The Green Hornet

Michael Gondry, at first seems like an odd choice for a Seth Rogan action comedy but actor and director are on the same page for this juvenile and silly film. It is not without it's certain charms and will probably appeal to the 14 year old boy who may still be lurking in your adult mind.

Seth Rogan fans are sure to enjoy the sophomoric dialog and mass destruction. Some of the action sequences are actually exciting and there are a few "laugh out loud" moments as well. Where the film falters is the casting of Cameron Diaz, who is completely wasted and just shows up for the paycheck. After the disaster of "Knight & Day", Ms. Diaz's career seems to be going in the wrong direction. Also wasted is Christoph Waltz who basically plays the same role from "Inglorious Basterds" without the Nazi uniform.

What does work is the "bromance" between Mr. Rogan and his "sidekick" Kato played by Martial Arts master Jay Chou. Their relationship has depth and believability and drives the film (no pun intended).

Another in a growing line of gimmick 3-D films, "The Green Hornet" could easily have been 2-D saving it's audience the extra bucks. The 3-D does nothing to enhance the film except for adding some interesting depth to the closing credits. I can't tell you how much I hate this trend which shows no sign of going away anytime soon.

This film will never win over critics but it will appeal to an audience looking for a summer "popcorn" flick in the middle of winter.

The Way Back

Director Peter Weir returns with this extraordinary tale of survival based on a true story. It's 1940 and a small group of multi-national prisoners stage an escape from a Russian Gulag in Siberia. They proceed to walk 4000 miles south to freedom in India. All the tension and suspense lie in who will survive.

The film stars Jim Sturgess, Ed Harris, Saoirse Ronan, and Colin Farrell. While the story holds your attention for two hours, it's the tale itself that bears watching and not the acting. This is man against nature at it's worst and while everyone is solid in their part, there is no opportunity to develop the characters and they become almost interchangeable. Mr. Harris is stoic, Mr. Sturgess is determined, and Mr. Farrell does a terrible Russian accent but still manages to appear menacing. That's the extent of it. When Ms. Ronan joins the group, she is the tragic figure who manages to get the men to open up a bit about themselves.

Aside from the characters lack of depth, the cinematography is gorgeous and the story is harrowing. Mr. Weir convincingly makes you feel every bit of icy cold and all the heat of the blistering sun.The ending is a bit rushed but ends on a sentimental note. It's an old fashioned adventure story filmed on location without the use of CGI and that alone makes it a breath of fresh air in what is usually the January dumping ground of movies.

Casino Jack

Kevin Spacey stars as disgraced Washington "super lobbyist", Jack Abramoff in this "inspired by real events", docudrama. During the first Bush administration, Jack Abramoff was a lobbyist mostly involved in the gaming industry and in particular, Native American casinos. He had his fingers in many pies though and this is a fictionalized account of his fall from Washington grace and subsequent imprisonment.

As written, much of the film is played for laughs and it would probably be even funnier if most of what was going on at the time wasn't true. The situations are real and I would hope that the characters are enhanced "Hollywood" versions of themselves for entertainment value. Whether or not that's accurate, the film does have an essence of truth as to what goes on behind closed doors in Washington and that makes it scarier than amusing.

Mr. Spacey is great as Mr. Abramoff. He is so adept at playing these kinds of characters. He is also backed by a fine cast including Barry Pepper as his partner, Michael Scanlon, Kelly Preston as his wife Pam, and Jon Lovitz as Adam Kidan, a sleazy business partner. Mr. Lovitz is a terrific casting choice who balances comic relief and pathos in a serious part. Graham Greene and Rachelle LeFevre round out the major roles.

The film was directed by George Hickenlooper, who passed away two months before the film's release. He left behind a small but noteworthy body of work capped by the very entertaining "Casino Jack".

Blue Valentine

Michelle Williams and Ryan Gosling star in a story of a failing marriage. Early on we realize things are not going well between Dean and Cindy and we watch as their marriage begins to fall apart. The film takes us to various moments in their relationship to show us the good times as well as the bad. We learn how they meet, fall in love, marry and raise a daughter. I was particularly impressed with the editing of how they meet which was very unique.

Both actors are incredible. They match each other for powerful, raw performances that don't hold anything back. The film cuts back and forth in time and it is difficult to watch the hurtful, angry moments after experiencing the early tender, loving ones.

