Kick-Ass

Let me be very clear...this film is not for everyone. It is ultra-violent and completely deserves it's R-rating. If watching an 11 year old girl maim and kill while using language unfit for many adults, let alone a child, is not your idea of fun then read no further. This is not your kind of movie.

On the other hand, if you are a fan of the graphic novel (IE; comic book) it's based on or films like "Sin City", or "Watchmen", then by all means, keep reading as this film is definitely for you. The screenplay is by director, Matthew Vaughn (who made the delicious British crime film, "Layer Cake"), Jane Goldman and Mark Millar and John Romita (who teamed up for the original comic book). They have rendered a perfect live action recreation of the comic and fans will love it.

It's a perfect cast. Aaron Johnson has his first major lead as Dave Lizewski/Kick-Ass and Christopher Mintz-Plasse as Red Mist, will make you forget him as "McLovin" in "Superbad". But two of the biggest surprises are a humble and subdued Nicolas Cage as "Big Daddy", who clearly respects the script and the wonderful Chloe Grace Moretz, who steals the film and will blow you away (literally & figuratively) as "Hit-Girl". Ms. Moreta is the aforementioned killer 11-year old with very adult language who is just remarkable in a role that has caused quite a stir. A controversy made worse when, not only does she main and kill but is herself, beaten to a pulp by Mark Strong, the villain of the piece (Mr. Strong is making quite the career of playing villains. He's also the sheriff of Nottingham in the upcoming "Robin Hood").

The film holds none of the gravitas of "Batman" and in many ways is a self parody of "super hero" movies. It can be extremely violent and very funny and the combination doesn't always work back to back but overall, for a film major studios wouldn't touch, it certainly will appeal to today's young audiences who are numb to the violence but are also in on the joke.

City Island

A small jewel buried beneath the blockbusters and spring rejects, "City Island" will amuse you and warm your heart. It's the story of the Rizzo family, born and raised for generations on City Island, a small piece of real estate located on Long Island sound, a stone's throw from the Bronx, New York.

The cast could not be more perfect. Andy Garcia is Vince Rizzo and Julianna Margulies is Joyce, his wife of 20 years. They have a daughter, Vivian and a son, Vinnie and they are a loving but dysfunctional family, each hiding their own secrets. This is one of the best characters Andy Garcia has ever played. He shows a flair for comedy you don't often see and he is so natural in the role, you believe completely in the character. Ms. Margulies matches him scene for scene and easily balances the many sides of Joyce. The film also features Emily Mortimer and Alan Arkin in smaller but pivitol roles.

When a new character is introduced, secrets begin to unravel and family chaos reigns. To tell more would spoil the fun but I'm sure you'll have an enjoyable time visiting City Island and leave the theater smiling.

Clash Of The Titans

The original was cheesy, light and silly but fun to watch. This remake is cheesy, silly, and with the exception of three scenes, dull to watch. Sam Worthington, fresh off of "Avatar" is strong man of action but can't act his way out of his amor chestplate. And furthermore, he steals all his fighting techniques from watching Brad Pitt in "Troy".

The three scenes that will keep you awake are the attack of the giant scorpions, the battle with Medusa, and the final battle with the Kraken (which really is the highlight and saved for the end). Between these set pieces, you can go to the restroom, refill your popcorn or take a quick nap.

Liam Neeson and Ralph Fiennes lend their gravitas to the film as Zeus and Hades (respectively) but you can't even take them seriously. There is no character development and you probably won't even care who lives or dies. If you're in the mood for mindless swordplay and mythology that won't leave a lasting impression (even while you are watching it), then this one is for you.

I would also recommend that you find a theater showing it in 2-D, rather than 3-D (if you still insist on going). The 3-D technology is completely wasted here. The film was shot in 2-D and converted later to 3-D. It shows. Unlike "Avatar" the 3-D does nothing to enhance the visuals. It actually makes the film darker and harder to watch.

Greenberg

The latest drama from writer/director Noah Baumbach, stars Ben Stiller who turns in a terrific performance as the title character. The problem is, that while his performance is stellar, Roger Greenberg is a self absorbed, unlikeable 40 year old trying to restart his life after a breakdown and he's not fun to watch.

