12 Years a Slave

   Oscar buzz has been building lately for this year's best actor prize. Tom Hanks and Robert Redford are sure to be nominated but the biggest surprise will be the nomination (and if there is any justice, the win) for Chiwetel Ejiofor.  Mr. Ejiofor gives a towering, masterful and heartbreaking performance as Solomon Northup, a free African American living in Saratoga NY who is kidnapped and sold into slavery in the pre-Civil War south.

    The story is based on true events and the source material is the book Mr. Northup eventually wrote about the 12 darkest years of his life. Directed with a clear, uncompromising vision by Steve McQueen, this important film is not to be missed. This is a raw visceral look at slavery and it contains scenes of cruelty and violence that may be hard to watch but it is remarkable in it's honesty and emotional impact.  

     The film contains many recognizable names in supporting roles, some not more than a cameo. Besides Mr. Ejiofor, the actors with the most screen time are Michael Fassbender as a heartless slave owner and Sarah Paulson as his equally brutal wife. Benedict Cumberbatch (turning up everywhere these days) is a kinder slave owner who is forced to "sell" Mr. Ejiofor to Mr. Fassbender. Also appearing in minor but important roles are Paul Giamatti, Brad Pitt, Paul Dano, Alfie Woodward and in a memorable debut,  Lupita Nyong'o as Patsy, another slave on Mr. Fassbender's plantation.

       As difficult it may be to watch, Mr. Ejiofor's quiet dignity and will to survive will keep you enthralled. This story is a small but important part of our nation's history and credit Mr. McQueen, his creative team and his actors for bringing it to life.

Captain Phillips

     The new "based on a true story" thriller from director Paul Greengrass stars Tom Hanks as  the real life Captain Phillips. By now most of the world has repeated seen the trailer for the film and know that in 2009, his freighter was boarded by Somali pirates. What you don't see from the trailer is any hint of the second half of the film when it turns from a very good film to a great film.

        Mr. Hanks is terrific as the stoic Phillips who is wary of a pirate threat from the minute he boards the ship. The true mark of a great actor is when they disappear so deeply into a role that you forget you are watching the actor. That's what happens during the course of this film.

        Without revealing too much, know that Mr. Hanks is simply remarkable in the later half of the film. His vulnerability, humanity and fear are simultaneously etched on his face as he finds himself in claustrophobic close quarters with his panicked captors. Even as his situation grows more desperate, the camera catches him calculating a plan, fearing for his life, and trying to negotiate a peaceful end all with minimal dialog. Mr. Hanks continues to show us his best work with every role. If you have any doubt this is a masterful performance, watch the infirmary scene closely.

          Matching him in intensity is the Somali pirate leader, Muse, played by first time actor, Barkhad Abdi.  Even if you have seen the trailer many times, it's still a chilling moment when he confronts Phillips and says "I'm the Captain now".

            Mr. Greengrass is a master of close up camera direction and always puts his audience in the center of the action, moving things along at a brisk pace. He never wastes a shot although the opening establishing scenes are a bit contrived. His camerawork combined with a great score keep you on the edge as the story plays out between the pirates, the Captain, and the U.S. Navy.

             This fall, Hollywood seems obsessed with protagonists in survival mode and "Captain Phillips" may lead the pack only because this one really happened.

Gravity

 Simply a spectacular achievement and why movies can still surprise us. Director Alphonso Cuaron has created a film that for the first time, not only do I recommend seeing it in IMAX 3D, I insist. It is a technical marvel and the best use of 3D technology since...well ever. This film can only be truly appreciated in a theater and definitely in 3D. 

       The plot is basically a survival story and stars Sandra Bullock and George Clooney, who play astronauts stranded above the earth when their shuttle is destroyed by debris from a Russian satellite. Space has never looked so real unless you go all the way back to "2001: A Space Odyssey". The visuals are stunning and the 3D is never used as a gimmick but rather to enhance the beauty of what you see before you.

          While you are amazed by the technical marvel of the film, what really keeps you engaged is the realistic and emotional performance of Ms. Bullock. Mr. Clooney holds his own but when the two become separated, the film really belongs to Ms. Bullock. There are edge of your seat moments and surprises. But it is Ms. Bullock's performance that puts the viewer right inside her space suit with its rapidly dwindling oxygen supply. 

           Scientists have already poked holes in some of the technical aspects of the story but let's not forget, this is a movie and not a documentary. It's a breathtaking thrill ride, unlike anything you have seen before.