The film was directed and co-written by Derek Cianfrance. I suspect many of the scenes went off script and were improvised as so many reaction shots seem genuine and even full of surprise. If it was all scripted, credit even more, the brilliant acting by Ms. Williams and Mr. Gosling as well as Mr. Cianfrance's direction.

This is not an easy film to watch but it does reward you with two outstanding (sure to be nominated) performances.

Best & Worst of 2010

BEST OF 2010

10) Winter’s Bone- Chilling realism. A glimpse into the underbelly of contemporary rural America with outstanding performances.

9) City Island- Extremely enjoyable light comedy with a great performance by Andy Garcia.

8) Toy Story 3- Superb animation and a fun filled, heartwarming story. It’s still the best.

7) The Fighter- Crowd pleasing true story of boxer Mickey Ward and his crazy family. Excellent performances all around.

6) Micmacs- French comedy from Jean-Pierre Jeunet that is an an absolute delight.

5) Black Swan- A seductive and controversial ballet thriller with a great performance by Natalie Portman.

4) Inception- Christopher Nolan does it again in this visual mindbender. We're still debating "the top".

3) The King’s Speech- Fantastic performance by Colin Firth as well as Geoffrey Rush and Helena Bonham Carter in this true story of King George VI.

2) 127 Hours- Actor James Franco & Director Danny Boyle team up to create an amazing journey from a least expected situation.

1) The Social Network- The smartest and surprisingly entertaining film of the year. Great script, direction and acting.

Honorable Mention-

Let Me In- A very different sort of vampire movie.

Barney's Version- Terrific drama starring the amazing Paul Giamatti with strong support from Dustin Hoffman, Minnie Driver and Rosamund Pike.

The Secret In Their Eyes- Rich, absorbing and intelligent, drama.

WORST OF 2010

10) Shutter Island- very disappointing mess from Martin Scorsese.

9) Middlemen- Luke Wilson is terrific in a very mediocre movie.

8) Alice In Wonderland- Very disappointing. Johnny Depp lifeless as the mad hatter and Tim Burton landscapes are rehashed from previous work.

7) Robin Hood- Give me Errol Flynn.

6) Jonah Hex- Don’t bother. God knows the actors didn’t.

5) Resident Evil: "Afterlife"- There isn’t any and the 3D was lame. Even fans of the series have to admit enough is enough.

4) Knight & Day- Awful action mess. A big misstep for Cruise and Diaz.

3) Killers- Ugh. Kill me now.

2) Clash of The Titans- Boring and terrible in 3-D. Only three decent moments.

1) Cop Out- Possibly the worst "buddy-cop" movie ever. Bruce Willis just showed up for his paycheck.

The Fighter

Based on the true story of Mickey Ward, a welterweight boxer from Lowell Massachusetts, this is a sure crowd pleaser and Oscar contender in multiple categories. Mark Wahlberg stars as Ward and he is the anchor of the film. Standout performances are all around him in the form of Melissa Leo as his mother, Alice, Christian Bale as his brother Dicky and Amy Adams as his girlfriend, Charlene.

While the film is about fighters, it's center is really about family. For years, Mickey has let his mother be his manager and his brother, his trainer. It hasn't gotten him anywhere except for multiple losses. He is fiercely loyal to his family but decisions have to be made.

David O. Russell directs and takes his camera directly into the eye of the hurricane of this highly dysfunctional family. Dicky had his shot in the ring but his life choices have led him astray. Mickey's last shot is redemption for both of them and the last act of the film takes us to a rousing finish.

The film also has a terrific soundtrack. Who would have thought I'd be humming "Here I Go Again" by Whitesnake, as I left the theater.

Another Year

Writer/director Mike Leigh's latest drama is an intimate look into the life of Tom and Gerri, a middle-aged, middle-class London couple that literally transpires over the course of a year. Divided into the four seasons, "Another Year" examines the impact and contrast of Tom & Gerri's happy, content life with the lives of their friends Mary and Ken as well as their son, Joe. The brilliant cast is led by Jim Broadbent and Ruth Sheen as Tom and Gerri.

