NOAH

     Writer/ director Darren Aronofsky bring us his own personal vision of the biblical story of Noah and the ark. It is a polarizing film that will certainly stir controversy but in the end, Mr. Aronofsky is not interpreting religion but rather making art. 

       The film is all over the place. At times totally weird and ridiculous and yet, also dramatic and believable. I had a hard time getting past one of the weirder, yet vital elements of the story but I leave it to you the viewer, to decide for yourself. Mr. Aronofsky attempts to ground the story in more human than religious terms (God is referred to only as "the creator") but that one odd decision (and you will know it when you see it) makes it too hard to take seriously.

        Star Russell Crowe, as Noah, does take everything very seriously but his character goes so far over the top in his virtue and righteousness, that after rooting for him, you eventually want to throw him off the side of the ark. This is probably why he discovers wine and becomes the planet's first drunk. His wife is played by Jennifer Connelly and she has very little to do here but worry about her husband's sanity. Ray Winstone co-stars as a fictitious character representing the evils of man. Anthony Hopkins also co-stars as Yoda, err, I mean Methuselah, the oldest man on the planet and Noah's grandfather. He only has a few scenes but sets major plot points in motion with sage advice and a touch of magic.

        The cinematography and special effects are well done. All the creatures entering the ark and the flood itself are impressive but I left the film with more questions than answers. For starters, why are all the animals rendered unconscious but the humans are unaffected by Ms. Connolly's aromatic sleeping potion? And why does Mr. Aronofsky depict a sequence of evolution only to change gears and then have "the creator" create man? You can't have it both ways. The script also tells us we are all born of original sin, hence the creator's decision for a "do over" but in the end, love conquers all and the sin of incest is never an issue. After all, who's left to repopulate the earth except Noah's immediate family?

         As for better entertainment value, rent "A Beautiful Mind" for a wonderful Crowe/Connelly pairing and listen to Bill Cosby's classic bit, "Noah".

Nymphomaniac Volume I

        The latest self indulgent therapy from writer/director Lars van trier.  It's a unique one of a kind film that can only come from the mind of Mr. van trier. Since it is Volume 1 of a two part story, it's not really fair to review it as a stand alone film. I'm sure  Mr. van trier's original vision was a single four hour film but for whatever the reason, Vol. 2 will be released in two weeks.

         What I can say it that there is plenty of sex and nudity (body doubles were used), odd moments of humor and a terrific cameo by Uma Thurman. The film stars Charlotte Gainsbourg  as "Joe" and Stellen Skarsgard as "Seligman". When Joe is found beaten and bruised in an ally by Seligman, he brings her to his apartment to recuperate after she refuses an ambulance. It is there that she begins to tell him of her life filled with one sexual encounter after another. Mr. Skarsgard takes everything quite seriously but still finds a way to project the intended (I hope) humor of the script. In Volume 1, Ms. Gainsbourg has little to do except to narrate her story.

           In flashbacks, Joe is played by Stacy Martin, a fearless young actress who is terrific in a difficult part. She loses her virginity to a terribly miscast Shia LaBeouf, who returns later in the film to only embarrass himself further with a bad accent and even worse acting. Another miscast actor is Christian Slater, who plays Joe's father. In an effort to play a serious "art" role, he literally leaves himself exposed in the worst way.

           Whatever Mr. van trier is thinking, I have to hold judgement until after seeing Volume 2 but equating sex to fly fishing in Volume 1 certainly maintains his standing as an original and visionary filmmaker. Love him or hate him, his work is always controversial but fascinating.

The Grand Budapest Hotel

   Written and directed by Wes Anderson, this is probably his most fully realized and mainstream film. It has his usual whimsical charm , a wonderful plot, and inspired dialog.

        The majority of the film takes place in 1932 inside the grand hotel. The film stars Ralph Fiennes as M. Gustave, the manager of the hotel and he is simply wonderful. Tony Revolori is his protege, Zero the Lobby Boy. They make a lunatic pair who cannot stay out of trouble. The film is also filled with a bevy of terrific actors, most of whom have worked with Mr. Anderson in the past. Look for Bill Murray, Jeff Goldblum, Jason Schwartzman, Harvey Keitel, Adrien Brody, Jude Law, F. Murray Abraham, Edward Norton and Tilda Swinton just to name a few. 