As the film began, I found myself hating every minute of it but then a funny thing occured. Mr. Stiller, playing against type makes this irritating, post breakdown, and almost comatose, character sympathetic. Greta Gerwig plays Florence, a personal assistant to Roger's brother and a potential love interest for Greenberg. Florence has her own neurosis to deal with and their very odd courtship becomes fascinating to watch.

Rhys Ifans plays Ivan, an old friend of Greenberg's and like Florence and Greenberg, he too lacks energy and drifts in and out of his scenes. And yet, you find yourself rooting for him to succeed with his own demons as well. It's a strange film where most of the characters lack any appeal but you are drawn to them anyway.

I can't count "Greenberg" as one of Mr. Baumbach's best. He co-wrote it with his wife, Jennifer Jason Leigh (who has a small role as Greenberg's ex-girlfriend). They have created unlikeable characters in awkward situations that don't do much to redeem themselves. But there is something brewing beneath the surface that keeps you engaged and that is also a testament to the fine acting by Mr. Stiller and Ms. Gerwig.

A Prophet

Nominated at this year's Oscars for best foreign film, "A Prophet" is a remarkable character study of a criminal's rise to power in the French penal system. When Malik ( played by Tahar Rahim) arrives in prison to start a six year sentence, he is a naïve 19 year old. Once there he learns more than just to read and write.

Niels Arestrup plays Cesar Luciani, the criminal kingpin of the prison. It is Cesar that forces Malik's initiation into hard time when orders him to murder another inmate. From that point on, Malik works for Cesar in return for protection. Mr. Arestrup's Cesar is a Corsican Don Corleone, controlling everything inside and out of the prison with a network of corrupt guards and informants everywhere. He is a force to be reckoned with.

Like Michael Corleone in "The Godfather", it is Malik who begins innocent and grows under the tutelage of his older father figure. The film is a lesson in the corruptive nature of power and the struggle for survival in a hostile environment, filled with mistrust and betrayal. There are moments of raw violence with an impact so strong, you'll imagine violence throughout, when in reality, it's just a few scenes.

Mr. Rahim is a compelling actor, hard to read but fascinating to watch as he grows through the course of the film. His scenes with the terrific Mr. Arestrup are wonderful to watch. Their last scene together is unforgettable.

The Runaways

Every great rock band always has a charismatic lead singer and guitarist to play off each other. The Runaways weren't a great band but they had plenty of charisma. They were trendsetters and broke the barrier for women in rock. This is the story of the band and in particular, the relationship between Joan Jett and Cheri Currie. The film is produced by Joan Jett and based on a memoir by Ms. Currie so one has to assume most of what we see on screen is fairly accurate.

The director, Floria Sigismondi, captures the energy and sleaze of 1975 Los Angeles with a keen ear and eye for the rock scene of that era. Kristen Stewart makes a memorable Joan Jett and Dakota Fanning gives her most adult performance yet (ironic as she plays a 15 year old) as Cheri Currie. Michael Shannon shows chameleon like abilities portraying record producer, Kim Fowley, a role unlike anything he's done to date.

The story concentrates on the volatile relationship between Ms. Jett and Ms. Currie. Much is being made about an on screen kiss but it makes sense as Ms. Jett's love for Ms. Currie is obvious from their first meeting. What eventually tears them apart is Ms. Currie's need for a life outside of the band unlike Ms. Jett, who's life is the band. It's fascinating to watch the rise and fall of The Runaways especially if you lived through that time period. For Today's youth, it's a cautionary tale of too much too soon.

The focus on Jett and Currie makes sense as they were the face and sound of the band but I would have liked to know more about the other three members of the band. In particular, Lita Ford, who gets no back story and yet went on to her own solo popularity years later. Even in the post script, there is no mention of Ms. Ford, drummer Sandy West or the bassist know simply as Robin.

Alice In Wonderland

You would think Tim Burton is the perfect director to give his particular vision to "Alice In Wonderland". And what better actor than his frequent collaborator, Johnny Depp, to play the Mad Hatter? Of course on paper it's a perfect match but unfortunately I was underwhelmed with Mr. Depp's performance. Buried beneath layers of makeup, Mr. Depp's Hatter seems barely mad at all and at times, just catatonic.

Helena Bonham Carter tries hard as The Red Queen, who's garish personality is matched only by her garish appearance but you soon grow tired of "off with her head". Anne Hathaway underplays the White Queen but blame Mr. Burton's direction. Mr. Burton appears so caught up in the world he's created that he's forgotten to breathe real life into his characters. Newcomer Mia Wasikowska is a wonder as Alice, the only character with a pulse, who coincidently is the only true human in Wonderland ( known here as Underland). The best characters, The White Rabbit and The Cheshire Cat, are products of excellent CGI.