All Is Lost

      Written and directed by J. C. Chandor, this new drama stars Robert Redford in an extraordinary role. Mr. Redford plays a sailor known only in the credits as "our man" who must fight to survive on the open sea when his sailboat becomes crippled by a collision with a loose shipping container. 

        Mr. Redford is the only actor in the film and there is barely any dialog but he conveys so much through his physical acting that the film is never boring. Unlike "Life of Pi" or "Castaway" (other tales of individual survival), our man is running out of time in a very realistic situation as his sailboat is further damaged by bad storms and his options are dwindling quickly. 

         Mr. Chandor films in tight spaces, above the sea and under it. His camera is everywhere  pulling the viewer into the very real plight of this master seaman.  Mr. Redford, I discovered later, did 98% of his own stunts and spend the majority of the film soaking wet. He is in great shape for a 76 year old ( at the time of shooting) to endure the physical aspects of the film.

           The plot is simple. One man's survival and Mr. Redford's face show every ounce of strength, courage and vulnerability faced with impossible odds.  The ending is quite remarkable and sure to be discussed after the credits roll.

Rush

    The latest film from director Ron Howard keeps his track record intact even as he shifts into a new direction with this terrific story set in the world of Formula One racing. More specifically, the film is based on the true story of the rivalry between drivers James Hunt and Nikki Lauda, during the 1976 racing season.

     Mr. Howard revs up the action with precision camerawork and terrific acting from his two leads, Chris Hemsworth as James Hunt and Daniel Bruhl as Nikki Lauda. Mr. Hemsworth has the showier role as the outrageous Mr. Hunt, both on and off the track but Mr. Bruhl is firing on all cylinders as the serious and driven Mr. Lauda.

     Olivia Wilde plays Suzy Hunt but the part is underwritten and she doesn't have much to do besides look very attractive.  Alexandra Maria Lara plays Marlene Lauda and she is fueled by a more emotional connection to her husband.

      The film is much more than just about racing. Credit the script for going deeper into the lives of these men and what drives them in their quest to be the best. Mr. Howard does, however, provide thrills in all the race sequences as cameras shoot from amazing angles, putting the viewer in the center of the action. Composer Hans Zimmer contributes a wonderful score matched by a great seventies soundtrack that adds depth and emotion to an already terrific story.

       This is a film that should be seen in a theater to really appreciate the spectacle of Formula One racing and it easily takes its place in the winner's circle along side such classics as "Grand Prix".

Prisoners

       The creepiest thriller I've seen since "Seven". What starts out as a case of two missing little girls has twists and turns galore and gets darker and darker as the film goes on. The story takes place in an unnamed Pennsylvania town right after Thanksgiving. It's either raining or snowing most of the time and the daylight fades to night pretty quickly which all feeds the atmosphere of this engrossing new drama. 

        The biggest surprise is Hugh Jackman as the father of one of the missing girls. I doubt Mr. Jackman has ever played a role like this and he is terrific as a man pushed to the limits, doing whatever necessary to find his daughter. Matching him in intensity is Jake Gyllenhaal playing the detective in charge of the case. Mr. Gyllenhaal shows a new level of maturity and grittiness, much of the time with just a facial expression, exposing his anger and determination to close the case.

          Terrence Howard and Viola Davis play the parents of the other missing girl and they get their share of emotional scenes as well as Maria Bello as Mr. Jackman's wife. While these characters have their moments, they fade into the background for much of the film as it focuses on it's leads and the prime suspect, played by Paul Dano. Also co-starring is the ever reliable Melissa Leo, almost unrecognizable in a small but important role.

           The film has it's faults. Plot points may seem too convenient or straining credibility but credit the direction, photography and the score (and of course the acting) to keep you engrossed in a story that runs about 30 minutes too long. Yes, the running time is two hours and thirty minutes and the audience may feel like prisoners too by the time it's over but it's powerful and will leave an impression after it ends.

Inside Llewyn Davis

          The Coen Brother make perfect films. They are not always great films but they are crafted with such precision and attention, that whatever the genre, they are perfect. Sometimes they are perfect in failure but more often in triumph.

           This new film reaches for greatness but falls a bit short. It takes place during the folk scene of New York in 1961.  Rather than explore that period in a wider scope, the Coen's focus on one particular fictional musician, Llewyn Davis. Davis is played by Oscar Isaac and he is a revelation. His character is very complex, a talented artist but a difficult person. He cares more for his art than commercial success yet he chases the success that eludes him anyway.

