The Lost City

        Fans of "Romancing The Stone" will enjoy this lighthearted action-comedy adventure. Starring Sandra Bullock (always good in dramas but especially good when she does self-deprecating comedy) and Channing Tatum (having fun with his image), the film is "Romancing lite". The two stars have great chemistry in this jungle romp.

       Ms. Bullock is romance novelist, Loretta Sage who has lost her desire to write after her last book. Mr. Tatum is her cover model, "Dash". When an eccentric billionaire criminal, played by Daniel Radcliffe kidnaps Loretta believing she can lead him to a real lost city's treasure, "Dash" (real name Alan) sets out to rescue her, proving he is more than just a pretty face.

        The film co-stars De'Vine Joy Randolph as Loretta's manager, who has her own set of comedic adventures attempting to find Loretta on her own. It's all silly fun with some solid laughs topped off by a terrific cameo by Brad Pitt, also having fun with his image.

The Outfit

           If you are a fan of the actor Mark Rylance, and who isn't, then this old fashioned "drawing room crime drama" is for you. Mr. Rylance is excellent as a Leonard Burling, a "cutter" who makes fine suits and owns a small shop in 1956 Chicago.

          The story seems more like a play than a film taking place entirely in the inside the shop but it's claustrophobic setting is perfect for the twists in this finely knit (pun intended) crime story. Burling's shop is used as a drop box for the mob while he goes about his business with only his receptionist Mabel (played by Zooey Deutch) for company. When a mysterious tape ends up in the collection box it sets off a series of secrets revealed and unexpected betrayals.

          Also co-starring are Simon Russell Beale as Mob boss, Roy Boyle, Dylan O'Brien as his hot headed son, Ritchie, Johnny Flynn as Boyle's enforcer, Francis and Nikki Amuka-Bird as LaFontaine. It's a fine cast in a faux Hitchcockian story led by the terrific Mr. Rylance. Director and co-writer Graham Moore makes full use of the small space creating a suspenseful atmosphere with clever camera work and a fitting score. The pace of the story slowly peels away layers that keeps the tension rising.

         My only problem with the film is that while it takes place in 1956, a crucial part of the story involves something not created until 1962. Mr. Moore should have done a better job with his research. 

The Batman

      The "Dark Knight" gets even darker in this new version of the Batman legend. Director and co-writer Matt Reeves (along with Peter Craig) take a very different approach to the mythology by focusing more on Batman as "The World's Greatest Detective" rather than the "super hero" of past films. Of course Batman was never really a "Super Hero" having no super powers but just his skills and great "toys".

       Robert Pattinson stars as a brooding and very dark Batman. With the emphasis more on The Batman, we see very little of his alter ego, Bruce Wayne. Co-starring Jeffrey Wright as Inspector James Gordon, the only honorable cop in Gotham and Zoe Kravitz as a very sexy Selina Kyle aka Catwoman, the film's central plot concerns solving the brutal murders of many of Gotham City's power brokers. The crimes are being committed by a sinister version of "The Riddler" (no green suit here), who leaves clues for The Batman at each murder scene. The Riddler's identity is not revealed until late in the film so I won't reveal the well known actor who plays the part. Andy Serkis plays Alfred, Bruce Wayne's loyal butler. The other villains central to the plot are Carmine Falcone, the Gotham crime boss, played by John Turturro and "The Penguin" played by an unrecognizable Colin Farrell (who is clearly having a blast under all that makeup).

​     Mr. Reeves envisions a very dark version of Gotham City where it is almost always night and raining. The film moves along at a slow, deliberate pace with only a few action sequences spaced wide apart during the three hour run time. This is a very different version of Batman then we have seen in earlier films and it take a bit getting used to. Mr. Pattinson is perfect as a very human crime fighter, sullen and fraught with emotional scars. He actually takes quite a beating trying to stop The Riddler. 

   

     Those familiar with the HBO show "True Detective" and the Fox show "Gotham" will probably enjoy this film very much. It reminded me very much of the pace and writing of "true Detective" and the look and feel of "Gotham". Mr. Reeves also found inspiration from Batman comics, in particular the graphic novel, "Batman: The Long Halloween". 

