Tower Heist

A heist movie where the audience gets robbed. Usually when you mix a high concept with a big time cast and director, the results fail to make good on the promise of the trailer. "Tower Heist" doesn't disappoint in that respect but it does in everything else.

Directed by Brett Ratner and starring Ben Stiller, Eddie Murphy, Casey Affleck, Matthew Broderick and Alan Alda, you would expect action and laughs but end up with a sluggish first act and only a moderately entertaining second act. The film takes forever to get going and finally shows some life once Eddie Murphy starts getting more screen time. Credit Mr. Broderick for providing some good laughs as the mousey analyst and to Mr. Alda playing against type as the smug, billionaire villain. Mr. Stiller, on the other hand brings nothing new as the Tower manager who decides to rob Mr. Alda for the good of the building staff.

The highpoint of the robbery towards the end is fun but the film is so badly edited, it appears that chunks of scenes have been omitted, ruining the continuity and taking the heart out of the story. The film ends up as disposable entertainment, quickly forgotten once it ends.

Martha Marcy May Marlene

A star turn by Elizabeth Olsen in a fascinating story of a girl, who after living in a cult environment for two years, tries to reconnect with the outside world. Written and directed by Sean Durkin, his first feature film is both disturbing and captivating.

We first meet Martha as she is leaving the cult for unknown reasons. She reaches out to her sister Lucy, played by Sarah Paulson who brings Martha to her Connecticut home, with no knowledge of where's she's been. Lucy and her husband Ted, played by Hugh Dancy, try to be understanding but are confused by Martha's behavior especially when she refuses to tell them the truth about her recent past.

The film cuts back and forth in time, between the present in Connecticut and Martha's time with the cult, when she was renamed Marcy May by Patrick, the cult leader. John Hawkes is chilling as Patrick, a man with an evil aura hidden beneath a seemingly gentle exterior. The edits and unusual score create a dream like atmosphere that deliberately unsettles the audience.

Adjusting to life after her experience is not easy for Martha and as layers are peeled back, you realize there will be no simple answers. You are left to interpret these characters as you will. The end, in particular, will be open to much discussion. Love it or hate it, one thing is clear. Elizabeth Olsen has a terrific career ahead of her.

The Rum Diary

Johnny Depp channels his close friend Hunter S. Thompson in this film version of Mr. Thompson's novel. The book is based on Mr. Thompson's exploits in Puerto Rico early in his journalist career. Mr. Depp has played this role once before in "Fear & Loathing in Las Vegas" which was a slice of Mr. Thompson's career much later in life. Mr. Depp portrayed him in that film as the alcohol fueled, drug induced manic "gonzo" journalist he was to become. In "The Rum Diary", Mr. Thompson's fictional character, Paul Kemp, has yet to "find his voice" and Mr. Depp plays him wooden and colorless.

By it's own admission, the film centers on the excess consumption of rum and the antics of drunken journalists. The thin plot has to do with some shady land deals that have Mr. Depp crossing paths with Aaron Eckhart and Amber Heard. Why Mr. Eckhart's character needs a journalist "in on the deal" is never quite explained but it does give Mr. Depp time to seriously flirt with Ms. Heard (the next Scarlett Johansson). Ms. Johansson was rumored to actually be cast but I suppose that was before she actually read the script.

The film's most colorful characters are it's supporting cast played by Richard Jenkins, the editor of Mr. Depp's Newspaper, Giovanni Ribisi as a rum soaked washout of a journalist and Michael Rispoli, as a photographer who becomes Mr. Depp's best friend. This is actually one of Mr. Rispoli's best roles in a long career of character acting.

Amidst the repetitive drunken scenes, by the film's end, "Paul Kemp" does manage to "find his voice" ensuring years of a unique writing style. Unfortunately, Mr. Depp may be losing his, based on his most recent films. When he's not being outrageous (a Mad Hatter or Captain Jack), his characters tend to be lifeless and boring. When the rum's gone, all you have left is an empty bottle and a hangover.

Take Shelter

Michael Shannon is mesmerizing as Curtis LaForche, a blue collar working man in modern day Ohio who begins to have nightmares and visions of impending doom. Curtis lives with his wife Samantha, played by Jessica Chastain (what movie isn't she in this year?) and their six year old hearing impaired, daughter, Hannah.

