Date Night

Steve Carell and Tina Fey star in this new comedy but don't go expecting "Liz Lemon" or "Michael Scott", the characters they play on TV or you will be disappointed. Taking two well known comedy actors who are known for their very strong characters and pairing them in a film seems like a wonderful idea but stripped of those characters, the results are only mildly amusing.

The two comics play a married couple from New Jersey who, tired of their routine lives, have a "date night" in Manhattan. Predictably, things go chaotically wrong after a case of mistaken identity. The plot is derivative from "The Out of Towners", a terrific comedy with Jack Lemmon and Sandy Dennis. In that film, it's as if the city itself conspires against the visiting couple. This time we are given the standard gangster and crooked politician with cops on the take who threaten our hapless couple.

There is one very funny sight gag involving a rowboat and an original idea for a car chase but not many "laugh out loud" moments. A scene in a back room club involving a pole dance is actually embarrassing for both Mr. Carell and Ms. Fey as well as for William Fichtner, who plays the crooked DA. Ms Fey gets the bulk of the good one-liners and Mark Walhberg is pretty funny in a self parody. D.J. Smoove (so funny on "Curb Your Enthusiasm") is wasted in what could almost be considered a racial stereotype as a frightened cabbie. Mark Ruffalo and Kristin Wiig are completely wasted in what amounts to a cameo but James Franco and Mila Kunis show some comic flair as the real couple being sought by the villains.

I'm sure the pitch for this film was great but a stronger script would have produced better results.

Kick-Ass

Let me be very clear...this film is not for everyone. It is ultra-violent and completely deserves it's R-rating. If watching an 11 year old girl maim and kill while using language unfit for many adults, let alone a child, is not your idea of fun then read no further. This is not your kind of movie.

On the other hand, if you are a fan of the graphic novel (IE; comic book) it's based on or films like "Sin City", or "Watchmen", then by all means, keep reading as this film is definitely for you. The screenplay is by director, Matthew Vaughn (who made the delicious British crime film, "Layer Cake"), Jane Goldman and Mark Millar and John Romita (who teamed up for the original comic book). They have rendered a perfect live action recreation of the comic and fans will love it.

It's a perfect cast. Aaron Johnson has his first major lead as Dave Lizewski/Kick-Ass and Christopher Mintz-Plasse as Red Mist, will make you forget him as "McLovin" in "Superbad". But two of the biggest surprises are a humble and subdued Nicolas Cage as "Big Daddy", who clearly respects the script and the wonderful Chloe Grace Moretz, who steals the film and will blow you away (literally & figuratively) as "Hit-Girl". Ms. Moreta is the aforementioned killer 11-year old with very adult language who is just remarkable in a role that has caused quite a stir. A controversy made worse when, not only does she main and kill but is herself, beaten to a pulp by Mark Strong, the villain of the piece (Mr. Strong is making quite the career of playing villains. He's also the sheriff of Nottingham in the upcoming "Robin Hood").

The film holds none of the gravitas of "Batman" and in many ways is a self parody of "super hero" movies. It can be extremely violent and very funny and the combination doesn't always work back to back but overall, for a film major studios wouldn't touch, it certainly will appeal to today's young audiences who are numb to the violence but are also in on the joke.

City Island

A small jewel buried beneath the blockbusters and spring rejects, "City Island" will amuse you and warm your heart. It's the story of the Rizzo family, born and raised for generations on City Island, a small piece of real estate located on Long Island sound, a stone's throw from the Bronx, New York.

The cast could not be more perfect. Andy Garcia is Vince Rizzo and Julianna Margulies is Joyce, his wife of 20 years. They have a daughter, Vivian and a son, Vinnie and they are a loving but dysfunctional family, each hiding their own secrets. This is one of the best characters Andy Garcia has ever played. He shows a flair for comedy you don't often see and he is so natural in the role, you believe completely in the character. Ms. Margulies matches him scene for scene and easily balances the many sides of Joyce. The film also features Emily Mortimer and Alan Arkin in smaller but pivitol roles.

When a new character is introduced, secrets begin to unravel and family chaos reigns. To tell more would spoil the fun but I'm sure you'll have an enjoyable time visiting City Island and leave the theater smiling.

Clash Of The Titans

The original was cheesy, light and silly but fun to watch. This remake is cheesy, silly, and with the exception of three scenes, dull to watch. Sam Worthington, fresh off of "Avatar" is strong man of action but can't act his way out of his amor chestplate. And furthermore, he steals all his fighting techniques from watching Brad Pitt in "Troy".

The three scenes that will keep you awake are the attack of the giant scorpions, the battle with Medusa, and the final battle with the Kraken (which really is the highlight and saved for the end). Between these set pieces, you can go to the restroom, refill your popcorn or take a quick nap.

Liam Neeson and Ralph Fiennes lend their gravitas to the film as Zeus and Hades (respectively) but you can't even take them seriously. There is no character development and you probably won't even care who lives or dies. If you're in the mood for mindless swordplay and mythology that won't leave a lasting impression (even while you are watching it), then this one is for you.

I would also recommend that you find a theater showing it in 2-D, rather than 3-D (if you still insist on going). The 3-D technology is completely wasted here. The film was shot in 2-D and converted later to 3-D. It shows. Unlike "Avatar" the 3-D does nothing to enhance the visuals. It actually makes the film darker and harder to watch.

Greenberg

The latest drama from writer/director Noah Baumbach, stars Ben Stiller who turns in a terrific performance as the title character. The problem is, that while his performance is stellar, Roger Greenberg is a self absorbed, unlikeable 40 year old trying to restart his life after a breakdown and he's not fun to watch.

As the film began, I found myself hating every minute of it but then a funny thing occured. Mr. Stiller, playing against type makes this irritating, post breakdown, and almost comatose, character sympathetic. Greta Gerwig plays Florence, a personal assistant to Roger's brother and a potential love interest for Greenberg. Florence has her own neurosis to deal with and their very odd courtship becomes fascinating to watch.

Rhys Ifans plays Ivan, an old friend of Greenberg's and like Florence and Greenberg, he too lacks energy and drifts in and out of his scenes. And yet, you find yourself rooting for him to succeed with his own demons as well. It's a strange film where most of the characters lack any appeal but you are drawn to them anyway.

I can't count "Greenberg" as one of Mr. Baumbach's best. He co-wrote it with his wife, Jennifer Jason Leigh (who has a small role as Greenberg's ex-girlfriend). They have created unlikeable characters in awkward situations that don't do much to redeem themselves. But there is something brewing beneath the surface that keeps you engaged and that is also a testament to the fine acting by Mr. Stiller and Ms. Gerwig.

A Prophet

Nominated at this year's Oscars for best foreign film, "A Prophet" is a remarkable character study of a criminal's rise to power in the French penal system. When Malik ( played by Tahar Rahim) arrives in prison to start a six year sentence, he is a naïve 19 year old. Once there he learns more than just to read and write.

Niels Arestrup plays Cesar Luciani, the criminal kingpin of the prison. It is Cesar that forces Malik's initiation into hard time when orders him to murder another inmate. From that point on, Malik works for Cesar in return for protection. Mr. Arestrup's Cesar is a Corsican Don Corleone, controlling everything inside and out of the prison with a network of corrupt guards and informants everywhere. He is a force to be reckoned with.

Like Michael Corleone in "The Godfather", it is Malik who begins innocent and grows under the tutelage of his older father figure. The film is a lesson in the corruptive nature of power and the struggle for survival in a hostile environment, filled with mistrust and betrayal. There are moments of raw violence with an impact so strong, you'll imagine violence throughout, when in reality, it's just a few scenes.

Mr. Rahim is a compelling actor, hard to read but fascinating to watch as he grows through the course of the film. His scenes with the terrific Mr. Arestrup are wonderful to watch. Their last scene together is unforgettable.

