Calvary

    The new film from writer/director John Michael McDonagh (The Guard) stars Brendan Gleeson in a magnificent performance as a village priest facing his own mortality and the increasing loss of faith in his community. 

     During confessional at the start of the film, Father James is threatened to be killed in one week's time, for the sins of another priest.  He spends his last days tending to the secular flock of townsfolk in his small Irish village. His resolve to the church never waivers even as the threat becomes more ominous.  As the week progresses, we are introduced to the various members of the village ( Chris O'Dowd, Adian Gillen, and M. Emmett Walsh, among others) , many of whom are suspects, as well as his daughter, Fiona, back home after a failed suicidal attempt.

     The film co-stars Kelly Reilly as Fiona and the relationship between Father James and his frail daughter is warm and tender. His relationship with the rest of the town is strained at best. While many people are friendly enough, Father James presence seems barely tolerated and his faith is constantly tested.

      Philosophical and spiritual questions are raised throughout and the film is a serious drama.  There is a prevailing dark humor that helps lighten the mood but the overall tone is foreboding and grim as the story moves towards its inevitable conclusion.

      The film is a microcosm of problems faced by the Catholic church in a world filled with an increasing loss of faith. Despite its dark and depressing tone, it's still a terrific film, both thoughtful and entertaining with beautiful scenes of the Irish coastline.

Love is Strange

 John Lithgow and Alfred Molina star in this new drama from writer/director Ira Sachs. Ben (Mr. Lithgow) and George (Mr. Molina) have been together nearly 40 years and after New York  passes the law allowing gay marriage, they decide to tie the knot. Things take a turn once they make it legal and the story grows from their new, unexpected situation.

    This is a compassionate, honest portrait of love that is tested between the two men and the friends and family that support them. Mr. Lithgow and Mr. Molina are wonderful together. They are so natural in their performance that you are fully engaged in their characters and and feel welcome in their world. 

     Co-starring are Marisa Tomei and Darren Burrows as Ben's niece and nephew. Ms Tomei gives a subtle yet strong performance and it's wonderful to see Mr. Burrows acting again (He was so good many years ago on the TV show, Northern Exposure). The film also co-stars Cheyenne Jackson, Manny Perez and Charlie Tahan in a pivotal role of Joey, Ben's great nephew.

      Besides the great cast, the other major character is Manhattan itself. Much like Woody Allen, Mr. Sach loves the city and there are great shots where the camera lingers just long enough at the end of a scene to appreciate the background of the city. The soundtrack too plays an important role. It is mostly Chopin and works beautifully to enhance the story.

     There are many themes at work here and Mr. Sachs balances them all but it is the strength of Ben and George's love that binds everything together. The end is bittersweet but Mr. Sachs leaves us in good place as we leave the theater.

Sin City: A Dame to Kill For

    Writer Frank Miller teams up once again with director Robert Rodriguez to bring us more tales of Sin City. If you enjoyed the original, you will be happy to return to this world of highly stylized art, violence and comic book film noir.

      Jessica Alba, Mickey Rourke, Bruce Willis (a cameo since he died in the original), Powers Boothe and Rosario Dawson all return and this time out are joined by Josh Brolin, Joseph Gordon-Levitt and Eva Green in the major roles.  Mr. Rouke is a standout bringing a heartfelt performance under tons of makeup to the unique character, Marv. Ms. Green brings the sexiness as the "femme fatale" Eva. Co-stars in minor roles include Christopher Meloni, Jeremy Piven, Dennis Haysbert and Ray Liotta. There is also a quick cameo from Lady Gaga.

     Much like the first, this is a living breathing comic book that delivers what you would expect, bullets, bondage gear, blood, sex and mayhem. The film is all about the visual. With the exception of Mr. Rouke and Ms. Green, every other character is a comic book stereotype devoid of any real emotion or depth. The three interwoven stories don't carry any weight or importance. They are basic stories of greed, lust, and revenge that justify the sex and violence.

        The real star of the film is the artwork that melds with the cinematography. This unusual technique is even more striking than the original film and looks fantastic in 3D.

Get On Up

    Chadwick Boseman stars as the "Godfather of Soul", James Brown in this new drama. Mr. Boseman is creating quite the career for himself portraying iconic figures in history. He was terrific in "42" as Jackie Robinson and shines here as James Brown, which is clearly not an easy task. He has all the moves down perfectly and embodies the man as well as the legend.

