Caught Stealing

 

        The latest film from director Darren Aronofsky is a crazy crime romp that, at times, can be both humorous as well as a nasty piece of work. The screenplay is by Charlie Huston, based on his novel.

         Austin Butler stars as Hank, a baseball loving bartender living on the lower east side. Along with his mother, Hank is a huge San Francisco Giants fan who's dream of playing professionally was crushed by a car accident, that he keeps reliving in his dreams.

         When his British punk neighbor Russ (played by a very funny Matt Smith) asks Hank to watch his cat, it sets in motion a series of mishaps for Hank and his girlfriend, Yvonne (played by Zoe Kravitz). Rival ethnic crime gangs are after four million dollars in hidden cash and are all convinced Hank knows where it is and how to get it. 

           The film has a terrific supporting cast including Regina King, Liev Schreiber, Vincent D'Onofrio, Carol Kane, Griffin Dunne, Yuri Kolokolnikov, and Benito Martinez Ocasio (better know as "Bad Bunny").

          Hank is shot at, beaten and constantly on the run. Multiple bodies start piling up as he is pursued for the money. Mayhem abounds but despite the growing violence around him, Hank keeps going, looking for a way out of the madness.

          Mr. Aronofsky directs the film at a kinetic pace but allows us a glimpse of the New York City he loves. His portrait of New York in 1998 includes the seediness of the lower east side, the grunge of Coney Island, the Russian influence of Brighton Beach, Brooklyn, remnants of the World's Fair at Flushing Meadows Park, the back alleys and courtyards of Brooklyn apartment buildings,  and even the NY Mets, still at Shea Stadium.

            Mr. Austin is easy to root for. He has natural charisma, playing Hank with a likeability and everyman quality. Not as intense as some of his earlier work, the film is an interesting change of pace for Mr. Aronofsky.

The Roses

 

        The bloom is off these roses in this terribly unfunny comedy remake of the 1989 film, "The War of The Roses". The only thing that makes it tolerable is listening to and watching the wordplay and antics between it's two stars, Olivia Coleman and Benedict Cumberbatch.

         If not for the two stars, this flat humorless "comedy" would be a complete bore. It doesn't begin to even hint at comedy until late in the film but even then, the comedy comes from such a dark place, it's cringe worthy.

         Watching the successful loving marriage of this couple disintegrate is just not funny. Even the casting of Andy Samberg and Kate McKinnon as "comic relief" best friends can't help. They are both completely miscast. Allison Janney has a cameo as a cutthroat lawyer and you've already watched her entire scene if you've seen the trailer.

           If you enjoy watching the growing misery of others, you will completely enjoy this film but if you are looking for laughs from a bad breakup, stick to the original.

SPLITSVILLE

 

         This new Indie comedy is a clever take on modern marriage. It is a self made affair, starring Kyle Marvin and Michael Angelo Covino, who co-wrote the screenplay and is directed by Mr. Covino. It also stars Dakota Johnson and Adria Arjona who also serve as producers.

         It is the story of two couples (the men are best friends) that come in crazy conflict when there is an unusual turn in their relationship. There is clever word play as well as visual gags that produce laughs in subtle and not so subtle ways.

         Co-starring are David Castaneda, Charlie Gillespie, Simon Rus and Prince Rodn3y. There are also cameos by O-T Fagbenie and Nicholas Braun (in a funny turn as a Mentalist).

          The ensemble cast work well together and the story takes some unusual turns as the four navigate their fractured love lives.

Eden

 

       Ron Howard goes out of his comfort zone to direct this serious adult drama, based on a true story. With flashes of nudity, sex and violence, this is unlike any other Ron Howard film, and he does a remarkable job.

        The film is based on the true story of a group of people who decide to live off the grid on an uninhabited Galapagos Island in the early 1930's. With a screenplay by Noah Pink, based on a story by Mr. Howard and Mr. Pink, the film has the all the qualities of a good book. The characters are rich and interesting and as they say, "the plot thickens" as the story moves forward.