The Runaways

Every great rock band always has a charismatic lead singer and guitarist to play off each other. The Runaways weren't a great band but they had plenty of charisma. They were trendsetters and broke the barrier for women in rock. This is the story of the band and in particular, the relationship between Joan Jett and Cheri Currie. The film is produced by Joan Jett and based on a memoir by Ms. Currie so one has to assume most of what we see on screen is fairly accurate.

The director, Floria Sigismondi, captures the energy and sleaze of 1975 Los Angeles with a keen ear and eye for the rock scene of that era. Kristen Stewart makes a memorable Joan Jett and Dakota Fanning gives her most adult performance yet (ironic as she plays a 15 year old) as Cheri Currie. Michael Shannon shows chameleon like abilities portraying record producer, Kim Fowley, a role unlike anything he's done to date.

The story concentrates on the volatile relationship between Ms. Jett and Ms. Currie. Much is being made about an on screen kiss but it makes sense as Ms. Jett's love for Ms. Currie is obvious from their first meeting. What eventually tears them apart is Ms. Currie's need for a life outside of the band unlike Ms. Jett, who's life is the band. It's fascinating to watch the rise and fall of The Runaways especially if you lived through that time period. For Today's youth, it's a cautionary tale of too much too soon.

The focus on Jett and Currie makes sense as they were the face and sound of the band but I would have liked to know more about the other three members of the band. In particular, Lita Ford, who gets no back story and yet went on to her own solo popularity years later. Even in the post script, there is no mention of Ms. Ford, drummer Sandy West or the bassist know simply as Robin.

Alice In Wonderland

You would think Tim Burton is the perfect director to give his particular vision to "Alice In Wonderland". And what better actor than his frequent collaborator, Johnny Depp, to play the Mad Hatter? Of course on paper it's a perfect match but unfortunately I was underwhelmed with Mr. Depp's performance. Buried beneath layers of makeup, Mr. Depp's Hatter seems barely mad at all and at times, just catatonic.

Helena Bonham Carter tries hard as The Red Queen, who's garish personality is matched only by her garish appearance but you soon grow tired of "off with her head". Anne Hathaway underplays the White Queen but blame Mr. Burton's direction. Mr. Burton appears so caught up in the world he's created that he's forgotten to breathe real life into his characters. Newcomer Mia Wasikowska is a wonder as Alice, the only character with a pulse, who coincidently is the only true human in Wonderland ( known here as Underland). The best characters, The White Rabbit and The Cheshire Cat, are products of excellent CGI.

As the film begins, we learn this is Alice's second trip to Wonderland, as Mr. Burton and his team have actually combined "Alice In Wonderland" and it's sequel "Through The Looking Glass" into one story mixing characters and story elements that are visually appealing but ultimately flat, even in IMAX 3-D. If only the story and characters were as vivid as the landscape they inhabit.

Green Zone

How wonderful to live in a country with freedom of speech and freedom of the press. Even when we're being fed lies, Hollywood can show us a version of the truth without repercussion. "Green Zone" is director Paul Greengrass's attempt reveal the truth about the lack of WMD's in Iraq during the 2003 invasion.

Matt Damon, so good in Mr. Greengrass's "Bourne" films, returns to his action persona as Roy Miller, a soldier who becomes obsessed with learning the truth after his unit fails to find any WMD's on their patrols. As an action hero, Mr. Damon has found his niche and he's always enjoyable to watch. What's not credible is how easily he can go rogue and act on his own without any question from his superiors of his actions or whereabouts.

The film has a pedigree cast including Amy Ryan as a journalist who finds herself being used as a pawn in a massive cover-up, Greg Kinnear as the sleazy government official manipulating the truth, Brendon Gleeson as the CIA officer who wants real answers, and an almost unrecognizable Jason Isaacs as a nasty Special Forces officer.

The film doesn't pull punches of our government at the time but sometimes the truth hurts. Politics aside, the film hits the ground running and zips by at a frenetic pace, leading up to an exciting chase scene at the end. Mr. Greengrass is a terrific action director who loves hand held cameras but the headache producing dizzy action is the price you pay for "you are there" realism.

The Ghost Writer

Director Roman Polanski does Brian DePalma. Based on the novel By Robert Harris, this new "suspense" drama plays like one of Mr. DePalma's thrillers, minus the sleaze factor and the thrill. The camera work, and in particular, the score reminded me of films like "Body Double" "Dressed To Kill" and "Raising Cain".

Ewan McGregor plays the title character, hired to "ghost" the autobiography of Andrew Lang, the former Prime Minister of England, played by Pierce Brosnan. Mr. McGregor is a very engaging actor and works hard to keep the audience's attention. His simple task of writing a book of memoirs takes on ominous tones after a dead body is discovered and shadowy figures begin to appear. He suspects there is more to the story than what he's been told and the plot slowly begins to reveals itself and I do mean slowly.

The movie holds your attention and builds towards what you would expect to be a big revelation at the end. Granted the final moments of the film come as a surprise but after such a long slow build, it all becomes clear too neat and quick and then one final twist in the last shot.

Mr. Polanski substitutes an island off the North Sea for Cape Cod and Mr. Bronson's exile for his own. The story of a American puppet Prime Minister is thinly veiled and the film contains a pretty obvious anti-American slant. There is very little action and the drama just drags on and on.

Mr. Brosnan is well cast in the Tony Blair...oops I mean Andrew Lang role and it's nice to see Kim Cattrall doing something else beside "Samantha Jones". The fine actor Tom Wilkinson also turns up as an important piece to the mystery.

There seems to be a big buzz around this film but to this critic, it's much ado about nothing.

Cop Out

You know there's problems here from the opening shot of New York City. With the Beastie Boys "No Sleep Till Brooklyn" playing in the background, the camera pans from Manhattan to stop at Long Island City, which is in Queens, not Brooklyn. Director Kevin Smith, working for the first time with someone else's script, plays it loose and lazy. There is no chemistry at all between stars Bruce Willis and Tracy Morgan. In fact Mr. Willis is content to sleep walk his way through his role taking back seat to the irritating mugging of Mr. Morgan. I haven't seen Bruce Willis with so little energy in a movie since "The Sixth Sense" and he had good reason in that film.

This is a tired retread posing as a homage (a word Mr. Morgan butchers for laughs) to the '80's black/white buddy cop films like "48 Hours", and "Running Scared". The best thing is the musical score, lifted right out of "Beverly Hills Cop". The plot is weak. The action boring and even perennial scene stealer Seann William Scott can't save this mess.

The film also co-stars Guillermo Diaz, who plays his bad guy role exactly like his character on "Weeds", Kevin Pollack as another detective caught up in the same case , and Rashida Jones, who deserves better than a few scenes as Mr. Morgan's wife, who may or may not be cheating on him.

"Cop Out" is a washout. Save your time and rent "48 Hours" instead.

Shutter Island

Martin Scorsese has undeniably made so many memorable films over the years that bear repeated viewing. Sadly, "Shutter Island" is not one of them. The master director and his muse, Leonardo DiCaprio have turned in an overlong and tedious "thriller" with a twist that's been done far better in other films.

There have been so many TV and radio spots for this film I could recite most of the dialog by heart. That, and the long running time sucked all the possible suspense right out of the film. There is certainly a more complex story here than the ads leave you to believe but by the time all is revealed, you're just grateful it's over.

I will say that Mr. DiCaprio remains one of the best actors of his generation and there is some fine work done by the supporting cast including Mark Ruffalo, Sir Ben Kingsley, Michelle Williams, Max von Sydow and a particularly good Patricia Clarkson (in a one scene cameo). It just doesn't add up to much by the end of the film.