            The film also features Cary Mulligan and Justin Timberlake as a successful folk duo, John Goodman as a jazz musician Llewyn meets on a road trip, and F. Murray Abraham as a promoter in Chicago. Most of the actors drift in and out of the movie as it revolves around Llewyn. Besides Mr. Isaac, no one else has any sustained screen time. There is a standout scene involving a recording session with Mr. Isaac, Mr. Timberlake and Adam Driver, but the film really belongs heart and soul to Mr. Isaac. The trick the Coen's pull off is that you keep rooting for Llewyn no matter how abrasive and unlikable he becomes.

            While the film has its flaws (even in it's perfection), the music is terrific so credit executive producer T. Bone Burnett for an outstanding folk soundtrack performed by the actors.

And of course, the cinematography and the visuals in general are outstanding.

              "Inside Llewyn Davis" is a perfectly good film that could have been great, ironically much like the title character.

Don Jon

       This new film, written and directed by and starring Joseph Gordon Levitt is a spiritual cousin to "Saturday Night Fever". The big difference here is unlike dancing, Jon's obsession is internet porn. It's romantic and comedic but far from a romantic comedy.

       Jon is a New Jersey native that lives by a code of eight things. They are going to the gym, his spotless apartment, his car, his family, church, his boys, his girls, and his porn. When he thinks he's met the girl of his dreams, Barbara (played wonderfully by Scarlett Johansson), his life and his code are turned upside down.

        The twist here is that another woman, Ester (played by Julianne Moore) has an even greater impact on Jon that he never sees coming. Mr. Gordon Levitt keeps things light and fun but still makes his point about human connections. And while we see plenty of skin in the countless porn videos he watches, the camera work is subtle and the film easily avoids an X rating (although it does deserve it's R ).

         His family is played by Glenne Headley, Tony Danza, and Brie Larson.  It's a stereotypical Italian family in many ways but there is honesty in the script that keeps the characters interesting. The film is very funny and surprisingly touching.

We're The Millers

  Hoping to recapture the magic of the hysterically funny "Horrible Bosses", this time out, Jennifer Aniston and Jason Sudeikis fall short. "The Millers" is funny in a few spots but mostly just crude and rude, predicable and dare I say it...boring.

    Ms. Aniston plays a stripper with a heart posing as a soccer mom along side Mr. Sudeikis, a drug dealer posing as a nerd dad. It's Mr,. Sudeikis's idea to get a fake family in order to smuggle tons of marijuana  across the border from Mexico, stashed in an RV. He also enlists Emma Roberts as a runaway street kid and Will Poulter as the nerd teen next door to pose as "the kids".

      Much of the humor is at the expense of Kenny, Mr. Poulter's punching bag of a character. Ms. Aniston tries to recapture her bad girl image from "Horrible Bosses" (which she did very well and was very funny) but lightning doesn't strike twice and her inevitable strip tease looks more like an ad for a gym than sexy. I will give her credit for being in great shape. Mr. Sudeikis seems trapped in a typically bad "Saturday Night Live" skit that goes on much too long. Even Ed Helms looks embarrassed to play a natty criminal who sends Mr. Sudeikis down to Mexico.

       Considering the price of movie tickets these days, catch it on cable when there's nothing else on.

Short Term 12

     This new Indie drama is a star turn for Brie Larson. It's a powerful story about a young counselor in a temporary housing facility for troubled teens. Ms. Larson is probably best known for playing Toni Collette's daughter on Showtime's "The United States of Tara" but she takes center stage here and is remarkable in a multi-layered performance.

       Ms. Larson's character Grace is very good at her job. She connects easily with her troubled charges, having come from a troubled past herself. When a new girl (Kaitlin Dever) arrives with a similar history, Grace's own demons come back to haunt her, further complicating a new situation.

        Ms. Larson radiates raw honesty and emotion in a complex character. It is an award winning performance. Ms. Dever shows skills beyond her years as she bonds with Ms. Larson. Co-starring is John Gallagher Jr. as Manson, another counselor and Grace's boyfriend. Mr. Gallagher Jr.'s performance is not a far stretch from his character on the HBO series "The Newsroom" but he is adapt at "likable boy next door" roles and he brings much warmth to his role. Rami Malek adds some comic relief as a new counselor learning how to understand the kids. The other actors portraying the residents of "Short Term 12" are all very good but as they are written, the standout performances go to Kevin Hernandez and Keith Stanfield.