Life is normal enough as the couple struggle to pay bills, continue to master sign language and anticipate an operation that can restore Hannah's hearing. When Curtis's visions begin, he becomes obsessed with renovating and enlarging the storm shelter in the backyard. His obsession takes it's toll on his job, his family and literally his sanity as things begin to unravel. Is it mental illness or something more?

Mr. Shannon can do no wrong, whether it's Television (Boardwalk Empire) the stage ( Mistakes Were Made) or film (Revolutionary Road) and once again shows off his brilliance in an extraordinary performance. Jessica Chastain is perfect as Samantha, the wife with unconditional love for her husband, but straining to understand his growing erratic behavior. The film also stars Tova Stewart as Hannah and Shea Wigham (also of Boardwalk Empire) as Dewart, Curtis's best friend. There are also two good cameos by Kathy Baker and Ray McKinnon.

The film may be slow for some but the building intensity of the situation captivates the viewer and the final moments of the film gave me goose bumps.

The Thing

"The Thing"

A totally unnecessary "prequel" to John Carpenter's vastly superior remake of the original '50's Sci-fi classic. There is nothing here to excite an audience. The acting is minimal and logic has been totally thrown out the window. We're told it winter in Antarctica and yet the days are fairly long and people walk around outside dressed like it's + 30 degrees rather than - 30 degrees.

The creature effects are fair but will fail to shock anyone and shape changing plot line never reaches the level of suspense in the John Carpenter version. The direction is horror movie 101 with quick edits, false jumps, and tight close-ups. I will give some credit to the film score which does it's best to create a suspenseful mood.

The entire cast is relatively unknown, a mix of Americans and Norwegians. The female lead, Mary Elizabeth Winstead is no "Sigourney Weaver" action hero but she does try her best. A good deal of the film has Norwegian dialogue with English subtitles which is a complete distraction.

This film didn't need to be made and doesn't need to be seen.

50/50

It's very difficult to make a humorous film about cancer but "50/50" manages to balance both sensitivity and humor very well. Based on a true story, it's emotional but not melodramatic and sometimes outrageously funny due to a well balanced script.

Joseph Gordon Levitt, excellent as always, plays Adam, a young man diagnosed with a rare form of cancer. We follow his story from discovery through treatment and eventual results. Adam's best friend is played by Seth Rogan, who delivers the funniest lines but also delivers a heartfelt performance. Adam's girlfriend is played by Bryce Dallas Howard, who after starring in "The Help" and now this, has a great career ahead as the girl you love to hate.

The film also stars Anna Kendrick as a young therapist trying to help Adam through his struggle and Philip Baker Hall and Matt Frewer as fellow cancer patients who have an strong impact on Adam. Anjelica Houston plays Adam's mother. Welcome back, Ms. Houston. We've missed you and this part shows why. She's terrific in all her scenes.

I found the ending to be a bit rushed but otherwise "50/50" is worth your time. If you can deal with the subject matter, bring a box of tissues but also be prepared to laugh.

The Ides of March

Another in a long line of political dramas that point out there is no such thing as an honest politician. George Clooney directs himself, along with Ryan Gosling, Evan Rachel Wood, Paul Giamatti and Phillip Seymour Hoffman in this tale of political twists and turns.

Mr. Gosling is at the center of things as an idealistic and as it turns out , very naïve press secretary helping Mr. Hoffman run the primary campaign of the Pennsylvania Governor played by Mr. Clooney. It's not the most riveting plot and the suspense is lacking but the acting carries the film. In particular, Mr. Giamati and Mr. Hoffman, who chew up the scenery fighting over the services of Mr. Gosling. This has been quite a year for Mr. Gosling and he is much more animated and involved here than his last effort, "Drive".

Mr. Clooney's direction is rather pedestrian, moving the plot along at a leisurely pace with enough exposition to make sure the audience is following every point. The film has obviously been released now for award season but doesn't have the gravitas to go all the way. It's entertaining enough but I expected more.

Moneyball

The business of Baseball done in a most entertaining way. Based on a true story, the film stars Brad Pitt as Billy Beane, the real life GM of the Oakland Athletes baseball team and Jonah Hill as Peter Brand, an economist who joins the team in 2002. Using an economic foundation and playing by the numbers, they manage to reverse their losing streak and have a great season, well documented in baseball lore.