Mr. Scorsese has always given each of his films their own vibrant life but here he actually repeats himself by recreating the atmosphere of "Cape Fear", his remake with Robert DeNiro. Shutter Island" gave him his biggest opening weekend box office. He gave us a disappointment.

The Wolfman

Benicio Del Toro channels Lon Chaney in this remake of the original horror classic. The film tries to remain faithful to the original but veers off course mixing bits of "American Werewolf In London" as well as "Werewolf of London" starring Oliver Reed.

Mr. Del Toro plays the tortured soul cursed by the bite of a werewolf along with Anthony Hopkins as his father, a man with a pretty obvious secret. Along for the hairy fun is Emily Blount and Hugo Weaving. Throw logic out the window when Ms. Blount, Fiancée to Mr. Del Toro's dead brother is instantly smitten with him and Mr. Weaving is conveniently setup for the sequel should there be one.

The film tries hard for chills and thrills but Danny Elfman's score is over the top with mood and menace and the cinematography is so black and blue, you would think the film itself was beaten by a beast. There's a nice mix of CGI as well as old fashioned makeup, courtesy of Rick Baker.

In the end, it's not a bad "popcorn" movie as it does have a pedigree cast trying hard to please but for today's over stimulated audiences, it's 'Ho Hum", another monster movie.

The Last Station

Set in the 1910 Russian countryside, this wonderful film is about the last days of famed author, Leo Tolstoy. At first thought, a film about Tolstoy...how dull but fireworks erupt on screen between Tolstoy and his wife Sofia, played brilliantly by Christopher Plummer and Helen Mirren.

The film plays like a Russian version of "The Lion In Winter" except in this version, it's the lioness that takes center stage. Ms. Mirren is a marvel to watch as the wife of the beloved revolutionary thinker who just wants the best for her family, while her husband's philosophy is to share all with the masses. Married for almost 50 years, this is a very human film about a couple's love versus their ideology. The scenes between Mr. Plummer and Ms. Mirren are filled with a level of acting few can match. Watching these two "giants of the screen" is pure pleasure.

The film co-stars Paul Giamatti as Tolstoy's disciple, Chertkov and James McAvoy as Bulgakov, Tolstoy's secretary. Both are excellent and hold their own with Mr. Plummer and Ms. Mirren. Mr. McAvoy, in particular, has the difficult role of trying to remain loyal to Tolstoy's philosophy while acknowledging Sofia's point of view. He is an everyman caught between two gigantic personalities.

The story comes from a novel supposedly based on the actual diaries of the principles. Some liberties are taken at the end but for the most part, the film is historically accurate. Besides the acting, the cinematography is breathtaking with beautiful shots of the Russian woods and countryside. If you're looking for something different, "The Last Station" is a great alternative to the Hollywood "top 10"

Percy Jackson & The Olympians: The Lightning Thief

Another movie franchise in the making, "The Lightning Thief" is based on the first book in a series about a young teen who discovers he is the son of Poseidon. The film is directed by Chris Columbus, who helmed the first Harry Potter movie, and knows a thing or two about fantasy films for young adults. Unlike the Potter books and films which are based on magic entwined with modern teenagers, "The Lightning Thief" and it's subsequent titles are rooted in Greek mythology but share a common bond in a hero who is unaware of his powers or lineage but soon discovers the truth about himself.

Using mythology as a background provides fertile plot points that keep the story moving with lots of action (requiring a lot of CGI), clever dialog and cameos galore for stars to ham it up as mythological figures. The image of Pierce Brosnan as a minotaur is a bit unsettling and Steve Coogan as Hades is a strange choice. However, Kevin McKidd as Poseidon, Uma Thurman as Medusa, and Sean Bean as Zeus are perfectly cast. Also co-starring in human roles are Catherine Keener as Percy's mother and Joe Pantoliano as his creepy stepfather.

The most important casting choice is of course, Logan Lerman, who plays Percy Jackson. Mr. Lerman does an admirable job of being a young hearthrob as well as action hero. His best friends are played by Brandon T. Jackson (who plays his role like a live version of "Donkey" from "Shrek") and Alexandra Daddario, who plays Annabeth as a young "Xena, Warrior Princess".

Mixing modern reality and ancient mythology create an enjoyable family film that will set the table for at least four more films to satisfy the legions of Percy Jackson fans out there.

The Lovely Bones

I enjoyed the book but therein lies the problem. If you've read the book, you will not appreciate the "in- between" as interpreted by director Peter Jackson. And if you haven't read the book, you still may not appreciate his vision for Susie Salmon's "in-between. The visuals are beautiful and surreal but they bog down the story and do nothing for Susie's heavenly narration of her murder and the family she leaves behind.

Susie's parents are played by Rachel Weisz and Mark Wahlberg. They do an admirable job in roles that are underwritten for the screen. Susan Sarandon plays the grandmother in an over the top performance and Michael Imperioli is stereotyped as the detective in charge of the case. Susie's murderer is played by Stanley Tucci who gives a very creepy performance that was deemed Oscar worthy by his peers. Rose Mclver, as Susie's sister has the most tense scene in the film.

I have to save Saoirse Ronan for last, as Susie Salmon. Ms. Ronan is remarkable to watch. She was excellent in "Atonement" and once again shows acting maturity beyond her years. If not for her performance, the film would be unwatchable. She anchors the film and breathes life into this murdered young girl. She manages to rise above her scenes in the "in-between" and I look forward to seeing her work for years to come.

I give Mr. Jackson credit for tackling this novel. It's not an easy story to translate to the screen and while he tries hard, he just can't pull it off. This is a story you must interpret for yourself and for that reason, I recommend reading the book and take a pass on the film.

A Single Man

Colin Firth stars in this period drama from first time director Tom Ford. It's 1962 and George Falconer has just lost his lover of 16 years in a car accident. Mr. Firth is excellent as George. He is in almost every scene and his subtle expressions, restraint of emotion, and driven purpose serve him well. He is a man swollen with grief who can't express his loss to the world. He formulates a plan and methodically goes about his business effectively hiding his pain from those around him.

Julianne Moore co-stars in what amounts to a cameo. She really shines in their major scene together but her part is becoming all too familiar to some of her more recent work. Contrast this to her work on 30 Rock and you can really appreciate her range as an actress.

Mr. Ford co-wrote the screenplay and directs the film with his fashion world eye for color and detail. His use of lighting and color literally express George's emotions for the viewer. He does tend to let the camera linger a bit too long which slows down the pace of the film but the character study of George Falconer and Mr. Firth's portrayal will keep you engrossed.

The White Ribbon

Writer/director Michael Haneke brings us his latest film to excite and confound us. Mr. Haneke's work is always intelligent, provocative, disturbing, and frustrating. "The White Ribbon" is all of this and more.

Set just before World War One, in a small German village, the film concerns itself with an escalating series of strange accidents befalling the townspeople. There is an underbelly of hate and anger growing beneath the seemingly peaceful village and the actions at work here are not obvious or easily explained. By the end of the film, you should realize where this is going but, as with much of Mr. Haneke's work, there no easy answers.

The cinematography is remarkable. The film is shot in black and white and the stark images are haunting. It is beautiful to watch. There is no soundtrack. The lack of color and music add to the tension but may put off many viewers. The acting is excellent with never a false note. The children, in particular, will remind you of the '60's British film "Children of The Damned". They are convincingly creepy and marked with a sense of growing evil.

The White Ribbon of the title signifies innocence but the film shatters that innocence and will provoke discussion and debate long after it ends. It is in German with English subtitles.

Crazy Heart

A career high performance from Jeff Bridges anchors this tale of a past his prime county singer just trying to survive day to day on his charm and what's left of his talent. We've seen characters like this before in films, most recently in "The Wrestler" (which could be a distant cousin). Like Mickey Rourke in that film, Mr. Bridges gives a raw, uncompromising performance that drives the film and fully engages the audience.