Mary's life has been a series of failures and she clings to the warmth of her friend's marriage as a lifeline with one hand on the rope and the other wrapped perpetually around a wine glass. Played by Leslie Manville, Mary's downward spiral is hard to watch but heartbreakingly real. It's the standout performance of the film. Ken(Peter Wight), on the other hand has also had his failures. However, instead of fooling himself into thinking he's still got a chance at happiness, he's resigned himself to being a chain smoking, overweight drunk. Ken's attempt at courting Mary is only one of the many painful scenes throughout the film.

The counterbalance to the heartbreak and pain is the positive anchor of Tom & Gerri. Theirs' is such a strong, happy marriage that it almost falls into caricature. Can anyone be that happy? And can that happiness be absorbed by others? Credit Mr. Leigh with casting actors that never look or feel like they're acting. Furthermore, directing them with an improvisational style that gives the viewer a sense of watching real people navigate their lives... for better or worse.

All Good Things

Ryan Gosling and Kirsten Dunst star in this "truth is stranger than fiction" crime drama. This is the fictionalized account of the Robert Durst scandal in New York during the '80's. Mr. Durst was the wealthy son of a New York real estate magnate who was suspected of killing his wife but never charged as her body was never found. The story got stranger as time went on and the film captures all of it with a knockout performance from Mr. Gosling as David Marks (aka Robert Durst).

The film also stars Frank Langella as Sandford Marks, David's father and the wonderful Philip Baker Hall as Malvern Bump, a man David befriends later in life only to get him caught up in his nefarious actions. Lily Rabe also co-stars as another important woman in David's life. Mr. Langella is so good at playing the strong-willed, overbearing patriarch and Mr. Baker Hall is woefully sympathetic as a man driven to circumstances beyond his control.

The story starts out simply enough as David and Katie (Ms. Dunst) meet, fall in love and marry but as the years progress, David's mental instability begins to come to the surface and and the "good things" take a turn for the worse. The film is directed by Andrew Jarecki, who's last film was the documentary "Capturing The Friedmans". It's a fascinating story and will definitely make you curious about the actual events. Thank goodness for Wikpedia.

The Tourist

European in style and Hitchcockian in nature, "The Tourist" will come as a disappointment for most mainstream audiences. The problem occurs when you attach two of the biggest stars on the planet (known mostly for action films) and you don't give them the big "Hollywood" action film the audience expects. Earlier this year, George Clooney failed for the same reason in "The American".

Angelina Jolie is the mystery woman Elise and Johnny Depp is Frank, the title character. Ms. Jolie is actually terrific in the role, glamorous, mysterious, and dangerous all at the same time. Mr. Depp is terribly miscast as Frank and their lack of chemistry proves the point. Mr. Depp can be many things but coming across as a mild mannered math teacher from Wisconsin is not one of them.

The film is directed by Florian Henckel von Donnersmark, who did a brilliant job on "The Lives of Others". Here, as a European director, he is asked to do an American remake of a French film that will appeal to American audiences. This is not Mr. Henckel von Donnersmark's strength and he ends up with a hybrid of styles that ultimately fail. The only star here that really shines is Venice (where the film takes place) as the beauty of the city is revealed through the director's eye.

Some foreign films, in the wrong hands, just don't translate well into American films. If you were intrigued by the idea of "The Tourist", seek out the French original, "Anthony Zimmer". I hear it's terrific.

True Grit

I love a good western and "True Grit" is a good western. Is it great? No, I don't think so. In my humble opinion, The Coen brothers didn't need to do their own version of this film. I'm a huge fan of their work but this time out, they really don't infuse the story with their signature style. Even though they have tackled many genres, there is always something about their films that is distinctively "Coen Brothers". Their only mark on the retelling of "True Grit", is the fantastic cinematography of Roger Deakins.

Casting Jeff Bridges as "Rooster Cogburn", they might as well have called the film, "True Grunt". It's almost impossible to understand his dialog and subtitles would have been a blessing. As for his acting, he does redefine the role made famous by John Wayne but he plays it like an early ancestor of his "Crazy Heart" character, "Bad Blake". Matt Damon does a stalwart job as "LaBouf", the Texas Ranger. Josh Brolin gets top billing along with the others but his role is nothing more than a two scene cameo. The real praise must be given to Hailee Steinfeld as "Mattie Ross". Ms. Steinfeld won the role after apparently 15,000 girls auditioned for the role. The filmmakers got it right. This is her first film and she steals the movie with maturity and a natural charm.

