Truth

      Back in 2004, "60 Minutes" ran a story that ultimately forced Dan Rather to resign and got producer Mary Mapes fired. This is the newsroom drama of the story behind that story.

       Cate Blanchett stars as Mary Mapes, the hard driving "60 Minutes" producer who "doesn't like bullies" and is a relentless journalist. Robert Redford co-stars as Dan Rather, long time anchor of "60 Minutes" and a iconic journalism figure in television news.  Mr. Redford looks nothing like the real Dan Rather but he does a good job capturing his vocal mannerisms and of course his acting is excellent. Ms. Blanchett looks very little like Mary Mapes as well but her acting is outstanding  and I wouldn't be surprised if there is another Oscar nomination in her future.

        There is a terrific supporting cast as well. Topher Grace, Elisabeth Moss,  and Dennis Quaid are all part of Ms. Mapes investigative team. Bruce Greenwood is Andrew Heywood, the head of the CBS News division. Stacy Keach, John Benjamin Hickey, and Dermot Mulroney all play key roles in the drama.

        The story is a compelling look at news and politics and a cautionary tale for any news reporter. Watching the story behind the story unfold and then have everything fall apart is fascinating. Does the film ever get to the actual "truth" is debatable but there is no question Ms. Mapes and Mr. Rather are portrayed as scapegoats by CBS management.

Crimson Peak

         Writer/director Guillermo del Toro has crafted a beautiful ghost story that unfortunately is more style than substance.  What it lacks in scares, it makes up for in a gorgeous set piece of a haunted house. 

          When Thomas Sharpe (played by the dashing Tom Hiddleston) marries Edith Cushing ( a plucky Mia Wasikowska), he brings her home to to his crumbling mansion, nicknamed Crimson Peak because of the red clay under the grounds. He lives there with his sister (A very creepy Jessica Chastain). Part of the problem is that the second half of the film is just three characters, only one unfamiliar with the ghost that haunts the house. After one or two preliminary appearances, the ghost just isn't very scary. Ms. Chastain is actually the scariest thing in the film, her character revealing more and more of an evil side as the film progresses.

           The first half of the film is all set up with one quick "scare" at the onset but it takes too long to get to the "haunted House" half of the film. Mr. Hiddleston is dashing but weak willed compared to his sister who has obvious plans for his new bride. Ms. Wasikowska is a luminescent heroine but how many times can we watch her wander the empty halls of the mansion? Charlie Hunnam also co-stars as a family friend of Edith's who harbors a secret love for her.

             It's the mansion itself that is the star of the film. Mr. del Toro has a distinct visual style and pulls out all the stops with amazing art direction (and costumes for that matter). The ghosts of the film look creepy enough but there is a lack of suspense that dampens the scares.

              Mr. del Toro will be had pressed to top his masterpiece, "Pan's Labyrinth" and for real scares, check out his earlier film "The Devil's Backbone".

Bridge of Spies

     Once again director Steven Spielberg has crafted an impeccable film that holds it's own with the best of the cold war dramas.  With Tom Hanks as his "go to" leading man, the film is a suspenseful, thought provoking drama based on a true story.

      The Jimmy Stewart of his generation, Mr. Hanks is perfectly cast as James Donovan, an insurance lawyer who is asked to defend Russian spy, Rudolph Abel (played by the wonderful Mark Rylance). It's clear it's a case he can't win but his morality and ethics still move him to do the best job possible. When U.S. pilot, Gary Powers is shot down over Russia and accused (rightly so) of spying, it is Donovan who is asked to negotiate the exchange of spies in East Berlin. But of course it comes with a twist that complicates matters .

       Mr. Hanks has played these kind of roles before, the straight laced hero but it's fun to see his character annoyed by a head cold, downing scotches to feel better throughout the film. Mr. Rylance is brilliant as Abel and I hope to see him get a best supporting Oscar nomination.  Co-starring as Donovan's wife is Amy Ryan and Sebastian Koch as a shadowy East Berlin lawyer.

