A Separation

Nominated for Best Foreign Film this year, "A Separation" should be the frontrunner to win. This is an intimate story of an Iranian couple who's separation sets off a chain of complex events neither of them could possibly imagine.

What starts out as a domestic difference of opinion soon grows more intricate when Simin decides to leave her husband Nader and daughter Termeh for a better life. Nader refuses to leave the country because of his elderly and Alzheimer's stricken father and when forced to get a caretaker for the old man, the plot (as they say) thickens.

The acting is terrific, especially Peyman Moadi as Nader and Sareh Bayat as Razieh, the caretaker. The complexity of the situation they all find themselves in, is all the more fascinating because of the cultural differences of Iran's justice system. Even after revelations and resolutions, the lives of two families are forever changed and the audience is left to debate the final moments.

"A Separation" is a compelling drama worthy of your time.

The Innkeepers

Filmed on location at The Yankee Pedler Inn (rumored to actually be haunted), this is an old fashioned ghost story done very effectively. Relying heavily on atmosphere with little to no violence or gore, the tension mounts leading from goose bumps to truly scary moments.

Director Ti West does a great job building the suspense and his cast do an excellent job selling the belief of spirits in the night. The film stars Sara Paxton as Claire and Pat Healy as Luke, the innkeepers of the title, who are keeping watch on the last remaining days of the inn before it closes for good. There are just a few guests remaining and one in particular, played by Kelly McGillis, plays an important role in what is to come.

Ms. Paxton and Mr. Healy don't seem to act as much as just play themselves and it's very effective as things get stranger as the film goes on. Everything appears very natural and Mr. West goes out of his way to keep things minimalistic so when the scares come, they are genuinely frightening.

There are a few stretches where nothing much happens but the payoff is worth the wait. With so many films violent and gory that pass as today's "horror" films, it's refreshing to see how a light touch can still scare the pants off you.

Kill List

Looking for something completely different? The second feature from director and co-writer Ben Wheatley fits the bill and then some. What starts out as a domestic British drama cleverly slips into something much more as a former hitman takes one last job to support his wife and young son. You're probably thinking "I've seen this movie before". Nothing will prepare you for what comes next.

As Jay's money troubles mount, his former partner, Gal comes around with an offer for one last job. A mysterious man offers a huge payout for three assassinations . At this point the film's become a typical British crime thriller but with each kill, Jay's growing paranoia escalates the violence, and then the story takes a very sharp turn into "Twilight Zone" territory.

Similar to the way the Japanese thriller, "Audition" changed genres in the middle of the film, "Kill List" becomes a totally different movie in the last act and yet still links itself to everything you've just seen. Brace yourself for an unforgettable ending.

Rampart

A searing and powerful performance by Woody Harrelson anchors this new drama from director Oren Moverman (who also co-wrote the screenplay with James Ellroy). Mr. Harrelson and Mr. Moverman have teamed up before in the excellent film, "The Messenger". This new film could not be any different but still delivers an emotional knockout.

Mr. Harrelson is Dave Brown, a policeman and Vietnam vet, patrolling the streets of 1999 Los Angeles. Officer Brown live by his own moral code and blurs the line between right and wrong. As we meet him, circumstances from his past are colliding with events of the present and his life is crashing down around him.

Dave lives with two sisters and the two daughters he fathered between them. Cynthia Nixon and Anne Heche play the sisters. Brie Larson plays the older teenage daughter, Helen. This unusual arrangement is taking it's toll and Dave is forced to move out. His emotional scenes with Helen depict their strained relationship as they try to find a common bond between them.

While his family life is unraveling, Dave's professional life is also in crisis. Under fire for beating a suspect (among other things), he 's under investigation by Sigourney Weaver, Steve Buscemi, and Ice Cube ( a terrific IA officer). At the same time, he gets involved with a number of women, most prominently, Robin Wright. Drinking, taking drugs and abusing everyone around him, Dave sinks lower and lower into despair, his internal anger at the world threatening to explode at any moment.

The film has a terrific score and wonderfully inventive camerawork. The camera is a living character, giving us point of view angles from everywhere. There are also some gems of small scenes with co-stars Ned Beatty and Ben Foster. Mr. Harrelson is not quite Harvey Keitel in "Bad Lieutenant" but he does share some similar qualities. While that film went way over the top, "Rampart" plays it all too real and Mr. Harrelson is just mesmerizing.