The Coen brothers insisted this was not a remake but rather their own version of the book but if you watch the original film, you will still see that many of the scenes are shot for shot in the new version. I was hoping to heap accolades upon this film but I would give them to "A Serious Man", the Coen Brothers last film released in 2009 with an original story and better acting.

Black Swan

Darren Aronofsky brings us another minor masterpiece with "Black Swan". Using the same hand held technique he did in "Requiem For A Dream", he creates a claustrophobic world of ballet seen through the eyes of Nina Sayers, the dancer picked to play the Swan Queen in a new production of "Swan Lake".

Natalie Portman plays Nina. She is wonderful in a complex and difficult role as she slowly succumbs to the pressure of the lead. She also does an admirable job with her dancing as it is obviously her in many of the ballet sequences. Vincent Cassel, plays the controlling and manipulative dance company director and Barbara Hershey plays Erica Sayers, Nina's mother who has issues of her own. Winona Ryder has a small but pivotal role as Beth MacIntyre, the lead ballerina forced out by Cassel.

A real revelation (besides Ms. Portman) is Mila Kunis, who until now has not had any really significant parts. Here, she plays another ballerina who befriends Nina and yet is a rival for the Swan Queen. She shows a new maturity and depth to her acting. Ms. Kunis also does much of her own dancing quite well (at least to my untrained eye).

Mr. Aronofsky leads us into the world of ballet and then builds the suspense to a breaking point of an ending. The film has it's moments of beauty, shock and controversy and expect to be caught in it's seductive power.

TRON:Legacy

"Tron: Legacy" in IMAX 3-D is less a movie and more an amusement park ride. You are totally immersed in the digital world of the grid and it truly stimulates the senses. The audio and visual effects are wonderful and it really is quite the ride.

On the other hand, the plot is thin and the acting fairly robotic (especially considering two of the major characters are non-human). Jeff Bridges does double duty here as his image from the original film (some 30 years ago) is digital reproduced as the villain, "CLU" and he also plays his current age as Flynn, the inventor of Tron, trapped in his own creation. Garrett Hedlund, plays Sam, his adult son, drawn into the digital world who reunites with his father to bring down "CLU". Mr. Hedlund handles himself well in all the action sequences and also gets some help from the digital creation "Quorra", played by Olivia Wilde. The film also brings back Bruce Boxleitner (the original Tron) in a sentimental small role. Rounding out the major cast of characters is Michael Sheen, playing a digitally androgynous character named "Castor" who comes across as David Bowie circa "Ziggy Stardust".

Aside from the obvious father-son connection, the thread of a plot is concerned with "CLU" invading the real world with a digital army. There's lots of cyber speak and Mr. Bridges, as Flynn, talks a lot of Zen philosophy but you don't go to see Tron for the plot. This is all about the visuals and they are stunning. The "games" and various chase sequences are lots of fun and if you don't try to hard to understand the story, you will have a good time "lost" in this digital landscape.

The Company Men

Last year, "Up In The Air" showed us what it was like to fire people in a downsizing economy. "The Company Men" gives us an idea of the receiving end of those pink slips. Ben Affleck, Tommy Lee Jones and Chris Cooper are three levels of executives downsized by their company during the economic crash of 2008.

The film is both scary and depressing as writer/director John Wells holds a mirror up to the harsh reality of the employment crisis in this country. The film does have some redeeming moments though, most notably in the acting of it's three leads, each handling their situation in a different way. The script tends towards the melodramatic extreme in the case of Mr. Affleck and his family as their life crashes around them in less than a year but everything else about the film feels real.

A big surprise in the film is Kevin Costner, who shines in a supporting role as Mr. Affleck's brother-in-law. Out of the star spotlight, he can relax and just act naturally in his best role in years. Rosemary DeWitt is also excellent as Mr. Affleck's wife, standing by her man, even as everything they have is stripped away.

"The Company Men" is a hard sell as escapist entertainment when the subject matter is all round us but if you appreciate good acting, see it for the cast. They do their best to help the rest of us cope.

The Warrior's Way

A mash up of a samurai sword epic and a classic American western, this psychedelic genre crasher is a lot of fun. Filmed in New Zealand but mostly CGI green screen work, the film looks great and the stunts are plentiful.