         Unfortunately with the exception of Mr. Fiennes, Mr. Revolori, and possibly Saoirse Ronan, every other role is little more than a cameo.This leaves little room for character development but the film moves at breakneck speed and it's such fun to see these actors pop in and out, you don't mind their short screen time.

  

         Besides an entertaining and very funny script, Mr. Anderson also rewards his audience with visual treats. Eye popping sets, wonderful miniatures, and colorful use of animation all blend together to tell the tale. 

        "The Grand Budapest Hotel" is grand indeed. You'll be glad you checked in.

300: Rise of an Empire

        Billed as a sequel to "300", the film actually takes place at the same time and just after the outcome of that story. Loosely based and for the most part historically accurate, "Rise of An Empire" chronicles the "other" battle between the Persians and the Greeks during the Persian invasion. While the Spartan army of 300 tried in vain to hold off The Persian army, The Athenian general Themistocles battled the Persian navy at The Straits of Artimisium.

          General Themistocles is played by Sullivan Stapleton and while he knows his way around a sword, he lacks the charisma of Gerald Butler. His Persian rival is Eva Green, who plays Artimisia, leader of the Persian navy ( and named for the straits where the naval battle actually happened) . I doubt her character really existed but she does manage to steal the film anyway, especially during a rough sex scene with Mr. Stapleton. Returning from the first film is Lena Headey, who now leads the Spartans since the death of her husband Leonidas and Rodrigo Santoro as Zerxes, the Persian God-King.

         Filmed again in a highly stylized form, the visuals are further enhanced by 3-D and the action is pretty much continuous with buckets of blood and body parts seemingly flying off the screen into the audience. Fans of the first film will not be disappointed but if you are not interested in Greek history or intense, hyper-violent sword play, this is not the film for you.

Non-Stop

        Liam Neeson has become the action hero of February. Since "Taken", he has become the go to actor to save the February movie blues. At this point, it doesn't matter how ridiculous the plot or dialog, Mr. Neeson will save the day.

         "Non-Stop" is pretty ridiculous but Mr. Neeson takes the film very seriously and finds a way to rise above the poor material and sell this story of a mid-air crisis. The film is silly but it does have one thread of suspense going for it, trying to figure out who is behind the plot to kill a passenger every 20 minutes. There are plenty of suspects on the crowded airliner.

           Julianne Moore co-stars probably because she needed to make a car payment or was behind in her mortgage. She is too good an actress to waste her time in this "blink and it's gone to cable" movie. And if co-starring wasn't bad enough, her character disappears for most of the final act. Another waste of talent is the recent Academy Award winner, Lupita Nyong'o. She plays a flight attendant with almost nothing to do or say. 

            To make the most of this story, skip the film and re-watch the trailer. All the action and suspense are right there to enjoy for three minutes and it's free.

Omar

     This is the new foreign thriller from director Hany Abu-Assad ( Paradise Now ). Omar is a  Palestinian baker who becomes an informant for the Israeli military, jeopardizing his relationships with his two oldest friends, and his romance with the woman he plans to marry.  

      The story is more complicated than it sounds as the film balances a delicate love story with a political thriller taking place in contemporary Palestine.

      Adam Bakri  plays Omar and he is full of screen magnetism. He is an exciting actor to watch whether it's his tender scenes with his love, Nadia or scaling walls and jumping across rooftops being chased by the police. There are twists and red herrings and plenty of harrowing moments. The entire cast is very good in a topical inflammatory situation that has no easy answers. 

       Be warned there are a few violent sequences including a torture scene but they reflect the everyday potential for violence living in the West Bank. Despite the violent moments, the film is smart and exciting and worth your time. 

  

      "Omar" is nominated for Best Foreign Language film at this year's Oscars. It's a well deserved nomination.

The Monuments Men

   Co-written for the screen, directed by and starring George Clooney, this is a really interesting true story of World War II unfortunately made into a bland, boring movie. Mr. Clooney's script is episodic at best and lackluster throughout. As for his acting, he basically plays himself narrating a History Channel special.

     To his credit, he assembles a first rate cast including Matt Damon, Cate Blanchett, John Goodman, Bob Balaban, Bill Murray and Jean Dujardin. The actors all play art specialists of one sort or another assembled to help retrieve stolen art by the Nazi's towards the end of the war. Cate Blanchett plays a French patriot who has the key to finding much of the lost art. Mr. Clooney's direction of this terrific cast, however is the real crime here. I can't remember such top rate talent boring me beyond words. 

