Venom: The Last Dance

 

          Tom Hardy returns for a third outing as Eddie Brock/Venom in what is being called "The Last Dance", the conclusion to the Venom story line. The film was written and directed by Kelly Marcel, heading up a tremendous team of animators and CGI artists.

           Read no further if you haven't seen the other two films or have no interest in this Marvel anti-hero. If you are indeed familiar with the character and a fan, you will thoroughly enjoy yourself. It is a fun filled ride loaded with action packed mayhem and some great dialog between Eddie and Venom, the alien symbiote that shares his body.

           The film co-stars Juno Temple, Chiwetel Ejiofor, Rhys Ifans, Peggy Lu, Clark Backo and Stephen Graham. Additionally, Christo Fernandez returns as the bartender from "Spider-Man: No Way Home". We also get a quick glimpse of Andy Serkis as "Knull" during a mid-credit scene.

           The special effects are fun and Mr. Hardy seems to really enjoy playing Eddie Brock. While the film is being called the conclusion to the trilogy, anyone familiar with the Marvel Universe knows anything can happen. Pay close attention to the final post credit scene.

Smile 2

 

       The first film had a original take on an evil entity possessing people. It became a hit and now we have the sequel. Writer and director Parker Finn keeps things fresh with a new cast and a new setting but that pesky entity is still keeping victims smiling and dying.

       Naomi Scott stars as Skye Riley and she is simply terrific. She is in almost every scene playing a pop star who has inadvertently inherited the evil spirit from the first film. She does her own singing and dancing in certain scenes and in others registers paranoia, fear, and absolute terror as the spirit slowly consumes her. It is a star making performance. Co-starring with Ms. Scott are Rosemary DeWitt, Kyle Gallner, Lukas Gage, Miles Gutierrez-Riley and Peter Jacobson. 

      Mr. Finn expertly turns up the suspense and scares as the story builds. He is a master of the "jump scare" and the film contains many of them. It's a standard horror technique but he still manages to make it surprising and keeps the audience constantly off balance.

       Everything about this sequel is ramped up from the original. It starts days after the first film ended, takes off like a shot and works brilliantly. Looking forward to the inevitable "Smile 3". 

Joker: Folie a Deux

 

       Less a sequel and more like a continuation, this film picks up directly after the events of the first film. It starts with a terrific animated sequence that soon dissolves to the prison where Arthur Fleck is awaiting a psychiatric evaluation before he can stand trail for multiple murders. The film rotates between the prison and the courtroom, interspersed with musical numbers in Arthur's delusional imagination.

        The film, of course, stars Joaquin Phoenix returning as Arthur Fleck. In inspired casting, Lady Gaga plays Harleen (Lee) Quinzel, Artur's love interest. The two have great chemistry and their scenes together are electric (even if Mr. Phoenix is not the best singer). Mr. Phoenix's acting, however, is exceptional. He is amazing a s fleck. It's a shame the script doesn't do him justice.

         Co-written and directed by Todd Phillips, This is an unnecessary film that has no real plot and blends drama and music in a ridiculous way. It ultimately goes nowhere and if not for the performances of it's two stars, it's not worth your time (wait for streaming if you must see it). 

        The film co-stars Brendan Gleeson, Catherine Keener, Zazie Beetz, Steve Coogan, Harry Lawtey, and Bill Smitrovich.

         As with the first film, while taking place in Gotham City, it has no Batman or Commissioner Gordon. It has a Joker, Harley Quinn, and even a Harvey Dent but otherwise exists outside of the usual DC universe. It's a strange mix that fails to capture the magic of the first film.

      

        

Saturday Night

 

    Co-written and directed by Jason Reitman (who interviewed surviving cast and crew members), this is a nostalgic look at recreating the premiere episode of Saturday Night Live, fifty years ago.

     Mr. Reitman assembles a talented group of actors, who, while not perfect replicas of the original cast, certainly capture their essence. The film stars Cory Michael Smith as Chevy Chase, Ella Hunt as Gilda Radner, Dylan O'Brien as Dan Aykroyd, Emily Fairn as Lorraine Newman, Matt Wood as John Belushi, Lamorne Morris as Garrett Morris, Kim Matula as Jane Curtin and Tommy Dewey as Michael O'Donoghue.

