Toy Story 5

 

        For a franchise that started in 1995, director and co-writer Andrew Stanton has found a way to keep things fresh and yet familiar at the same time. For this installment, the focus is on Jessie the Cowgirl and the toys human kid, Bonnie.

         It's techs versus toys when Bonnie gets "Lilypad",  a tablet to introduce kids to tech. The message is clear. Tech is occupying every child's time and the act of imaginative play no longer holds any interest. When Bonnie has playtime with "friends", they all lay around playing on their tablets. Jessie and the other toys see their future and it looks bleak.

         A subplot involves a lost shipment of Buzz Lightyear action figures that are trying to find their way back to "Star command".

         Woody left his friends at the end of "Toy Story 4" so he doesn't show up until he thinks a call from Jessie is asking for help. Once reunited, his character is the brunt of many jokes about his age and appearance. Buzz Lightyear tries to hold things together while Jessie hopes to win back Bonnie's attention and affection.  

           All the original voice actors are back including Tom Hanks as Woody, Tim Allen as Buzz, Joan Cusack as Jessie with new voices joining the cast including Greta Lee as Lilypad, Conan O'Brien as Smarty Pants, and Scarlett Spears as Bonnie.

             The animation is excellent. The story sends a clear message about the dangers of tech and the meaning of true friendship. It is also very clever with plenty of humor for both kids and adults. And at it's core, it's quite emotional. (even I welled up during a scene when Jessie makes a surprising discovery)

              Pixar and Andrew Stanton have done it again. We may age but our nostalgic love for our favorite toys never goes away. Neither it seems will Toy Story.

Disclosure Day

 

       Director Steven Spielberg's return to science fiction finds him in very familiar territory. Too familiar as it turns out. With a story by Mr. Spielberg and a screenplay by David Koepp, the film plays like the director's greatest hits. Bits and pieces from many of his earlier (and better) films make up this story of alien cover up and reveal that could almost serve as a sequel to "Close Encounters of The Third Kind".

       Starring Josh O'Conner as a whistle blower for Wardex, a shadowy corporation, the film drops us in the middle of the story as he is on the run with secret files that he wants to disclose to the whole world. Joining him are his girlfriend, Jane, played by Eve Hewson and later by Margaret, played by Emily Blunt, a TV weather personality, who is more than she even realizes herself.

         Joining the three leads are Colin Firth, as the head of Wardex, Colman Domingo, as Hugo, another defector from Wardex and a miscast Wyatt Russell as Margaret's boyfriend. Ms. Blunt is terrific in a role that becomes more complicated as the film goes on. Mr. O'Conner plays the reluctant hero well and Mr. Firth is a well cast villain. Ms. Hewson is also good as the girlfriend, in what seems to be constant peril. 

         The film is basically one long chase (shades of "The Sugarland Express" with some "Duel" thrown in for good measure). His aliens, when revealed look just like the ones from "Close Encounters" and much of the Wardex tech resembles the tech of "Minority Report". Sprinkle in some "E.T." elements and stunts worth of "Indiana Jones" and there you have it. And, of course you have to include a few cute kids.

         There are a few memorable action sequences and clever effects (although the CGI animals aren't very realistic) but overall, the film is a disappointment in the canon of Mr. Spielberg's works. Even the score by John Williams fails to inspire us. The film's message of empathy for each other is also familiar territory for Mr. Spielberg. The only thing missing was Richard Dreyfuss emerging from a spaceship at the end.

Pressure

 

    Who would want to watch a 140 minute film about the weather? 

   Well, not just any weather but rather the forecast for the D-Day invasion of France. This fact based film puts the spotlight on meteorologist, James Stagg who is pressed into service by Dwight D. Eisenhower to accurately predict the weather for the day of the invasion, June 5th, 1944.

    Recommended by Winston Churchill, Scott completely disagrees with Eisenhower's American meteorologist, Irving P. Krick forcing "Ike" into one of his most critical decisions of the war. Bad weather can have potentially disastrous results for the invasion.

    The film stars Andrew Scott as Stagg and he is just sensational. Also starring is Brendan Fraiser as General Eisenhower. Co-starring are Kerry Condon as Kay Summersby, Chris Messina as Irving P. Krick, Damian Lewis as Bernard Montgomery, and Con O'Neill as Air Chief Marshall Trafford Leigh-Mallory.

     Director and co-writer Anthony Maras does a good job building the tension as the clock ticks down to the faithful date with a final decision yet to be made. While we all know the actual outcome of the D-Day, this little known fact about the days leading up to the invasion tells a story that very easily could of had a very different and horrible outcome.

Power Ballad

 

        Writer/director John Carney (Once, Swing Street, Begin Again, Flora & Son) continues his win streak with another comedy/drama with music. He has an amazing knack for writing at least one song per film that sticks in your head and stays with you long after you leave the theater. 

         The film stars Paul Rudd as Rick, a musician who's rock stardom dreams were sidelined when he got married and had a daughter. Now he makes a living as a wedding singer in Ireland. It also stars Nick Jonas as a former "Boyband" member, Danny Wilson (what a stretch) who's solo career has faltered as he tries to come up with his next big hit.

          The two meet at a wedding and late into the night, get wasted while playing and writing songs together. Some time later, while tinkering at the piano, Danny remembers parts of a song Rick had played for him. He finishes the song and what happens next becomes the central plot of the film.

