Wicked (Part 1)

 

   

         All the pre-movie hype and massive over the top marketing that had turned me off initially, faded away once the film started. Building upon the success of the wonderful Broadway show, the film adds layers to the characters and story that make it that much more entertaining.

          I was also initially disappointed that the film was to be split in two but after seeing it, it makes sense as it ends on such a high note with so much story left to tell, one film could not do it justice.  Broadway could only do so much, incredible as it is, but the film (to borrow a line) is unlimited with it's possibilities.

          Director Jon M. Chu and his team have created something special. The singing, the dancing, set design, costumes and cinematography by Alice Brooks all combine to create a world of wonderful magic.

         As for the cast, it is literally perfection. Cynthia Erivo brings such depth and emotion to Elphaba. She continues to show her diversity as a fine actress and even handles the memorable songs with ease. We already know Ariana Grande-Butera is a terrific singer but here she shows great comic timing and charm as Galinda (Glinda). The two women have wonderful chemistry and together literally make magic happen.

          The film co-stars Jonathan Bailey as Fiyero and he couldn't be more perfect. Ethan Slater makes a fine Boq Woodsman. Jeff Goldblum is perfection as "The Wizard". Michele Yeoh brings her great inner strength to Madam Morrible. Marissa Bode brings a sparkle of personality to Nessrose. Bowen Yang and Bronwyn James are Galinda's catty friends. And Peter Dinklage adds his unmistakable voice to Dr. Dillamond, the goat professor. 

            Is it excessive at two hours and forty minutes?  Of course, and scenes could have been trimmed or cut but ultimately it all works as a sensational entertainment. Those that know the story will be aware that "Act Two" will have darker elements but that won't deter our anticipation. It's just a shame we have to wait a full year to return to Oz.

Gladiator II

 

      Not many directors working today can pull off a crowd pleasing spectacle such as this. Ridley Scott is one of those directors (Cecille B. DeMille would be proud). While it's been 24 years since it's predecessor, only 18 years have passed in this film as Mr. Scott returns us to the glory and horror of the arena. "Are we entertained?" Of course we are.

       The film stars Paul Mescal, Pedro Pascal, Connie Nielsen, Joseph Quinn, Fred Hechinger, and Denzel Washington. Ms. Nielsen reprises her role from the original film and Mr. Mescal is the title gladiator. Mr. Pascal is a Roman general and Mr. Quinn and Mr. Hechinger are brothers who rule Rome as duo Emperors. Co-starring are Lior Raz, a gladiator trainer and Derek Jacobi returning as Senator Gracchus.  Mr. Mescal makes a fine lead in a star making role but it is Mr. Washington who nearly steals the film as the gladiator master who seeks ultimate power.. He is clearly having fun as the villain, as you watch him plot and angle his way into the emperors court. Mr. Washington is an actor on another level, adding great depth to what easily could have been just a cartoon villain (just watch his eyes as he calculates his next move).

       The screenplay by David Scarpa (with a story by Mr. Scarpa and Peter Craig) cleverly integrates the new story with the original film (shown in small flashbacks) and continues in fluid continuity. Mr. Scott raises the ante with bigger and more elaborate fights in the Colosseum arena. The first skirmish takes place with men against killer baboons before we even get to Rome. Obvious CGI animals, it sets the scene for what is to follow. From baboons, we get an animatronic/CGI rhinoceros and then Mr. Scott literally jumps the shark, filling the Colosseum arena with water and CGI sharks. At this point he has cut the cord of believability but redeems himself with the man to man fight scenes. To Mr. Scott's credit, even though he may have lost some credibility in the story with CGI sharks,  you find yourself still involved and entertained.

       Any fan of the original film will absolutely enjoy this one and even if you haven't seen the first one, there is just enough backstory to lead you through this sequel.

Blitz

 

          Steve McQueen wrote, directed and produced this new wartime drama starring Saoirse Ronan and Elliot Heffernan. The film takes place in London during the German "Blitzkrieg" or "Blitz" for short. It was a horrible nightmare for the British as the German air force dropped thousands of bombs, practically leveling the city and killing thousands.

         Ms. Ronan stars as Rita, a single mother who, like hundreds of other parents, sends her child on a train out of the city for his protection. Defiantly, nine year old George, played by Elliot Heffernan, in his first role,  leaves the train to find his way back to the city and his mother.