       The screenplay is by Matt Charman and the Coen Brothers. It is cerebral yet accessible to a broad audience with more than one clever line. Mr. Spielberg's recreation of cold war Berlin and the Berlin wall is chillingly authentic (no pun intended) as is everything else in the film. It's a heartfelt tribute to Mr. Donovan, who's work for our government deserves the recognition.

The Walk

       Robert Zemeckis and his team do the impossible and bring the World Trade Center "Twin Towers" back to life for two hours in this technical marvel of a film. Mr. Zemeckis has always been on the cutting edge of new technology but he outdoes him here in a beautifully rendered recreation of the iconic buildings and the man who dared to cross them on a high wire.

        The film is based on the true story of wirewalker, Philippe Petit and his dream to walk across the Towers in 1974 just as the buildings were being finished. There is an excellent documentary about it called "Man on Wire" if you want to know more. Mr. Petit is played by Joseph Gordon Levitt, who's french is better than his accented English, but still charms as Petit. He obviously trained for sometime to be competent on the wire, as well as juggling and acrobatics.

        Mr. Gordon-Levitt narrates the film from the torch of the Statue of Liberty (with the towers in the background) telling us about his early years and how he found his life's calling when he meets Papa Rudy (played by Sir Ben Kingsley) an accomplished wirewalker and circus performer. He then goes on to explain his obsession with the Towers and how, with a small gang of "accomplices", he pulls off the stunt (or what he calls the coup) of the century.

         When the action shifts to the actual stunt, it plays like a great cinematic robbery and the characters that come to life and steal the film are the towers themselves. The film must be seen in 3-D as it's possibly the best use of the technology I've even seen. As Philippe walks his wire, my hands were actually sweaty during the entire sequence (confession, I'm not a fan of heights to begin with).

            The film is a testimony to human endurance and a loving tribute to The World Trade Center. For those brief two hours, the towers are back, vibrant in the New York skyline and all is right in the world.

All Things Must Pass

         Actor and now director Colin Hanks charts the rise and fall of Tower Records in this new documentary. For many years Tower Records was a music retail powerhouse with stores all over the world. It's founder, Russ Solomon had a laid back style that suited his management style well. By the year 2000, Tower was bringing in a billion dollars but few short years later, it landed in bankruptcy court.

           Using archival footage, interviews with Mr. Solomon and his senior staff (including son, Michael), Mr. Hanks chronologically presents the viewer with how the mega-chain grew out of a small section in a drugstore but hit a combination perfect storm that brought it all crashing down. In many ways it's a business 101 cautionary tale.

             Cameos from Bruce Springsteen, Elton John, and Dave Grohl are fun and interesting but the film would have been better served if a few more big names with more variety had also been included.  Considering all the great in-store appearances over the years, it would have been nice to see some footage from them as well but the film is still interesting from start to finish.

              Mr. Solomon is such a colorful and iconic figure, he is natural subject matter. There are interviews with former employees and a few music industry executives who are colorful characters in their own right. If you are a music lover familiar with Tower or an industry insider looking for a nostalgic trip, despite a few shortcomings, you will enjoy this film very much.

Bone Tomahawk

           If you like westerns and you're looking for something different, this is the film for you. Written and directed by S. Craig Zahler, on the surface it's a simple story of a rescue but Mr. Zahler takes that simple premise and throws convention out the window. Without any "A" feature credits to his name, Mr. Zahler has assembled a high caliber cast including Kurt Russell, Patrick Wilson, Lili Simmons, Richard Jenkins, and Matthew Fox and gives them a script that is destined to become a midnight cult classic.

           Mr. Russell is the sheriff of "Bright Hope", a town that harbors a terrifying danger just a few days ride away. David Arquette and horror film veteran Sid Haig set things in motion when they trespass across some kind of ancient ceremonial plot in the mountains. Mr. Arquette finds himself wounded in Mr. Russell's jail being attended to by Ms. Simmons. When they, along with a deputy disappear, Mr. Russell forms a four man posse to search for them. Mr. Wilson is Arthur O'Dywer, Ms. Simmons's  husband who, despite a bad leg wound is determined to find his wife. Richard Jenkins is "Chickory", the grizzled old deputy and Mr. Fox is a dandy ( his clothes match the color of his horse) who is also a skilled gunfighter. The four men ride off with no idea what they are about to encounter.