When we first meet "Bad" Blake, he is getting by on booze, cigarettes, and one night stands in cheap motels. He hasn't written a new song in years and his protégé has passed him by to become a superstar on his own (Tommy Sweet, played by a surprising Colin Farrell). When he meets reporter Maggie Gyllenhaal, she awakens something in him, he had thought long dead. To it's credit, Crazy Heart avoids the relationship cliché and what remains is touching and authentic.

I also can't say enough about the great soundtrack, put together by T-Bone Burnett. Mr. Bridges and Mr. Farrell do their own singing on the original songs and there are some classics thrown in as well.

Robert Duvall produced the film and also co-stars in a small role, which brings to mind his own star turn in "Tender Mercies", a film with similar themes. In his younger day, I'm sure Mr. Duvall would have coveted the role of "Bad" Blake for himself. But the part belongs to Mr. Bridges and he reaches down deep for what will surely be an Oscar nominated performance ( as of this review, he has just won the Golden Globe).

BEST & WORST of 2009

Best of 2009

Honorable mention- Up- A very warm human comedy told through rich animation.

10) Star Trek- Works on every level. Great casting, credible story and action at warp speed. This one delivers the goods!

9) The Messenger- Excellent human drama with fantastic performances from Woody Harrelson and Ben Foster

8) Avatar- Spectacular visuals enliven and enhance the retread plot. Tells an old story in an entirely new setting and makes it fresh and exciting

7) Precious- devastating urban drama with amazing performances.

6) Fantastic Mr. Fox- Delightful. Visually brilliant in its simplicity and crafty in it’s dialog.

5) An Education- Coming of age story brilliantly written and acted.

4) District 9- Fantastic, original filmmaking. A political Sc-fi film like no other.

3) Inglorious Basterds- Another triumph from Quentin Tarantino.

2) Up in the Air- Very entertaining but also depressing dramady with spot on acting by George Clooney, Anna Kendrick and Vera Famiga.

1) The Hurt Locker- Authentic, visceral, and gripping story of war that keeps you on edge with unbearable suspense.

Worst of 2009

10) Wolverine- All Style and little substance. Decent action but flimsy story.

9) Paul Blart Mall Cop- Silly comedy with a few laughs courtesy of Kevin James.

8) Duplicity- Audience is the one who gets duped in this confusing, empty star vehicle for Julia Roberts and Clive Owen.

7) Twilight:New Moon- I just don’t get it but then again I’m not a teenage girl.

6) Sherlock Holmes- Overindulgent and actually tedious with characters that have no depth at all.

5) The International- Clive Owen can’t save this “Bourne” ripoff minus the action. A silly plot and a wasted Naomi Watts can’t make for the great worldwide locations and one solid action sequence.

4) Nine- Some enjoyable flashes but disappointing and a miscast Daniel Day Lewis.

3) Knowing- Not knowing would have been better. Un-original and dreary.

2) Year One- An awful mess on every level. How disappointing from the man who directed “Ghostbusters” and “Stripes”.

1) The Box- better left unopened.

It's Complicated

Rich white woman fairy tale with a charming Alec Baldwin and a very natural Meryl Streep. Nobody does "chick flicks" for adult women better than writer/director Nancy Meyers. However her films never seem to take place in the "real world". You have to laugh when Ms. Streep explains to her architect, "now I can have a real kitchen" when the one she is standing in comes right out of Architecture Digest. And this is also an alternative universe where minorities don't exist.

Steve Martin co-stars as a potential love interest for Ms. Streep who, after 10 years, is suddenly having an affair with her ex-husband played by Mr. Baldwin. Once again, the trailer gives you the best bits but John Krasinski provides much comic relief not seen in the trailers. Even if you know what's coming, the movie is still light and fun, even if unrealistic outside of certain circles.

If not for the A-list cast, this would have made a fine Lifetime Channel film. The principles elevate it beyond that and it does have it's charms. Who can resist Meryl Streep exclaiming "turns out I'm a bit of a slut"

The Messenger

How unfortunate that this film is disappearing all too quickly from theaters. It is a powerful, moving and honest drama with wonderful performances from Woody Harrelson, Ben Foster, and Samantha Morton.

Ben Foster plays Will Montgomery, a solider back from Iraq after being wounded in a firefight. With three months left on his tour of duty, he is assigned to the Casualty Notification Unit reporting to Tony Stone, played by Woody Harrelson. It is the job of these officers to notify the next of kin when a soldier is killed in service. Samantha Morton plays a young mother notified of her husband's death who touches something in Mr. Foster and Steve Buscemi has a moving cameo as a notified parent. On the surface, you might dismiss the plot as too depressing but there is also humor and healing at work here.

Each notification brings it's own special circumstances and as the two men bond, their own emotional layers reveal themselves as they grow closer. The acting is just superb. Ben Foster is no stranger to complex roles and this is easily one of the best things he's ever done. Woody Harrelson caps a busy year of work with a terrific performance and both actors honor the work of the real military personnel who perform this difficult assignment.

This is a deeply affecting story that will linger long after it's over. Don't miss it when it's available on DVD.

Sherlock Holmes

Sherlock Holmes as action hero? Basil Rathbone is turning over in his grave. Director Guy Ritchie re-imagines the famous sleuth for the 21st century and the result is an over the top film starring Robert Downey Jr. as Holmes and Jude Law as Dr. Watson.

Mr. Ritchie bludgeons us with fast paced sights and sounds practically begging for approval. He might as well be screaming "isn't this fun?" and "isn't this exciting?" Mr. Downey Jr. appears to have free reign over the character and his usual charm and wit are overblown and his portrayal soon becomes tedious even as total mayhem erupts on screen. Mr. Law tries his best to reel things in but as written, his relationship with Holmes plays like an 19th century version of "I Love You, Man".

Rachel McAdams co-stars as Irene Adler, a character who's motives are unclear. We never learn much about her except that she can run from the sewers of London to the top of Tower Bridge in record time. Her relationship with Holmes seems to change with every scene and while enjoyable to watch, her acting is wasted on a hollow role.

You can't escape the ads and previews for this film so once it starts, you feel as though you've already seen it. This is an prime example of Hollywood overindulgence. The audience is force fed a Holiday meal that looks appetizing but once digested, leaves you stuffed, uncomfortable and not asking for seconds. Unfortunately, the end sets up a sequel anyway. We can only hope for more character and less effects.

The Imaginarium of Dr. Parnassus

Writer/Director Terry Gilliam once again takes us for a wild ride inside his imagination. His vehicle is a magic mirror that transports a person into the imagination of the title character, played to perfection by Christopher Plummer. Of course many will seek out this film to see Heath Ledger's last performance, not even being familiar with Mr. Gilliam's earlier work or fertile mind.

Mr. Ledger does not disappoint as Tony, a mysterious and loveable rogue, who becomes part of the Dr. Parnassus Traveling show. In a macabre twist, when we first see Tony, he is dangling from the end of a noose, apparently dead. Revived by Dr. P's daughter, Valentina and the two other members of the troupe, Percy and Anton, Tony begins to earn his keep by attracting a bigger audience to the show.

And what a show it is. As the audience members pass though the mirror and into the mind of Dr. P, the screen fills with wild visions as the souls of each person are tempted by both good and evil. The evil comes in the form of Mr. Nick, the devil himself, played with flair and malice by Tom Waits. Besides the star power, the rest of the cast is also quite good. Verne Troyer (known primarily for Mini-Me) shows versatility as Percy, Andrew Garfield is heroic as Anton, and Lily Cole is delightful as Valentina.