Cyrano

     Director Joe Wright, working from a screenplay by Erica Schmidt (based on her play), brings us a wonderful adaptation of the classic love triangle.

     Earlier versions of Cyrano have always focused on his deformity of an extra-large nose, rendering him unable to profess his love for Roxanne. Here Cyrano is played by Peter Dinklage and it's the rather obvious size difference that keeps him from revealing his love, instead wooing her through his poetic letters delivered by Christian, the soldier Roxanne thinks she loves.

     Mr. Dinklage is absolutely wonderful in the role. He is a fierce swordsman, has an intellectual and poetic wit, and wears his heartbreaking unspoken love on his sleeve. And as it turns out, is not a bad singer, in a Tom Waits sort of way. Roxanne is played by the lovely Haley Bennett and Christian is play by the dashing Kelvin Harrison Jr.. Co-starring as the villain who also love Roxanne is Ben Mendelsohn, always a delight in a role he knows so well.

     The production is breathtaking. The locations (in and around towns in Sicily) are wonderful. The costumes are luminous and the surprising songs and choreography add a new dimension to the ageless tale. The singing and dancing are subtle and never overwhelm the production. There is really only one large number that is rendered beautifully.

      If you are looking for a change of pace from the usual films that seemed dumped on an audience in February, "Cyrano" makes for a great "date night".

Uncharted

           

          Based on a video game (which I have never played or even seen), this action, adventure story is in the mold of a "Raiders of the Lost Ark" or "National Treasure". While not quite living up to the standards of those iconic films, it does have its moments and relies heavily on the charms of its two stars to carry the film.

         The film stars Tom Holland and Mark Wahlberg and there is great chemistry between the "old and new school" action heroes. Mr. Wahlberg is "Sully" a thief with a plan to seek out a fortune of gold lost during the original Magellan expedition. He enlists the aid of Nathan Drake (Mr. Holland) who along with his older brother, Sam,  had tried to steal the map of the expedition years earlier. Already a success as "Spider-man", Mr. Holland has now set himself up to be the next generation Hollywood action star.

          Following the various clues, the film takes us from New York, to Barcelona, and to the Philippines as the two fortune seekers try to complete the puzzle and locate the treasure.  The film opens in the middle of an elaborate action sequence but stops short to take us into a flashback. It is only later that we return to the sequence to see how it unfolded and how it plays out. Since it is the most exciting sequence in the film, director Rueben Fleischer gets the most out of it by showing it twice. There is also an exciting, but totally unbelievable climax that just can't be described.

          Co-starring are Antonio Banderas and Tati Gabrielle as villains also in search of the treasure and Sophia Ali as a slippery colleague of Sully's who may or may not be trusted.  Steven Waddington is a villainous henchman known only as "The Scotsman" who exists for the sole purpose of comic relief as no one can understand his Scottish accent.

          The film follows a tried-and-true formula that is dull in parts but it is the great charm of Mr. Holland and reliability of Mr. Wahlberg that still makes it a fun but brainless watch. There are two post credits sequences that leave the door open for the inevitable sequel.

The Worst Person in the World

 

                  Nominated for best International film and best original screenplay at this year's Oscars,  this new Norwegian film is more romantic drama than comedy. It tells the story of Julie, played by Renate Reinsve, a young woman about to turn 30 and still figuring out her life.

                  The film follows Julie through career and relationship changes and is divided into twelve chapters with a prologue and epilogue. Much of the story centers on her relationship with Aksel, a comic book artist, 14 years her senior, played by Anders Danielsen Lie and then later with Eivind, a coffee barista played by Herbert Nordrum.

                  The three leads, especially Ms. Reinsve are terrific. Julie's story is not defined by usual rom-com elements and while there is some humor, it is a far more serious film. Ms. Reinsve moves through the film like a breath of fresh air and we find ourselves rooting for Julie even as her life, with no clear direction, takes unexpected twists and turns.