         Jude Law stars as Dr. Friedrich Ritter and Vanessa Kirby is his companion, Dore Strauch. Disillusioned with Germany's growing fascism, the two leave for the Galapagos, where they can live alone and Dr. Ritter can philosophize in his journals about creating a utopia. His essays make their way back to Germany through a mail ship that periodically visits the island. One day Heinz Wittmer, played by Daniel Bruhl, his young wife Margret, played by Sydney Sweeny, and his sickly son arrive, enthralled by Ritter's writing with the intent to settle on the island as well. Not long after, A woman calling herself Baroness Eloise Bosquet de Wagner Wehrhorn also arrives with a few men in tow with the intent on building a hotel on the island. The baroness is played by Ana de Armas.   

         Mr. Howard brings out the best in his already terrific cast. You already expect great work from Jude Law, Daniel Bruhl and Vanessa Kirby but Ana de Armas is at her best as a character you will grow to hate and Ms. Sweeny is almost unrecognizable as Margret and steals the film with her best acting to date.

          Uneasy alliances are formed and broken and tensions begin to rise as everyone struggles to co-exist. It is a remarkable story, all the more interesting since it is based in truth.

           It's an odd choice by the film company to release this film in the middle of August with little fanfare. It's the sort of adult drama usually released in the fall as Oscar bait. Regardless of its timing and distribution, it is definitely worth seeking out for the unusual story, the excellent work of its cast and its fine direction.

Nobody 2

 

            Bob Odenkirk reprises his role as Hutch Mansell, a retired assassin in this unnecessary sequel. The film opens in an identical way to the first one, with Hutch bruised and being interrogated by law enforcement (although this time he has a dog next to him. Comic relief I imagine).

             We flash back to a montage of Hutch during a typical week, fighting and killing people for a shadowy figure as he pays off a large debt. This time however, his family is aware of his "job" and there are no surprises left. Hutch just wants out of "the game" and decides to take his family on a vacation to a theme park he enjoyed as a kid. Of course, he can't seem to stay out of trouble.

              The paper thin plot is just an excuse to up the ante of violence that follows. With a bigger budget, there are more explosions, more bullets fly and blood flows liberally. The film lacks the humor of the first one and Mr. Odenkirk's deadpan delivery is just dead this time out as he walks through the role.

            Co-starring again are Connie Nielsen as his wife, Christopher Lloyd as has dad, Gage Munroe and Paisley Cadorath as his kids and RZA as his adopted brother, Harry. As the villains of the story, we have Colin Hanks (playing against type as a crooked sheriff), John Ortiz (the corrupt owner of the theme park), and Sharon Stone (chewing up and spitting out the scenery) as Lendina, the crime boss.

             The film is pretty much non-stop violence (which may work in the gravitas of a John Wick film but not here) and unless you like that sort of thing, nobody should bother with "Nobody 2".

Shin Godzilla

 

              Fans of Godzilla will thoroughly enjoy the 4K restoration of the original 2016 film.

              The film looks great and the special effects are excellent. Miniatures are seamlessly intertwined with live action sequences. 

               Poor Godzilla. He comes out of the ocean for a nice walk and aimlessly destroys everything in his path without intent. Unfortunately, the population of Japan don't see it quite the same way and the government gets caught up in ridiculous red tape trying to decide how to deal with the creature. What makes it even more difficult is that each time he is attacked, Godzilla evolves and grows bigger and stronger.

                Eventually other nations get involved and of course, the U.S wants to nuke Godzilla but Japan is clearly not interested in another nuclear explosion in their country and seeks a different solution.

               The film pivots between Godzilla's path of destruction and government talking heads having endless meetings about what to do. There are no subplots, no love story, just how do we stop Godzilla?

               The principle actors are Hiroki Hasegawa, Yutaka Takenouchi, and Satomi Ishihara. The entire cast take their respective roles very seriously which makes the film actually more fun.

Weapons

 

        Written and directed by Zack Cregger, this sophomore effort after his terrific horror film, "Barbarian" cements his place among today's best horror filmmakers.

         The poster for the film promised quite the mystery, giving away nothing and the film starts with the same information. How and why are revealed very slowly in chapters from the perspective of different characters. Each chapter reveals a little more information while building suspense and ever growing weirdness. The final chapter reveals the mystery in an insane twenty minutes or so, of bloody horror laced with dark humor.