We Need To Talk About Kevin

Despite a gripping performance by Tilda Swinton, this is a contrived story of what happens when your child is growing up an obvious sociopath with violent tendencies and there's nothing you can do about it. Of course the title is ironic because no one actually talks about Kevin, which is the key point.

Ms. Swinton plays Eve, married to Franklin, played by a miscast John C. Reilly. When Kevin is born, it's apparent only to Eve that something is not right about the boy. Whenever she brings up her concerns, Franklin brushes them off as normal growing pains and "fawns" over his son. As Kevin grows, a second child is born, a daughter they name Celia. From the outside, all seems normal but Eve's growing dread about her son soon proves all too right and tragedy ensues.

The story is seen only through Eve's point of view and director Lynne Ramsay opts to tell the story in a fragmented time line. We move back and forth in Eve's life with each scene a puzzle piece that eventually all connect. Ms. Swinton immerses herself in the part trying early on to raise Kevin and then coping with the aftermath of violence she has been sensing all along but never tried to prevent.

Three boys play Kevin. Rocky Duer plays the toddler, Jasper Newell, the young Kevin to age eight and then Ezra Miller, the teen Kevin. Young Mr. Newell is a revelation as he is asked to play a very difficult part of a troubled little boy. Mr. Miller is electric as the teenage Kevin revealing his psychotic nature in subtle yet terrifying ways.

It's a tragedy that unfortunately this country has actually endured (and may again). It's too bad the story never takes an objective outside look at "the how or why" instead just focusing on "the what" because that ultimately lessens the emotional impact of the film.

Safe House

A "by the book" espionage thriller starring Denzel Washington and Ryan Reynolds borrows heavily from "Three Days of The Condor" and manages to hold your attention with some exciting action sequences. Mr. Reynolds (known mostly as "eye candy") has been improving his acting (ok, forget Green Lantern) and does a decent job as the rookie CIA agent overseeing a safe house when CIA traitor Tobin Frost (Mr. Washington) is brought in as a prisoner. Of course circumstances find them on the run together and back at Langley, not all is what it seems.

The film co-stars Sam Shepard, Vera Farminga, and Brendan Gleeson as top level CIA brass trying to decide how to best handle their missing agent dilemma. There is nothing special here but writer David Guggenheim has obviously seen plenty of these spy genre films so he knows how to keep things moving. Credit director Daniel Espinosa for staging a terrific car chase and some first rate fight scenes to keep the audience involved and not thinking too much about the plethora of plot holes.

Mr. Washington along with Mr. Reynolds work hard, with minimal dialogue, for your enjoyment and the film succeeds as crowd pleasing entertainment if you like lots of gunplay, explosions and car crashes.

The Iron Lady

Meryl Streep doesn't just star in this biography of Prime Minister Margret Thatcher, she explodes. As she does with most of her film, Ms. Streep disappears so completely into her character that you forget the actress and imagine the real Mrs. Thatcher. It is a towering performance.

The film itself is interesting enough if you care at all about England during the late 70's and 80's. What will hold your attention is Mrs. Thatcher's personal history and her rise to political power which ultimately leads to England's first female Prime Minister. What makes the film so unique is the bold choice to start with Mrs. Thatcher as an old, feeble woman prone to hallucinations of her dead husband and slowly reveal her story in flashbacks. Much of the film has Ms. Streep playing the elderly version of "MT" (as her husband referred to her) and yet there are plenty of striking moments of "MT" in her prime (no pun intended).

Jim Broadbent co-stars as husband, Dennis Thatcher and there is wonderful chemistry between the two stars. A major contribution to Ms. Streep's success is the wonderful makeup that even in the many close-ups is flawless. As Margret and Dennis age, the make-up never falters and is well deserved of it's Oscar nomination.

This is a remarkable story of a woman who refused to compromise and always believed one's life must have purpose and I can't think of a better actress today than Meryl Streep who honors Mrs. Thatcher, in one more shining performance.

One for The Money

More like "nothing for the money". This is a TV show disguised as a feature film. It would probably make a good one hour show. What can you expect when a film features four TV "stars" in the major roles. Katherine Heigl is a good fit for Janet Evanovich's plucky heroine, Stephanie Plum, but the lifeless script doesn't do her any justice. Ms. Evanovich has written at least 18 books based on the adventures of Ms. Plum so obviously there is an audience for this genre. A better script, director and choice of actors would have made a world of difference.