The film's name stars are Geoffrey Rush, ("slumming" after what will be an Oscar nomination for "The King's Speech") as a drunken marksman, Danny Huston as the outrageous villain (disfigured face and all), and Kate Bosworth as the plucky love interest, good with blades of all kinds. Diminutive actor Tony Cox also has a key roll as "Eightball", the little person with a big heart. The real star, however, is the Asian actor Jang Dong-Gun, who makes intricate swordplay look easy.

When you take a semi-deserted town, throw in a bunch of circus rejects, add a bunch of villainous cowboys and ninja warriors, you get one crazy mix of a movie but writer/director Sngmoo Lee makes it work. It's got plenty of comic book violence, colorful characters and the most expressive baby I've ever seen.

If you're looking for something really different, "The Warrior's Way" fits the bill.

Barney's Version

Released in a very limited run (probably for Oscar consideration), this is a little Indie film with a big emotional payoff. Based on the novel by Mordecai Richler, this is the story of Barney Panofsky and the journey through his adult life. It's dramatic with some comedic moments and you will quickly find yourself emotionally invested in Barney's life through all his ups and downs.

Paul Giamatti plays Barney and his rich, layered, terrific performance pulls you in and keeps you there for the entire ride. It's easily one of his best roles. Supporting him are Dustin Hoffman as Izzy, his father, along with Minnie Driver and Rosamund Pike as two important women in his life. Mr. Hoffman is a joy to watch as he makes the most of his supporting character (he gets most of the laughs). Ms. Driver portrays a Montreal "Jewish American Princess" very accurately and Ms. Pike is a breath of fresh air in a role I will not reveal.

Richard J. Lewis directs this gem and condenses an adult lifetime into little more than two hours running time without sacrificing major plot points. Watching the film, you can imagine the complexity of the novel but the edited screenplay still captures the heart of the story and Mr. Lewis moves things along at a comfortable pace.

What makes everything work so well is Mr. Giamatti's portrayal of this fascinating character. I hope the release strategy pays off and he is recognized for his fine work here.

The King's Speech

The true story of King George VI of England, who reluctantly becomes ruler when his brother abdicates the throne in 1936. His reluctance is due to a terrible stammer that destroys his confidence to rule. His wife, Queen Elizabeth finds speech therapist, Lionel Logue to help with the King's problem. Lionel's unconventional treatments eventually lead the two men to a life-long friendship.

Colin Firth stars as King George and Geoffrey Rush plays Lionel Logue. These two actors are at the top of their game and are wonderful to watch as they bond over the King's problem. Mr. Firth is marvelous in a role with such vocal difficulty. Mr. Rush also shines as the commoner, not afraid of royalty but rather committed to helping a man in dire need. They should both easily get Oscar nominations for this film. Also outstanding is Helena Bonham Carter as Queen Elizabeth. She makes the queen regal and yet, so human as a wife and mother.

Director Tom Hooper captures the period along with all the pomp and circumstance of the royal family perfectly. He directs an all star cast that also includes Guy Pearce, Timothy Spall, Michael Gambon and Sir Derek Jacobi. The film is obviously very British but the story holds a universal appeal. With perseverance, one can overcome handicaps and go on to great things.

Harry Potter & The Deathly Hallows: Part 1

Let's be real here. We're up to film number seven in the series. At this point, you're either a fan or couldn't care less. And if you are a fan, the film is pretty much critic proof. Warner Brothers decided to split the last book into two films. They claimed it was to enrich the story. Since we're being real here, let's be honest and realize they are milking the Harry Potter cash cow to the last drop.

The film picks up where we've left off with Harry and his friends on the run from the forces of Voldemort, trying to find the Horcruxes that will destroy Voldemort's power. The most original thing about the film is how it opens up the story from the confines of Hogwarts and ends up a travelogue for the British Isles. Otherwise, it's all the characters you've come to love (or hate) doing what they do best.

The film could have been done in one part if it didn't need to include countless scenes of Harry, Hermione, and Ron sitting around beautiful locations contemplating their next move in the war against Voldemort. There are some well done action sequences but they are far and few between. The look of the film is consistent with the others in the series. Dark is the operative word both figuratively and literally.