          The film stars Julia Garner and Josh Brolin. It also features Benedict Wong, Alden Ehrenreich, Cary Christopher (a child actor mature beyond his years who may need therapy after this role), Austin Abrams, Toby Huss and a surprising Amy Madigan.

          Mr. Cregger does a terrific job with the structure of the film. He layers each chapter with just enough information to keep the audience intrigued and guessing. Even his actors are put off balance and do fine work with such an original script.

          The final reveal does pull everything together that does make sense with a supernatural twist. It's a terrific modern horror story.

The Naked Gun

 

         Liam Neeson plays it straight in this comedy update of the original "Naked Gun". He stars as Frank Drebin Jr. the son of Leslie Nielson's character from the 1988 film.

         The film also stars Pamela Anderson as the femme fatale, love interest, Beth Davenport. Ms. Anderson is wonderful in the part, having obvious fun with the role. Her stage performance in a nightclub scene is a riot.

          Co-starring are Paul Walter Hauser as detective Ed Hocken Jr., Kevin Durand, Danny Huston, Liza Koshy, CCH Pounder, and Busta Rhymes. Priscilla Presley reprises her role as Jane Spencer-Drebin, Frank's mother and there are two surprise cameos.

          The jokes, both visual and verbal come fast and furious. Some miss the mark but more often they are pretty funny. Some scenes will have the entire audience laughing out loud. There is a strange sequence midway through the film involving a magical snowman that is completely out of place with the central story but while odd, it's pretty funny in it's own way.

            Much like Mr. Nielson did in the original. Mr. Neeson doesn't play for the laughs and takes his part quite seriously, which makes it all the more humorous. He also has great chemistry with Ms. Anderson.

             Stay for the credits as Mr. Neeson sings (badly) over them and there are also fake credits placed among the real ones that are pretty funny. There is also a post credit scene that is surprising and funny too.

Together

 

        Written and directed by Michael Shanks, this is one of the best new horror films in a long time. It is a wild ride, both humorous and terrifying at the same time.

        The film stars real life couple Alison Brie and Dave Franco as Millie and Tim Wilson. They are partners who move to a rural area when Millie takes a new teaching job. Tim is a musician and works from their new home on the edge of a forest.  

        When they are both exposed to some kind of unnatural water, it affects them in an incredible way. No spoilers here except to say they make a great couple dealing with an outrageous situation.

         The film co-stars Damon Herriman (one of my favorite character actors), Mia Morrissey and Jack Kenny.

          Mr. Shanks could have heightened the suspense by not giving away what starts to happen to Tim and Mille, in the opening scene, when we see the effect of the water elsewhere. But even though we know what's coming, it's still a funny and frightening story as it unfolds and the last shot will stay with you for some time.

Fantastic Four: First Steps

 

      After multiple attempts to recreate Marvel's first family of superhero comics in the movies, this new film gets it pretty close to perfect.

       The film stars Pedro Pascal as Reed Richards, Vanessa Kirby as his wife, Sue Storm Richards, Ebon Moss-Bachrach as Ben Grimm/The Thing, and Joseph Quinn as Johnny Storm. The four stars have wonderful chemistry together and bring the central theme of family to the forefront of the film.

        The film also stars  Julia Garner as Shalla-Bal/The Silver Surfer (yes there is a female Silver Surfer in the comics), Sarah Niles as Lynne Nichols, Mark Gatiss as Ted Gilbert, Natasha Lyonne as Rachel Rozman, Paul Walter Hauser as Harvey Elder/The Moleman (perfect casting), and Ralph Ineson as Galactus (also perfect casting).

        Opening the film with the team already in place, the Fantastic Four origin story is quickly recapped in a fun sequence that name checks almost every one of their comic villains.

         The CGI and special effects are excellent and the retro yet futuristic visuals are fresh and striking. It's a story filled with excitement, humor and heart and I really only have two complaints. First, for some strange reason, the screenplay calls for The Thing to grow a beard which looks incredibly silly (especially after getting the rest of his appearance perfect). and second, while Natasha Lyonne is a great choice for Ben's love interest, her character should have been, The Puppeteer's blind daughter, Alicia Masters, for comic book continuity.

          The film comes in at a lean 2 hours without any bloat and the mid-credit scene is absolutely great. The post credit scene is fun but probably not worth sitting through except if you're a die-hard fan.