The film co-stars Jason O'Mara and Daniel Sunjata (two "hunk" actors better know for television roles), John Leguizamo (sleep walking through his role), Sherri Shepherd (as a ridiculous hooker), Debra Monk, and Debbie Reynolds. Everyone does bad New Jersey accents and I was particularly embarrassed for Ms. Reynolds.

Lionsgate should seriously consider turning the franchise into a weekly TV show. Ms. Heigl is far more comfortable on the small screen and bring in Ms. Evanovich as a producer. That might work. The film doesn't.

Underworld: Awakening

The 4th installment in this sci-fi thriller series is best remembered for star Kate Beckinsale's skintight black latex outfit filmed in 3D. Aside from that, the less said the better.

This is barely a 90 minute film that is one long fight sequence shot in dark blue tones with little enhancement by the 3D effects. Ms. Beckinsale as vampire Selene, is quite the adept fighter and gunslinger. In this 4th waste of time, she is protecting the hybrid child she never knew she had from her sworn enemy, the werewolves. This is the flimsy plot that only exists as an excuse to watch Ms. Beckinsale in action.

Ms. Beckinsale sat out the third film but I guess money changes everything. I expect the studio will continue making sequels as long as the cash rolls in. Let's hope they stop with "Underworld 10: Retirement Home".

Coriolanus

Ralph Fiennes directs and stars as "Coriolanus", Shakespeare's tragic Roman general. The film takes place in modern day Serbia substituting for "a place called Rome". The warfare, costumes and sets are all modern but the language is the original Shakespeare. Another modern touch is the use of TV newscasters as the Greek chorus. The landscape is bleak to match the mood of the story but the acting is very powerful and Mr. Fiennes, along with his excellent cast hold your attention until the very end.

The film co-stars Gerald Butler as Tullus Aufidius, Coriolanus's sworn enemy, who is invading Rome at the beginning of the film. There is a wonderfully choreographed fight scene between the two men. Mr. Butler is fit for his role but under Mr. Fiennes direction, he whispers his lines which I found distracting. Also starring in key roles are Brian Cox as Senator Menenius, Jessica Chastin as Virgilia (Coriolanus's wife) and in a terrific role, Vanessa Redgrave as Volumnia, the general's mother. Ms. Chastin handles the language well but is becoming too predictable in the supporting wife role. Ms. Redgrave, on the other hand, has some key scenes that really shine and remind us of her ageless talent.

Mr. Fiennes favors close-ups framing just one or two actors, which is both powerful and yet claustrophobic at times. The climatic turning point of the film is very well staged and sets up the tragic conclusion beautifully.
If you enjoy Shakespeare with a modern twist (Ian McKellen's "Richard III" comes to mind), "Coriolanus" is for you.

Mission Impossible:Ghost Protocol

Your mission, Mr. Cruise, is to make the 4th installment in a series that's jumped the shark and somehow make it fresh. With the help of director Brad Bird, mission accomplished. This is the best Mission Impossible since the first film and while you can argue, it's bloated and could have been shorter, it's still a lot of fun.

Tom Cruise does everything he can to please his audience and finds new locations and stunts to make it happen. The film is a beautiful world travelogue but you don't have much time to enjoy the scenery as the action is pretty much non-stop. Much of the action sequences appear to be done minimally or completely without CGI which makes them all the more incredible. Of course everything is over the top but that's why you buy a ticket for a film like this. What makes it all bearable is how well Mr. Cruise and the cast "sell" it. It's not Oscar caliber acting but everyone works hard to make their characters credible.

The involved plot involves framing the IMF team for bombing the Kremlin. This requires them to go rogue (hence "Ghost Protocol") in order to stop a madman from starting a nuclear war. If Mr. Cruise was acting alone, you would think you're watching the new James Bond film but it is a team effort. His team consists of Simon Pegg, Paula Patton, and Jeremy Renner. Everyone plays their part well although Mr. Pegg's witty banter does start to wear thin. Mr. Bird is a veteran director of some beloved animated films and this time he has created a live-action cartoon realizing Ethan Hunt (Mr. Cruise) as a cross between Bugs Bunny and The Roadrunner. Everyone though, gets in on the action (including Mr. Renner in a sly homage to a key scene in the first film).

Don't try to analyze this one. Just sit back and enjoy the sheer fun of it all.

