Wolf Man

 

      Co-written (with Corbett Tuck) and directed by Leigh Whannell, this is nothing like Lon Chaney Jr's original 1941 film, "The Wolf Man". Mr. Whannell seeks to add emotional depth by focusing on a single family's danger when the father starts to slowly transform into a wolf-like creature.

Blake (played by Christopher Abbott), his wife Charlotte (played by Julia Garner) and their daughter Ginger (played by Matilda Firth) return to the Oregon farm where he lived a a young boy with his father. The film opens with father and son hunting deer but have a brief encounter with something else. It then jumps 30 years later when Blake takes his family from New York to the Oregon farm to pack up his father's things after he learns of his father's death.

Clawed by a creature on the way to the farm, Blake spends the remainder of the movie transforming into the title character. The transformation is deliberately slow to wring out more emotion and anxiety as Blake struggles to maintain his humanity without harming his family.

Don't expect many traditional scares but there is plenty of tension especially as Blake's feral side starts to take over. There is an interesting lighting effect as we see certain scenes through Blake's "animal" night vision. The special effects are rather strange as Blake develops wolflike qualities but never actually looks like a wolf. Ultimately, we've seen films with families terrorized by various horrors before and this is no different.

Mr. Abbott has the daunting task of acting through layers of makeup and does a reasonable job. Always a reliable actress Ms. Garner's character doesn't have much to do here except attempt to save her daughter and Ms. Firth just wants her daddy to "get better".

There is a clever twist in the middle of the film that savvy viewers will probably see coming and it certainly has it's gory moments but I still prefer the 1941 classic.

I'm Still Here

 

        Directed by Walter Salles from a memoir by Marcelo Rubens Paiva, this new biographical drama takes place during the dictatorship regime in Brazil during the 1970's. 

         Rubens and Eunice Paiva have five children and live in a lovely house at the beach in Rio De Janeiro. Rubens is a retired congressman working in a civil engineering job. They are a tight knit family with obvious love for each other. Their house is often filled with friends and family. One day government men come and take Rubens away for "questioning". It is then up to Eunice to learn what happened to her husband while keeping her family together (even while she holds back her own anxiety and anger) in his absence.

        The film stars Fernanda Torres as Eunice and she has already won a well- deserved Golden Globe for her wonderful performance. Selton Mello plays Rubens. Their children are played by Guiherme Silveria as Marcelo (later, Antonio Saboia as an adult), Valentina Herszage as Vera (later, Maria Manoella as an adult), Luiza Kosovski as Eliana (later, Marjorie Estiano as an adult), Barbara Luz as Nalu (later, Gabriela Carneiro as an adult), and Cora Mora as Maria (later, Oliva Torres as an adult). Late in the film, Fernanda Montenegro (Ms. Torres real mother) plays an elderly Eunice, and even while suffering from Alzheimer's, she has one amazing moment of clarity.

       Mr. Salles actually knew the family and had spent time in their house as a young teenager. You can feel the warmth and love in his direction in every shot because of this relationship. His scenic designer faithfully recreates the house based on Mr. Paiva's memoir and Mr. Salles's memory. The house itself, becomes another character, brought to life as a sixth member of the family. The acting is so effortless, it's like watching a documentary rather than a scripted film.

       While the story may be tragic, Ms. Torres's love and resilience keep her family together and even in the face of despair, it is a profoundly moving film. 

The Six Triple Eight

 

     Written and directed by Tyler Perry, this untold, true story of World War Two tells the story of a a very different kind of battle. It is the true story of an all black women battalion, who's job was to sort and make sure, millions of pieces of correspondence were delivered to soldiers fighting all over Europe.

      A film about sorting and delivering mail doesn't sound very interesting but credit Mr. Perry for finding the emotional core of what was an almost impossible task for anyone, let alone a battalion of black women that white, bigoted officers were convinced would fail.

      The film stars Kerry Washington as Major Charity Adams and she gives a powerful performance. Her foil is the racist General Halt, played by a sneering Dean Norris. Milauna Jackson plays Captain Noel Campbell. Shanice Shantay plays Johnnie Mae Burton and Sarah Jeffery plays Dolores Washington. Sam Waterston, Oprah Winfrey, and Susan Sarandon all have cameos. The emotional center of the film, however, comes from Ebony Obsidian as Lena Derriecot, who enlists to "fight Hitler". We follow her struggle from bootcamp to the mail assignment and Ms. Obsidian is a young talent whose star is sure to rise after this film.

       It's actually a pretty exciting story as the women race the clock (they are given 90 days to sort millions of letters and parcels) to complete their assignment and given it's true nature, it's an incredibly inspiring story as well.

       This is a Netflix production that is currently streaming.