          Young Mr. Heffernan is simply amazing, wise beyond his years and effortlessly tackling a complicated and important role. He easily steals the movie. Ms. Ronan shows once again, why she is such a wonderful actress, who even gets to sing during the film. Co-starring as her father, is the legendary Paul Weller and in smaller roles, Stephen Graham, Benjamin Clementine, and Harris Dickinson.

          Mr. McQueen and his team realistically recreate a bombed out London and put the viewer squarely in the action. His visuals are amazing. The technique he uses to show the devastation before and after each bombing is unique and incredibly well done. In addition, credit the wonderful cinematography by Yorick Le Saux for imagery that will stick in your mind, long after the film ends.  

          The sound design, art direction and music by Hans Zimmer all combine to bring George's odyssey to vivid life as he struggles to find his way home juxtaposed with Rita's story of survival during a devastating time. I predict multiple Academy Award nominations.

           The film is in limited theatrical release and now available on a major streaming service.

Heretic

 

      Written and directed by Scott Beck and Bryan Woods, this is less of a horror film and more of a psychological thriller.

       When two Mormon missionaries, Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) knock on the wrong door, they become locked in a religious battle of cat and mouse with the ultimate heretic, Mr. Reed, played wonderfully against type by Hugh Grant.

       Mr. Grant is charming, yet gonzo in his theological ideas. With just ever so slight facial movement, he can convey twisted menace at any given moment while playing the friendly host to the two young women. He challenges their beliefs and goes on and on about the one true religion, while giving them history lessons about various organized religion. He tells them they are free to leave but offers little in the way of freedom, except through a choice of doors marked "Belief" and "Disbelief".

        The film is never really scary but does build a reasonable amount of suspense and creepiness as it goes on. Introducing a "prophet" later in the film, who Mr. Reed tells the two women can be resurrected, is the closest the film comes to a "horror" moment. 

       All the religious posturing grows weary as the film goes on and even the craziness of the final act, can't really save the film from the weight of Mr. Reed's heresy. What saves the film though, is the terrific performance of Mr. Grant, who really seems to be enjoying himself as the film's villain.

Anora

 

       Written and directed by Sean Baker, this new comedy/drama tells the story of "Anora", a stripper who ends up married to  Vanya, the hard partying son of a Russian oligarch. 

      While on a "paid" week with Vanya, the two jet off to Las Vegas with friends and end up impulsively getting married. Of course this does not sit well with his parents back in Russia, who send a crew to break up the marriage.

       There is a centerpiece scene when the three men break into Vanya's mansion that is at once very funny and yet violent as well. The three just don't know how to contain the force of nature that is "Anora".

     The film is fueled by the lightning bolt of a performance by Mikey Madison as "Anora". She is electric from start to finish in a raw, comedic, fierce and touching performance. The film co-stars Mark Eydelshteyen as Vanya, Karren Karagulian as Toros, Yura Borisov as Igor, and Vache Tovmasyan as Garnick.

     Mr. Baker shot the film authentically in Brooklyn New York. Vanya's mansion is in Mill Basin and many of the other scenes take place in Coney Island and Brighton Beach, home to Brooklyn's largest Russian community.

          It's a wild ride and a star is born.

          

A Real Pain

 

     Jesse Eisenberg and Kieran Culkin star in this new comedy drama, written and directed by Mr. Eisenberg. The two play mismatched cousins traveling to Poland on a tour group, with the intention to eventually visit the ancestral home of their grandmother.

      It is an endearing story filled with moments of great warmth,  humor and yes, pain as well. Mr. Culkin steals just about every scene while Mr. Eisenberg plays the straight man, the anchor of the story. As written, both roles are not much of a stretch for either actor, but they do play to their strengths.

      The film co-stars Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, and Daniel Oreskes as the other members of their tour group. A group I may add, with quite a lot of patience for the two cousins.

      During it's 90 minute run time, we actually get to see quite a bit of Poland, including a very somber tour of the Majdanek concentration camp.

       Playing in theaters now, it's worth the time or just wait for it to stream, which these days doesn't take very long.

Will & Harper

 

       A documentary by Josh Greenbaum, the film follows comedian Will Ferrell and his friend of many years, Harper Steele, on an unusual road trip across America.