     The film co- stars Nelsan Ellis as Bobby Byrd, his long time friend and band member, Dan Ackroyd as his manager, Viola Davis as his mother who abandons him early in his life, and Octavia Spencer, who raises him when his father joins the army. The cast is excellent and all the acting in the film never feels false. Jamarion Scott plays Mr. Brown as a boy and he is a natural.

     While the acting and all the music are first rate, I can't say the same for the screenplay. The story is disjointed and all over the place, jumping around in time.  The film is broken down into significant periods in Mr. Brown's life but never sticks to a particular time frame. Plot lines are introduced and then left dangling, unresolved. The story would have been better served with a linear plot and maybe an occasional flashback but here the technique is misused and doesn't add anything to the story exception confusion.

      We are treated to important moments in Mr. Brown's life as well as in our own history. It's an honest portrait as it also doesn't shy away from Mr. Brown's drug use and abusive nature. He was a genius and a musical icon but as he says in the film, " you pay the cost to be the boss".

Lucy

      The new film from writer/director Luc Besson is his personal thesis on the potential of the human brain.   Mr. Besson is in the enviable position of having the clout to share his thoughts and ideas with the world through financing of this action drama. What happens when we unlock 100% of our brain's potential?

       Known for some pretty outrageous films (The Fifth Element), Mr. Besson also has a proven reputation of getting the most out of his female leads (Natalie Portman in "The Professional", Milla Jovovich in "The Fifth Element") and he proves it here again with the casting of Scarlett Johansson.

Ms. Johansson elevates what is a pretty far fetched "b-movie" into an action packed film with theories that you may actually start considering since she plays it so seriously. And of course, having Morgan Freeman co-star as a professor contemplating the same theories also adds a degree of "take this seriously" to the proceedings.

         The action sequences are a visual treat (I'd expect no less from Mr. Besson) and while the story tries hard to be convincing, it all becomes rather silly by the end. There are obvious illogical holes in the plot but Mr. Besson sacrifices logic to make his point. My own conspiracy theory or just a strange coincidence but this film may help to explain Ms. Johansson's character in the film "Her".

Guardians of the Galaxy

   The very definition of a summer popcorn movie, Marvel studios has another hit franchise in the making (the sequel has already been announced). If you like sci-fi adventure with tongue firmly in cheek, then"Guardians" is for you. It's the most fun you will have at the movies all summer.

       This is a space opera in the the truest sense. No hidden messages, no deep thinking, just good guys vs. bad guys hurling through space with the fate of the universe at stake. If you are a fan of the original comics, you will be happily satisfied, even with minor tweaks to the characters. If you know nothing of the comics, the story is still easy to follow (even if you don't know the difference between a Kree and a Badoon). Credit director James Gunn, who also wrote the screenplay (with Nicole Perlman) to keep things moving at a quick pace, oversee some of the best CGI ever created in the characters of Rocket Raccoon and Groot, and remain faithful to the source material even while injecting original ideas of their own.

       The cast is simply terrific. Peter Quill is a star making role for actor Chris Pratt. Zoe Saldana is perfect as the assassin, Gamora as is Wrestler David Bautista as Drax the Destroyer. Breathing sarcastic, yet heartfelt life into CGI Rocket Raccoon is Bradley Cooper and Vin Diesel does a lot with a little vocalizing Groot. While Mr. Pratt is clearly the lead, all the characters get equal screen time and play off each other beautifully. The film also features Lee Pace as the villain, Ronan the Accuser, Michael Rooker as Yondu, leader of the Ravagers, Djimon Hounsou as the villain, Korath, Benicio del Toro as The Collector, and John C. Reilly and Glenn Close as members of the Nova Force. 

         If you are a fan of '80's pop music, you will really love the soundtrack too. The music is integral to the story and contributes to the overall fun of the film. And, as with every Marvel film, stay through the credits for two extra scenes, one everyone will enjoy and one only real fans will appreciate.

Begin Again

    Mark Ruffalo and Keira Knightley star in this charming comedy/drama from the folks that brought us the film, "Once". An unconventional love story filled with terrific music, this is a film that goes down smooth on a summer night (which is what you can say about "Once" as well).