As the film begins, we learn this is Alice's second trip to Wonderland, as Mr. Burton and his team have actually combined "Alice In Wonderland" and it's sequel "Through The Looking Glass" into one story mixing characters and story elements that are visually appealing but ultimately flat, even in IMAX 3-D. If only the story and characters were as vivid as the landscape they inhabit.

Green Zone

How wonderful to live in a country with freedom of speech and freedom of the press. Even when we're being fed lies, Hollywood can show us a version of the truth without repercussion. "Green Zone" is director Paul Greengrass's attempt reveal the truth about the lack of WMD's in Iraq during the 2003 invasion.

Matt Damon, so good in Mr. Greengrass's "Bourne" films, returns to his action persona as Roy Miller, a soldier who becomes obsessed with learning the truth after his unit fails to find any WMD's on their patrols. As an action hero, Mr. Damon has found his niche and he's always enjoyable to watch. What's not credible is how easily he can go rogue and act on his own without any question from his superiors of his actions or whereabouts.

The film has a pedigree cast including Amy Ryan as a journalist who finds herself being used as a pawn in a massive cover-up, Greg Kinnear as the sleazy government official manipulating the truth, Brendon Gleeson as the CIA officer who wants real answers, and an almost unrecognizable Jason Isaacs as a nasty Special Forces officer.

The film doesn't pull punches of our government at the time but sometimes the truth hurts. Politics aside, the film hits the ground running and zips by at a frenetic pace, leading up to an exciting chase scene at the end. Mr. Greengrass is a terrific action director who loves hand held cameras but the headache producing dizzy action is the price you pay for "you are there" realism.

The Ghost Writer

Director Roman Polanski does Brian DePalma. Based on the novel By Robert Harris, this new "suspense" drama plays like one of Mr. DePalma's thrillers, minus the sleaze factor and the thrill. The camera work, and in particular, the score reminded me of films like "Body Double" "Dressed To Kill" and "Raising Cain".

Ewan McGregor plays the title character, hired to "ghost" the autobiography of Andrew Lang, the former Prime Minister of England, played by Pierce Brosnan. Mr. McGregor is a very engaging actor and works hard to keep the audience's attention. His simple task of writing a book of memoirs takes on ominous tones after a dead body is discovered and shadowy figures begin to appear. He suspects there is more to the story than what he's been told and the plot slowly begins to reveals itself and I do mean slowly.

The movie holds your attention and builds towards what you would expect to be a big revelation at the end. Granted the final moments of the film come as a surprise but after such a long slow build, it all becomes clear too neat and quick and then one final twist in the last shot.

Mr. Polanski substitutes an island off the North Sea for Cape Cod and Mr. Bronson's exile for his own. The story of a American puppet Prime Minister is thinly veiled and the film contains a pretty obvious anti-American slant. There is very little action and the drama just drags on and on.

Mr. Brosnan is well cast in the Tony Blair...oops I mean Andrew Lang role and it's nice to see Kim Cattrall doing something else beside "Samantha Jones". The fine actor Tom Wilkinson also turns up as an important piece to the mystery.

There seems to be a big buzz around this film but to this critic, it's much ado about nothing.

Cop Out

You know there's problems here from the opening shot of New York City. With the Beastie Boys "No Sleep Till Brooklyn" playing in the background, the camera pans from Manhattan to stop at Long Island City, which is in Queens, not Brooklyn. Director Kevin Smith, working for the first time with someone else's script, plays it loose and lazy. There is no chemistry at all between stars Bruce Willis and Tracy Morgan. In fact Mr. Willis is content to sleep walk his way through his role taking back seat to the irritating mugging of Mr. Morgan. I haven't seen Bruce Willis with so little energy in a movie since "The Sixth Sense" and he had good reason in that film.

This is a tired retread posing as a homage (a word Mr. Morgan butchers for laughs) to the '80's black/white buddy cop films like "48 Hours", and "Running Scared". The best thing is the musical score, lifted right out of "Beverly Hills Cop". The plot is weak. The action boring and even perennial scene stealer Seann William Scott can't save this mess.