       The two met many years ago on the set of Saturday Night Live and became close friends. Earlier in her life, Ms. Steele had enjoyed many road trips across the country in her former life as a man. Ms. Steele reached out to Mr. Ferrell and other during the pandemic of her decision to go through gender transition.

       After learning of this life altering decision, Mr. Ferrell then suggests another road trip from New York to Los Angeles to spend time with his friend and better understand her decision. They also wonder what it will be like to revisit old stops and see them in a new light.

       The film is brave, honest, heartwarming and yes, filled with occasional humor. There is at times, a terrible sadness as well. Ultimately, it's about education, acceptance and an enduring friendship. You see a famous comedian in an entirely new light.

        It is only available on a major streaming service.

His Three Daughters

 

       Written and directed by Azazel Jacobs, this is a weighty drama about family, life and death, and love. It's the story of three adult sisters who reunite at their family apartment when their father's illness take a turn for the worse and he goes into hospice care.

        The three sisters are played by Carrie Coon, as Katie, Natasha Lyonne, as Rachel and Elizabeth Olsen, as Christina. The film is a marvelous showcase for their acting but is otherwise fairly depressing. Co-starring are Rudy Galvan, Jose Febus, Jasmine Bracey, Jovan Adepo and Jay O. Sanders as the dad. For most of the film, Mr. Sanders is off screen but has a terrific monologue near the end. 

         The action takes place almost exclusively in the apartment with just a few scenes in the building courtyard. It is a claustrophobic environment that the three estranged sisters must share and come to grips with their various issues.

         Mr. Jacobs relies on the strength of his leads to to carry the film and they are all terrific but the shadow of death hangs over the entire production and at times makes it very difficult to watch.

         Not in theaters but currently available on a major streaming service.

Conclave

 

     While a fictional drama about choosing a new Papal leader after the death of the last Pope, the Conclave portrayed in the film seems realistically accurate and becomes quite tense as the various Cardinals continue to vote until a consensus is reached.

      Ralph Fiennes stars as Cardinal Lawrence, the Cardinal that leads the Conclave, which becomes a political potboiler as various nominees jockey for position and secrets are revealed. Also starring is Stanley Tucci as Cardinal Bellini, a progressive Cardinal who says he is not interested in the position but obvious is. John Lithgow, Sergio Castellitto, Lucian Msamati, Carlos Diehz, and Merab Nindze all play other Cardinals. Brian F. O'Byrne plays the assistant to Cardinal Lawrence and Isabella Rossellini plays Sister Agnes, the Cardinal's head caterer and housekeeper.

      The film is directed by Edward Berger, who's camera seems to take the audience directly into the inner circles of the Vatican. The score, by Volker Bertelmann, plays an important part in raising the tension and keeping it high. The cinematography, by Stephanie Fontaine, is outstanding especially in certain scenes staged by Mr. Berger.

      The film is a serious drama with a great cast and obvious Oscar aspirations, marred only by a controversial final twist that is so incredible, it devalues everything that has come before it. 

Venom: The Last Dance

 

          Tom Hardy returns for a third outing as Eddie Brock/Venom in what is being called "The Last Dance", the conclusion to the Venom story line. The film was written and directed by Kelly Marcel, heading up a tremendous team of animators and CGI artists.

           Read no further if you haven't seen the other two films or have no interest in this Marvel anti-hero. If you are indeed familiar with the character and a fan, you will thoroughly enjoy yourself. It is a fun filled ride loaded with action packed mayhem and some great dialog between Eddie and Venom, the alien symbiote that shares his body.

           The film co-stars Juno Temple, Chiwetel Ejiofor, Rhys Ifans, Peggy Lu, Clark Backo and Stephen Graham. Additionally, Christo Fernandez returns as the bartender from "Spider-Man: No Way Home". We also get a quick glimpse of Andy Serkis as "Knull" during a mid-credit scene.

           The special effects are fun and Mr. Hardy seems to really enjoy playing Eddie Brock. While the film is being called the conclusion to the trilogy, anyone familiar with the Marvel Universe knows anything can happen. Pay close attention to the final post credit scene.