     The film co-stars Adam Levine, Hailee Steinfeld, Catherine Keener, Cee Lo Green, and Yaslin Bey (formerly known as Mos Def). Ms. Keener is Mr. Ruffalo's ex-wife and Ms. Steinfeld plays their teenage daughter. Mr. Bey, together with Mr. Ruffalo own Distressed Records. 

      Distressed is appropriate for Mr. Ruffalo as when the film starts he is very much down on his luck until he meets Ms. Knightley singing in a bar. She is a struggling songwriter and Mr. Ruffalo becomes inspired by her and decides to produce her first album. I won't spoil Mr. Levine's role but suffice to say, he does get to sing quite a bit (as does Ms. Knightley) and the original songs for the film make an excellent soundtrack.

      The editing at the beginning uses flashbacks in a clever way to introduce the characters. Director John Carney (who also wrote the screenplay) then takes the film to the streets of New York in an unusual way and the city itself becomes a character. There are equal parts drama and comedy but everything stays lighthearted and enjoyable.

Boyhood

    Written and directed by Richard Linklater, "Boyhood" is a remarkable achievement in so many ways. The film focuses on Mason, a 6 year old boy living an ordinary life and was shot in sections over a 12 year period. We watch Mason, his actor parents, played by Ethan Hawke and Patricia Arquette and everyone else in the film age naturally over the course of 12 years.

    The screenplay was written as the film was shot to match each time period so all the dialog and references are authentic to the appropriate year. The editing is flawless and you get the sense you are watching a 12 year documentary rather than a scripted story. The film itself runs almost three hours and captures moments big and small in Mason's life. There is nothing in the story that is sensational or manipulative. Everything is rather ordinary but the screenplay focuses on the little details that make even an ordinary life, extraordinary.

     When the film starts Mr. Hawke and Ms. Arquette are divorced and Mason and his sister (Played by Lorelei Linklater, the director's daughter) live with their mother. Mr. Hawke gets the kids every other weekend. Characters come and go and more importantly grow in many ways as the film progresses. 

      Ellar Coltrane plays Mason and being privy to the intimacy of his life from 6 to 18 is fascinating. Yes, the film is scripted but Mr. Coltrane and the rest of the cast are so natural, you feel like a voyeur in his life and once the film ends, you will find yourself wishing for a sequel. What happens next is left to the imagination but credit Mr. Linklater for stimulating us and looking at life through his lens in a new and captivating way.

A Most Wanted Man

  From the novel by John LeCarre, this is Phillip Seymour Hoffman's last completed film.  As with all of Mr. LeCarre's spy novels, this story is more about intelligence than gunfights and chase scenes. It is a slow, intriguing story with a meticulous performance by Mr. Hoffman. 

    Mr. Hoffman plays Gunter Bachmann, a German counter-terrorist agent leading a rogue task force in Hamburg. For his final performance, Mr. Hoffman's character is overweight, drinks and smokes too much and has pasty white skin behind a glimmer of intelligent eyes. Physically, he's a wreck but his performance still shows what a great actor he was.

   The film co-stars Rachel McAdams as a civil rights lawyer protecting a major character, Willem Dafoe as a banker brokering an important transaction and Robin Wright as a U.S. diplomat with her own agenda. The cast is very good but on film, the story comes off rather dull. We follow the players and we follow the money but the film never rises above a slow burn.

    Espionage films without much action depend on twists and turns and a complex puzzle for the audience to solve if you intend on keeping them involved. This plot is not that complicated and almost disappointingly easy to follow. While it does have one or two twists, it's really not enough to satisfy fans of this genre.

Sex Tape

     Cameron Diaz has sunk to a new low starring with Jason Segel in this raunchy but boring comedy. The subject is appropriate for the times. What if you made an amateur sex tape for your own enjoyment but it leaked onto the internet and you tried to retrieve it? The antics of this married couple to get back the video are meant to be funny but the script fails horribly.