Top 10 Best & Worst of 2011

Top 10 Films of 2011 (in Descending order)-
Win-Win- The fantastic Paul Giamatti continues his own winning streak with this terrific human comedy.
X-Men: First Class- First class all the way. Great script and well cast. This reboots the X-Men franchise.
Crazy Stupid Love- Smart script and very well acted by a terrific cast.
Moneyball- A very entertaining movie about the business of baseball. Brad Pitt has charisma to spare and Jonah Hill finally shows he can really act.
The Girl with the Dragon Tattoo- Excellent adaptation of the book. Rooney Mara was very good but I still liked Roomi Rapace better as Lisbeth in the Swedish version.
War Horse- Hope, survival and love through the eyes and actions of a magnificent horse, beautifully shot by Steven Spielberg.
The Descendants- Terrific drama about life’s complications. Alexander Paine does it again and with a great cast.
Incendies- Unforgettable foreign drama about a family with a mysterious past. Devastating and haunted me for months.
The Artist- Who would think a black & white silent film could be such an wonderful delight.
Hugo- The best use of 3-D since Avatar. Martin Scorsese directs a great cast in a wonderful love story to the movies.

Honorable Mention-
Horrible Bosses- A raunchy but hysterical comedy with a very funny Jennifer Aniston.
Melancholia- Beautifully photographed and orchestrated metaphor of depression. Kirsten Dunst’s best work and a triumph for Lars van Triers.
Take Shelter- A man losing his grip on reality…or is he?

Actors who were great but will be ignored come Oscar time-
Michael Shannon in “Take Shelter”
Dominick Cooper in “The Devil’s Double”

Top 10 Worst of 2012 (in descending order)-
Don’t Be Afraid of the Dark- just this movie.
The Adjustment Bureau- Good chemistry between Matt Damon and Emily Blunt can’t save this disappointing story about destiny vs. free will.
Unknown- Silly Thriller with Liam Neeson that can’t be saved by a decent twist.
The Thing- A totally unnecessary remake.
Young Adult- marketed as a comedy, this is a train wreck of a movie that, despite good acting, sucks the life out of you.
The Rum Diary- Johnny Depp as a lifeless Hunter S. Thompson in a thin, fictional telling of his early reporting days in Puerto Rico.
Tower Heist- The audience gets robbed.
Your Highness- Aiming at teenage boys, it will hit its mark. For everyone else, it’s your lowness.
Drive- A very polarizing film. You either love it or hate it. I found it very disappointing. Long, boring and violent.
The Tree of Life- Another love it or hate it film. For my taste, it was more like The Tree of Slow Death. It looked great but boring and pretentious.

The Descendants

Alexander Paine is not a prolific filmmaker having made only a handful of films since "Election" in 1999, but every film has been a wonderful examination of the human condition. "The Descendants" is a dramady examining how a family in Hawaii copes with a tragedy and it's consequences. Co-written for the screen and directed by Mr. Paine, he once again delivers a winning script and terrific performances.

While the major plot point may seem tragic, the film is really about so much more. It's themes include love, forgiveness, and acceptance. And while dramatic, it's also filled with much humor. Credit the ensemble cast for an honest and warm portrait of a fractured family finding it's way through life's complications. George Clooney is so natural as the father of two daughters he barely knows, it's his best performance in years disappearing completely into the role. Shailene Woodley co-stars as his seventeen year old daughter, Alexandra and she's a natural talent. Her scenes with Mr. Clooney show great maturity for a young actress. Mary Birdsong plays Scotti, the ten year old daughter, who is a total delight. Nick Krause plays Sid, Alexandra's friend who just may be smarter than he looks and it's also fun to see Robert Forster again, playing Mr. Clooney's cranky father-in-law. Matthew Lillard, Judy Greer, and Beau Bridges round out the terrific cast.

As a location, the islands of Hawaii become another character as Mr. Paine reveals the ordinary lives going on behind the vacation paradise, exemplified by Mr. Clooney's opening monologue. And yet, the beauty of the islands can't be denied in many of the film's scenes.

This film has been out a while and has already received many accolades. It deserves them. It's easily one of the best films of the year.

A Dangerous Method

Director David Cronenberg has visualized a compelling new drama about the early days of Psychoanalysis and it's pioneers Sigmund Freud, Carl Jung and Sabina Spielrein. His terrific cast brings these historical characters to vivid life in the dawn of the 20th century.