      Also starring as Lorne Michaels is Gabriel LaBelle and Rachel Sennotti as Rosie Shuster.  In addition, the film features Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Cooper Hoffman, Matthew Rhys, Willem Dafoe, Jon Batiste and J.K. Simmons.

      It's a great cast and Mr. Reitman captures the insanity of what it must have been like putting the first episode together when the concept was new and nobody knew what to expect. While we may never know exactly what really happened that night, one can only imagine it's probably close to the truth.

Terrifier 3

 

     If you haven't seen the first two films in this series and have no interest in violent horror, stop reading now. However, if you're in the mood for a gory, violent and fun, yes fun....Terrifier 3 is for you. But you really should start with the first film and follow the misadventures of psycho clown killer, Art the clown.

     Written and directed by Damien Leone, (Dario Argento would be proud) while incredibly violent and drenched in blood, there is element of fun, along with committed performances from David Howard Thornton, Lauren LaVera and Samantha Scaffidi. Mr. Thornton plays the silent clown as a maniacal Charlie Chaplin eliciting laughs along with shrieks and groans. Ms. LaVera reprises her role as the heroine, Sienna Shaw and is quickly earning her place as a genuine scream queen. Ms. Scaffidi reprises her role as  the heroine turned villainess, Victoria Heyes, who just about steals the spotlight from Art.

      The film co-stars Elliott Fullam, Antonella Rose and in smaller roles, Clint Howard, Daniel Roebuck, Jason Patric, and Tom Savini.

       Mr. Leone has a great knack for giving fans of this genre exactly what they want. His production team provides excellent, and sometimes, deliberately cheesy special effects. It's obvious that Mr. Leone's budget grows with each subsequent film. I can't wait to see what he does with the inevitable Terrifier 4.

       

The Apprentice

 

        This new biographical drama examines the life of Donald Trump in the 1970's and 80's as he was growing his real estate empire. More than that however, it is a modern day "Frankenstein" story as the young Donald meets nefarious lawyer, Roy Cohen who mentors Donald into the man we know today. Make no mistake, this is a "horror" story in the very worst way.

         Sebastian Stan stars as Donald Trump and he is fantastic. He seamlessly captures every nuance of the man, his expressions, vocal patterns and movements. It is absolutely hysterical watching him constantly fixing his hair. Jeremy Strong completely inhabits the look and spirit of Roy Cohen, one of the most vile individuals to ever walk the earth. He teaches young Donald his three rules to live by which Donald then takes ownership of in later years.

        The other principal actors are Martin Donovan as Fred Trump Sr. and Maria Bakalova as Ivana Trump. Charlie Carrick co-stars as Fred Trump Jr. and Catherine McNally is Mary Anne Trump.

         The film follows Donald as he negotiates purchasing the abandoned Commodore Hotel, his Atlantic City casinos, Trump Plaza and more. It also charts how he met, courted, and eventually lost interest in Ivana Trump. Under Mr. Cohen's influence, he develops his rule book, "The Art of the Deal".

          Donald Trump's lawyers tried to have this film banned but it finally found a distributor and they are now calling it "election interference" due to it's content and realistic portrait of Mr. Trump. It's actually a fascinating story with brilliant performances from both Mr. Strong and Mr. Stan.

           

Megalopolis

 

        Written, produced and directed by Francis Ford Coppola, this is his greatest cinematic achievement since "The Godfather"...nah, not really. Instead, it is an ambitious, overstuffed, incoherent at times, mess of a movie. And yet, under all that mess, shards of Mr. Coppola's genius still shine through. 

         The film stars Adam Driver (taking everything very seriously), Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza ( having fun going way over the top), Shia LaBeouf (chewing all the scenery in his scenes), Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, and Kathryn Hunter (criminally underused). Also, in much smaller and practically wasted roles, Chloe Fineman, James Remar, D.B. Sweeney, Grace VanderWaal, Balthazar Getty, and Dustin Hoffman (who hasn't acted in years and came back for this?).