      Aside from the sex tape itself ( of which we see "R" rated bits and pieces)' there is little action. The film is all exposition and terrible dialogue. There is only one mildly amusing sequence at the home of Ms. Diaz's boss, played by Rob Lowe. It starts out creepy, gets stranger and stranger but the weirder it gets, the funnier it somehow becomes.  Pay close attention to all the paintings. The laughs during this sequence involving Mr. Segel come at the expense of simulated violence to a German Shepard which I only enjoyed because Mr. Segel is on the losing end of the encounter.

         The film had promise...a good cast and an interesting premise. It's a shame it falls apart quickly and never really recovers. Even a cameo by a particular comedic actor late in the film can't save it.

          Life should have imitated art. Someone should have deleted the film before it showed up in theaters.

Dawn of the Planet of the Apes

       What a pleasant surprise. I wasn't expecting much as far as a sequel to a reboot of a beloved classic but "Dawn" is actually a better film than the first. It's a smart script with lots of emotion. The special effects are absolutely breathtaking and the motion capture work is brilliant.

         Andy Serkis breathes 100% life into Caesar, the ape leader. The film goes out of its way to show extreme close ups of Caesar as if showing off just what the technology can do. Jason Clarke, Keri Russell and Gary Oldman are the human stars in the film. They end up in conflict with the apes when they want to restart electrical power at a dam in the ape's territory.

           There are some good action sequences throughout and as I mentioned, the film actually packs an emotional punch. This is a film that deserves to be seen on a big screen. My biggest criticism is that it runs too long. It could have been better edited. Losing fifteen minutes or so would have kept things tighter and possibly more exciting.

          With technology advancing with every film, they can keep sequels coming for years although sooner or later the ape/human conflict has to end with the apes winning. After all, it isn't called Planet of the Apes for nothing.

Wish I Was Here

     Zach Braff follows up "Garden State" with this new film that could be described as a "Garden State" for adults. He tackles lots of themes, some better than others but his script is at its core is filled with stereotyped characters and situations that try too hard to be funny in a depressing drama.

      We learn early that a major character is dying, which is important to the story but the impending death casts a pall over the rest of the film. Mr. Braff's character is struggling with family, his job, and his relationship with his father and brother to the point of exhaustion. He has the loving supportive wife, played well by Kate Hudson and the requisite precocious little boy and more mature than her years, teenager daughter played wonderfully by Joey King.  His slacker brother is played by Josh Gadd, a good actor in a typical role and Mandy Patinkin is perfect as Mr. Braff's judgmental father.

        Mr. Braff stars, directs and has co-written the script with his brother. It is obviously a personal film for him and it's his direction that stands out. He does an admirable job getting the best out of his cast.  Ms. King, in particular excels here and is the best thing about the film. She has been steadily building up her resume in a slew of films, usually playing someone's daughter and is definitely a young actress on the rise. As with his previous film, Mr. Braff also makes excellent choices for the music in the background.

          There are some fresh settings for the story which helps mask the "I've seen this before" feeling but the ambition of the script ultimately disappoints. And, after suffering along with the characters, the audience is treated to a feel good ending that ties everything up neatly so you can leave the theater feeling better. So, at least, thank you for that, Mr. Braff.

Life Itself

 A new documentary from "Hoop Dreams" director, Steve James that examines the life and unfortunately, the death of film critic, Roger Ebert. The film is based on Mr. Ebert's book of the same title and it follows him from his early days at college writing for the school paper until his untimely death from cancer.

    It is an unflinching portrait of Mr. Ebert, the man and the critic and whether or not you agreed with his reviews, you still had to admire him for (along with fellow critic Gene Siskel) for making film criticism accessible to mainstream America. It was Mr. Ebert and Mr. Siskel who brought the world "Two Thumbs Up" when they would agree on a review. Many would argue that Mr. Siskel was the better critic and probably deserves a documentary of his own someday but it's Mr. Ebert who reminds us that he has won a Pulitzer Prize and is a critic of the people.

    The film balances flashbacks, film clips and interviews evenly to represent Mr. Ebert's contribution to film and more importantly to his family and the world. We see scenes from some of his favorite films and great clips from the TV show Mr. Ebert shared with Mr. Siskel for so many years. We learn that he married at age 50 to an African American woman named Chaz and that they had a wonderful marriage for 19 years. Many of scenes with Mrs. Ebert  after her husband's cancer diagnosis and subsequent deterioration are so raw and honest that they are hard to watch. However, it is Mr. Ebert love of life and fighting determination right to the end that you will remember and admire.