The ubiquitous Michael Fassbender shines in his portrayal of Carl Jung. The film introduces us to Dr. Jung when he begins to treat Ms. Spielrein for "Hysteria". Using the "Talking Method" first developed by Freud, Jung cures Ms. Spielrein, who later in life became one of the first female psychoanalysts. Sabina Spielrein is played by Keira Knightley and she is brilliant. It's the best work of her career. Professor Freud is played by Viggo Mortensen, who I never could imagine in the role but he is a wonderful surprise.

The film explores the complicated relationship between the three characters, ignited by Ms. Spielrein. It is her case that brings Jung and Freud together and ultimately plays a part in what separates them. While this is a film of words and ideas, credit Mr. Cronenberg and his cast for making psychoanalysis sexy.

I certainly saw these people differently from what I remember in psychology 101 and I left the theater wanting to know more, especially about the fascinating Ms. Spielrein.

The Skin I Live In

This is the latest film from Spanish director Pedro Almodovar. It stars Antonio Banderas (who started his career with Almodovar), Elena Anaya and Marisa Paredes (a longtime star of many Almodovar films). It is a very twisted Hitchcockian melodrama that you will either accept or find totally absurd.

Mr. Banderas has never been more suave and debonair as he channels Cary Grant in his role of a plastic surgeon with a very dark secret. Dr. Ledgard is experimenting on a new type of human skin. He has a young woman, Ms. Anaya, prisoner in his home that he uses as a living pallet for his work. Who she is and how she got there is slowly revealed in a flashback that is more than just bizarre.

Mr. Almodovar's direction is sharp and precise. There is fine attention to every detail and his use of color, especially red, bursts through the screen. The orchestral score enhances the visuals. Besides obvious Hitchcock, there are elements of Bunuel, Cronenberg and even his own earlier work, "Tie Me Up, Tie Me Down". It is an exploration of love and obsession that knows no bounds.

It is a stylish yet macabre suspense thriller. It contains moments of sex and violence with a revelation that one may find very disturbing. It you are looking for something truly different, this is it.

War Horse

Steven Spielberg is the perfect director to blend action, sweeping drama, sentimentality, and high emotion brilliantly in this story of a magnificent horse named Joey. The plot is tailor made for a director of Mr. Spielberg's talents. He can show you the horror of war and at the same time, the schmaltz of a final shot taken right out of "Gone With The Wind". This is a grand story of love, survival, and honor between a horse and every life he touches, human or otherwise in a time of madness.

The story is simple on the surface. When England goes to war with Germany, thousands of horses are shipped to France for the British Calvary. One of these horses is Joey, who is sold by his owner to save the family farm, even though his teenage son, Albert, can't bear to lose his beloved horse. Albert soon joins the war in an effort to find Joey among all the chaos. Once overseas, we follow Joey as he protects Topthorn, another horse he has befriended, as the two follow a torturous path through war-torn France. The human actors, including Emily Watson, Peter Mullen, Jeremy Irvine, and David Thewlis, take a back seat to the relationship between Joey and Topthorn, which is the most honest and beautiful bond in the film.

Mr. Spielberg films the battles on the open fields and in the trenches with the same intensity of his earlier work in "Saving Private Ryan" but resists the graphic detail, ensuring a "family film". Even the way he frames an execution (fantastic by the way) is family-friendly. Besides the remarkable shots on the battlefields, the film is filled with gorgeous images of the various landscapes and of course, the horses themselves.

Once again teaming with John Williams, Mr. Spielberg stirs our emotions with powerful orchestrations that are totally manipulative at times. Of course, this is to be expected in a Steven Spielberg film so it's easily forgiven. Besides the music, the cinematography is breathtaking and there are visual moments that will stay with you long after the film ends.

Besides your popcorn, make sure you have tissues ready when the lights go down. And if you have the chance, see "War Horse" the play, live at Lincoln Center for a thrilling night of theater.

The Girl with the Dragon Tattoo

Director David Fincher and screenwriter Steven Zaillian adapt an English language version of the acclaimed novel. Having read the book and seen the original Swedish version of the film, it's hard not to think about them while watching this film. If you've never seen the first film, you will have a purer opinion about the acting and how the material is handled.