The film also co-stars Guillermo Diaz, who plays his bad guy role exactly like his character on "Weeds", Kevin Pollack as another detective caught up in the same case , and Rashida Jones, who deserves better than a few scenes as Mr. Morgan's wife, who may or may not be cheating on him.

"Cop Out" is a washout. Save your time and rent "48 Hours" instead.

Shutter Island

Martin Scorsese has undeniably made so many memorable films over the years that bear repeated viewing. Sadly, "Shutter Island" is not one of them. The master director and his muse, Leonardo DiCaprio have turned in an overlong and tedious "thriller" with a twist that's been done far better in other films.

There have been so many TV and radio spots for this film I could recite most of the dialog by heart. That, and the long running time sucked all the possible suspense right out of the film. There is certainly a more complex story here than the ads leave you to believe but by the time all is revealed, you're just grateful it's over.

I will say that Mr. DiCaprio remains one of the best actors of his generation and there is some fine work done by the supporting cast including Mark Ruffalo, Sir Ben Kingsley, Michelle Williams, Max von Sydow and a particularly good Patricia Clarkson (in a one scene cameo). It just doesn't add up to much by the end of the film.

Mr. Scorsese has always given each of his films their own vibrant life but here he actually repeats himself by recreating the atmosphere of "Cape Fear", his remake with Robert DeNiro. Shutter Island" gave him his biggest opening weekend box office. He gave us a disappointment.

The Wolfman

Benicio Del Toro channels Lon Chaney in this remake of the original horror classic. The film tries to remain faithful to the original but veers off course mixing bits of "American Werewolf In London" as well as "Werewolf of London" starring Oliver Reed.

Mr. Del Toro plays the tortured soul cursed by the bite of a werewolf along with Anthony Hopkins as his father, a man with a pretty obvious secret. Along for the hairy fun is Emily Blount and Hugo Weaving. Throw logic out the window when Ms. Blount, Fiancée to Mr. Del Toro's dead brother is instantly smitten with him and Mr. Weaving is conveniently setup for the sequel should there be one.

The film tries hard for chills and thrills but Danny Elfman's score is over the top with mood and menace and the cinematography is so black and blue, you would think the film itself was beaten by a beast. There's a nice mix of CGI as well as old fashioned makeup, courtesy of Rick Baker.

In the end, it's not a bad "popcorn" movie as it does have a pedigree cast trying hard to please but for today's over stimulated audiences, it's 'Ho Hum", another monster movie.

The Last Station

Set in the 1910 Russian countryside, this wonderful film is about the last days of famed author, Leo Tolstoy. At first thought, a film about Tolstoy...how dull but fireworks erupt on screen between Tolstoy and his wife Sofia, played brilliantly by Christopher Plummer and Helen Mirren.

The film plays like a Russian version of "The Lion In Winter" except in this version, it's the lioness that takes center stage. Ms. Mirren is a marvel to watch as the wife of the beloved revolutionary thinker who just wants the best for her family, while her husband's philosophy is to share all with the masses. Married for almost 50 years, this is a very human film about a couple's love versus their ideology. The scenes between Mr. Plummer and Ms. Mirren are filled with a level of acting few can match. Watching these two "giants of the screen" is pure pleasure.

The film co-stars Paul Giamatti as Tolstoy's disciple, Chertkov and James McAvoy as Bulgakov, Tolstoy's secretary. Both are excellent and hold their own with Mr. Plummer and Ms. Mirren. Mr. McAvoy, in particular, has the difficult role of trying to remain loyal to Tolstoy's philosophy while acknowledging Sofia's point of view. He is an everyman caught between two gigantic personalities.

The story comes from a novel supposedly based on the actual diaries of the principles. Some liberties are taken at the end but for the most part, the film is historically accurate. Besides the acting, the cinematography is breathtaking with beautiful shots of the Russian woods and countryside. If you're looking for something different, "The Last Station" is a great alternative to the Hollywood "top 10"

Percy Jackson & The Olympians: The Lightning Thief

Another movie franchise in the making, "The Lightning Thief" is based on the first book in a series about a young teen who discovers he is the son of Poseidon. The film is directed by Chris Columbus, who helmed the first Harry Potter movie, and knows a thing or two about fantasy films for young adults. Unlike the Potter books and films which are based on magic entwined with modern teenagers, "The Lightning Thief" and it's subsequent titles are rooted in Greek mythology but share a common bond in a hero who is unaware of his powers or lineage but soon discovers the truth about himself.