          This is a small but powerful drama that deserves an audience. it should garner many nominations for "Independent Spirit" awards.

The World's End

       Simon Pegg and Nick Frost are back to save the world. Working together with writer/director Edgar Wright (Mr. Frost also co-wrote the script), the same team that brought us "Shaun of The Dead" and "Hot Fuzz" return with a new comedy that's two films in one.

        "The World's End" starts out as a buddy comedy, when five childhood friends reunite to finish a pub crawl that they had started years ago as teens. They have all gone in different directions but Mr. Pegg's character, Gary King rounds them all up for one night of camaraderie and lots of drinking. 

           The friends are played by Mr. Frost, Martin Freeman, Eddie Marsdan, and Paddy Considine. Roseamund Pike co-stars as Mr. Freeman's sister, Samantha. It's a top notch ensemble cast in what begins as a comedy with heart but dramatically shifts gears in the second half of the film into an all out science fiction romp.

            There are many terrific one-liners and funny moments but when the film shifts, it loses focus and falls apart. It's as if Mr. Wright and Mr. Frost ran out of story and decided that alien pod people and total chaos would provide a good cover masking the fact they didn't know how to finish what they started. If you have a few pints yourself before seeing the film, that won't make much difference and it will probably all seem hysterically funny right to the credits.

Elysium

      This is the new film from writer/director Neill Blomkamp, who's first film, "District 9"  was a breath of fresh air in in the science fiction genre. "Elysium" doesn't have the same impact but is still an an enjoyable sci-fi adventure.

       The film is set in the not to distant future where the Earth has been reduced to polluted rubble for millions and the elite class live off world in a giant orbiting space station known as "Elysium". It's a man-made paradise where disease has been eradicated by special machines.

        Matt Damon stars as "Max", a former criminal now trying to build a meager life on Earth until an accident at work gives him a reason to find a quick way to "Elysium". Jodie Foster also stars as the cold blooded head of security on the space station. The film features Diego Luna as Max's best friend, and Sharlto Copley as a ruthless mercenary working for Ms. Foster.  The acting is about what you would expect. Mr. Damon is a strong lead, Ms. Foster doesn't really work too hard and Mr. Copley makes a fine villain (a change from his starring role in "District 9").

         The sets on earth look leftover from "District 9" but the robots and spacecraft effects are well done. The story is familiar, class struggle, but Mr. Damon's motives begin selfishly and he becomes a reluctant hero for the masses.

          The film is being shown in IMAX 3-D which is totally unnecessary in order to enjoy it. Save your extra money and see the regular version. 

Only God Forgives

      And I thought "Drive" was bad. This new film from writer/director Nicolas Winding Refn makes his last film look like an Academy Award winner. What was star Ryan Gosling thinking? For that matter what was co-star Kristin Scott Thomas thinking? Right now, this has to be the top candidate for worst movie of the year.

      Odd artsy lighting, little dialog, long slow scenes where nothing happens and then random acts of gory violence...about sums up the film. What passes for a plot involves Mr. Gosling's character, Julian who is involved in the criminal underbelly of Bangkok. When his brother is murdered, his foul mouthed mother ( Ms. Scott Thomas) shows up looking for revenge. There is also a sword wielding cop who likes to sing in a nightclub. He haunts Julian in his dreams and then there is an actual confrontation.

       You can't say Mr. Gosling acts in this film. He barely moves or strings two sentences together. Ms. Scott Thomas is so far against type, she comes off absolutely ridiculous in an unbelievable role. I can't think of anything in this film worthy of a positive comment.

       The title is appropriate as only God would probably forgive Mr. Winding Refn for this waste of 90 minutes.

Blue Jasmine

      Woody Allen continues a hot streak with this drama based in San Francisco.  As usual, the film is written and directed by Mr. Allen and he has created still another in a long line of strong roles for women.  

       "Blue Jasmine" is bound to get star Cate Blanchett an Oscar nomination. She stars as Jasmine, a rich society wife who becomes penniless and is forced to move cross country and live with her sister in very unfamiliar surroundings. The film grows from an idea based loosely on the Bernie Madoff scandal and borrows heavily from "A Streetcar Named Desire" but it's still has the Woody Allen pedigree.