Mr. Fincher has directed an taut and edgy version of the book. He sets an ominous tone right from the opening credits and as the story unfolds, you find yourself more and more unsettled. This is a story of dark and nasty secrets. The screenplay by Mr. Zaillian edits the book in a very efficient way removing a few unnecessary subplots but otherwise staying true to the novel except for an slightly altered ending. The setting is the same and you can feel the Swedish cold in every scene.

The cast is stellar with Daniel Craig starring as investigative journalist, Mikael Blomkvist along with Christopher Plummer, Robin Wright, Stellan Skarsgard, Joely Richardson and as the title character, Rooney Mara. Mr. Craig brings full dimension to Blomkvist and Ms. Mara gives a fearless performance in a very difficult role. On her own merit, she captures "Lisbeth Salander" very well. Unfortunately as I mentioned earlier, having seen the original film, I can't help but compare her to Roomi Rapace as "Lisbeth". Ms. Mara, while appearing tough as nails, still has frailty that you never saw in Ms. Rapace. She also brings a bit of dark humor not seen in the Swedish version. Sometimes you identify an actor with a particular role so deeply that you just can't imagine anyone else in the part. For me, Ms. Rapace will always be Lisbeth Salander.

The editing, music by Trent Reznor and Atticus Ross, and cinematography are all excellent and help provide the ingredients for Mr. Fincher's vision. I wouldn't call this a remake as much as an alternative version of the same source material. Mr. Fincher makes it his own and I look forward to the next installment in the trilogy.

Albert Nobbs

Glenn Close is simply astonishing in the title role of this new drama by director Rodrigo Garcia. Ms. Close also has a credit as co-screenwriter and producer. It is a role she played in a short run on the NY stage and now she breathes life into Albert Nobbs on screen.

This is the story of a woman who passes as a man in 19th century Dublin, working as a butler in a small hotel. No one suspects Albert is really a man until Hubert Page enters her life. When Hubert discovers the truth and keeps the secret, a strong friendship begins and Hubert encourages Albert to take more control of her life.

The film co-stars Janet McTeer, Mia Wasikowska, Pauline Collins, Aaron Johnson and Brenda Gleeson. The entire cast is wonderful, in particular Ms. McTeer who should gain a supporting actress nomination come Oscar time. However, the film belongs, heart and soul to Ms. Close. It is a remarkable performance that is ultimately heartbreaking to watch.

Albert Nobbs is a character and film that will stay with you, long after it ends.

Sherlock Holmes: A Game of Shadows

If you are looking for overstuffed holiday entertainment, then this is the film for you. Capitalizing on the success of the first film, director Guy Ritchie has decided bigger is better and assaults your senses with even more bullets, bombs, and explosions. Not necessarily the case, Guy.

Robert Downey Jr. and Jude Law are back as Holmes and Watson and while Dr. Watson marries in the film, this is clearly a bromance between the two, as his new wife is literally pushed into the background. Noomi Rapace (so wonderful in the original "Girl With The Dragon Tattoo") co-stars in her first English film as a gypsy who holds a key to the mysterious plot. Engaging enough, she unfortunately takes a back seat to Holmes and Watson hot on the trail of Professor Moriarity, played by Jared Harris (who has morphed into his father).

Mr. Ritchie tries to intensify the action using "Matrix" style "slow-mo" and while it's artistic, it's overuse simply becomes annoying. There is plenty of action but everything eventually becomes tedious and you're ready for it to end. While the film tries hard to entertain (and does to an extent), better editing would have trimmed the fat and made it more enjoyable.

Shame

Michael Fassbender gives a fearless performance as a sex addict spiraling out of control in the new film from director/writer Steve McQueen. This portrait of an addict is uncompromising, raw and very intense. It's not an easy film to watch but it's a fascinating and honest look at an addiction, not often explored (if ever) on film.

When Brandon's (Mr. Fassbender) sister, Sissy comes to visit, old wounds are opened and his world begins to unravel. Sissy is played by Carey Mulligan, who also gives a remarkable performance. Both characters are damaged goods and Mr. Fassbender and Ms. Mulligan hold nothing back for the camera. I can't say enough for the two brave performances of these actors. You feel their pain.

Mr. McQueen films New York in the darkness and shadows, taking us down dangerous paths with little respite. In some ways, the film reminded me of "The Panic In Needle Park", another classic film of addiction albeit a different kind of drug. It has the same raw power and naked (no pun intended) honesty about it's subject.