What has created the most interest for this film was how to complete Mr. Ledger's role since he passed before the film was done. Luckily, the film has the luxury of a magic mirror and sequences of imagination that allow Tony to be played by three different actors, each time he passes through. Johnny Depp, Jude Law, and Colin Farrell each take turns playing Tony and the transformation works seamlessly in the context of the film. Mr. Depp and Mr. Law have the shorter scenes but do an admirable job keeping the character in synch. Mr. Farrell does a great job with the pivotal role of Tony in the last sequence.

Mr. Gilliam borrows from his earlier work with parts of the film resembling "The Fisher King" and even a nod to Monty Python with a dancing policemen bit. The film is a fanciful, trippy tale that will probably be best appreciated by Mr. Gilliam's fans but the pleasure of Mr. Plummer's performance as well as the "four Tonys" can appeal to anyone.

Nine

Hoping to recreate the magic of "Chicago", director Rob Marshall takes on the film adaption of the Broadway show, "Nine". Unfortunately, it lacks "all that jazz".

Daniel Day-Lewis is miscast as Guido Contini, the famous director who has lost his way while trying to make a new film. Mr. Day-Lewis is too good a dramatic actor to just brood or watch others perform from the sidelines. And as for his two musical numbers, well let's just say, stick to drama. The majority of the film is set on one incomplete sound stage where Guido is trying to start his new film and it's where most of the musical numbers take place. That alone makes things very repetitious and may have worked better if the songs were more memorable.

Mr. Marshall made "Chicago" work on screen by having the musical numbers play out in the actors minds. He utilizes the same technique here but the songs aren't as strong and the actors are just adequate performing them. The exceptions are Marion Cotillard and Penelope Cruz, who both shine above the rest of the cast. Ms. Cotillard is easily the best actress in the film, playing Guido's long suffering wife. Her singing and acting are terrific. Ms. Cruz does a great job as the mistress, Carla and does herself proud in her big, sexy musical number.

The rest of the "star" power fizzles. Judi Dench tries hard but shouldn't be doing musicals, Nicole Kidman has nothing to do but look pretty, and Kate Hudson has a fun number but is less than memorable. Sofia Loren adds some Italian authenticity as Mama and it is nice to see her on screen once again but she's not asked to do too much. Stacy "Fergie" Ferguson doesn't act but performs the most popular song "Be Italian" and it's one of the few musical highlights.

Skip "Nine" and rent "8 1/2", the original Italian film the musical is based on. It's a classic.

Invictus

Director Clint Eastwood gets overly sentimental with this new film based on Nelson Mandela and the 1995 Rugby World Cup. The story is inspiring enough but Mr. Eastwood manipulates the script, the music, and the cinematography to drive the emotion and inspiration over the top.

The story of how Mr. Mandela uses rugby to help unite his country is very inspirational. It's a tricky move to get an American audience involved in a film about South Africa and rugby. While the game sequences are exciting, not knowing enough about the sport hindered my emotional involvement and Mr. Eastwood's musical choices are very manipulative. When the 99% white team does a rugby clinic with a group of South African black kids, do we really need to hear a song called "Colorblind" during the scene.

Morgan Freeman is outstanding as Nelson Mandela. It's always tricky to recreate a true story with bigger than life true characters but Mr. Freeman honors Mr. Mandela with a very natural performance. The other big name in this film is Matt Damon as the captain of the South African rugby team. Unfortunately Mr. Damon's role is reduced to some inspirational team speeches and few shots of him actually involved in the rugby matches.

Mr. Eastwood is an accomplished director, who finds the human story behind the politics and sports but "Invictus" is far from his best film.

Avatar

James Cameron is once more "King of The World" with the release of his latest masterpiece, "Avatar". This new film is a visual spectacle that seamlessly fuses live action and computer images to create a stunning new world.

It's important to be dazzled by the visuals because you've seen this basic plot before in hundreds of film dating back to the earliest westerns. The evil "white man" or in this case, humans, exploit the indigenous population for their valuable resources. And, as with many of these films, resort to destroying their homes and killing off the local population to line their pockets.

Mr. Cameron liberally borrows this theme, along with plot points from the sci-fi classic book, " The Dragonriders of Pern", and even his own earlier films, "Aliens", in particular. Giovanni Ribisi, in "Avatar", basically plays the Paul Reiser role from "Aliens". But these are minor complaints because even though you've seen the plot before, you have never seen it presented like this.

Setting the story on his fictional world of Pandora, Mr. Cameron makes the story seem fresh and exciting in a most spectacular way. Every detail is perfect and moments into the film, you will forget you're watching computer generated images and everything and everyone will come alive before you. There are so many sequences that take your breath away, you might be better off with an oxygen tank rather than popcorn.

Sam Worthington plays Jake Scully, the former Marine turned Avatar to learn about the local population. Sigourney Weaver (in "Ripley" mode) is the biologist who has developed the avatar technology and opposes the military option. Stephen Lang is Coronel Quaritch, the tough as nails military leader, who easily becomes one of the all time great screen villains. Zoe Saldana, Wes Studi, and CC Pounder lend their voices and features to the main Na'vi characters. Mr. Cameron's film technology is so advanced, you just don't know where the actor stops and the technology begins.

To truly appreciate this film, I strongly recommend you see it in IMAX 3-D. This was the medium Mr. Cameron had in mind when he created the film and to see it on a regular screen in basic 2-D will just not do it justice. Avatar is a grand adventure on a whole new level.

Bad Lieutenant: Port of New Orleans

In 1992, Harvey Keitel starred in "Bad Lieutenant". That film is a classic due to the raw, gutsy, over the top performance of Mr. Keitel as the most amoral cop ever. Now, Director Werner Herzog re-imagines the character, setting him in post Katrina New Orleans. This is not a sequel and has no connection to the former film except for the fact this new Lieutenant is just as amoral and into as much illegal activity as the original.

Nicolas Cage is an interesting actor. He seems to make many films just for the paycheck and then every once in a while, he pulls out all the stops and digs deep into his character. In "Bad Lieutenant", he pays homage to Mr. Keitel but also makes the character his own and gives one of his best performances. While he is excellent in the film, the story lacks the depth and raw emotion of the original.

The film has features a fine supporting cast. Eva Mendes is Mr. Cage's hooker girlfriend (with an original twist), Val Kilmer is his partner, the rapper Xhibit plays a drug dealer, Brad Dourif is a bookie (nice to see him working again) and Jennifer Coolidge (playing out of her comedy safety zone in a dramatic turn) is an alcoholic step mom. I must voice two complaints, however. Since the film authentically takes place in New Orleans, why don't any of the characters have a "Nawlin's" accent and why must all rapper turned actors play drug dealers?

The first film had religious overtones with deep Catholic subtext. There is nothing in the new film to suggest guilt or atonement. Mr. Cage never seems to suffer for his transgressions but his performance is riveting and on the surface captures the spirit of the original film.

Fantastic Mr. Fox

Simply delightful.

Wes Anderson has crafted a wonderful stop motion animated film for children of all ages. His cast of vocal talent couldn't be any better. George Clooney is the dashing Mr. Fox. Meryl Streep holds it altogether as Mrs. Fox. Jason Schwartzman is their odd son Ash and Bill Murray is Weasel, the lawyer. And as the lead villain, Michael Gambon is perfection.

The visuals are amazing. Animating the puppets for stop motion is painstakingly slow work but it pays off in a big way. It's familiar and yet totally original at the same time. The story is a simple tale but the dialog is subtly subversive and adult. The film will surprise you. And it's got a great eclectic soundtrack as well.

It's impossible not to like this film. Try to see it on a big screen before it disappears but if you miss it, grab the DVD when it comes out.

The Road

If you've read the book, skip the film. The book, by Cormac McCarthy, was a bleak but absorbing story of a father and son trying to survive in a post apocalyptic America. As written by Mr. McCarthy, one could envision the story unfolding on the screen in his cinematic prose. The film recreates the story but just can't convey the bond between father and son with the same depth.