  

                 Directed and co-written by Joachim Trier, it's a smart, original take on a well known formula.

The Lost Daughter

 

      Not exactly new, this drama is currently streaming on Netflix. Written and directed by Maggie Gyllenhaal, and based on the novel by Elena Ferrante, the film explores motherhood through the eyes of Olivia Coleman as Leda Caruso, Jessie Buckley in flashbacks as a young Leda, and Dakota Johnson as Nina, a young mother vacationing at the same Greek resort as Leda.

      Vacationing alone, Leda's peaceful stay is constantly interrupted by Nina and the rest of her loud, obnoxious family. She becomes obsessed with Nina and her daughter Elena. Watching them invokes memories of her own young motherhood which we come to find out was not an easy one.

      The film co-stars Ed Harris, as Lyle, the resort's maintenance man, Paul Mescal as Will, a resort assistant, and Peter Sarsgaard as a college professor colleague of young Leda. Ms. Coleman is amazing as always and Ms. Buckley captures her perfectly as her younger self. Ms. Johnson and the rest of the cast are excellent as well.

      While not exactly a "thriller",  we are teased by many tense moments as the story unfolds. It's a slow burn but filled with intriguing characters as well as much symbolism. It is that symbolism that leaves the film open to interpretation as well as an ambiguous ending that begs discussion.

Moonfall

     It's that time of year when bad movies fill the void of winter and we can always expect a new Liam Neeson thriller.  While he does not star in this new sci-fi disaster film, Halle Berry and Patrick Wilson do and I guess they needed the paycheck.

     Directed and co-written by Roland Emmerich, the film is one of those "so bad, it's good" or just bad movies depending on your tolerance for ridiculous plots and even more ridiculous dialog. The premise of the moon falling out of orbit, I guess has a tiny bit of plausibility but the eventual reason for it happening is really ludicrous. And yet, Ms. Berry and Mr. Wilson do their best serious acting as the head of NASA and her disgraced astronaut out to save the earth. Joining them is John Bradley, as an armchair, amateur scientist who first discovers the problem. No one believes him at first but he somehow ends up in space, helping to save the day.

     There are the usual subplots involving family members in peril to give the film some gravitas and heart and lots of miniatures are destroyed in the ensuing mayhem. The special effects go from terrible to almost decent depending on what is transpiring on screen.

     The film co-stars Michael Pena, Charlie Plummer, Kelly Yu and in a "blink and you'll miss him" cameo, Donald Sutherland.  And of course, a bunch of adorable kids threatened by falling pieces of the moon. The only thing they forgot was a family dog.

     I realize this doesn't come off as a very favorable review but in a strange way, the film is still fun, especially in IMAX. It's actually a welcome distraction from the real-life problems we are all facing these days. 

Parallel Mothers

        The new film from writer/director Pedro Almodovar is an emotionally engaging story of two single pregnant women. Penelope Cruz stars as Janis, a photographer, who gets pregnant after a brief affair.  She becomes friendly with Ana (played by Milena Smit) when they become hospital roommates after going into labor and giving birth at the same time.

        Ana lives with her mother, an actress who was never really close to her daughter, since Ana had grown up with her father, until she became pregnant. Janis becomes pregnant after an affair with Arturo, a renowned forensic archaeologist, who has agreed to help her find and excavate the mass grave in her home village, where her great-grandfather and others were killed and buried during the Spanish Civil War.

        What starts out as a simple story of two different women who bond over a shared experience, becomes more complex as only Mr. Almodovar can tell it. Ms. Cruz rides an emotional rollercoaster and is simply wonderful as Janis. Ms. Smit shares that ride and the two women have great chemistry between them. Mr. Almodovar has a gift for writing complex women's roles and directing the women who play them.

         As a subplot, the story of the mass grave gives Mr. Almodovar a chance to make a subtle political statement and bring light to his audience, a dark chapter in Spain's history.  

Nightmare Alley

    Based on the 1946 novel of the same name, this is actually a remake of the original 1947 film starring Tyrone Power. The new version is directed by Guillermo del Toro with a screenplay by Mr. del Toro and Kim Morgan.