Obvious Child

   Comedian and actor Jenny Slate steps into the spotlight starring in this new comedy and she shines brightly. Her character, Donna Stern works in a bookstore during the day and does stand-up comedy at night. When her boyfriend dumps her,  Donna's life begins to take unexpected turns.

    Sometimes laugh out loud funny and sometimes heartbreaking, the film is always honest, and it is Ms. Slate that drives the raw comedy and emotions of the film.  Director Gillian Robespierre also wrote the screenplay and directing from her own material really helps keep the story grounded and brings out the natural performances from her cast.

     The film co-stars Gabby Hoffman as Donna's best friend, and Polly Draper and Richard Kind as her parents. But the film completely belongs to Ms. Slate who balances vulnerability and strength in an uncompromising performance. 

Snowpiercer

         Forget the latest installment of that noisy, repetitive Hollywood robot movie and treat yourself to an incredibly original science fiction film that you will label an instant classic. Famed Korean director Bong Joon-ho (The Host) makes his English language debut with this exciting, funny and smart sci-fi adventure.

          In the near future mankind attempts to stop global warming but instead sends the earth into a deep freeze that wipes out the majority of the planet. Survivors circle the globe on a high speed train called "Snowpiercer" where the poor are forced to live in squalor at the tail end and the rich live in the luxurious front end. Seeking better living conditions and equality for all, a plot is hatched by a rebellious lower class to break through the train and take over the engine. Sounds like a simple enough plot but this is no ordinary train and Mr. Joon-ho is no ordinary director.

         As the rebels move deeper through the train, the film gets weirder and weirder with each train car, a one of a kind set piece. The visuals are amazing and the action scenes are made even more exciting by the claustrophobic nature of the train. Mr. Joon-ho balances scenes of extreme violence with scenes of beauty and humor throughout the film.

          Chris Evans (fresh from playing Captain America) plays Curtis, the reluctant anti-hero of the rebellion. Jamie Bell plays his sidekick, Edgar. John Hurt is Gillam, the wise old mentor and Korean superstar Song Kang-ho is Namgoong Minsu, a mysterious character needed by the rebels and Ko A-sung is his daughter Yona. Octavia Spencer and Allison Pill are also aboard in very original roles. There is also a surprise cameo by a very recognizable dramatic American actor that I won't spoil and completing the great casting is the remarkable, unrecognizable Tida Swinton as Minister Mason, who provides much of the film's humor.

            Without the big bucks of Hollywood to promote this film, you won't find it playing multiple times a day in multiplexes but search for it while it's still on the big screen and you will be rewarded with the summer's most original and fun film so far.

We Are The Best!

   A new Indie film from Swedish director Lukas Moodysson, captures youthful rebellion in all it's joy and heartbreak. Taking place in Stockholm circa 1982, this is the story of Klara and Bobo, two 13 year old non-conformist girls who decide to start a punk rock band even though they have no idea how to play music.

    Considered outsiders and weird at their school, they find happiness at a local youth center thrashing around a set of drums and a bass guitar. When they actually write a song, they decide to become serious about the music and enlist the aid of Hedvig, a 14 year old loner who can actually play guitar. They form an all girl punk trio, still without much talent but plenty of spirit.

The three leads, Mira Barkhammar (Bobo), Mira Grosin (Klara) and Liv LeMoyne (Hedvig) are just terrific and perfectly cast. Ms. Barkhammar and Ms. Grosin, in particular, have great chemistry and talent to spare.

     Part coming of age drama, part musical, the film celebrates teen spirit with humor and grit. Boys threaten to break them apart and parents don't understand them but the girls determination lead them on. I would have liked even more musical performances but it's still a joy to watch. 

22 Jump Street

     Jonah Hill & Channing Tatum return in this predictable yet fresh sequel to "21 Jump Street". Predictable since they basically do the same film again although now they are undercover in college rather than High School. Fresh because they are self deprecating and constantly making fun of the fact they are doing a sequel.

     The twist this time is that the "bromance" may be over but the chemistry between the two actors still holds the film together. The jokes remain crude but the tongue in cheek gags are very funny even if they sometimes get lost in the toilet humor. The story itself is too long and the film feels like two movies stitched together but it's worth it just to get to the credits for a look at the imagined sequels to come.