         Mr. Coppola’s vision is to merge ancient Rome with a futuristic New York and set up a confrontation between two powerful men, the visionary architect, played by Mr. Driver (with a large nod to Robert Moses) and Mr. Esposito, as the Mayor of "New Rome".  With that idea as his base, characters move through the film with dialog that ranges from non-sensical to Shakespearean and laughable to poetic. Themes are introduced and then cast aside. At times, the leads don't even seem to know what they are doing.

         While the CGI work is inconsistent, I will praise the art direction and design. Watching the film is like wandering through a moving art exhibition without a cohesive theme. There are fleeting moments of Mr. Coppola's brilliance in the rather insane look of the film and in some of the dialog but overall, the film is a slog to get through running over two hours that seem more like six gonzo hours.

           Apparently Mr. Coppola has been nurturing the idea of this film since 1977. Give the man credit for bringing his opus to fruition, and spending his own money to do it, but this is far from his greatest achievement. It is a great example of the old adage, "art is in the eye of the beholder".

WOLFS

 

       Shame on Apple using George Clooney and Brad Pitt as poster boys to sell subscriptions. This new action, crime, drama is light as air and as thin as finely sliced ham. The plot is a total cliche and makes very little sense, even when the two stars quickly explain it late in the film, when they both realize what they've been doing for nearly the past two hours.

         It begins with an interesting premise, when Amy Ryan calls for the services of a "cleaner", a professional fixer of sorts who "cleans" up illegal scenarios to protect certain types of people. Two competing "cleaners, Mr. Clooney and Mr. Pitt, show up to dispose of a body and things take off from there.

          Besides Ms. Ryan (who disappears after the initial scene), the film co-stars Austin Abrams, Zlatko Buric, and in a surreal cameo, Richard Kind as a Frank Sinatra fanatic.

          If you are satisfied watching two movie stars going through the paces, without much thought of character or plot development, this is the perfect film for you. Enjoy it as the two make fun of themselves with aging jokes such as needing glasses, complaining about back pain, and needing aspirin.

          There is far better content (with stars) to watch on Apple, then this fluff. These wolfs don't bite. They don't even have teeth.

Lee

 

  Kate Winslet is terrific in this pretty straight forward "bio pic" of the celebrated World War Two photojournalist, Lee Miller.

   Framed by an interview session in 1977, we are transported back to 1938 when Ms. Miller was working as a photographer for the British edition of Vogue magazine. We then follow her  as a wartime photojournalist during the war in France. The framing device is clever especially as the film returns to 1977.

   Ms. Winslet is fearless in a strong performance that rises above the dark and dour backdrop of the later days of the war. She is joined by Andy Samberg (in his first serious role) as Look Magazine, photojournalist, David Scherman. The two had a great friendship that lasted well after the war and through the chemistry of the two actors, that friendship and bond is very apparent.

    The film co-stars Andrea Riseborough as Audrey Withers, the editor at Vogue, Alexander Skarsgard as Lee's husband, Roland and Josh O'Conner as Antony. It also features Marion Cotillard, Noemie Merlant, and Vincent Colombe.

     Lee Miller's actual photographs are showcased in the film and many scenes are hard to watch as she brilliantly captures the horror of war as well as moments of meditation and even surprise.

      During the credits, we learn the fate (and see the actual photos) of the  people featured in the film. It's a tribute to Lee Miller, David Scherman and others like them that brought all the aspects of war home through their work. A grim reminder that no one really wins.

The Wild Robot

 

    With a screenplay and direction by Chris Sanders, this new film is a joy on every level. It is based on the book by Peter Brown and Mr. Sanders and his terrific team bring it to animated life.

      The animation is wonderful combining familiar animation techniques for the action and foreground but with a vibrant hand painted feel for the background creating a completely new look. The simple story is filled with humor, suspense, action and a surprising emotional core. It's a treat for the eyes and touches your heart as well.