         All the roles in the film have been cast perfectly. Besides a wonderful performance from Ms. Blanchett, Alec Baldwin is terrific as her husband Hal, and Sally Hawkins does great work as her sister, Ginger. The film also features Bobby Cannavale, Peter Sarsgaard, Louis C. K., Michael Stulhbarg and a surprisingly good Andrew Dice Clay. Mr. Allen always seems to bring out the best in his actors and this ensemble is no different. The film, however, belongs to Ms. Blanchett, who moves through so many emotional twists and turns, it's hard to keep up. She is just brilliant.

           As usual, the cinematography is excellent as is the soundtrack. Filming outside of New York for his last few films seems to have rejuvenated Mr. Allen. Familiar yet fresh, the film is dramatic with some light moments. You may prefer a different ending but that will always be debatable. Go for the acting. It's perfection and should get Mr. Allen an Oscar nod as well for direction.

The Heat

 After a promising '70s style credit sequence, this new film from Director Paul Feig quickly falls into a stereotypical, mismatched buddy comedy with a standard formula. The lazy plot and direction are only saved by the great chemistry of Sandra Bullock and Melissa McCarthy.

     Ms. Bullock plays the buttoned-up, smug, FBI agent, Sarah Ashburn and Ms. McCarthy plays the sloppy, foul mouthed but street smart detective, Shannon Mullins. Its standard buddy comedy 101 where each character ends up a better person for working together.

      The film takes place in Boston and there is ample opportunity to make fun of Detective Mullins's stereotyped Irish family. Most of the laughs come from Ms. McCarthy foul mouth and the film doesn't hide from plenty of gutter humor. But I must admit, there is plenty of very funny dialogue in the film.

        Ms. Bullock is a fine actress, playing comedy as well as drama and she always seems to elevate the material but here she doesn't even try and instead lets go and just has fun playing off Ms. McCarthy.

          This one has sequel written all over it, which, with a stronger plot will probably make an even better film. I can see it now..."The Heat 2: Even Hotter"

The Attack

Written and directed by Zaid Doueiri,  this controversial new drama asks difficult questions with no easy answers.

Ali Suliman plays Dr. Amin Jaafari, a successful, Israeli Palestinian surgeon living in Tel Aviv. He has a good job, a loving wife but his world is turned upside down when it is revealed that his wife, Siham, has detonated a suicide bomb in a crowded restaurant killing herself and many others.

Coming as a complete shock, Dr. Jaafari at first, refuses to believe his wife could be capable of such an act but when facts reveal themselves, he sets out to discover how and why this could happen. He leaves Tel Aviv and sets out for the Palestinian territories in an attempt to discover the truth.

This is a thoughtful moving drama that puts the viewer inside Dr. Jaafari's world, feeling his grief and confusion about a person he only thought he knew. Mr Suliman acts with great conviction and it is easy to sympathize with him. There is no tidy Hollywood ending here but Mr. Doueiri tells a powerful story.

Fruitvale Station

Written and directed by Ryan Coogler, "Fruitvale Station" retraces the last day in the life of Oscar Grant before he was detained and killed by police in the Fruitvale BART station in Oakland California. The film is based on real events that were captured on video by other passengers on the train. 

The film opens with one of those videos and then in flashback, we learn how Mr. Grant spent his last day, New Years Eve 2009. Some of the events of the day are obviously accurate, preparing for his mothers birthday dinner, going out with his friends to celebrate New Year's Eve but scenes of Mr. Grant alone can only be assumed by Mr. Coogler.

We see, that while he had a minimal criminal past, he was trying to turn his life around for himself, his girlfriend and small daughter. He is not portrayed as a saint but an average guy trying to get by in a difficult life. As imagined by Mr. Coogler, the day presents some challenges but is fairly uneventful until the tragic circumstances at Fruitvale.

Mr. Grant is played by Michael B. Jordan and he is excellent in the part. He has a very natural way about him and is very engaging. His girlfriend is played by Melonie Diaz and their scenes together have an authentic tenderness about them. Octavia Spencer plays his mother, Wanda and she at her most powerful in scenes just after the shooting.

This is Mr. Coogler's first feature film and it has created a deserving buzz. He doesn't try to manipulate the audience with cheap sympathies. He presents a portrait of a man, through an objective lens and lets the audience draw their own conclusions from a horribly tragic moment.

The Bling Ring

     Written and directed by Sofia Coppola, this new film is based on real events and is Ms. Coppola's most "mainstream" film yet.
 