The Last Showgirl

 

    Written by Kate Gersten, based on her book and directed by Gia Coppola, this new drama is a revelation for it's lead actress, Pamela Anderson. Devoid of any makeup and acting on pure emotion, Ms. Anderson delivers one of the best performances of the year.

     Shelly (Ms. Anderson) has been a showgirl in Las Vegas for over 30 years. She is still going strong at fifty seven but when she learns that her iconic show will shortly be playing it's last performance, her world is turned upside down.

      The film co-stars Jamie Lee Curtis as Annette, Shelly's best friend and a former showgirl, now an aging cocktail waitress in a casino. Dave Bautista plays Eddie, the producer of Shelly's show and a former boyfriend. Brenda Song and Kiernan Shipka are showgirl colleagues. Billie Lourd plays Hannah, Shelly's estranged daughter Jason Schwartzman has a cameo as a nameless director auditioning dancers. Ms. Curtis is clearly having a great time and yet plays her role with an underlying sadness. It's refreshing to see Mr. Bautista in a straight dramatic role where he doesn't shoot or punch anyone.

       While all the acting is excellent, Ms. Anderson is simply amazing. It's unfortunate that the script is not stronger as the material doesn't hold up to the acting. While it's a thin story, it does make a tragically true point about the afterlife of aging showgirls.

       Ms. Coppola brings out the best in Ms. Anderson but her constant use of extreme closeups could have been dialed back a bit. That criticism aside, see it for Pamela Anderson's triumph. 

The Damned

 

       Directed by Thordur Palsson, who also wrote the story, this is a moderately creepy "horror" story perfect for a cold winter's night.

        Eva played by Odessa Young is a young widow running her husband's remote fishing post located on an isolated shoreline of some unnamed Artic or Icelandic region. It's the middle of a freezing winter and Eva and her six fishermen are at least three days away from any town.

        An impossible decision awaits Eva when they all watch a ship sink off shore. With barely enough food to survive themselves and only one small fishing boat, do they try to save any survivors or just let them all drown. The consequences of Eva's decision leads to superstition and madness as the group begin to believe they are being stalked by an evil presence, a "Draugur".

        The film co-stars Joe Cole, Siobhan Finneran, Lewis Gribben, Francis Magee, Rory McCann, Turlough Convery, Micheal Og Lane, and Andrean Sigurgeirsson. Kudos to the cast and crew for filming in what appears to be pretty harsh conditions.

        Mr. Palsson creates an atmosphere of rising tension in an eerie, unhospitable environment. Shadows and dark corners may or may not hide the Draugur. Death seems inevitable foretold by Eva's charwoman, Helga. Without any "hide your eyes" types of scares, the film still elicits goosebumps during moody and violent scenes. 

Nickel Boys

 

      Co-written (with Joslyn Barnes) and directed by RaMell Ross, this is a historical drama set in a fictional reform school in Florida. The "Nickel School" is based on the "Dozier School For Boys", which was a notorious institution where boys were routinely beaten, sexually abused and even killed.

      Mr. Ross has a bold vision for storytelling. He shoots the film with a first person POV (point of view) and in a 1.33:1 aspect ratio. This creates an immersive experience for the viewer but it is can also be jarring and takes some getting used to. You never see the main characters on screen together (even though they may be in the same scene) as the camera switches the POV throughout the film. He also lingers the camera on various imagery which is visually poetic but can also be overwhelming. In addition, there are black and white clips that may or may not be actual footage from the Dozier school interspersed throughout the film. It all makes for a unique way of storytelling that focuses on Elwood and Turner, two boys at the school who become close friends.

      Ethan Herisse plays Elwood and Brandon Wilson plays Turner and they are both excellent. The film also co-stars Aunjanue Ellis-Taylor as Hattie, Elwood's grandmother, Hamish Linklater, Fred Hechinger, Jimmie Fails, and Daveed Diggs.

      Mr. Ross also employs some flashforward scenes that may cause some confusion for the viewer at the end of the film unless you have read the book.

      This is an intense drama with many unsettling scenes but it is also an important story that, while fictional, exposes a very real injustice.

The Brutalist

 

           A stunning achievement by director and co-writer (with Mona Fastvold) Barry Corbett, this new drama tells the story of Laszlo Toth, a Hungarian-Jewish immigrant who arrives in New York two years after the end of World War Two. Laszlo is an architect struggling to achieve his American dream until fate introduces him to wealthy Harrison Lee Van Buren, who becomes his patron.

           Adrien Brody plays Toth and he is brilliant. He is the perfect "soulful" actor for the role. Guy Pierce plays Van Buren and it's his best role in years. The eccentric billionaire and the Jewish architect develop an unusual relationship when Van Buren commissions Toth to build a community center in honor of his late mother. The film co-stars  Felicity Jones, Joe Alwyn, Raffey Cassidy, Stacy Martin, Alessandro Nivola, and Emma Laird.