    In this new version Bradley Cooper stars as Stanton Carlisle, a drifter who finds new purpose working in a dustbowl Carnival in the late 1930's. The film co-stars Cate Blanchett as a femme fatale physiologist, Toni Collette as Zeena, a "mind reader" with the carny, who along with her alcoholic husband Pete (Played by David Strathairn) teach Carlisle to be a mentalist, Rooney Mara as Molly, Richard Jenkins, Mary Steenburgen, Willem Dafoe, Ron Perlman, and Holt McCallany.

    Mr. del Toro and his team faithfully recreate the era with terrific sets, costumes, and overall production design. The art deco sets in the latter half of the film are amazing. The atmosphere of the film is creepy and moody throughout, especially early on in the carny scenes. While Mr. del Toro is known for monsters and horror, the only monsters here are human but there is certainly a sense of dread that runs through the entire story.

    The pace is methodically slow but Mr. Cooper is magnetic and keeps the viewer engaged throughout. As Stanton's skills improve, his ambition grows as does his hubris. This is a great exercise in retro film noir that patience will reward.

The Tender Bar

       Based on the memoir by J.R. Moehringer, this coming-of-age drama is about his life growing up on Long Island and is directed with sentimental efficiency by George Clooney.

      It stars Ben Affleck as Uncle Charlie, Ty Sheridan as the adult J.R., Daniel Ranieri as the young J.R, Lily Rabe as his mother, and Christopher Lloyd as his grandfather.  Co-stars include Briana Middleton, Max Martini, and Sondra James.

      Mr. Affleck is excellent, easy and loose as the self-taught bartender worshipped by his nephew. The entire ensemble work well together and young Mr. Ranieri is adorable in his first major film. Mr. Clooney faithfully recreates the look and feel of Manhasset, Long Island in the '70's and '80's. It's a sweet story, small in scale filled with the joys and sorrows that exist within every family.

     After a short theatrical run, the film is available now on Amazon Prime.

My Top Ten Films of 2021 (In no particular order)-

The Unknown Saint- quietly amusing fable about a thief determined to retrieve his hidden loot from an unlikely place.

Cruella- a surprising entertainment starring Emma Stone in the origin of Cruella De Ville.

The summer of Soul- fascinating documentary on the Harlem Cultural Festival of 1969 that most people never even knew happened.

Pig- Nicolas Cage’s best work since “Leaving Las Vegas”. He stars as a man searching for his truffle pig. Doesn’t sound like much but it’s terrific.

Dune: Part One- Despites some flaws, this is a sweeping epic science fiction adventure.

Belfast- wonderful coming of age story set against the turbulent times of the “Troubles” in Northern Ireland.

Last Night in Soho- terrific mash-up of swinging ‘60’s London, a ghost story, a murder mystery and horror film rolled into one really fun film.

Licorice Pizza- odd coming of age love story with terrific performances by Cooper Hoffman and Alana Haim.

The Power of the Dog- Brilliantly written and directed by Jane Campion, the film sneaks up on you until an explosive revelation at the end makes you rethink everything.

The Tragedy of Macbeth- Denzel Washington is a towering presence in this Joel Coen black and white, ethereal adaptation of Shakespeare’s Macbeth.

West Side Story (2021)

           With a screenplay by Tony Kushner and directed by Steven Spielberg, this version of the beloved musical hits a high note in the careers of both men. While playing tribute to the original 1961 film, Mr. Kushner's script and Mr. Spielberg's direction are filled with a modern sensibility (especially when it comes to the Latino characters and history) that infuses new life into the classic.

      The film still takes place in the late fifties and the visuals, set design and costumes are wonderful. All the songs from the original are in place but the filmmakers take some liberty with time and location and while some of the original choreography is noticeable,  choreographer Justin Peck elevates the dance numbers for a modern audience and they are just as exciting as the original, if not more.