      The war torn European scenery looks authentic, the story is really fascinating but the cast plod through a poorly edited patchwork of a film. It does an injustice to all the real men and women who risked their lives saving thousands of works of art. I'm sure Mr. Clooney had the best intentions for telling the story but he got lost in the material and the film probably would have been better served with a different director.

      The only suspense comes very late in the film when the Americans race to get to some of the lost works before the Russian army does. For real suspense rent the 1964 film, "The Train" starring Burt Lancaster. It narrows the same story down to a single Nazi train of stolen art leaving Paris, headed to Germany that must be stopped without damaging it's precious cargo. A terrific film and one of Mr. Lancaster's best.

Big Bad Wolves

          An Israeli crime thriller that is equal parts Hitchcock and Tarantino, suspenseful and definitely not for the squeamish. 

           A missing girl sets in motion the story of three men who's lives become forever changed by the crime. A grieving father, a relentless cop and a suspected pedophile end up in a situation that pushes a thriller to the edge of horror. Despite flashes of graphic violence, the film is filled with really dark humor relieving the tension at just the right moment and fascinating twists you just don't see coming.

           The claustrophobic second half of the film heightens the suspense as does the terrific score which brings to mind the work of Bernard Herrmann. Be prepared for an ending that will haunt you for some time.

            To say anymore would ruin the fun.

Philomena

        Inspired by true events, this Oscar nominated drama is at times quite charming, humorous, quirky and yet filled with moments of sadness. It's a fascinating story but some of it's sharp turns seem to come at the wrong time. Stephen Frears's direction embraces the story and gives his stars plenty of freedom to play off each other but somehow the emotional impact of the story is diminished, due in part to these characters themselves. 

        Judi Dench plays Philomena Lee, a woman who is forced by the nuns where she lives to give up her young son born out of wedlock. Some 50 years later she decides to try to locate him with the help of a British journalist played by Steve Coogan. Ms. Dench is wonderful as always, here playing a woman with a difficult personality. And in that lies the conundrum, she's just too warm and intelligent an actress to play a woman like Philomena. Mr. Coogan, who co-wrote the screenplay gives a low key but strong performance and saves some of the film's best lines for himself. 

        If you are unfamiliar with the story, the film will take you on an unexpected journey that will amuse you, anger you and may ultimately warm your heart but a Best Picture nomination seems forced by the subject matter rather than the merit of the film itself.

        Seek out a 2002 Irish film called "The Magdalene Sisters" for a honest and compelling look at the origins of Philomena's story.

Jack Ryan: Shadow Recruit

          Cashing in on a familiar character, author Tom Clancy's  hero is rebooted back to his roots in this new spy thriller. Many notable actors have already worn Jack Ryan's shoes and now it's Chris Pine's turn. This time out he is joined by Kevin Costner as his CIA recruiter  and Keira Knightly as his love interest. Kenneth Branagh does double duty as the lead villain and the film's director.

            Even before the opening credits, the film jumps ahead 4 times through various time periods and then settles in for a fairly boring hour with much exposition to explain the plot. There is one exciting fight sequence to keep the audience involved. In the second hour, the action intensifies and builds to a fairly exciting finale.

           Mr Pine does an admirably job moving from analyst to operative and it's good to see Mr. Costner back on screen comfortable in a supporting role. Ms. Knightly struggles hard to keep her American accent but does have chemistry with Mr. Pine. 

           This is a perfectly serviceable espionage film but it definitely has that post holiday "let's throw it out there in January" feel to it.

Lone Survivor

     The title kind of gives it away but this film is about the journey, not the destination. Based on a true memoir of a combat mission gone horribly wrong, this is a very realistic recreation of that mission.

      When a 4 man team consisting of actors Mark Wahlberg, Ben Foster,  Emile Hirsch and Taylor Kitsch are dropped on a mountainside in Afghanistan to find a Taliban terrorist leader, their mission is compromised and they end up fighting their way out. Once the battle starts you will completely forget you are watching actors and get caught up in the life and death struggle of four Navy Seals.

      Director Peter Berg gets the details right using the surviving Navy Seal, Marcus Luttrell, as his consultant. His cast of testosterone filled actors faithfully recreate every cut, bruise, bullet and break for almost two hours. It is not an easy film to watch but it serves as a fitting memory to the men who lived and died on the mission.

       It is a heartbreaking but important film. It provides a safe glimpse into a war zone, we civilians can only imagine. 