Viggo Mortensen is excellent as "Poppa", a man pushed to the brink, to keep his son alive. His acting with Kodi Smit-McPhee, as the son, is convincing enough but again can't reach the emotion and conviction of the book.

Robert Duvall, Garret Dillahunt, and Michael kenneth Williams all have very minor roles as people met along "The Road". Charlize Theron, also has what amounts to a cameo as Mr. Mortensen's wife (seen only in flashbacks).

The film is dark and bleak, true to it's source, as it follows the father and son on their journey across a barren and hostile wasteland. There is little in the way of hope and it is an unrelenting 90 minutes. If this storyline intrigues you, read the book instead for a more fulfilling experience.

Up In The Air

George Clooney is perfectly cast in this new comedy/drama from director Jason Reitman. His character, Ryan Bingham, is a corporate "terminator for hire" sent in to fire employees when companies can't do it themselves. He spends the majority of his life on planes, in airports, and Hilton Hotels jetting from city to city to downsize corporations.

Ryan's lifestyle is threatened by Natalie Keener, a young upstart with plans to fire via the internet and he is forced to take her on the road to "show her the ropes". This begins a journey of self examination by both Ryan and Natalie, which is further complicated when Ryan meets Alex Goran, a female equivalent of himself.

Anna Kendrick plays Natalie and she is just terrific, watching her character deepen as the story evolves. Vera Farmiga plays Alex and she plays beautifully against Mr. Clooney. In minor roles are Justin Bateman, as Mr. Clooney's boss, J.K. Simmons and Zach Galifianakis as downsized employees, and Danny McBride as a nervous bridegroom.

It's an entertaining film but, at the same time, depressing to those of us who have been "downsized" in real life. Mr. Reitman acknowledges the terminated by having real people play many of the employees fired in the film. The story itself takes some unexpected twists and turns but has much to say about corporate America in our current climate and the digital age.

Pirate Radio

The year is 1966 and rock and roll is banned from British radio. Pirate stations take to the high seas to broadcast without government approval. This sets the stage for Pirate Radio. The film stars Philip Seymour Hoffman, Bill Nighy, Kenneth Branagh, Nick Frost, and Rhys Ifans. January Jones (of Mad Men fame) has a small cameo that doesn't seem worth her time (or ours). Pirate Radio could have been a dramatic retelling of rock rebellion but instead plays it light and fast in an enjoyable romp with a great soundtrack.

Mr. Branagh is over the top conservative as the uptight government official trying to shut them down. His scene at the family Christmas dinner is priceless. Mr. Hoffman plays "The Count", an American DJ and defacto leader of the radio rebels. This is rare chance to see him obviously having a good time in a fun role. Each of the other DJ's are played by well known British actors and each is a character unto themselves.

The film is nothing more than a series of vignettes about the various characters juxtaposed by the efforts of the government to ban them from the airwaves. The soundtrack is classic '60's rock and roll ( and I won't quibble if some of the songs played were post 1966).

A fun time is had by all.

Red Cliff

Director John Woo returns to his Chinese roots with this epic tale of medieval China. Fans of "Braveheart" and "300", will appreciate the fine art of war as an outmanned rebel army makes it's stand against thousands of invading soldiers.

Featuring a real cast of thousands, arrows fly and swords clash in the epic battle at Red Cliff. Mr. Woo directs like an general, leading his cast through battle after battle until the final fiery climax. The cinematography is breathtaking with sweeping panoramas and vivid close-ups. The battle scenes have striking realism, on foot, horseback or at sea, everything is authentic.

Chinese superstar, Tony Leung is in fine form as the leader of the rebel army. He is probably the most recognizable name to an American audience. Lin Chi-Ling co-stars as his wife and plays a pivotal role in the outcome of the battle. The rest of the cast all do admirable work but the real stars of the film are the action sequences, which are spectacular.

The film is in Chinese with sub-titles but once the action starts, it's just good vs. bad and their weapons do the talking. If you are a fan of this genre, don't miss it on the big screen.

The Blind Side

A terrific true story of a poor, homeless, Black American teenager who is taken in by a well to do white family is given a sugar-coated screenplay making it the "feel-good" holiday movie of the season. It's the story of Michael Oher, who manages to succeed at academics,and with the help of his adopted family, gets a football scholarship at Mississippi State. This kind of true life tale can be a true inspiration but gets bogged down in a sanitized script that ultimately still succeeds on the strength of it's cast.

Sandra Bullock stars as Leigh Anne Tuohy, the feisty mother, who feels sorry for "Big Mike" and takes him home and under her very protective wing. Ms. Bullock inhabits the role completely and is just terrific in the part. It is easily one of her best roles to date. Country singer Tim McGraw plays her husband and does a good job as second fiddle to the fiery Leigh Anne. Newcomer, Quinton Aaron plays Michael Oher and he is excellent, especially with very little dialog. He has great expression and uses it effectively in every scene.

It's a great success story but the film manages to make everything look too easy. The film lacks tension until a potential problem near the end, which is resolved rather quickly. I enjoyed the acting and the football background but the film left me wanting more than a 20 second flashback of Mr. Oher's back story. In real life, I'm sure Mr. Oher's triumph came with more blood, sweat, and tears.

Broken Embraces

The latest film from Spanish writer/director Pedro Almodovar is a wonderful tribute to the '50's film noir, filled with many cinematic references, including nods to his own earlier work. Mr. Almodovar, once again, works with Penelope Cruz and she is just wonderful in the film. There is something so natural in their collaboration that brings out her best work.

While a homage to the "50's noir, the film is very contemporary in it's use of color. Bright colors are a staple of Mr. Almodovar's work and he paints a bright palate as he weaves his tale of love, betrayal, and deception shifting back and forth in time from the '90's to today. The cinematography is wonderful with fanciful angles and fascinating shots throughout the film.

The intricate story unfolds at it's own pace and plot points slowly reveal themselves. Ms. Cruz has never looked lovelier and does some of her best work as Lena. Lluis Homar is Mateo, the film director blinded years earlier and now living as a screenwriter. Mr. Homar is excellent as a man reinvented after horrible circumstances who finds himself reexamining the past only to confront his future. How these two lives become entwined is the central plot of the story.

The film is in Spanish with subtitles but don't let that deter you. It's a deep and rich story that will pull you in and and you'll find yourself happy in it's charms.

New Moon

Not a film I would ordinarily review but since I took 4 teenage girls to see it, I'll weigh in. Bogged down in teenage angst, the film just crawls along dragging the audience with it. The cast has returned to part two in the series and this time the focus is on Jacob (Taylor Lautner) after Edward (Robert Pattinson) turns his back on Bella (kristen Stewart).

Mr. Lautner's idea of acting is to remove his shirt and let his buff body carry him through the film. Mr. Pattinson and Ms. Stewart have cornered the market on brooding and sleepwalking through a role. The film is joyless and painful to watch as Bella procrastinates between her vampire and her werewolf.

Polling my 4 teen viewers, one really liked it, two thought it was ok, and one disliked it. The young lady who didn't like it said it didn't hold up to the expectations of the book. I didn't read the book but I did see the first film and I was expecting more as well.

The legions of fans make this film critic proof and frankly, that's just who the film is for...the fans. Everyone else can skip it and and not miss anything.

Precious

Devastating drama of an overweight, illiterate 16 year old African American girl in Harlem circa 1987. Director Lee Daniels pulls no punches exploring the horrors that are this young girl's everyday world. Precious has been raped twice by her father resulting in her second pregnancy as the film begins. She struggles in school, and and lives under the tyranny of her abusive mother.

Pregnant and failing, Precious is sent to an alternative school where she begins to improve under the guidance of a friendly teacher. While her educational awakening begins to change her life, her world at home continues to spiral out of control.