      Mr. Spielberg and his frequent collaborator, cinematographer Janusz Kaminski make brilliant use of the camera, swooping in and out and around all the actors.  They make bold choices for wide shots, close-ups and angles to maximize the look and feel of the story. 

 And speaking of bold choices, it is a cast of fairly unknown young actors in the lead roles, with the exception of Ansel Elgort (Baby Driver) as Tony. Maria is played by newcomer, Rachel Zegler, Riff is played by Mike Faist, Bernardo is played by David Alvarez (so good in American Rust), and Anita is played by Ariana DeBose. Mr. Alvarez and Ms. Debose almost steal the film out from under Ms. Zegler and Mr. Elgort. In secondary co-starring roles are Corey Stoll as Lt. Schrank, Brian D'Arcy James as Officer Krupke, Iris Memas as Anybodys, Josh Andres Rivera as Chino and in a wonderful casting choice, Rita Moreno (Anita in the 1961 film) as Valentina. 

      Nothing can replace the original as an American iconic film but this new version is a fine companion piece that contains many of its own rewards.

C'mon, C'mon

            Joaquin Phoenix stars in this new Indie drama as Johnny, a radio journalist traveling the country interviewing kids about their lives and thoughts about the future. When his sister Viv, played by Gaby Hoffman asks him to watch her nine-year-old son Jesse for a few days, Johnny agrees and that sends the plot in motion. 

            Viv has to travel to Oakland to look after her estranged husband, played by Scoot McNairy, struggling with mental illness. Jesse hasn't seen his uncle in over a year but they develop a tenuous relationship and Johnny ends up taking Jesse on the road with him as he does his interviews. Johnny learns some life lessons from Jesse and through multiple phone calls with Viv, reconnects with his sister.

             Jesse is played by newcomer Woody Norman and he is a natural. He has great chemistry with Mr. Phoenix, who after the anxiety and tension of "Joker" probably needed a small film like this, playing a fairly normal guy learning to appreciate his nephew and the sweet relationship that grows between them.

            Written and directed by Mike Mills, the film is shot in black and white (a trend in films this year) and moves from Detroit to LA, and then to New York and New Orleans. The interviews with the various kids seem genuine and unscripted. It's a charming film with a different type of role for Mr. Phoenix who gets to show off his natural skills in a new way.

The Matrix Resurrections

                You can't keep a good franchise down.  The beloved trilogy came to a pretty final conclusion at the end of "The Matrix Revolutions", killing off its two main characters but of course with science fiction stories, there is always a way to bring characters back to life, especially if there is money in it for a movie studio and the filmmakers.

          Once again Keanu Reeves stars as Neo (aka Thomas Anderson) and returning to the digital world with him are Carrie Anne-Moss as Trinity, Jada Pinkett Smith as Niobe and Lambert Wilson as The Merovingian. Joining them this time out are Jonathan Groff as Mr. Smith, Neil Patrick Harris as "The Analyst", Priyanka Chopra Jonas as Sati, Jessica Henwick as Bugs and Yahya Abdul-Mateen II as Morpheus.

               When the film begins, Neo has been repaired by the machines and his memories suppressed. He believes himself to be Thomas Anderson, a coder and creator of the video game, The Matrix. The first inside joke comes when his boss suggests that their parent company Warner Brothers wants a sequel to The Matrix Trilogy. As with the previous films, it's lines like this that make the audience start to question are we watching a movie, a video game or inside a game inside a movie? That's half the fun of The Matrix. The plots are so convoluted and disorienting that you may find yourself looking for the controls to manipulate what happens next.

                If you break it down to its basics, it's a love story. Our hero, Neo has returned to the Matrix to find and rescue his true love, Trinity. Everything else is window dressing. But it's remarkable window dressing. The fight scenes and stunts continue to amaze (even if there is nothing new about them), the visuals are stunning and the performances are all well done. Mr. Reeves slips back into Neo's skin like an old glove. Ms. Anne-Moss still plays a tough as nails Trinity and Mr. Abdul-Mateen II and Mr. Groff makes the characters of Morpheus and Smith their own. 