       The plot is based on an article in Vanity Fair magazine about a band of California teens that robbed the home of various celebrities. I can't decide what was worse, the stupidity of these kids or the stupidity of the celebrities that left doors open with little security. Yes, Paris Hilton, I'm talking about you. There is little motivation for the break-ins other than boredom and a desire for designer clothes, shoes and jewelry without buying it. Cash and drugs are a bonus.
 
        Katie Chang is the ringleader, Rebecca and her "gang" consists of Emma Watson as Nikki, Israel Broussard as Marc, and Taissa Farmiga as Sam. Ms. Chang plays Rebecca as a bored sociopath and she is scary good in the part. Ms. Watson's Nikki is an airhead who can't buy a clue and Ms. Watson is terrific against type, shattering her previous image from the Harry Potter films. Mr. Broussard garners sympathy as Marc, the boy looking to fit in and enjoying his new found status even as it leads him down a self destructive path. Ms. Farmiga gets off easy with not much to do except go along for the ride.
 
         It's straight forward storytelling with flourishes of Ms. Coppola's signature style. There are long tracking shots, scenes with little dialog  that still move the story and one wonderful long shot of a robbery taking place in a glass house lit up against the L.A. night. The cinematography is terrific and the musical choices on the soundtrack work perfectly. 
 
          The film is a sad commentary on life as a disaffected youth in Los Angeles. You know these kids will eventually be caught  because they are sloppy amateurs. They flaunt their escapades on Facebook and brag to their friends. All the parents in the film are portrayed as either divorced, uncaring, or clueless themselves. It's a story that has to be seen to be believed.

The Conjuring

        I've waited many years for a horror film to scare me again the way "Poltergeist" or "The Omen" did back in the pre-digital days. Finally the wait is over. I can happily say that "The Conjuring" produces real goosebumps and plenty of "jump" moments. The film genuinely scares.

        Based on an actual case from the files of Ed and Lorraine Warren (true life ghost hunters), the film is about the Perron Family and the spirits that haunted their home in the early seventies. How much of the film is actually true doesn't really matter. What does however, is that it makes good on its promises to give you the chills on a hot summer night.

        The Warrens are played by Patrick Wilson and Vera Farmiga. They are both excellent and one can easily see a franchise developed of films from their case studies. This film even starts with some scary moments from an earlier case that spills over into the current story in a very creepy way. The Perrons are played by Lili Taylor and Ron Livingston. Its great to see Ms. Taylor back in film and well cast in a very demanding role. As the mother of five daughters living in a haunted house, she is a major focus of the plot and most of the thrills and chills involve her character. Mr. Livingston does a good job as the caring husband trying to protect his family.

          Besides the strong acting, so much credit must be given to director James Wan. Having directed the original "Saw" and "Insidious", Mr. Wan knows a thing or two about scary movies. Here, he goes "old school" and scares without the "torture porn" or gory bloodletting of so many films today that pass for "horror". His lightning, pacing, music choices, and editing all contribute to the success of the film. 

         "The Conjuring" owes an obvious nod to "Poltergeist" with a little "Exorcist" thrown in for good measure. Mr. Wan has one misstep with "The Birds" scene which was unnecessary and seemed forced. Everything else works however and if you are a fan of scary movies, "The Conjuring" will definitely not disappoint. I also have to give credit to whomever edited the trailer as they don't give away everything and save plenty of shocks for the film.

Fill the Void

 A story of quiet beauty that takes place in a community of Orthodox Israeli Hasidim. Written and directed by Rama Burstein, a rookie filmmaker and Orthodox Jewish women herself, "Fill the Void" tells the story of Shira, an 18 year old girl facing a difficult decision when her older sister dies in childbirth.

     It is a fascinating look into a world bound by it's own laws and traditions but involving a situation that could be found in any close community that honors family and tradition.  Difficult choices have to be made. Blessings must be given and life changing decisions are at stake.

     The cinematography draws the viewer in with tight, close shots of the actors. Hadas Yaron plays Shira and she is a natural wonder. Her widowed brother-in-law is played by Yiftach Klein and their scenes together are gentle yet powerful under the surface.

      The editing is a little sloppy at times but can be forgiven by the strength and honesty of the film. Everything feels so real you'll forget you're watching actors speaking scripted words. If you are looking for something different from the usual summer fare, immerse yourself in this universal story of the ties that bind.