Gabourey Sidibe stars as Precious and she is a wonder. This is an extremely difficult part and yet Ms. Sidibe never compromises and pours out every raw emotion on screen. The film co-stars the comedienne, Mo'nique, playing against type as a monster of a mother. The physical and mental abuse she brings down on Precious is almost unbearable to watch. I would expect Oscar nominations in the future for both women.

The film also features Paula Patton, as the teacher who gets through to Precious, Lenny Kravitz as a hospital nurse and Mariah Cary, almost unrecognizable in her role as a social worker. Mr. Kravitz and Ms. Cary only have a few scenes but they are both very credible.

This is not an easy film to watch but it is powerful filmmaking. There is no doubt that girls like Precious are out there struggling to survive every day. However, while not a traditional "upbeat" ending, there is a message of hope at the end.

The Box

Cameron Diaz, James Marsden and Frank Langella star in a film based on a Richard Matheson story...what could be bad? How about the whole thing?

Written and directed by Richard Kelly, of "Donnie Darko" fame, you expect an off the wall story and you get it. The possibility of Martians conducting human experiments , zombie-like townspeople with nosebleeds, conspiracies by NASA and The NSA, it's quite the mix for a simple tale of human imperfection. Faced with a simple choice, "push the button and get a million dollars but a stranger dies", do you push it or not?

It's a promising premise and Mr. Langella is quite chilling as the messenger (with great CGI makeup) but the film loses it's way and get tangled up in it's own intricacies. In the end, it's just a convoluted mess.

An Education

A terrific new drama that is smart and brilliantly cast. The adapted screenplay is by Nick Hornby and it easily deserves an Oscar nomination. The dialog is sharp, witty, and authentic.

The film stars Alfred Molina, Peter Sarsgaard, and Cary Mulligan as the 16 year old school girl swept off her feet by Mr. Sarsgaard's "older" man. Ms. Mulligan reminds me of a young Audrey Hepburn. She is a marvel to watch and along with Mr. Hornby, also deserves an Oscar nomination. Mr. Molina, as her father and Mr. Sarsgaard as her "boyfriend" respectively are both terrific. Everyone in the cast fill out their characters perfectly. There is not a false note to be found. Even Emma Thompson, in a small supporting role, is a wonder.

The story takes place in 1961 England and while everything is very proper, there are hints of change in the air. The mood, the music, and the styles are captured just right and the film clicks on every level. This is easily one of the best films of the year and shouldn't be missed.

Paranormal Activity

Shot on a shoestring budget, this "homemade" horror film is the heir apparent to 'The Blair Witch Project". Shot with one camera and featuring a cast of two, the story takes place inside the house of Katie & Micah, who decide to document the strange events happening in their home. The difference between this and "Blair Witch", aside from the steadier camera work, is that "Paranormal Activity" actually scares you.

The "film" leads you to believe that what you are watching is the video evidence of an actual haunting from 2006. There are no credits and nothing that resembles a "film". It's just 90 minutes of Katie and Micah trying to cope with the increasingly menacing activity in their house. The point of view is completely through Micah's video camera and computer images of footage captured while they sleep.

There are a few brief scenes with Katie's girlfriend and a doctor who communes with the dead, but it is left up to Katie and Micah to provide the creepy atmosphere unfolding through the camera. They start out rather boring and routine but build a serious sense of realistic dread as things go bump in the night. They are convincing enough to make you question whether or not this is real or scripted until the very end, which for this viewer, goes a bit over the top.

Where The Wild Things Are

Based on the famous children's story, "Wild Things", the film faithfully recreates the creatures and their surroundings in a live-action film with the use of costumes, puppets and some animation. Max, the little boy in the story is brought to life by the young actor Max Records and he couldn't be more perfect for the part.

The cast of creatures are voiced by James Gandolfini, Lauren Ambrose, Chris Cooper, Catherine O'Hara, Paul Dano, and Forest Whitaker. With such distinct vocal talent, the "Wild Things" take on real personalities and are portrayed as much more complex creatures than in the book.

The cinematography is excellent and the Australian locations are amazing. Director Spike Jonze has done a wonderful job bringing this classic to the screen. The only drawback is,while interesting to watch, the story still lacks depth so don't plan on trying to analyze what's going on. Just enjoy the simple pleasure of "the Rumpus".

Zombieland

Woody Harrelson and Jesse Eisenberg star in this comedy gorefest and seem to having a good time among the zombie mayhem. The audience will too if you check your brains (least they be eaten) at the door and enjoy the silly ride.

Apparently the only other humans left besides our heroes are Emma Stone and Abigail Breslin, as con artist sisters also trying to survive. Oh, and one other unbilled cameo who pretty much steals the film with minimum screen time. Besides these players, the film is filled with flesh eating, blood dripping zombies of all shapes and sizes who are anything but scary. The film is played completely for laughs with lots of sight gags and clever dialogue.

I'm a big fan of Jesse Eisenberg but he's got to start appearing in films that don't include an amusement park. He is a deadpan, young neurotic, quick witted, and loveable in a vulnerable way. If he wasn't available, I could see Michael Cera in the part as the two of them have these types of characters down cold.

I guess you can call this an American cousin of "Shaun of The Dead". They would definitely make a great double bill.

Whip It

Actor and now first time director, Drew Barrymore takes us into the world of Roller Derby in this female fueled comedy. As the new recruit for the "Hurl Scouts", Ellen Page continues her winning ways with support from Ms. Barrymore, Kristen Wiig, Jimmy Fallon, Juliette Lewis, Alia Shawkat, Daniel Stern and Marcia Gay Harden.

The film is a fun, appealing story that doesn't take too many chances and stays true to it's formula. Unhappy with the life her mother has chosen for her, Ms. Page discovers a love for Roller Derby and becomes "Babe Ruthless", the new star of a team of lovable losers. Both the team and Ms. Page turn their fortunes around much to the chagrin of her disapproving mother (Marcia Gay Harden) and rival team leader (Juliette Lewis).

Already a star on "Saturday Night Live", Ms. Wiig continues to grow as an actress in her largest supporting role to date. Ms. Lewis appears to be having the time of her life as "Iron Maven", the leader of "The Holy Rollers". Everyone else is in fine support mode including Landon Pigg as the musician (big stretch) who rocks Ms. Page's world.

Ms. Barrymore direction is straightforward and she handles the action scenes well. The action-comedy is a fun glimpse into the hard knocks life of Roller Derby.

Life During Wartime

The latest feature from writer/director Todd Solendz is a sequel of sorts to his earlier film, "Happiness". It is a series of vignettes revolving around the dysfunctional family we first met in that amazing film. The difference here is that all the characters are played by an entirely different set of actors.

Having thoroughly enjoyed "Happiness", it's a bit disorienting at first to reconnect to the characters when they are played by different people. I don't think the film will appeal to anyone without seeing the previous work. It doesn't really stand on it's own as it's major theme is forgiveness and without seeing "Happiness", you just won't get it.

Many of the new actors are terrific. Allison Janney, Michael Lerner, Paul Reubens, Ally Sheedy and Michael Kenneth Williams make the characters their own, which for some of them is a very hard thing to do considering who played their parts in "Happiness". Conversely, Shirley Henderson and Ciaran Hinds (while good actors in their own right) do not do justice to their characters and could not make me forget the originals.

The plot line is typical of Mr. Solendz. Multiple story lines overlap with many uncomfortable situations. You find yourself laughing even as Mr.Solendz makes you squirm uneasily as the observer of these emotional distraught people, all looking for forgiveness in one way or another.