              Was there a need for another Matrix film? Not really but for fans, it will be fun to watch Neo take the red pill and go down the rabbit hole once again.

The Tragedy of Macbeth

         Going solo for the first time without the collaboration of his brother Ethan, Joel Coen writes and directs this new version of Shakespeare's classic play. Filmed in stark black & white, following the original text and led by a tremendous performance by Denzel Washington as Macbeth, this new version is one for the ages.

          The play has been performed since 1606 and in a massive variety of ways both on stage and on screen. Mr. Coen brings his own vision to the story and breaks it down to basic visuals and text. The sets are magnificent, cold and angular yet ethereal and foreboding. Thick fog and mist envelope the characters at times creating an otherworldly sense of dread. Carter Burwell provides the perfect musical foundation. The cinematography by Bruno Delbonnel is remarkable, framed in a deliberate and disorienting way. Shot entirely on soundstages, rather than actual landscapes brings an intimacy to the film and forces the viewer to really concentrate on the text and the actors.

          And what an ensemble of actors they are...Mr. Washington is a towering presence, even as he starts to lose his mind. His partner in heinous crime is Francis McDormand as Lady Macbeth.  She is maleficence personified. The film co-stars Brendan Gleeson as the doomed King Duncan, Harry Melling as his son Malcom, Corey Hawkins as Macduff, Moses Engram as Lady Macduff, Bertie Carvel as Banquo, Alex Hassel as Ross and the truly remarkable Kathryn Hunter as the three witches (and an old man).

           If you are a fan of "the Scottish play", or just a fan of acting excellence, it is not to be missed. It's in theaters now and on Apple TV January 16th.

Don't Look Up

 

         Written and directed by Adam McKay, this comic satire is an allegory of the state of the world today. And while it is sporadically very funny, it's underlying themes are all too depressing.

         When doctoral astronomy student, Kate Dibiasky, played by Jennifer Lawrence, discovers a comet heading towards earth, she immediately tells Dr. Randall Mindy, an astronomy professor played by Leonardo DiCaprio, of the impending danger. The two make every attempt to warn the government and the media of the disaster facing the world but no one takes them seriously.  Ms. Lawrence and Mr. DiCaprio are both terrific, alternating between hysteria and resignation at the various responses they receive everywhere they turn.

         The film is stuffed with an all-star cast. Meryl Streep plays the self-absorbed President of the United States, a not too subtle riff on a recent former president. Jonah Hill is her Chief of Staff as well as her son. Ms. Streep is clearly enjoying herself and Mr. Hill really plays idiotic, going for the big laughs. Also co-starring are Cate Blanchett and Tyler Perry as cheerful, vapid, morning television hosts. Rob Morgan as the only scientist who actually believes in the impending doom. Mark Rylance, pitch perfect, as a tech billionaire and founder of BASH,  a mash up of obvious current tech billionaires.  and in various other roles, Timothee Chalamet, Ron Perlman, Arianda Grande, Himesh Patel, Melanie Lynskey, Michael Chiklis, and Paul Guilfoyle.

         Mr. McKay's bombastic direction takes no prisoners making his points. He layers on the comedic responses to the horrific situation and we laugh to keep from crying. The film has its funny moments but also tries too hard and at times is so over the top, you can actually lose interest.  I think Mr. McKay may have had "Dr. Strangelove" in mind when conceiving "Don't Look Up" and while clever and smart, it falls short of the brilliance of that iconic film. 

The Power of the Dog

 

             Written and directed by the remarkable Jane Campion (based on the novel by Thomas Savage), this new drama takes place in 1925 on a sprawling cattle ranch in Montana.  The two brothers, the volatile Phil and the reserved George, who own the ranch, are played respectively by Benedict Cumberbatch and Jesse Plemmons.

              Phil is the "cowboy" of the two, working hands on with the horses, cattle and side by side with their ranch hands. He is always telling stories about "Bronco Henry", his late mentor who taught him all his cowboy skills. George, the more subdued of the two, wears suits with a bowtie and seems to spend much if his time engaged in the finances of running the ranch.  When Phil suddenly marries Rose, a widow with a teenage son, Phil is resentful of her inclusion in their life and taunts and teases her at every turn, especially making fun of her effeminate son Peter.

