Drop

 

       A modern take on a very common premise. The hero/heroine is forced to do something terrible by the villain, who is holding a loved one hostage. We've seen this story many times before but never using cell phone drops to communicate with the hero/heroine.

        Meghann Fahy is the heroine, Violet, faced with an impossible situation. She aptly proves herself leading lady material as she continues to find clever ways to stall and distract her opponent. 

         Violet is on a first date at a upscale  restaurant high above a Chicago skyscraper. Her date, Henry, is played by Brandon Sklenar (of the streamer, 1923). Most of the action plays out in the restaurant with occasional scenes of Violet's home, where her young son Toby (played by Jacob Robinson) and his sitter, Jen (played by Violett Beane) are being threatened by the main villain's accomplice. Jen is also Violet's sister adding to her anxiety over the situation.

         What makes the film fun is the villain could be anyone in the restaurant and poor Henry doesn't understand Violet's increasingly erratic behavior with each phone drop she receives.

          Both Ms. Fahy and Mr. Sklenar take everything very seriously and make a handsome couple to watch. While the dialog may be silly and contrived, the situation does continuously rachet up the tension. Alfred Hitchcock would be proud.

Black Bag

 

       This new film from director Steven Soderbergh and writer David Koepp is an ice cold, old fashioned spy vs. spy story. Relying more on a byzantine script rather than car chases, shoot outs and explosions, this smart story telling wants you to pay close attention to the machinations going on inside a British intelligence agency, where whispers of a traitor to the wrong person set the wheels in motion.

      Michael Fassbender stars as George Woodhouse, a fastidious spy who "can't stand liars". Cate Blanchett is Kathryn, his wife, and a spy at the same agency. The film co-stars Marisa Abela, Tom Burke, Naomie Harris, Rege-Jean Page and Pierce Brosnan. Mr. Fassbender is perfectly cast as George playing mind games with his fellow spies to find the traitor in the organization. 

      Mr. Soderbergh keeps a quick pace moving the story along at a crisp ninety three minutes. The sets and wardrobe are impeccable. The whole film is sleek in design. The story is a war of words, full of dry wit and some terrific one-liners, played out over an ever increasing tense week's time.

       For those that may find it confusing, the plot comes together in the third act and has a very satisfying ending. It's a smart, even sexy, throwback that fans of John le Carre or Len Deighton will appreciate.