Using mythology as a background provides fertile plot points that keep the story moving with lots of action (requiring a lot of CGI), clever dialog and cameos galore for stars to ham it up as mythological figures. The image of Pierce Brosnan as a minotaur is a bit unsettling and Steve Coogan as Hades is a strange choice. However, Kevin McKidd as Poseidon, Uma Thurman as Medusa, and Sean Bean as Zeus are perfectly cast. Also co-starring in human roles are Catherine Keener as Percy's mother and Joe Pantoliano as his creepy stepfather.

The most important casting choice is of course, Logan Lerman, who plays Percy Jackson. Mr. Lerman does an admirable job of being a young hearthrob as well as action hero. His best friends are played by Brandon T. Jackson (who plays his role like a live version of "Donkey" from "Shrek") and Alexandra Daddario, who plays Annabeth as a young "Xena, Warrior Princess".

Mixing modern reality and ancient mythology create an enjoyable family film that will set the table for at least four more films to satisfy the legions of Percy Jackson fans out there.

The Lovely Bones

I enjoyed the book but therein lies the problem. If you've read the book, you will not appreciate the "in- between" as interpreted by director Peter Jackson. And if you haven't read the book, you still may not appreciate his vision for Susie Salmon's "in-between. The visuals are beautiful and surreal but they bog down the story and do nothing for Susie's heavenly narration of her murder and the family she leaves behind.

Susie's parents are played by Rachel Weisz and Mark Wahlberg. They do an admirable job in roles that are underwritten for the screen. Susan Sarandon plays the grandmother in an over the top performance and Michael Imperioli is stereotyped as the detective in charge of the case. Susie's murderer is played by Stanley Tucci who gives a very creepy performance that was deemed Oscar worthy by his peers. Rose Mclver, as Susie's sister has the most tense scene in the film.

I have to save Saoirse Ronan for last, as Susie Salmon. Ms. Ronan is remarkable to watch. She was excellent in "Atonement" and once again shows acting maturity beyond her years. If not for her performance, the film would be unwatchable. She anchors the film and breathes life into this murdered young girl. She manages to rise above her scenes in the "in-between" and I look forward to seeing her work for years to come.

I give Mr. Jackson credit for tackling this novel. It's not an easy story to translate to the screen and while he tries hard, he just can't pull it off. This is a story you must interpret for yourself and for that reason, I recommend reading the book and take a pass on the film.

A Single Man

Colin Firth stars in this period drama from first time director Tom Ford. It's 1962 and George Falconer has just lost his lover of 16 years in a car accident. Mr. Firth is excellent as George. He is in almost every scene and his subtle expressions, restraint of emotion, and driven purpose serve him well. He is a man swollen with grief who can't express his loss to the world. He formulates a plan and methodically goes about his business effectively hiding his pain from those around him.

Julianne Moore co-stars in what amounts to a cameo. She really shines in their major scene together but her part is becoming all too familiar to some of her more recent work. Contrast this to her work on 30 Rock and you can really appreciate her range as an actress.

Mr. Ford co-wrote the screenplay and directs the film with his fashion world eye for color and detail. His use of lighting and color literally express George's emotions for the viewer. He does tend to let the camera linger a bit too long which slows down the pace of the film but the character study of George Falconer and Mr. Firth's portrayal will keep you engrossed.

The White Ribbon

Writer/director Michael Haneke brings us his latest film to excite and confound us. Mr. Haneke's work is always intelligent, provocative, disturbing, and frustrating. "The White Ribbon" is all of this and more.

Set just before World War One, in a small German village, the film concerns itself with an escalating series of strange accidents befalling the townspeople. There is an underbelly of hate and anger growing beneath the seemingly peaceful village and the actions at work here are not obvious or easily explained. By the end of the film, you should realize where this is going but, as with much of Mr. Haneke's work, there no easy answers.

The cinematography is remarkable. The film is shot in black and white and the stark images are haunting. It is beautiful to watch. There is no soundtrack. The lack of color and music add to the tension but may put off many viewers. The acting is excellent with never a false note. The children, in particular, will remind you of the '60's British film "Children of The Damned". They are convincingly creepy and marked with a sense of growing evil.

The White Ribbon of the title signifies innocence but the film shatters that innocence and will provoke discussion and debate long after it ends. It is in German with English subtitles.