          The two stars have great chemistry and Mr. Rudd is at his most charming best without his usual smug comedy (and who knew he could sing?). Mr. Jonas's part comes fairly naturally to him but he shows a new maturity in his acting that serves him well. The film co-stars Marcella Plunkett as Nick's wife, Rachel and Beth Fallon as Aja, their daughter. Peter McDonald is a standout as Nick's best friend and guitar player. Also co-starring are Jack Reynor as Mac, Danny's manager and Havana Rose Liu as Marcia. Ms. Liu is having a moment as she is also a standout in "Tuner".

       Mr. Carney's ability to create an "earwig" is uncanny. "How To Write A Song Without You" is a great power ballad. His music choices for the rest of the film are perfect as always. As with his other films (whether writer, director or both), Mr. Carney knows how to play the emotions of his audience (in a good way) and always satisfies.

         

Passenger

 

   The road trip to hell. After a strong opening sequence, we turn to a young couple starting out on a cross country road trip. After the witness a terrible car crash, they don't realize they have picked up a demonic force that has now latched on to them, hitching a ride on their trip.

    Jacob Scipio stars as Tyler and Lou Llobell as Maddie as the young couple. Joseph Lopez is "The Passenger" and Melissa Leo, in what amounts to an extended cameo, plays Diana Marsh. Mr. Scipio and Ms. Llobell play a very effective couple as the danger grows.

    Things get progressively weirder until a climatic confrontation brings the trip to an abrupt halt. The film itself, stretches the story as long as the open road we find ourselves on, but there are some good bumps and jolts along the way.

      As one character says "You don't take a trip. The trip takes you".

Backrooms

 

         Based on a series of YouTube shorts by director Kane Parsons, and now turned into a full length film, this is less of a conventional horror film and more of an unsettling, surreal experience. It can also be terrifying at times, unlocking a primal fear deep in our consciousness.

          When Clark, a furniture store owner, finds a doorway (in the basement of the store) to what appears to be another dimension and or reality, he steps into a seemingly endless maze of rooms. From that point on, we are watching Clark and others navigate this maze of rooms while they appear to being watched by others. It's an endless loop of a movie, even more surreal than the recent "Exit 8".

           The film stars Chiwetel Ejiofor as Clark, Renate Reinsve as Dr. Mary Kline, Clark's therapist, and Lukita Maxwell ( of Apple TV's Shrinking) as Kat and Finn Bennett as Bobby, Clark's employees. Mark Duplass also co-stars as Phil.

           Mr. Ejiofor and Ms. Reinsve really sell the concept when they both become lost in the "backrooms".  It's an existential film with more questions than answers and while it can become frustrating, it is mesmerizing to watch with exceptional art and set design. 

Star Wars: The Mandalorian and Grogu

 

       Jon Favreau is the go-to director in the Marvel/Stars Wars universe. Here, he continues his work from the TV version of "The Mandalorian" and rather than a fourth season, releases further adventures as a feature film.

        While the film appears to be episodic, it's still an exciting story filled with the kind of action you would expect from a Star Wars franchise story. The son of Jabba The Hutt plays an important role and some minor characters cross over from earlier Star Wars films.

          Pedro Pascal reprise his role as The Mandalorian but while you hear his voice throughout, with his helmet on, it's his stunt actors (Brendan Wayne and Lateef Crowder) doing most of the heavy lifting. Of course, there is a sequence with his helmet off, so we know it's "him".

          The film co-stars Sigourney Weaver as Ward, a leader in the New Republic. It's fun to watch her still piloting an X-Wing fighter. Jonny Coyne plays villain Janu Coin and there is voice work by Jeremy Allen White as Rotta the Hutt, and surprisingly, Martin Scorsese as an alien shopkeeper. (Mr. Scorsese must of had a great time doing his scenes) Other actors providing character voices include Shirly Henderson and Stephen McKinley Henderson.

            Of course Grogu is as adorable as ever, brought to life through animatronics and puppetry, augmented with visual effects.

            Filmed with plenty of action sequences, there is a lot to take in and at times, the film is bloated and almost overkill. Further editing would have tightened things up a bit. Still, its a lot of fun, especially in IMAX where the visuals are amazing.

Tuner

 

          A pleasant surprise, this new drama has an original and clever story and features a charming performance from Leo Woodall. Mr. Woodall plays Niki, a piano tuner with perfect pitch but also a hearing disability. For the right reason, he gets involved with the wrong people who become much more of a threat than he anticipated.

         The film co-stars Dustin Hoffman (in a welcome return to film) as Harry Horowitz, Niki's friend and mentor. Also co-starring are Tovah Feldshuh as Harry's wife, Havana Rose Liu as Ruthie, a young pianist that Niki falls for and Lior Raz, as Uri, a charming but unsavory character. And in a significant cameo, the great French actor, Jean Reno. Mr. Woodall and Ms. Liu have great chemistry as their relationship grows and while Mr. Hoffman's role is small, he makes an impact.

           Written and directed by Daniel Roher, the film balances its light moments along with a darker side later in the film that make the original story very enjoyable despite a growing tension put upon by Niki's involvement with Uri.

            Don't tune this one out.