            The characters are familiar yet original and don't fit together in any way that makes sense. The dialog is very original and filled both with unexpected humor and deep thought. What the men find in the mountains turn the story incredibly violent and gory during the last part of the film. Be warned that one scene, in particular, is like nothing you've ever seen and quite gut retching.

             Everything about this film is unusual (even the song played over the credits deserves a close listen) but somehow it all works and is quite entertaining (except maybe that particular scene) in it's own weird way.

Steve Jobs

        Director Danny Boyle and screenwriter Aaron Sorkin team up to give us still another look at Steve Jobs, the iconic mastermind behind Apple. There are many documentaries and books about Mr. Jobs and Mr. Sorkin's screenplay takes a very different approach to peel back the curtain behind the man.

         Rather than try to be biographical, the screenplay focus is on three of the most important product launches in Mr. Jobs career, "The Macintosh", " Next" and the "iMac". The film is literally divided into three sections and the same characters appear each time to basically argue and fight with Mr. Jobs about his products and his approach. The one character that adds an emotional connection to the story is  Mr. Jobs's daughter, Lisa who we first see as a five year old, then nine, and finally nineteen. During the first arc, Mr. Jobs vehemently denies Lisa is his daughter but there is a growing connection between them as the story progresses and his seeming acknowledgement by the end is the core of the film. 

         What is most appealing is the terrific acting of Michael Fassbender as Steve Jobs and Kate Winslet as Joanna Hoffman, his long time head of marketing. While Mr. Fassbender is certainly no dead ringer for Mr. Jobs, he does an excellent job capturing the essence of the man and Ms. Winslet disappears completely into Ms. Hoffman. Jeff Daniels co-stars as John Scully, Apple's CEO and it's a typical role Mr. Daniels can do in his sleep. Also in smaller but significant roles are Seth Rogan as  Steve Wozniak and Michael Stuhlbarg as Andy Hertzfeld. 

          Mr. Boyle directs with his signature kinetic pace and Mr. Sorkin's screenplay is filled with his signature verbal barrages. Normally both would impress but the structure of the film doesn't serve them well. They strive more for entertainment than truth but end up with just a series of incredibly repetitive confrontations that don't really entertain and certainly play hard and fast with the facts.

The Martian

       Director Ridley Scott goes back to space in this film version of the bestselling book, "The Martian". He is very much in his element directing with precision, a faithful recreation of the novel. The film is so realistic, it's like watching a documentary in real time. Even if you have read the book, you will still find yourself holding your breath multiple times during the film.

      Mr. Scott brings the realism but star Matt Damon and the rest of the cast bring the entertainment value. Mr. Damon is Oscar caliber as Mark Watney, the astronaut left behind and thought dead during an aborted space mission to Mars. His fellow astronauts are played by Sebastian Stan, Aksel Hennie, Kate Mara, Michael Pena and as the mission commander, Jessica Chastain. They spend a great deal of the film off screen returning to Earth, believing Watney is dead. They do, however, play a integral part in the second half.

       Back on Earth, the head of NASA is played with much gravitas by Jeff Daniels and various other NASA staff are played by Chiwetel Ejiofor, Sean Bean, Mackenzie Davis  and Kristen Wiig. It's a strong cast that plays every scene with convincing realism.  The one exception is Ms. Wiig, who I realize is trying to widen her range as an actor, but seems out of place in the serious role of the NASA Media Director.

       Of course the film really belongs to Mr. Damon who spends the majority of the film alone and many times dialog free. It is a testament to a great script and his terrific acting that we are fully engaged with his character. The script is infused with much unexpected humor and it's a welcome relief to laugh occasionally during this suspenseful story. 

       The film is being offered in both 2D and 3D versions. I wouldn't recommend paying the extra fee for the 3-D as it didn't seem to add much to the visuals except make the film seem darker than necessary. I would recommend though, seeing the film on a large screen to appreciate the vastness of space and the replicated Martian landscape.