Best and Worst of 2013

Best of 2013-
1) American Hustle-Simply great film on every level. Smart, funny, and brilliantly acted.
2) Nebraska- Beautifully shot in black & white, with wonderful performances.
3) 12 Years a Slave- Powerhouse performance from Chiwetel Ejiofor as a free man Kidnapped and sold into slavery in the pre-civil war south. An important story that needs to be seen.
4) The Dallas Buyer's Club- Devastating performances from Matthew McConaughey and Jared Leto in this fact based movie about the early days of the AIDS epidemic.
5) All is Lost- Robert Redford in a tour de force solo act struggling to stay alive on a crippled sailboat. Riveting.
6) Gravity- Spectacular and breathtaking. A totally immerse experience.
7) Her- Terrific performances from Joaquin Phoenix and Scarlett Johannsen sell this concept of modern love in the 21st century.
8) Blue Jasmine- Another hit from Woody Allen. This drama features an outstanding performance from Cate Blanchet.
9) Prisoners- A creepy thriller with excellent performances and surprising twists.
10) Captain Phillips- Tom Hanks is amazing (especially in the second half) in this true story of piracy on the high seas.

Honorable Mention-
The Conjuring- A throwback to "Poltergeist" style horror. A scary film that actually scares.
Rush- Terrific Ron Howard direction of this true story of the rivalry between race drivers Nikki Lauda and James Hunt.
Saving Mr. Banks- Emma Thompson is simply glorious as P.L. Travers, author of Mary Poppins. fighting with a great Tom Hanks as Walt Disney over movie rights to her book.
Deceptive Practices: Mysteries and Mentors of Ricky Jay- Best Documentary of the year about the Sleight of Hand master, Ricky Jay and the great magicians who influenced him.
Short Term 12-  An Indie drama that will sneak up on you in a good way with a breakout performance from Brie Larson.

Worst of 2013-
1) Only God Forgives- And he will be the only one who does regarding this mess.
2) A Good Day to Die Hard- Dies easy
3) White House Down- Worst White House disaster since Nixon
4) Now You See Me- Ridiculous story of hocus pocus with a very un-magical flat ending.
5) 47 Ronin- A lifeless "action" movie starring the appropriate Keanu Reeves
6) Man of Steel- Tries for a dark serious mood ala "Dark Knight" but fails on all accounts. Noisy and boring.
7) Oblivion- A Tom Cruise snooze fest of stolen plot ideas.
8) Gangster Squad- No depth but some good action scenes. Embarrassing for the actors though.
9) Oz, The Great and Powerful- Anything but...James Franco should be ashamed.
10) Trance- interesting premise from Danny Boyle but too clever for its own good.

The Wolf of Wall Street

      Director Martin Scorsese channels his inner Brian DePalma and creates his own "Scarface" minus the guns. This new parable of greed and excess is based on the true story of Jordan Belfort, a stock broker who made millions off other people's money. 

        Mr. Scorsese piles on the drugs, sex, depravity, greed and white collar criminal behavior until you think you've seen enough and then piles on more. The film runs for three hours and never lets up for a second. Leonardo DiCaprio plays Belfort and he is electric. He's in almost every scene and fuels the film from start to finish.

         The film co-stars Jonah Hill as Mr. Belfort's eventually partner, Donnie Azoff and Margot Robbie as his trophy wife, Naomi. Both are very good. The only other developed character is FBI Agent Denham, played by Kyle Chandler. Everyone else is the film is basically a cartoon. There is a cameo by Matthew McConaughey that is brilliant and it's unfortunate that his character disappears soon after.

          There are flourishes of Scorsese greatness throughout the film and the first hour is fantastic. As the money and drugs start to flow, things keep spiraling out of control and as an audience, we get it but the excess just keeps coming which is obviously Mr. Scorsese's and screenwriter Terrance Winter's intent. There is a great two hour movie wrapped inside this three hour circus but unfortunately we are bombarded with every aspect of Mr. Belfort's life.

           The morale of the story is greed is good and so is the movie. But sadly it could have been great.

August: Osage County

     Director John Wells adapts Tracy Letts' Pulitzer prize winning play for the big screen with an all star cast and a screenplay by Mr. Letts. Live on Broadway, this tale of the very dysfunctional Westin family was an emotional powerhouse but on screen it loses some of that punch. If you've seen the play, you won't feel as involved with the characters on film but you may feel differently if this is your first time.