       The film features the vocal talents of Lupita Nyong'o as "the Robot", Pedro Pascal as Fink, the fox,  Kit Connor as Brightbill the goose, Catherine O'Hara as Pinktail the opossum, Bill Nighy as Longneck the goose, Mark Hamill as Thorn the grizzly bear, Matt Berry as Paddler the beaver, and Ving Rhames as Thunderbolt the falcon.

        I would recommend it for children and adults as well, although there are a few scenes that younger viewers may find frightening. It's a perfect family film, filled with life lessons and a strong moral center. Try to see it in a theater where the big screen and sound really make the film "pop".

The Substance

 

    Written and directed by Coralie Fargeat, this satirical body horror film has a lot to say about a woman's self image, vanity, celebrity, and ageism. And Ms. Fargeat is not subtle about delivering those themes literally into the face of the audience.  Her use of extreme closeups drive home her points.

     The film itself, is as if David Cronenberg directed Dr. Jekyll & Mr. Hyde. As it builds to a crescendo of an all out gonzo gross out, we watch as stars Demi Moore and Margaret Qualley battle it out for sole possession of the same person.

     Ms. Moore is fantastic in one of her best roles, fearlessly making fun of her own self image. Ms. Qualley is equally as good as she seeks to control her own destiny. The film co-stars Dennis Quaid as a sleezy TV executive and he plays it well as a walking parody.

     At the onset, the story is simple enough. An aging celebrity fearful of becoming obsolete, discovers "The Substance", a drug that promises a return to youth and beauty. But as we all know, there are always consequences when wishes come true and, in this case, things get crazier and crazier as Ms. Moore and her younger self compete for control.

     Be warned that the last third of the film is so off the wall, it may make some viewers physically sick and can be hard to watch but in it's own way, it's also kind of brilliant. Nothing will prepare you for this controversial new film.

      

Speak No Evil

 

       With a screenplay written and directed by James Watkins, this is an American remake of a 2022 Danish thriller.

        An American couple and their young daughter meet a British couple and their son while on holiday in Tuscany. They all hit it off and the "Brits", Paddy and his wife Ciara invite Louise, Ben and their daughter, Agnes to visit them at their farm in the English countryside. Once they arrive, all is not what it seems.

        Paddy is played by James McAvoy and he is incredible. Friendly and inviting one second, he turns sinister with just a simple raised eyebrow, slight twist of a lip or simply a sneering smile. His wife is played by Aisling Franciosi and their son is played by Dan Hough. The American couple are well played by Mackenzie Davis and Scoot McNairy (who were both terrific in the great AMC show "Halt & Catch Fire"). Alix West Lefler plays Agnes, wise beyond her years. The film also co-stars Kris Hichen as Mike and Motaz Mulhees as Muhjid.

        Mr. Watkins builds the suspense  slowly as little cracks start to appear in Paddy and Ciara's behavior. His screenplay alternates between suspense, touches of humor and eventually horror, as the truth is revealed.  At that point, the tension becomes palatable as things escalate into a life and death situation. 

         It's a rollercoaster of a film, touching all the right buttons of it's audience.  If you are looking for a much darker and even more sinister version of the story, check out the original Danish film, now streaming.

          

Caveat

 

        Directed and written by Damian McCarthy, "Caveat" is Mr. McCarthy's directorial debut and the predecessor to "Oddity", a terrific horror film, I recently reviewed.

        While I didn't find this film quite as scary as "Oddity", it certainly has it's moments. The story itself, is strange to begin with and only gets stranger as it goes on. Mr. McCarthy is an original voice in horror and creates stories and situations that can totally give you nightmares.

         Amnesiac drifter Isaac is hired by one Moe Barrett to watch over his niece, Olga, who lives alone and is prone to sudden fits of catatonic states. What Moe doesn't reveal to Isaac is the job's caveat and thus sets off  Isaac's descent into near madness.

         The film stars Johnny French as Isaac, Leila Sykes as Olga, and Ben Caplan as Moe Barrett. The film also stars the scariest toy rabbit I've ever seen. 