       "The Martian" is first rate entertainment and a great initial launch for the holiday movie season.

Black Mass

   Based on the true story of Boston criminal, James "Whitey" Bulger, this new drama aspires to be in the same league as "Goodfellas" but lacks the energy that director Martin Scorsese infused into that classic. It does, however, star Johnny Depp transformed to look like Bolger but actually looking more like Ray Liotta channeling James Bulger.

      Makeup aside, Mr. Depp does disappear into the role and it's one of the best things he's done in years. Unfortunately his co-star Joel Edgerton steals the movie right out from him as Bulger's childhood friend, John Connolly, now a rising star in the FBI. If we are to believe the script as factual, Connolly managed to make Bulger an FBI informant thereby keeping him safe from prosecution, even while he ran a criminal empire out of South Boston. Connelly uses Bulger for his own ambition but convinces himself it's a just and legitimate cause.

       Benedict Cumberbatch also co-stars  as Billy Bulger, Jimmy's  brother, a politician who became a Massachusetts senator. Mr. Cumberbatch, while a wonderful actor, seems out of place in the role. Other familiar faces in the film are Kevin Bacon, Peter Sarsgaard, Corey Stoll, Dakota Johnson (who disappears halfway through the film), Julianne Nicholson, Adam Scott and Rory Cockrane. Aside from Mr. Cumberbatch, the rest of the cast does an admirable job as the friends and enemies of Mr. Bulger.

          The story is compelling and even though there are many violent scenes, Mr. Depp is magnetic to watch. Director Scott Cooper keeps things moving in a slow and deliberate pace creating a constant state of dread and paranoia. It's a true American crime story of greed and corruption where everyone gets what they deserve.

Everest

    Based on the true story of an ill fated expedition to Mount Everest in 1996, this new film is best seen in IMAX 3D to be appreciated. The screen play is based on the Book "Left For Dead" by Beck Weathers but the story has been told before in the book  and the film "Into Thin Air" by Jon Krakauer. 

     Mr. Krakauer's first hand account of the tragedy that left nine people dead was an absorbing read that gave the reader insight into many of the real life people on the mountain. This new film is focused more on a few characters in the drama, primarily Rob Hall, played by Jason Clarke, Doug Hansen, played by John Hawkes, and Beck Weathers, played by Josh Brolin. There are many other recognizable stars in the film including Jake Gyllenhaal, Sam Worthington, Michael Kelly (as Jon Krakauer), Keira Knightley, Emily Watson, and Robin Wright. 

     Most of the actors are just fodder for the mountain or the women left behind to anguish over their men.  The real star of this film is the cinematography and special effects that literally immerse the viewer into the film, especially in IMAX 3-D.  You literally feel like you are on the mountain with danger at every turn.
 
     There is not much thought given to character development and with the exception I made earlier, we don't know much about these people or what drives them. The story itself is simplistic.  People climb up to reach the summit and then climb down. What happens along the way makes for an harrowing adventure but an unfortunately tragic story as well.

Sicario

      Summer is over and the serious fall films are starting to emerge. This new crime thriller from director,  Denis Villeneuve, will satisfy fans of "Traffic" and the TV show, "The Bridge". The story centers on our government's involvement with the Mexican drug cartel.

      The film stars Emily Blunt as Kate, an idealistic FBI agent who is recruited into a mysterious unit led by Matt, played by Josh Brolin, working off the grid to find a Mexican crime boss. It's a bit confusing at first, especially when Alejandro, played by Benicio Del Toro makes his appearance. The confusion, however, is clearly deliberate as we see the story unfold through Kate's eyes and it's easy to understand how the lines blur and everything is not as it seems. Ms. Blunt is excellent but her character is underdeveloped, acting more as our window into this violent world, more than anything else. Far more interesting characters are Matt and Alejandro, especially as motives become clearer.

       There are some riveting sequences as well as quiet moments but the film propels itself towards a climax we don't expect, yet fully understand as the credits role. There are many violent scenes and yet, Mr. Villeneuve shakes us with violence that takes place off screen as well. The cinematography is by Roger Deakins, and he makes great use of the desert scenery and a particularly tense sequence shot through the lens of night goggles. The musical score is haunting and serves to keep the audience unnerved throughout the film.