      Ice Cube returns as the foul mouthed police captain in charge of Jump Street division. This time out he is given more to do and is obviously enjoying spoofing himself. There are a few surprise cameos but the film belongs to Mr. Tatum and Mr. Hill who are funny throughout.

      If you enjoyed the first film, you won't be disappointed. And if you don't catch it in the theater, they are already advertising the DVD...coming out any minute.

Edge of Tomorrow

     Director Doug Liman really knows how to hold your interest. This new action adventure is a science fiction "Groundhog's Day" and it easily could have become repetitive and silly. In Mr. Liman's capable hands however, he manages to keep things fresh and moving despite the repetitive nature of the story. 

      The most important element to it's success however is it's star. Tom Cruise is just terrific in one of his best roles in years. Here he plays against type to start and grows into the hero role guided by his equally terrific co-star, Emily Blunt. Mr. Cruise is at his most charming and yet conveys a genuine vulnerability we usually don't see in his action films. Ms. Blunt has come a long way from "The Devil Wears Prada" becoming an action hero in her own right. 

      The film co-stars Bill Paxton as a tough talking sergeant stuck in Mr. Cruise's repetitive loop as well as Brendon Gleeson as the General who sets things in motion. Noah Taylor plays the requisite scientist who knows the truth and how to defeat the enemy. There is also a ragtag group of soldiers all played by fresh faced actors that support Mr. Cruise.

    

 The special effects are quite good and the film is fast paced and very exciting. The premise is a bit far fetched by this is a summer blockbuster so just go with it. You will be very entertained.

A Million Ways to Die in The West

   If you are expecting this generation's Blazing Saddles, you will be disappointed. Although there is one scene that completely out grosses the famous campfire scene in that classic. Writer/ director Seth McFarlane straddles the line between a sweet comedic story and outright crude silliness never really committing to either one. 

     

   There are some good laughs, especially due to surprise cameos but Mr.McFarlane would have been better served letting someone else direct his material. He overplays too many jokes and they lose their effectiveness. He is also obsessed with western vistas as scene after scene of endless wide angle background shots go on forever. I get the satire of a few shots but they just keep coming with no discernible end. 

     

     It's a fun cast that seem to be enjoying themselves as well as serving the audience. Some of the scenes between Charlize Theron and Mr.McFarlane appear improvised and they crack each other up quite a bit. Liam Neeson makes a good villain and Sarah Silverman is perfectly cast as a foul mouthed prostitute...with good Christian morals (you will understand when you see it). Neil Patrick Harris steals every scene he is in besides stealing the heart of Amanda Seyfried.

     

     I could have done without the few racist jokes (although one in very poor taste is redeemed during the credits). Fans of Seth McFarlane will find the film critic proof and probably hysterically funny. I thought it could have been funnier.

The Immigrant

"The Immigrant"

     Writer/director James Grey's latest film is a period piece set in New York City circa 1921. It stars Marion Cotillard as Ewa, a Polish immigrant fresh off the boat with her sister Magda. When they arrive at Ellis island, Magda is taken to the hospital to be treated for lung disease and Ewa is threatened with deportation. She is rescued by Bruno, played by Joaquin Phoenix, and thus begins a complicated relationship when Bruno doesn't turn out to be the savior he appears to be.

       Mr. Grey shoots the film in a sepia tone to help give the illusion of 1921 and with authentic sets and some CGI, viewing the film appears to be a genuine return to the past. The hardships of life on the lower east side of New York are many and  life does not go easy for Ewa as she struggles to earn money to help her sister. As the story unfolds, she meets Orlando the Magician, played by Jeremy Renner, who has a history with Bruno and offers Ewa a possibility of a better life.

        The three leads are the only "name" actors in the film and they are all excellent, especially Ms. Cotillard. She is perfectly cast as Ewa with her beautiful features and sad eyes, it's easy to feel her pain and anguish at the situation forced upon her. It's also easy to see how both Mr. Phoenix and Mr. Renner can fall in love with her.

         The story is a bit thin and moves slowly but it's Ms. Cotillard that drives the film and there are small pleasures in many scenes. The closing shot, in particular, is beautifully framed and leaves it's image well beyond the credits.