       Meryl Streep stars as Violet Westin, the pill popping matriarch of the family and she delivers the emotional fireworks in a typically amazing Streep performance. When circumstances bring the immediate family together, every secret and dysfunction in this family's closet comes pouring out, especially during the centerpiece of the film, the dinner scene.

         Violet's three daughters are played by Julia Roberts as Barbara, Julianne Nicholson as Ivy, and Juliette Lewis as Karen. Ms. Roberts carries most of the burden as the eldest daughter who spars with her mother throughout the film. The men in the film are played by Sam Shepard, Chris Cooper, Ewan McGregor, Dermot Mulroney, and Benedict Cumberbatch. All are very good in their respective roles but as written, they are support players to the women. The film also stars Abigail Breslin as Barbara's daughter, Misty Upham as Violet's caretaker Johnna and the ubiquitous Margo Martindale as Mattie Fae, Violet's sister. 

           The majority of the story takes place in the Westin home with the camera opening up a bit to the Oklahoma landscapes. The film is a dark comedy. There are many great lines and funny moments but at it's core, it can be difficult to watch. It's not exactly the feel-good movie of the year but it does have a lot to offer, especially the performances of Ms. Streep and Ms. Roberts.

The Secret Life of Walter Mitty

     Ben Stiller directs and stars in this re-imagined version of James Thurber's short story. It's the perfect film for the holidays and one the whole family can appreciate. It's upbeat, fun and a genuine "feel good" movie.

     Mr. Stiller does a fine job of directing himself and a versatile cast. Kristen Wiig is his love interest and it's her most natural part to date. She even does a decent version of David Bowie's "Space Oddity". The villain (so to speak) is played by Adam Scott and Walter's mother is played by the still remarkable, Shirley MacLaine. Kathryn Hahn plays Walter's sister. Patton Oswalt plays Todd, a voice on the phone for much of the film. And while Sean Penn's role is integral to the story, his screen time is little more than a cameo. 

      The CGI is kept to a minimum in the fantasy sequences and never distracts the audience from the heart of the story. The photography is beautiful, especially in the Iceland and Himalayan scenes. Mr. Stiller and screenwriter Steve Conrad take the original story and build on it, adding a layer of realism that drives home a very positive message.

        Mr. Stiller has come full circle now as a director. In this film, Reality doesn't bite (except maybe in one scene). 

47 Ronin

        Another attempt at Hollywood to remake a Japanese classic that ultimately disappoints. First time director, Carl Rinsch fails to give this dour film any real life or punch. The story is a true classic that deserves a big budget action filled adventure but the budget here must have gone to Keanu Reeves's salary.

          Mr. Reeves is the "name" draw for American audiences but the real star of the film is Japanese actor, Hiroyuki Sanada who plays Oishi, the disgraced Samurai out for revenge against the man who murdered his lord. Mr. Reeves gets most of the high profile fighting scenes but it is Mr. Sanada who is the heart and soul of the film (and he gets his share of fights as well).

            The CGI effects are effective but underwhelming as are the action sequences themselves. A poster for the film depicts a port city in flames, when in actuality, one dock burns. Another character who looks promising on the same poster has about five seconds of actual screen time. The battles scenes are fun but not the spectacle you would expect. It's possible a better film ended up on the cutting room floor but this end result would honor the audience best by committing Seppuku.

The Past

    Writer/director Asghar Farhadi (A Separation) returns with his second film about marital discord. This time the film is set in a city outside Paris where an estranged couple is about to finalize their divorce, but like his previous film, the story grows more complicated as it goes on.

      The wife, Marie (Berenice Bejo), meets Ahmad ( Ali Mosaffa) who has just arrived to sign their divorce papers so she can marry Samir (Tarhar Rahim). Marie has two daughters from an even earlier marriage and also cares for Samir's young son. Early on, Mr. Farhadi build tension as secrets are revealed and plot complications begin to pile up. You wonder just where the story is going but I was ultimately disappointed by where it ends up.

         There is a lot of dialogue that captures your interest at first but halfway through the film, everything slows to a crawl and any interest at this point deflates and leaves the story to go out on a quiet note with unresolved issues. 

          There is quite a buzz around this domestic drama and while "A Separation" left you with one question at the end, this film leaves you asking many questions. As one character says "Why did you drag me into this mess?" That's the biggest question of all.