        It lacks the scope of "Traffic" but it's an authentic and suspenseful drama that exposes the ambiguity and grey lines that sometimes have to be crossed for the greater good. There are no easy answers when the wolves at the door end up everywhere.

Irrational Man

      Woody Allen's latest ruminates on questions and ideas he has expressed far better in films like "Love & Death" and "Crimes & Misdemeanors".  His themes are the same old questions of meaning of life and what motivates us to action. His voice this time is  represented by Joaquin Phoenix  and Emma Stone.

      Mr. Phoenix plays an philosophy professor at a small college in Newport Rhode Island. Ms. Stone is one of his students who falls for him, even though he is an alcoholic, overweight and depressed. Parker Posey plays another professor, married but lonely who also becomes involved with Mr. Phoenix. The cast work very well together and do a good job expressing Mr. Allen's ideas.

       The first half of the film is dialog heavy as Mr. Allen sets up the plot twist that turns the story. Newport is a lovely setting and the score, mostly Ramsey Lewis, is infectious. Things pick up rapidly in the second half and  play out to a logical and what some would think, a surprising conclusion. It's entertaining enough but Mr. Allen doesn't have anything new to say.

No Escape

      Owen Wilson and Lake Bell star as a couple, along with their two young daughters, caught up in a coup in an unnamed Asian county. The film belongs to the genre "run for your life movies" as it's a variation on trying to survive in a very hostile environment. The problem here that there is no real justification for the trouble they are in and the film comes off racist and fairly ridiculous.

       The saving grace is that the film is pretty suspenseful with some truly intense moments as the family find themselves in danger just about right from the start.  As silly and irrational as it seems, you find yourself rooting for everyone to survive. The action sequences are pretty much non-stop with not much thought as to how or why. Ms. Bell and Mr. Wilson are credible as a scared mom and dad doing whatever it takes to protect their kids. Pierce Brosnan plays a mysterious figure in what amounts to a cameo, but he does get at least one big scene.

          The unnamed country is obviously Thailand and I suppose they were so upset at the end result they fought to have any reference removed. The trailer does a great job sucking you into the action but taken as a whole, if you must, wait for cable or Netflix to catch this one.

Rikki and The Flash

      Don't expect to see Meryl Steep winning any awards anytime soon for this lightweight family drama. The film should have been called "Rikki and her Dysfunctional Family", as it's certainly not about her band. And it's barely about her family.

        The thin bare plot is about a mother who abandoned her family years ago to pursue her musical dreams. After one album that went nowhere, Rikki is barely surviving a minimum wage job during the day and playing covers in a seedy bar at nights. One gimmick is that Rick Springfield is her guitarist and boyfriend. They are a mismatched pair and this would be a complete embarrassment for Ms. Streep except for the fact she can carry a tune and manages to get by on "American Girl" and "My Love Won't Let You Down".

         The other gimmick is to have her real life daughter, Mamie Gummer, play her troubled daughter in the film. This certainly lends credibility to the character's relationship. The family plot that drives the story, though, is so lightweight it's laughable (at least something is funny because the film isn't). The characters are stereotypes and cover all backgrounds. A gay son, check. An interracial couple, check. An understanding ex husband, check. There is no character development or back story for any of the characters other than Rikki herself. Audra McDonald and Kevin Kline also co-star but are restrained by the weak writing. 

           I can't resist the pun. "Rikki and The Flash" is a flash in the pan. If you love Rick Springfield or worship Ms. Streep, see it quick before it's gone.

The Man From U.N.C.L.E.

        Ah, Robert Vaughn, where are you when we need you? Guy Richie's big screen treatment of the '60's T.V. show is all style and very little substance.  It's an origin story of how U.N.C.L.E.'s top two spies, Napoleon Solo and Illya Kuriakin meet for the first time and it's clever enough but poor acting and not enough action do not make for top notch entertainment.