          Currently streaming, it's a film that may haunt you for days.

Reagan

 

         What a great love story between Ron and Nancy Reagan and what a great love story for all Republicans. And released close to Election Day, coincidence? Although in fairness, it does instill a bit of patriotic pride, the way President Reagan stood up to the Soviet Union.

          Dennis Quaid does a fairly good impression of President Reagan but it's Penelope Ann Miller who steals the film as Nancy Reagan. She is spot on and the chemistry between the two is wonderful. They do a great job conveying the love "Ronnie" and Nancy Pants"  had for each other.

           The film is framed by a Russian "spy" narrator, played by Jon Voight explaining to an unnamed Russian official how Ronald Reagan came to power. He claims to have studied everything about Reagan going back to when he was a boy, which we then see as the story unfold in flashbacks.

            Co-starring are C. Thomas Howell, Kevin Dillion, Mena Suvari, Lesley -Anne Down, Alesksander Krupa, Robert Davi, Xander Berkeley, and Dan Lauria among others.

            The film covers a lot of ground but many significant events are glossed over as the writer, Howard Klausner's main focus is on communism and how President Reagan was instrumental in the fall of the Soviet Union. His screenplay is based on the book, "The Crusader: Ronald Reagan and the Fall of Communism" by Paul Kengor so it makes sense that the screenplay is heavy on the subject. Of course little mention of the Iran-Contra scandal, the invasion of Grenada, the bombing of Libya, his lack of response to the AIDS epidemic, and “Reaganomics” while focusing on primary standing up to the Russians paints an unequal weight on his legacy. 

             No president has ever been perfect but Ronald Reagan's legacy will stand the test of time. The film is entertaining and provides some insight into the man. But if you are more interested in a complete picture (and not just all this flag waving), hit the history books.

Beetlejuice Beetlejuice

 

    Director Tim Burton, with his singular visual style, reunites Michael Keaton, Winona Ryder and Catherine O'Hara to create a funhouse sequel to the original "Beetlejuice".

     Despite a few visual marvels, the film takes a minute to really take off, especially when a plot point you may think unnecessary takes an important turn.

      In addition to the three returning leads, the film also co-stars Jenna Ortega, Justin Theroux, Monica Bellucci, Willem Dafoe, Arthur Conti, Burn Gorman, and in a cameo, Danny DeVito.

      The art direction and visual effects are fantastic, as you would expect from a Tim Burton Film, and as in most of Mr. Burton's films, Danny Elfman composed the score.

       Mr. Keaton is at his madcap best and is a shot of adrenaline every time he is on screen. Ms. O'Hara and Mr. Dafoe, chew the scenery (in a good way) in their respective roles. Ms. Bellucci is the very sexy ex-wife of Beetlejuice who's shapely figure is put together very well...literally. Ms. Ortega is an actress that continues to impress and Ms. Ryder slips back comfortably into her character, Lydia Deetz, albeit with an adult sensibility now.

       The film doesn't break any new ground since the original (although Beetlejuice's shrunken head employees are a hoot) but is lots of nostalgic fun throughout. 

    

      

Strange Darling

 

       A one night stand becomes a twisted game of cat and mouse in this dark thriller from writer/director JT Mollner.

       The film is broken into six "chapters" and an epilogue but told in a non-linear fashion which is only one of the more interesting things that sets it apart from films of this ilk. 

       It stars Willa Fitzgerald and Kyle Gallner. Both leads play well against each other and Ms. Fitzgerald, in particular, is absolutely terrific as "The Lady". Barbara Hershey and Ed Begley Jr. have small but significant roles.

       The actor Giovanni Ribisi makes his behind the camera debut as the cinematographer, as well as one of the producers and the actor Jason Patric does a voice over narration. 

       Violent and clever, "Strange Darling" will definitely hold your attention. 

Oddity

 

      Finally, a horror movie that lives up to its genre. This new film written and directed by Damian McCarthy is creepy, unsettling, and actually dare I say it, scary. 

       Mr. McCarthy has written a very weird but accessible story line and directs with an assured hand that knows exactly where and when to jolt you out of your seat. It's the first horror film I've seen in a long time that actually gave me goosebumps.

