 70's. His short time as San Francisco City Supervisor was a major victory for gay and civil rights.

Sean Penn, as Mr. Milk, adds another terrific performance to his portfolio. He is truly the best actor of his generation. Along with Mr. Penn, the film also features James Franco, Emile Hirsch, Diego Luna, Allison Pill, Dennis O'Hare, and Josh Brolin. All are excellent in their roles with Mr. Brolin, especially adding another excellent notch to his belt coming off "No Country For Old Men", and "W.". James Franco, as well, has shown depth and diversity to every film he's been in this year and he does the same in "Milk".

While a fascinating and important time capsule of a turbulent time, "Milk" becomes a bit tedious with protest after protest and election after election. It is Mr. Penn's powerful performance that propels the film to it's inevitable end. Where "Milk" succeeds is in honoring the life of a remarkable man who helped bring change to a country very much in need of it.

W.

Oliver Stone has done a remarkable job documenting past Presidents. In "W.", he chronicles the life of a president while still in office and misses the mark of his earlier films.

W. is interesting enough, giving the viewer insight into what makes Mr. Bush tick and showing us the uneven road his life has taken to the White House but it is little more than a TV movie of the week missing much of the bombastic style Mr. Stone is best known for.

The cast is uneven. Josh Brolin as "W." is wonderful. He captures every nuance, every gesture, of Mr. Bush perfectly and at times truly resembles him. Richard Dreyfuss is a perfect Dick Cheney, also getting the mannerisms correct. Also well cast are James Cromwell as George Bush SR., Ellen Burstyn as Barbara Bush, Scott Glen as Donald Rumsfeld, and Elizabeth Banks as Laura Bush. Missing the mark are Jeffrey Wright as Colin Powell and Thandie Newton as Condoleezza Rice.

The script cherry picks important moments in Mr. Bush's life (did we need the pretzel choking scene?) and range from satire to drama with a little "fairy tale" thrown in for good measure.

Once Mr. Bush leaves office, I'd like to see Mr. Stone try it again and not hold anything back.

Quantum of Solace

After a terrific debut as James Bond in "Casino Royale", Daniel Craig is shaken, not stirred into a mess of a follow-up. "Quantum" has one of the worst Bond plots ever (if you can even call it a plot). It is basically one long action sequence after another in order to distract the audience from realizing how ridiculous the whole thing really is.

Daniel Craig tries his best to live up to what he started in the previous film but there is only so much he can do when everything is literally falling apart around him. He makes a dashing Bond and certainly one of the best but he's never given a chance to develop the character beyond a human killing machine. Mathieu Almaric plays one of the lamest Bond villains in history. He should stick to what he does best, serious drama and eye blinking. Olga Kurylenko is the Bond "it" girl and while beautiful, can't decide if she is a damsel in distress or an action heroine. Judi Dench is back as M and has her usually fun with the role. And Jeffrey Wright also returns as Felix Leiter, with basically nothing to do except give Bond an address.

The action scenes are excellent but by the numbers. You can almost hear the writers..."Boat chase, check. Car chase, check. Foot chase, check. Airplane chase, check." Aside from a beautiful world tour, this is a bloated soulless Bond film. At the end of the credits, we are promised, "James Bond will return". He better be carrying a better script when he does.

Zack & Miri Make A Porno

Writer/Director Kevin Smith returns with a new comedy, that true to his nature will offend many and have others singing his praises. "Borrowing" Seth Rogan from his recent run of comedy hits, Mr. Smith has made a romantic comedy filled with the most vulgar language you can imagine.

Mr. Rogan stars as Zack and Elizabeth Banks is Miri, friends who find themselves beyond broke and looking for a way to pay the bills. Craig Robinson, from "The Office" is Delaney, Zack's friend who finances their attempt at a porno film.

Mr. Smith hides a sweet romance under mountains of offensive (to some) dialog, giving Mr. Robinson the best lines. He manages to also save some good stuff for Kevin Smith regulars, Jeff Anderson and Jason Mewes. Actually, Mr. Anderson probably has the funniest line in the movie following a particularly graphic scene.

Mr. Rogan and Ms. Banks have natural chemistry and their "porno" scene is at first very funny and then turns into something unexpected. This is a fun, silly film that is not about porno (although casting Traci Lords does add credibility) but rather friendship and true love. If not for his trademark dialog and sight gags, you would think Kevin Smith has gone mainstream. If you enjoy the film, make sure you stay through the credits.