          Kirsten Dunst plays Rose and Kodi Smit-McPhee plays Peter. The film also costars Thomasin McKenzie, Genevieve Lemon and in smaller roles, Frances Conroy and Keith Carradine.

           The cast is excellent, especially Mr. Cumberbatch, Ms. Dunst and Mr. Smit- McPhee. Phil's taunts and resentments of Rose take their toll and Ms. Dunst's gradual change over the course of the film is a wonder in its tragedy.  Phil's relationship with Peter borders on underlying and suppressed homoerotic feelings that are brought to the surface in a particularly brilliant scene.

            The cinematography is stunning and Ms. Campion's direction while deliberately slow and steady, gives her actor's the time and range to fully express the building tension of their relationships. The story goes to an unexpected place and subtly sneaks up on you until ending on an explosive revelation that will make you rethink the entire film. 

Licorice Pizza

        Defying the simple description of a "coming of age film", this new comedy-drama is from writer/director Paul Thomas Anderson. As with many of his films, the story is set in the San Fernando Valley circa 1973 and revolves around the odd relationship between 15-year-old Gary Valentine (played by Cooper Hoffman) and 25-year-old Alana Kane (played by Alana Haim).

        Ms. Haim is one third of the band, "Haim" along with her two sisters, who play her sisters in the film. And keeping it in the family, Alana Kane's parents are played by the Haim sister's real parents.

        Gary Valentine is based on one of Mr. Anderson's friends and many of the plot points are culled from real events. While still in high school, Gary has an entrepreneurial spirit and after spending time as a child actor, starts a waterbed company and later on opens a pinball arcade. After meeting Alana at a photo shoot at his school, they become friends and she gets involved in his various business ventures flirting with him from time to time.

        Sean Penn has a cameo as Jack Holden (based on William Holden) in an odd scene involving Tom Waits, Alana and a motorcycle. Bradley Cooper also has a cameo as Jon Peters, once the boyfriend of Barbra Streisand. The sequence involving Mr. Cooper is one of the best in the film.

        Mr. Hoffman and Ms. Haim have a wonderful chemistry and while their relationship is the heart of the film, the plot moves in odd directions and you are never quite sure where it's going. The film could have also benefitted from some additional editing.

        Familiar with period, Mr. Anderson knows how to get the mood and visuals of the time right and uses a wonderful soundtrack that enhances the story perfectly. It's an odd tale of first love that may not appeal to everyone but both leads are terrific and have bright futures ahead.

The King's Man

 

               The third film in the series is actually a prequel to learn the origin of The Kingsmen. Written by Matthew Vaughn (with Karl Gajdusek) and directed by Mr. Vaughn, it's a grand adventure incorporating elements of history mixed with fictional characters.

               The film stars Ralph Fiennes, Gemma Arterton, Matthew Goode, Rhys Ifans, Tom Hollander, Harris Dickinsen, Daniel Bruhl, Djimon Hounsou, and Charles Dance. Mr. Fiennes, in fine form, is the impeccably dressed Duke of Oxford destined to start the Kingsmen Secret Service. Mr. Dickinsen plays his son Conrad. Mr. Ifans is the Russian Monk, Rasputin and clearly is enjoying himself in an over-the-top performance. Ms. Arterton and Mr. Hounsou assist Mr. Fiennes in his secret attempt to defeat Germany and end World War I.

                 Mr. Vaughn is known for his kinetic style of directing and while there are plenty of moments that qualify, most come in the second half of the film. Uncharacteristically, the first half is rather slow and devoid of much action. The plot can't decide if it's a war story with spies or a spy story in a war. It is quite a long setup for what comes next but Mr. Vaughn redeems himself for the slow start once the story finds its footing.

                 The mix of wonderful vintage costumes, terrific stunt work and CGI when necessary, bring all the action to vivid life. And in the end, it's all quite enjoyable fun. Anyone for tea?