Smile 2

 

       The first film had a original take on an evil entity possessing people. It became a hit and now we have the sequel. Writer and director Parker Finn keeps things fresh with a new cast and a new setting but that pesky entity is still keeping victims smiling and dying.

       Naomi Scott stars as Skye Riley and she is simply terrific. She is in almost every scene playing a pop star who has inadvertently inherited the evil spirit from the first film. She does her own singing and dancing in certain scenes and in others registers paranoia, fear, and absolute terror as the spirit slowly consumes her. It is a star making performance. Co-starring with Ms. Scott are Rosemary DeWitt, Kyle Gallner, Lukas Gage, Miles Gutierrez-Riley and Peter Jacobson. 

      Mr. Finn expertly turns up the suspense and scares as the story builds. He is a master of the "jump scare" and the film contains many of them. It's a standard horror technique but he still manages to make it surprising and keeps the audience constantly off balance.

       Everything about this sequel is ramped up from the original. It starts days after the first film ended, takes off like a shot and works brilliantly. Looking forward to the inevitable "Smile 3". 

Joker: Folie a Deux

 

       Less a sequel and more like a continuation, this film picks up directly after the events of the first film. It starts with a terrific animated sequence that soon dissolves to the prison where Arthur Fleck is awaiting a psychiatric evaluation before he can stand trail for multiple murders. The film rotates between the prison and the courtroom, interspersed with musical numbers in Arthur's delusional imagination.

        The film, of course, stars Joaquin Phoenix returning as Arthur Fleck. In inspired casting, Lady Gaga plays Harleen (Lee) Quinzel, Artur's love interest. The two have great chemistry and their scenes together are electric (even if Mr. Phoenix is not the best singer). Mr. Phoenix's acting, however, is exceptional. He is amazing a s fleck. It's a shame the script doesn't do him justice.

         Co-written and directed by Todd Phillips, This is an unnecessary film that has no real plot and blends drama and music in a ridiculous way. It ultimately goes nowhere and if not for the performances of it's two stars, it's not worth your time (wait for streaming if you must see it). 

        The film co-stars Brendan Gleeson, Catherine Keener, Zazie Beetz, Steve Coogan, Harry Lawtey, and Bill Smitrovich.

         As with the first film, while taking place in Gotham City, it has no Batman or Commissioner Gordon. It has a Joker, Harley Quinn, and even a Harvey Dent but otherwise exists outside of the usual DC universe. It's a strange mix that fails to capture the magic of the first film.

      

        

Saturday Night

 

    Co-written and directed by Jason Reitman (who interviewed surviving cast and crew members), this is a nostalgic look at recreating the premiere episode of Saturday Night Live, fifty years ago.

     Mr. Reitman assembles a talented group of actors, who, while not perfect replicas of the original cast, certainly capture their essence. The film stars Cory Michael Smith as Chevy Chase, Ella Hunt as Gilda Radner, Dylan O'Brien as Dan Aykroyd, Emily Fairn as Lorraine Newman, Matt Wood as John Belushi, Lamorne Morris as Garrett Morris, Kim Matula as Jane Curtin and Tommy Dewey as Michael O'Donoghue.

      Also starring as Lorne Michaels is Gabriel LaBelle and Rachel Sennotti as Rosie Shuster.  In addition, the film features Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Cooper Hoffman, Matthew Rhys, Willem Dafoe, Jon Batiste and J.K. Simmons.

      It's a great cast and Mr. Reitman captures the insanity of what it must have been like putting the first episode together when the concept was new and nobody knew what to expect. While we may never know exactly what really happened that night, one can only imagine it's probably close to the truth.

Terrifier 3

 

     If you haven't seen the first two films in this series and have no interest in violent horror, stop reading now. However, if you're in the mood for a gory, violent and fun, yes fun....Terrifier 3 is for you. But you really should start with the first film and follow the misadventures of psycho clown killer, Art the clown.

     Written and directed by Damien Leone, (Dario Argento would be proud) while incredibly violent and drenched in blood, there is element of fun, along with committed performances from David Howard Thornton, Lauren LaVera and Samantha Scaffidi. Mr. Thornton plays the silent clown as a maniacal Charlie Chaplin eliciting laughs along with shrieks and groans. Ms. LaVera reprises her role as the heroine, Sienna Shaw and is quickly earning her place as a genuine scream queen. Ms. Scaffidi reprises her role as  the heroine turned villainess, Victoria Heyes, who just about steals the spotlight from Art.