          Mr. Corbett has fashioned an emotional story of the immigrant experience. He also presents the film in an old fashioned Hollywood style. There is an Overture, then Act One, followed by an actual twenty minute intermission and then Act Two followed by an Epilogue. It's also filmed in Vistavison, providing a widescreen effect that blends beautifully with the camerawork.

          The film has stunning cinematography by Lol Crawley and superb art direction by Judy Becker. Combined with a wonderful score by Daniel Blumberg, costumes and sets, the film truly is a work of art.

          An epic story depicting the highs and lows of Laszlo's life (with an underlying theme of antisemitism running throughout), the film is mesmerizing, however, personally I felt the ending was too rushed and the epilogue left some unanswered questions. Even so, it is an intense experience best enjoyed on the large screen of a theater.

           

              

 MY TOP FILM OF 2024-

A Complete Unknown- James Mangold directs an Amazing Timothee Chalamet leads a fantastic cast in recreating the rise of Bob Dylan during the 1960's.

Emilia Perez- Totally original and surprising musical crime drama from Mexico.

Dune Part Two- Spectacular Sci-Fi.  A sequel that build beautifully upon the first film.

Nosferatu- While not scary in the classic sense, it is a work of "horror" art.

The Promised Land- Terrific Danish period film starring Mads Milkensen.

Anora- An electric, star turn by Mikey Madison as a Brooklyn Stripper who gets involved with the son of wealthy Russian Oligarchs. 

Longlegs- The creepiest, most disturbing and unnerving serial killer film in a long time.

Wicked Little Letters- A 1920's period English black comedy with a wonderful cast.

Inside Out 2- Wonderful animation, intelligent and very entertaining.

Wicked Part One- Very entertaining film version of the Broadway show. Works on all levels.

HONORABLE MENTION-

Origin- an incredible and important film based on the book "Caste".

September 5- Intense recreation of the ABC Sports team covering the Israeli massacre at the 1972 Olympics.

Blitz- Incredible survival drama in war torn London during the Blitz. Elliot Heffernan is amazing.

A Real Pain- Jesse Eisenberg and Kieran Culken play to their strengths in this comedy/drama.

Oddity-an original horror movie that actually scares you. Very well done.

Knox Goes Away-  A terrific performance by Michael Keaton, who also directs, as a criminal dealing with rapidly developing dementia.

BOTTOM FILMS OF 2024-

Less said the better of all of these-

MaXXine

Wolfs

Trap

Drive Away Dolls

Challengers

Joker: Folie a Deux

I.S.S.

Fly Me To The Moon

Borderlands

The Instigators

A Complete Unknown

 

         Co-written and directed by James Mangold (based on the book "Dylan Goes Electric!" by Elijah Wald), this new drama is just sensational (even if you're not that familiar with Bob Dylan). It is magical in it's depiction of a time and place in American history, telling the story of Bob Dylan's rise to fame during the 1960's.

          Timothee Chalamet stars as Bob Dylan and while he may not sing exactly as Dylan, nor look exactly like Dylan, he does a wonderful job of channeling Dylan's essence to the point you believe his portrayal. Beyond Mr. Chalamet, the co-stars are simply terrific as well. Edward Norton plays Pete Seeger without a false note. Elle Fanning plays Sylvie Russo (a renamed version of Susie Rotolo), his girlfriend through most of the early to mid 60's. Monica Barbaro plays Joan Baez, Boyd Holbrook plays Johnny Cash, and Scoot McNairy plays an older, sick and debilitated Woody Guthrie. They are all perfect.

         Also co-starring are Dan Fogler as Albert Grossman, Norbert Leo Butz as Alan Lomax, Will Harrison as Bob Neuwith, Charlie Tahan as Al Cooper, Eli Brown as Mike Bloomfield, Ryan Harris Brown as Mark Spoelstra ad Eriko Hatsune as Toshi Seeger. It is really a sensational cast.

        Mr. Mangold and his team faithful recreate the turbulent '60's and multiple performances at the various village clubs and Newport Folk Festival. While timelines may not be exact and situations and people may have been altered to fit the script, for the most part, the film seems a pretty accurate describing Mr. Dylan's emergence in the folk scene and eventually achieving stardom. It culminates in his decision to go "electric" at Newport alienating many of his fans.

        While super fans and music historians may find fault with any inaccuracies, Mr. Mangold has still managed to capture Bob Dylan's mystique and squeeze a great deal of story into a two hour and twenty minute film, anchored by an electric (no pun intended) performance  by Timothee Chalamet.