       The film stars Gwilym Lee, Carolyn Bracken, Tadhg Murphy, Caroline Menton, Steve Wall, and Jonathan French. It was filmed in Ireland and despite accents, you can easily watch without subtitles. I recommend watching it in the dark and not alone.

       The less said about the plot the better but from the moment it starts until the very last frame, it will have you on edge. Streaming now, as video on demand, on multiple outlets.

Horizon: An American Saga-Part One

 

      Co-written and directed by Kevin Costner, "Part One" is a 3 hour set up for just the beginning of Mr. Costner's passion project. He introduces lots of characters and situations that will continue to play out in future installments leaving this chapter unfulfilling.

      "Part One" stars Mr. Costner, Sienna Miller, Sam Worthington, Danny Houston, Jamie Campbell Bower, Luke Wilson, Jena Malone, Tatanka Means, Owen Crow Shoe, Abby Lee, Tom Payne, Will Patton, Georgia MacPhail, and Michael Rooker.

       You can clearly see that Mr. Costner has an affinity for the American west but his script meanders like many western rivers. The dialog tries to be authentic but loses credibility at times (would a Calvary soldier really say "indigenous" in the 1800's) and the authentic costumes are just a bit too clean at times. The film's cinematography, however, is excellent with scenes of beautiful mountains and sweeping vistas.

        Besides opening and closing massacres, not much happens in the way of character development or story. It's all set up or as they say in the west, "all hat and no cattle". I still don't think it's fair to judge the film on it's own as it's only the beginning of a "saga" but three hours easily could have been two.

      

         

Slingshot

 

    This new sci-fi drama is about three astronauts on a long space voyage to Titan, Jupiter's largest moon. Casey Affleck stars as John, Laurence Fishburne is Captain Franks, and Tomer Capone is Nash. Deep in hibernation for months at a time, the drugs needed to sleep and then wakeup provide side effects that over time begin to take their toll on the crew.

      The film take place entirely on the spacecraft but includes flashbacks to time on Earth before the mission starts. This includes a growing romance between John and Zoe (played by Emily Beecham), a member of the design team for the spacecraft. Also back on Earth is David Morrissey who co-stars as Napier, Head of Mission Control.

       Tension mounts after John discovers damage to the hull from an unexplained impact and dissention grows between the crew whether or not to continue the mission. Nash is convinced their lives are in jeopardy and wants to abort. Captain Franks want to continue as the ship's computer system doesn't show any irregularities. John's decision is complicated by growing hallucinations affecting his judgement.

        Little backstory is provided for the crew with the exception of John and Mr. Affleck is well cast as a loner who starts to question his sanity the deeper they go into space. The film itself takes it's time to get to a certain point where the writers really start to mess with the audience. What is real and what is not reaches a wild crescendo in the last act. 

        Whether or not it's worth the 110 minute ride is up to your tolerance level.

Blink Twice

 

       Co-written and directed by Zoe Kravitz, this new "thriller" is easily forgotten (a pun if you see the film). What starts out as a fun filled, hedonistic trip soon turns into a nightmare for friends Frida (played by Naomi Ackie) and Jess (played by Alia Shawkat).

        A group of people are invited to Slater King's (played by Channing Tatum) private island where it becomes a daily ritual of drinking, drugs, and non-stop party time. Ominous clues start appearing and Frida begins to realize all is not right.

         The film turns ugly once Frida remembers the women have been drugged, tied up and raped every night with no memory of what's transpired. Once she remembers, Frida turns the tables and the film dissolves into bloody carnage.

         The film co-stars Christian Slater, Simon Rex, Adria Arjona, Haley Joel Osment, Liz Caribel, Levon Hawke, Trew Mullen, Geena Davis, and Kyle MacLachlan.

         While I try my best to not reveal plot points, I did in this case to forewarn anyone thinking of seeing this film. While it has a notable cast, it's premise is really nasty, and you should know what to expect going in. There is even a disclaimer at the start of the film.