Her

        Writer/director Spike Jonze asks the question "what is love" in this unusual new film. It's a love story for the modern age that also wants to know "how" we love as well. Joaquin Phoenix stars as Theodore Twombly, an introverted man who falls in love with his computer's operating system. Yes, it's a strange premise that you either accept or not but something wonderful happens as you keep watching...it does work and you are drawn into this odd relationship thanks to the clever script and heartfelt acting.

         When Theodore turns on his new OS 1 computer and asks for a female voice, he meets Samantha, with vocals by Scarlett Johansson. Ms. Johansson is never seen as she is just an OS but this story, set in the not to distant future, gives her the ability to be self aware and intuitive.  Theodore and Samantha begin a real relationship that seems ridiculous at first but grows into something tender and believable. Credit the remarkable acting by Mr. Phoenix and the terrific vocal display by Ms. Johansson to bring this relationship to life. 

          The film also stars Rooney Mara as Catherine, Theodore's soon to be ex-wife and Amy Adams as his close friend, Amy. Each plays a significant part as Mr. Jonze explores the ruminations of love from multiple perspectives.

           The cinematography and visuals create a futuristic Los Angeles without resorting to science fiction that sets a perfect tone for Theodore's world. While a love story, the film is also a parable for the dangers of technology and the isolationist environment we continue to embrace with every new upgrade.

Saving Mr. Banks

       The film is based on the true story of how Walt Disney convinced author P L Travers to give him the film rights for "Mary Poppins". On the surface it doesn't sound that inviting but thanks to a first rate script, beautiful direction and a superb cast, the film will surprise and captivate you.

        Director John Lee Handcock deftly moves between Los Angeles in the early '60's and in flashbacks, the Australian wilderness of the early 1900's. We learn the inspiration for the beloved story from the author's own childhood, and her motivation for initially not wanting it turned into a film by Mr. Disney.

         Emma Thompson is simply glorious as T L Travers. There is not a false note anywhere in a remarkable performance. Tom Hanks is the embodiment of Walt Disney and the two actors have great chemistry between them. Paul Giamatti is Ralph, the limo driver assigned to Mrs. Travers. While a small part, Mr. Giamatti gives subtle performance that becomes important to the story. The film also stars Colin Farrell and Ruth Wilson ( both terrific)  as Mrs. Travers parents seen in the flashback sequences. A wonderful child actress, Annie Rose Buckley plays the young Mrs. Travers and she is a delight, wise beyond her years.

         Bradley Whitford is "Mary Poppins" Screenwriter Don DeGradi and Jason Schwartzman and B.J. Novak play the Sherman brothers who wrote the music and lyrics for "Mary Poppins". Ms. Thompson elevates everyone's acting in every scene she's in, particularly in the rehearsal scenes with this trio. It's also good to see Kathy Baker and Rachel Griffiths in supporting roles.

          This is not necessarily a film for children as it deals with adult themes and some serious moments. There is very little of "Mary Poppins" in the film but it's a fascinating background story of how "she" came to life on the screen.

American Hustle

         Screenwriter/director David O. Russell continues his winning streak with his best film yet. Highly anticipated, "American Hustle" will not disappoint. The story is loosely based (love the disclaimer at the beginning) on the Abscam FBI sting of the late seventies. It's smart, funny and incredibly entertaining. Give Mr. Russell credit for a great script and masterful direction of an amazing cast.

          It all starts with Christian Bale, who once again transforms himself physically and disappears completely into his character, Irving Rosenfeld. He is simply remarkable in every film, good or bad, and never has a false note. Here he is joined by Bradley Cooper, Amy Adams, Jennifer Lawrence, and Jeremy Renner and all of them are terrific. Mr. Cooper improves with each film and continues to develop into a fine actor. Amy Adams shows a darker side from the characters she usually plays but there is still a comic tone to her performance. Jeremy Renner, as the Mayor of Camden New Jersey shines as the only character with a conscience. The biggest surprise is a wonderful Jennifer Lawrence as Mr. Bale's wife, Roselyn. There is a new maturity here with excellent comic timing. She almost steals the film except for the fact everyone is so good.

          In support, there is Louis C.K. as Mr. Cooper's FBI supervisor, Michael Pena as a Mexican Arab (it will make sense), and Jack Huston as a Miami gangster. There is also an unbilled cameo from an actor perfectly cast.

           Mr. Russell reminds me here of Martin Scorsese at his best with rapid fire dialog, great sets, wardrobe, hair and makeup, and a soundtrack of great songs that integrate so well into the story. Enough said...just go see it. It's easily one of the best films of the year.