      The film co-stars Elliott Fullam, Antonella Rose and in smaller roles, Clint Howard, Daniel Roebuck, Jason Patric, and Tom Savini.

       Mr. Leone has a great knack for giving fans of this genre exactly what they want. His production team provides excellent, and sometimes, deliberately cheesy special effects. It's obvious that Mr. Leone's budget grows with each subsequent film. I can't wait to see what he does with the inevitable Terrifier 4.

       

The Apprentice

 

        This new biographical drama examines the life of Donald Trump in the 1970's and 80's as he was growing his real estate empire. More than that however, it is a modern day "Frankenstein" story as the young Donald meets nefarious lawyer, Roy Cohen who mentors Donald into the man we know today. Make no mistake, this is a "horror" story in the very worst way.

         Sebastian Stan stars as Donald Trump and he is fantastic. He seamlessly captures every nuance of the man, his expressions, vocal patterns and movements. It is absolutely hysterical watching him constantly fixing his hair. Jeremy Strong completely inhabits the look and spirit of Roy Cohen, one of the most vile individuals to ever walk the earth. He teaches young Donald his three rules to live by which Donald then takes ownership of in later years.

        The other principal actors are Martin Donovan as Fred Trump Sr. and Maria Bakalova as Ivana Trump. Charlie Carrick co-stars as Fred Trump Jr. and Catherine McNally is Mary Anne Trump.

         The film follows Donald as he negotiates purchasing the abandoned Commodore Hotel, his Atlantic City casinos, Trump Plaza and more. It also charts how he met, courted, and eventually lost interest in Ivana Trump. Under Mr. Cohen's influence, he develops his rule book, "The Art of the Deal".

          Donald Trump's lawyers tried to have this film banned but it finally found a distributor and they are now calling it "election interference" due to it's content and realistic portrait of Mr. Trump. It's actually a fascinating story with brilliant performances from both Mr. Strong and Mr. Stan.

           

Megalopolis

 

        Written, produced and directed by Francis Ford Coppola, this is his greatest cinematic achievement since "The Godfather"...nah, not really. Instead, it is an ambitious, overstuffed, incoherent at times, mess of a movie. And yet, under all that mess, shards of Mr. Coppola's genius still shine through. 

         The film stars Adam Driver (taking everything very seriously), Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza ( having fun going way over the top), Shia LaBeouf (chewing all the scenery in his scenes), Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, and Kathryn Hunter (criminally underused). Also, in much smaller and practically wasted roles, Chloe Fineman, James Remar, D.B. Sweeney, Grace VanderWaal, Balthazar Getty, and Dustin Hoffman (who hasn't acted in years and came back for this?).

         Mr. Coppola’s vision is to merge ancient Rome with a futuristic New York and set up a confrontation between two powerful men, the visionary architect, played by Mr. Driver (with a large nod to Robert Moses) and Mr. Esposito, as the Mayor of "New Rome".  With that idea as his base, characters move through the film with dialog that ranges from non-sensical to Shakespearean and laughable to poetic. Themes are introduced and then cast aside. At times, the leads don't even seem to know what they are doing.

         While the CGI work is inconsistent, I will praise the art direction and design. Watching the film is like wandering through a moving art exhibition without a cohesive theme. There are fleeting moments of Mr. Coppola's brilliance in the rather insane look of the film and in some of the dialog but overall, the film is a slog to get through running over two hours that seem more like six gonzo hours.

           Apparently Mr. Coppola has been nurturing the idea of this film since 1977. Give the man credit for bringing his opus to fruition, and spending his own money to do it, but this is far from his greatest achievement. It is a great example of the old adage, "art is in the eye of the beholder".

WOLFS

 

       Shame on Apple using George Clooney and Brad Pitt as poster boys to sell subscriptions. This new action, crime, drama is light as air and as thin as finely sliced ham. The plot is a total cliche and makes very little sense, even when the two stars quickly explain it late in the film, when they both realize what they've been doing for nearly the past two hours.

         It begins with an interesting premise, when Amy Ryan calls for the services of a "cleaner", a professional fixer of sorts who "cleans" up illegal scenarios to protect certain types of people. Two competing "cleaners, Mr. Clooney and Mr. Pitt, show up to dispose of a body and things take off from there.