A Serious Man

The new film from the Coen brothers is a personal, some say autobiographical, story of a Jewish family in Minnesota in the '60's. Far from the broad appeal of their last two films, "A Serious Man" has no "A" list star power, although Michael Stuhlbarg (best know for his Broadway work) is excellent as the lead, Larry Gopnick. Also co-starring is Richard Kind and Adam Arkin.

The story has universal themes but is heavily steeped in Jewish culture. Mr. Stuhlbarg plays a college professor with growing problems at home and at work. As the film progresses, his problems mount and he seeks council from various place, including three very different rabbis. The Coen's ruminate on religion, family, and one's values. The film is a drama but there is much humor underlying the serious story.

As usual with the Coen Brothers, the film is brilliantly photographed (by Roger Deakins), directed with a detailed eye, and extremely well acted. The story will probably not appeal to a wide audience but as a young Jewish teen growing up in the '60's, the film brought back many memories of my own experience.

AntiChrist

It's been reported that Lars Van Trier was in a terrible depression when he wrote the screenplay for "Antichrist". Making the film may or may not have been cathartic for him, but his state of mind at the time is clearly visible on the screen. This is clearly the work of a man trying to deal with his personal demons.

On the surface, it's a simple story of a man (Willem Dafoe) and his wife (Charlotte Gainsbourg) trying to deal with the aftermath of their young son's death. The film is basically just the two characters who retreat to a remote cabin in the woods to deal with their loss. Both actors give remarkable performances, raw, powerful and not easily forgotten.

What lies below the surface will either astound you or repulse you (probably both). Visually, Mr. Van Trier has literally painted an unforgettable portrait of pain, grief, and despair. The film is divided into a prologue, multiple chapters, followed by an epilog. As it progresses, it takes the viewer to places you may not want to go. This film is not for the squeamish but if you enjoy challenging cinema, it is not to be missed.

The Informant!

Director Steve Soderbergh crosses "Catch Me If You Can", "Ocean's 12", and "The Informer" to make an film based on a wild true story. Mark Whitacre is a bio-chemist executive and the world's greatest bi-polar sociopath. A series of events turn him informer against his corporation and the ensuing intrigue turns more outrageous the deeper Whitacre goes, building lie upon lie, right up to the end.

Matt Damon plays Mark Whitacre and he is terrific. He completely inhabits the character and the role is unlike anything he's ever done before. The problem is when you begin to realize what a nut job Whitacre really is, you lose your sympathy for the character. While Mr. Damon is very entertaining to watch, the film is all style and not much substance.

Mr. Soderbergh captures the mood and style of the mid- 90's and Marvin Hamlisch's kitschy score is perfect for the story. The film is very amusing but never laugh out loud funny, and the trailer spoils many of the best lines.

Scott Backula, best known for his TV work, does a good job as the FBI agent assigned to the case as Whitacre's handler. He tries hard to keep up but he's no match for Mr. Damon, who completely owns the film. Tony Hale also co-stars and does some great double takes as Whitacre's attorney.

The disclaimer at the beginning alerts you that the film is based on a true story but names and elements have been changed and or embellished. Truth be told, thanks mostly to Mr. Damon, "The Informant!" is worth your time.

Extract

Mike Judge's "Office Space" is a cult comedy classic. The same will not be said for "Extract". While the film has some pretty funny moments, the plot and characters dissipate into the air and don't stay with you very long.

Jason Bateman plays Joel, the owner of an Extract factory and the film is built around his problems at work and at home. Mr. Bateman is a wonderful comic "everyman" but watching him here only made me miss "Arrested Development". Ben Affleck, surprisingly, is the funniest character in the film and when his character disappears for most of the 3rd act, he is sorely missed. All of the factory workers are portrayed as morons or immigrants who have no skills and don't speak the language. It's a wonder the factory runs at all.

Clifton Collins Jr. plays Step, a worker injured in a freak accident. When a beautiful con artist, played by Mila Kunis convinces him to sue, Joel's problems multiply and the plot thickens. There is a funny cameo by Gene Simmons as a bottom feeding lawyer and a subplot about infidelity featuring Kristen Wiig, as Joel's wife Susie. Ms. Wiig is a very funny sketch comic but her character here has very little to do and J.K. Simmons is wasted as another factory manager who keeps popping into Joel's office like a blue collar version of Kramer from "Seinfield".

When the film is funny, it's very funny. Unfortunately it's not funny enough. The bar for Mr. Judge is still set at "Office Space" and fans of that film, if they look carefully, will catch a glimpse of Gary Cole in the background in a bar scene.

World's Greatest Dad

Written and directed by Bobcat Goldthwait, this is one dark comedy. While not as twisted as "Shakes The Clown" , "World's Greatest Dad" uses a rather nasty plot device to reveal a film with a strong emotional core. That said, this is not a mainstream film and will not be for everyone.

Robin Williams is just terrific as a dad coping with a poor excuse for a son. When tragedy strikes (in a unusual way), an opportunity arises by accident and sets in motion very unexpected results. Mr. Williams plays this role very straight and shows his best dramatic side since "Insomnia" and "One Hour Photo". The subject matter is dark but Mr. Goldthwait shows maturity in his writing and keeps the film honest even when his protagonist isn't.

The film co-stars Daryl Sabara as Mr. Williams son, Kyle. This is not the cute kid you remember from "Spy Kids". Also featured is Henry Simmons, Alexie Gilmore, and Evan Martin as Kyle's best friend, Andrew. Mr. Martin is very good as the kid who is sharper than anyone thinks.

This is the type of film that won't draw a big audience but one day may reach cult status. I look forward to seeing more from Mr. Goldthwait.

The Time Traveler's Wife

Making a film out of a bestselling, complex, romantic Sci-fi novel is a difficult thing. The film succeeds on the simplest level. It brings out the best in it's lead characters, highlights the most memorable parts of the book and draws the viewer into the romantic conundrum of it's time traveling tale.

Rachel McAdams and Eric Bana are very believable in their love although it's a great leap of faith to accept how it starts. I was disappointed in Mr. Bana's aging process in the film though. Wearing a long hair wig to be appear younger and adding a few gray streaks to appear older really wasn't that convincing.

If you buy into the relationship, you will be rewarded by a very romantic tale of love unconstrained by time. If you don't, you'll probably find yourself walking out mumbling how idiotic it all is. The story works so much better as a novel. The book was a complex story that had the luxury to tell it's tale at it's own pace. As the film must inevitably edit for (ironically) time constraint, so much is lost but the central story still does work. I think fans of the book will be happy with the film but if you haven't read the book, you may have a hard time accepting Henry and Claire's relationship.

Taking Woodstock

Using the Woodstock festival as a backdrop, Director Ang Lee recreates events behind the scene that add up to a sweet coming of age film. While we never actually get to see the bands play, Mr. Lee cleverly recreates an atmosphere that gives the viewer a sense of what it must have been like for those remarkable three days.

The film centers on Elliott Teichberg, a young man trying to help his parents hold on to their decaying motel in White Lake NY. It was Elliott who contacted Woodstock ventures and eventually helped to arrange to have the concert held on Max Yasgur's farm. Elliot's relationship with his parents, friends and the townspeople is the focus here with the concert itself taking a backseat.

There are some terrific performances from Imelda Staunton and Henry Goodman as Elliot's parents. Liv Schreiber and Emile Hirsch have interesting cameos (although I would have enjoyed more of their own back stories) and Eugene Levy plays it straight as Max Yasgur. Elliot is played by Demetri Martin and it is Mr. Martin who has the unfortunate task of being the bland glue holding all the other colorful characters together.

The film is interesting if only for the back story of how the festival came together. Elliot's coming of age tale is nothing new but Woodstock does make for a colorful fabric to weave the tale. If you're more interested in the concert itself, rent the recently released 4 hour uncut version of "Woodstock". One of the greatest concert films ever produced and a visual reminder of something that we'll never experience again.