         The film does have it's tongue planted firmly in it's cheek and and is saved from being a complete dud by it's humor, soundtrack and visuals. The '60's Europe recreation is "fab" and the wardrobe department worked overtime to get everything right. Although how exciting can it be watching the two leads argue over women's fashions?

           Henry Cavill looks the part as Agent Solo but has no personality. Arnie Hammer works hard on his accent as Illya but plays him as a big Russian bear. Hugh Grant co-stars in a small but significant role, especially if you are a fan of the original T.V. show. The femme fatale is played by Alicia Vikander and she is an absolute delight to watch. The other female lead, Elizabeth Debicki, makes a fine icy, cool villain. What can it say about the film when  the two featured women are more interesting than the two main male characters?

            The set-up is there for a sequel  and if it's made, I hope to  see a certain little New York tailor shop featured somewhere.

Mr. Holmes

      A quiet film of dignity, intelligence, wit and surprise, "Mr. Holmes" is an oasis from the loud action popcorn movies of summer. Ian McKellen plays an elderly version of a retired Sherlock Holmes living by the sea and tending to his honey bees. And of course, he is absolutely terrific.

       As his memories start to fade with age, Holmes struggles to remember details of his last case, which we see develop in flashbacks.  He relates the facts of the case to young Roger (played by Milo Parker) who's mother is Holmes's housekeeper, Mrs. Munro. Laura Linney co-stars as Mrs. Munro and it's quite a successful departure for the talented actress.

        This is a period film jumping between two earlier periods in time and Mr. McKellen doesn't miss a step or trick as the older and elderly versions of Holmes. His scenes with Roger are tender and witty and in the flashbacks, even as an older version of Sherlock Holmes, he does the character justice.

         The film is directed by Bill Condon with a quiet elegance and yet a twinkle in his eye. The screenplay is by Jeffrey Hatcher, with a very different take on the famous detective, who ends up solving more than one mystery.

          "Mr. Holmes" is a breath of fresh air and filled with simple pleasures, anchored by a wonderful Ian McKellen.

Mission Impossible: Rogue Nation

         Tom Cruise returns in this 5th installment of the series. With each film, logic continues to dwindle and plot holes continue to grow larger but that's not really important in these films. 

          The franchise exists as the perfect summer popcorn film...big stars and bigger stunts and in that respect, the film delivers. For my money, the stunts have been better in the previous  films but there is no denying that Tom Cruise hanging off the side of a plane during taking off is pretty incredible. The problem though, is by now it's certainly no surprise (duh, look at the poster)  and it occurs right at the beginning of the film.

            Mr. Cruise is joined once again by the IMF team of Simon Pegg , Jeremy Renner, and Ving Rhames. Mr. Pegg is comic relief, Mr. Renner provides exposition and Mr. Rhames stands around looking tough.  The new faces this time include Alec Baldwin as the pompous CIA chief, Sean Harris as the creepy villain, and Rebecca Ferguson as the femme fatale double agent. Ms Ferguson holds her own very well in the stunt department going literally toe to toe with Mr. Cruise.

          Directed by Christopher McQuarrie (who also wrote the screenplay), the film jumps from stunt to stunt with a simplistic story to bridge the action. While the stunts are well staged, Mr. McQuarrie doesn't know when to stop and the film runs too long and with so many sequences, you begin to lose interest. Credit Mr. Cruise however, for doing his own stunts. He appears to be in great shape and goes out of his way to prove it.

            Films like this are becoming interchangeable with Jason Bourne, James Bond, even the Fast & Furious series. Yes Hollywood, all the stunts are fun but please give us a well written script that provides suspense and intelligence to go along with all the action.

Fantastic Four

       Fantastic Flop is more like it. I don't remember the last time a film actually offended me because it was so bad. Here, four good actors are trapped in a fantastic foul-up of a film. Miles Teller plays Reed Richards. Mr. Teller was exceptional in "Whiplash". Now he is so miscast, it's criminal.  Jamie Bell plays Ben Grimm, otherwise known as The Thing. Again, good actor ridiculously miscast and the same can be said for Michael B. Jordan as Johnny Storm or Kate Mara as Susan Storm. There is no chemistry between them or the film with it's audience.