          Besides Ms. Ryan (who disappears after the initial scene), the film co-stars Austin Abrams, Zlatko Buric, and in a surreal cameo, Richard Kind as a Frank Sinatra fanatic.

          If you are satisfied watching two movie stars going through the paces, without much thought of character or plot development, this is the perfect film for you. Enjoy it as the two make fun of themselves with aging jokes such as needing glasses, complaining about back pain, and needing aspirin.

          There is far better content (with stars) to watch on Apple, then this fluff. These wolfs don't bite. They don't even have teeth.

Lee

 

  Kate Winslet is terrific in this pretty straight forward "bio pic" of the celebrated World War Two photojournalist, Lee Miller.

   Framed by an interview session in 1977, we are transported back to 1938 when Ms. Miller was working as a photographer for the British edition of Vogue magazine. We then follow her  as a wartime photojournalist during the war in France. The framing device is clever especially as the film returns to 1977.

   Ms. Winslet is fearless in a strong performance that rises above the dark and dour backdrop of the later days of the war. She is joined by Andy Samberg (in his first serious role) as Look Magazine, photojournalist, David Scherman. The two had a great friendship that lasted well after the war and through the chemistry of the two actors, that friendship and bond is very apparent.

    The film co-stars Andrea Riseborough as Audrey Withers, the editor at Vogue, Alexander Skarsgard as Lee's husband, Roland and Josh O'Conner as Antony. It also features Marion Cotillard, Noemie Merlant, and Vincent Colombe.

     Lee Miller's actual photographs are showcased in the film and many scenes are hard to watch as she brilliantly captures the horror of war as well as moments of meditation and even surprise.

      During the credits, we learn the fate (and see the actual photos) of the  people featured in the film. It's a tribute to Lee Miller, David Scherman and others like them that brought all the aspects of war home through their work. A grim reminder that no one really wins.

The Wild Robot

 

    With a screenplay and direction by Chris Sanders, this new film is a joy on every level. It is based on the book by Peter Brown and Mr. Sanders and his terrific team bring it to animated life.

      The animation is wonderful combining familiar animation techniques for the action and foreground but with a vibrant hand painted feel for the background creating a completely new look. The simple story is filled with humor, suspense, action and a surprising emotional core. It's a treat for the eyes and touches your heart as well.

       The film features the vocal talents of Lupita Nyong'o as "the Robot", Pedro Pascal as Fink, the fox,  Kit Connor as Brightbill the goose, Catherine O'Hara as Pinktail the opossum, Bill Nighy as Longneck the goose, Mark Hamill as Thorn the grizzly bear, Matt Berry as Paddler the beaver, and Ving Rhames as Thunderbolt the falcon.

        I would recommend it for children and adults as well, although there are a few scenes that younger viewers may find frightening. It's a perfect family film, filled with life lessons and a strong moral center. Try to see it in a theater where the big screen and sound really make the film "pop".

The Substance

 

    Written and directed by Coralie Fargeat, this satirical body horror film has a lot to say about a woman's self image, vanity, celebrity, and ageism. And Ms. Fargeat is not subtle about delivering those themes literally into the face of the audience.  Her use of extreme closeups drive home her points.

     The film itself, is as if David Cronenberg directed Dr. Jekyll & Mr. Hyde. As it builds to a crescendo of an all out gonzo gross out, we watch as stars Demi Moore and Margaret Qualley battle it out for sole possession of the same person.

     Ms. Moore is fantastic in one of her best roles, fearlessly making fun of her own self image. Ms. Qualley is equally as good as she seeks to control her own destiny. The film co-stars Dennis Quaid as a sleezy TV executive and he plays it well as a walking parody.

     At the onset, the story is simple enough. An aging celebrity fearful of becoming obsolete, discovers "The Substance", a drug that promises a return to youth and beauty. But as we all know, there are always consequences when wishes come true and, in this case, things get crazier and crazier as Ms. Moore and her younger self compete for control.

     Be warned that the last third of the film is so off the wall, it may make some viewers physically sick and can be hard to watch but in it's own way, it's also kind of brilliant. Nothing will prepare you for this controversial new film.