Crazy Heart

A career high performance from Jeff Bridges anchors this tale of a past his prime county singer just trying to survive day to day on his charm and what's left of his talent. We've seen characters like this before in films, most recently in "The Wrestler" (which could be a distant cousin). Like Mickey Rourke in that film, Mr. Bridges gives a raw, uncompromising performance that drives the film and fully engages the audience.

When we first meet "Bad" Blake, he is getting by on booze, cigarettes, and one night stands in cheap motels. He hasn't written a new song in years and his protégé has passed him by to become a superstar on his own (Tommy Sweet, played by a surprising Colin Farrell). When he meets reporter Maggie Gyllenhaal, she awakens something in him, he had thought long dead. To it's credit, Crazy Heart avoids the relationship cliché and what remains is touching and authentic.

I also can't say enough about the great soundtrack, put together by T-Bone Burnett. Mr. Bridges and Mr. Farrell do their own singing on the original songs and there are some classics thrown in as well.

Robert Duvall produced the film and also co-stars in a small role, which brings to mind his own star turn in "Tender Mercies", a film with similar themes. In his younger day, I'm sure Mr. Duvall would have coveted the role of "Bad" Blake for himself. But the part belongs to Mr. Bridges and he reaches down deep for what will surely be an Oscar nominated performance ( as of this review, he has just won the Golden Globe).

BEST & WORST of 2009

Best of 2009

Honorable mention- Up- A very warm human comedy told through rich animation.

10) Star Trek- Works on every level. Great casting, credible story and action at warp speed. This one delivers the goods!

9) The Messenger- Excellent human drama with fantastic performances from Woody Harrelson and Ben Foster

8) Avatar- Spectacular visuals enliven and enhance the retread plot. Tells an old story in an entirely new setting and makes it fresh and exciting

7) Precious- devastating urban drama with amazing performances.

6) Fantastic Mr. Fox- Delightful. Visually brilliant in its simplicity and crafty in it’s dialog.

5) An Education- Coming of age story brilliantly written and acted.

4) District 9- Fantastic, original filmmaking. A political Sc-fi film like no other.

3) Inglorious Basterds- Another triumph from Quentin Tarantino.

2) Up in the Air- Very entertaining but also depressing dramady with spot on acting by George Clooney, Anna Kendrick and Vera Famiga.

1) The Hurt Locker- Authentic, visceral, and gripping story of war that keeps you on edge with unbearable suspense.

Worst of 2009

10) Wolverine- All Style and little substance. Decent action but flimsy story.

9) Paul Blart Mall Cop- Silly comedy with a few laughs courtesy of Kevin James.

8) Duplicity- Audience is the one who gets duped in this confusing, empty star vehicle for Julia Roberts and Clive Owen.

7) Twilight:New Moon- I just don’t get it but then again I’m not a teenage girl.

6) Sherlock Holmes- Overindulgent and actually tedious with characters that have no depth at all.

5) The International- Clive Owen can’t save this “Bourne” ripoff minus the action. A silly plot and a wasted Naomi Watts can’t make for the great worldwide locations and one solid action sequence.

4) Nine- Some enjoyable flashes but disappointing and a miscast Daniel Day Lewis.

3) Knowing- Not knowing would have been better. Un-original and dreary.

2) Year One- An awful mess on every level. How disappointing from the man who directed “Ghostbusters” and “Stripes”.

1) The Box- better left unopened.

It's Complicated

Rich white woman fairy tale with a charming Alec Baldwin and a very natural Meryl Streep. Nobody does "chick flicks" for adult women better than writer/director Nancy Meyers. However her films never seem to take place in the "real world". You have to laugh when Ms. Streep explains to her architect, "now I can have a real kitchen" when the one she is standing in comes right out of Architecture Digest. And this is also an alternative universe where minorities don't exist.

Steve Martin co-stars as a potential love interest for Ms. Streep who, after 10 years, is suddenly having an affair with her ex-husband played by Mr. Baldwin. Once again, the trailer gives you the best bits but John Krasinski provides much comic relief not seen in the trailers. Even if you know what's coming, the movie is still light and fun, even if unrealistic outside of certain circles.

If not for the A-list cast, this would have made a fine Lifetime Channel film. The principles elevate it beyond that and it does have it's charms. Who can resist Meryl Streep exclaiming "turns out I'm a bit of a slut"