        The film runs 100 minutes. The first hour is all origin story (and not even the correct origin) with no action sequences at all. If this part of the film was a superhero, it's power would be boredom and the ability to put the audience to sleep.  The last 40 minutes contains a big action sequence where the heroes square off against Dr. Doom on a barren planet. It is a poorly conceived battle with the cheesiest CGI, seemingly left over from a 1970's arcade game. When The Thing shouts his signature line, it is forced and comes out of nowhere, losing all it's verbose appeal.

         20th Century Fox has only had success with The X-Men films. They can't get Spiderman right or The Fantastic Four forcing reboot after reboot and failing miserably every time. They should wise up and sell their rights back to Marvel studios who have shown they know what to do with their heroes.

           Do not waste your time or money on this "Forgettable Four".

Southpaw

          Jake Gyllenhaal takes the hits but it's the audience that gets sucker-punched in this cliche-ridden fight film.  Mr. Gyllenhaal is the only reason to watch this boxing boredom. He is just terrific as Billy Hope, a boxer on top of the world, who falls quickly after a tragedy. Of course he ends up being trained by the wise, ex-boxer, mentor played here by Forest Whitaker, for one more shot at the title and redemption.

         Written by Kurt Sutter (known for the TV show "Sons of Anarchy"), its a lazy script with nothing new to bring to the genre (except the plot device that sets the story in motion). Director Antoine Fuqua tries to bring "street cred" to the story with gritty dark visuals and Eminem rapping the title song, but it all feels fake and a constant retread of a story told many times.

          Rachel McAdams plays "Mo", Billy's wife in what amounts to a cameo. Their daughter, played by newcomer, Oona Laurence is a 10 year old bore who, unfortunately, can't hold her own in her scenes with Mr. Gyllenhaal. Curtis "50 Cent" Jackson is the stereotypical manager who turns on his fighter the minute he smells a better deal. And Mr. Whitaker, an actor with a quality pedigree walks through his role as the trainer using "Mickey" from the "Rocky" movies as his role model.

           There are so many contradictions, I don't know where to begin and the climatic fight, while very realistic,  just doesn't produce the same excitement as so many other "fight" films. What holds the film together is the committed performance by Mr. Gyllenhaal. His physical and emotional performance rises above the material and he's a winner, even if the film isn't.

Trainwreck

    I first saw Amy Schumer on "Last Comic Standing" many years ago. She was pretty funny but she didn't win. That's how I feel about her new movie, pretty funny in spots but not a winner.

    In her first starring role, Ms. Schumer plays Amy, an alcoholic, promiscuous single girl in the city, not really looking for love. She is a writer for a tabloid magazine  run by the always wonderful, Tilda Swinton.  I don't think I've ever seen Ms. Swinton in such a loose, contemporary role and she is clearly having a blast as the crude head of the magazine.

    The film plays like an anti-romantic comedy with Ms. Schumer in a role reversal of the usual male part.  The first half of the film is a series of encounters that allow Ms. Schumer to sleep around and toss off great one-liners.  When she is assigned to write a story about a sports doctor played by Bill Hader, love hits her when she least expects it. Not knowing how to deal with this new emotion is the basis of the rest of the film.

     Mr. Hader is a terrific comedian but having him play the straight man is a complete bore. It may be right for the character but it's disappointing for the audience. The "actor" who steals the movie is LeBron James, playing himself as a close friend of Mr. Hader's. He is a natural and their scenes together are very funny.

      There is a subplot involving Amy's sick father, played by Colin Quinn and her sister, played by Brie Larson. Mr. Quinn basically plays himself, making Ms. Larson one of the few truly professional actors in the film and it shows. She has matured into a fine young actress who is always a pleasure to watch. Mike Birbiglia plays her husband and Evan Brinkman plays her stepson, Allister, in a role written for awkward laughs.

       There are some funny scenes throughout the overlong film but they are far and few between the awkward moments. Ms. Schumer's character is not likable. The "showstopper" at the finale made me what to scream "enough, make it stop". This is a film that will appeal to a very particular audience. Luckily for Ms, Schumer, she can always fall back on her very funny TV show.