It's been fun to watch stars Daniel Radcliffe, Emma Watson and Rubert Grint grow up and mature with each film. And as for the supporting cast, I think every British actor (with the exception of Hugh Grant) makes an appearance in "Part 1". There's still time for Hugh to show up in "Part 2".

I have to hold off complete judgment until "Part 2" next year when the series finally comes to an end. Wow, think of all the British actors who will end up "on the dole" after that.

127 Hours

Director Danny Boyle and actor James Franco team up for an unforgettable experience. The film is based on the true story of Aron Ralston, an extreme sports enthusiast and in the hands of another director, it could easily have been a two hour bore. Utilizing similar techniques first seen in "Trainspotting", Mr. Boyle takes us on a rollercoaster ride of emotion watching James Franco try to survive, trapped in a rocky gully in the Utah Canyonlands.

Mr. Boyle mixes audio and video imagery to create a non-stop rush of flashbacks, hallucinations, and agonizing close-ups of Mr. Franco's efforts to free himself from an seemingly impossible situation. There is a scene late in the film that is definitely not for the faint-hearted and by film's end, you will feel drained and exhausted as if you were actually there.

Credit Mr. Franco with his best role to date, bringing you into Aron's world and experiencing every moment of joy, agony, and everything in-between. He is in almost every frame and it is simply an amazing performance.

I won't explain any plot points or individual scenes. Try to see this film with little or no knowledge of what actually happened to Aron Ralston. "127 Hours" will reward your time and come next year, Oscar will surely reward "127 Hours". Danny Boyle has done it again.

Fair Game

"Fair Game" is an uncharacteristic dud from director Doug Liman, best known for the "Bourne" films. This political drama is based on a true story of an exposed CIA agent during the Saddam years in Iraq. The film stars Naomi Watts as agent, Valerie Plame and Sean Penn as her husband, former Ambassador, Joseph Wilson.

The first hour is all background information on Valarie's operations around the world and our government zeroing in on supposed WMD's in Iraq. We get to the crux of the story when Joe writes a piece in The New York Times, calling the Bush Adminstration liars after he finds no WMD's on an overseas mission. The government then exposes Valerie in an attempt to deflect attention to their impending Iraq invasion. The story was a mild sensation for a moment and Mr. Liman tries in vain to create a "thriller" out of it. The closest the film comes to excitement is whether or not their marriage will survive the exposure and it's consequences.

Naomi Watts gives it her best as Valerie as does Sean Penn as Joe. I'm sure Mr. Penn was excited about a role where he gets to criticize the government multiple times. Their scenes together are strong but there is just not enough of a story here to keep an audience thoroughly engaged. Yes, you will be angry at what Mr. Bush and his "henchmen" do this family but the film brings nothing new to the story. In the end, the most interesting thing about "Fair Game" is Mr. Penn's haircut choice.

The Girl Who Kicked The Hornet's Nest

The original Swedish "Millennium Trilogy" films have reached their conclusion. What started out in "Dragon Tattoo" as a enthralling mystery, continued in "Played with Fire" as an action thriller, now concludes with "Hornet's Nest" as a "talking head" thriller designed to wrap up all the loose ends.

The screenplay once again trims much of the book down to the central story, eliminating sub-plots and details. There is also some tweaking of story elements as cinematic timesavers. Reduced to the basic plot, it still provides closure for the fans and star Noomi Rapace never falters in her perfect performance as Lisbeth Salander.

If you haven't read the books or seen the first two films, "Hornet's Nest" will hold no interest for you even though there is much exposition to bring the audience up to speed. The political tone of the book tries to be replicated but everything about "The Section" is sliced thin to save time. What does remain, is the regrettable first half that find Lisbeth confined to a hospital bed, switching much of the story to Blomkvist and his quest to clear her name and expose "The Section". This read well in the book but slows things to a crawl in the film. The action picks up in the final act during Lisbeth's trial and even just sitting in the courtroom, Ms. Rapace lets her minimal facial expressions do all her necessary acting.

It will be interesting to see how David Fincher will reinterpret the story in his English versions which are filming now with Daniel Craig and Rooney Mara. But for those fans who can't wait, the original Swedish films are now complete and it will be hard to imagine anyone else as perfect as Lisbeth Salander and Mikael Blomkvist than Noomi Rapace and Michael Nyqvist.