While the premise may not sound exciting, the smart script by Aaron Sorkin and Steve Zaillian engages the viewer even if they are not a big baseball fan. Mr. Pitt, himself, has enough charisma to fill a baseball stadium and it's obvious he's having fun with the part. His relationship with Mr. Hill is the closest thing you will get to a love story in this film (except for the love of the game itself) and Mr. Hill finally breaks his 'stoner comedy" mold with this role.

The director, Bennett Miller, keeps things moving briskly and the story never gets bogged down or goes over your head. While those who follow baseball may know the outcome, the film still entertains on many levels. Whether it be the players adjusting to new rules, Billy and Peter's partnership, Billy's relationship with his daughter or his commitment to making the new system successful, it's all great fun to watch.

"Moneyball" is a home run.

Don't Be Afraid of The Dark

"Don't Be Afraid of The Dark"

Or rather, be very afraid of the dark as that's when the little creatures will come to get you. Based on the television movie of the same name, Producer/writer Guillermo del Toro retells the tale in his own vision. The suspense is ramped up but the stakes remain the same... the life of a little girl and her family.

Guy Pearce plays the father of little Sally, who has come to live with him and his girlfriend, Kim played by Katie Holmes. Of course, they are refurbishing a huge gothic home with a dark secret in it's past. Sally is played by newcomer, Bailee Madison and she is talented beyond her years. The script calls for her to react to some pretty terrible things and she handles the role very well. Mr. Del Toro has a appreciation for dark fairy tales featuring strong willed little girls. There are moments of tribute to his earlier work, "Pan's Labyrinth" but that remains a superior film. This remake is stuffed with horror movie clichés.

The director, Troy Nixey tries to slowly build suspense and using the "Spielberg technique" doesn't completely reveal his monsters until well into the film. Unfltunately his slow build is pretty boring. The lighting and music do create a suspenseful atmosphere but all the bumps in the night are pretty stock elements. Overall, this is a hohum thriller with a few frightful moments but it is quickly disappearing from theaters to make room for the "big guns" of fall. If you rent it on DVD, watch it with the lights out. It will help.

Drive

From the ads and trailer, you go in expecting a certain kind of movie but "Drive" turns this genre on it's head and takes you by surprise. Unfortunately I was not pleased by the "surprise". What starts out very promising quickly becomes a bad imitation of director Michael Mann's style.

Ironic for a film called Drive, it remains stuck in first gear for most of the film. There are a total of three car chases (and the last, while effective, is sloppy in it's execution). The rest of the film is filled with endless head shots of Ryan Gosling and Cary Mulligan. Scenes with no dialogue go on forever to the pulsing beat of the electronica soundtrack. Mr. Gosling's character is a total mystery (we don't even learn his name). All we know is that he is an excellent driver and has a psychotic temper when pushed. Mr. Gosling seems an odd choice for this kind of film but his cool demeanor works well for the most part. It's the ultra violent moments that just don't make sense.

The bloodshed and violent acts are so over the top, they are almost funny and after being lulled into a daze by the poor direction by Nicholas Winding Reyn, they are a jolt to the system when they occur. This was probably Mr. Winding Refn's intent to keep the audience awake.

The film co-stars Bryan Cranston, as Shannon, Mr. Gosling's boss and a far more interesting character than "The Driver" and Albert Brooks as a menacing crime lord, who has a new career playing against type. Ron Perlman plays a extremely stereotypical goon that we're either supposed to take seriously or laugh at the role as a parody. Christina Hendricks (from TV's Mad Men) has a "blink and you miss her" cameo but it's pretty memorable in it's own way. And then we come back to Cary Mulligan who sleepwalks her way through the film as Mr. Gosling's motivation.

Maybe I missed the joke and the whole film is a parody. That would explain the outbursts of laughter from the audience throughout the film. This drive goes nowhere. It's just long, boring and violent.

Contagion

Didn't we all see this movie already? The last time around it was called "Outbreak" and starred Dustin Hoffman. Before that it was called "The Andromeda Strain" starring James Olsen. Now we have an all-star cast including Matt Damon, Lawrence Fishburne, Marion Cotillard, Kate Winslet, Gwyneth Paltrow, and Jude Law. I guess every few years we need a killer virus movie to shake us all up. And the thing is...it does.

Scarier than any slasher film, "Contagion" will have you squirming in your seats and reaching for your hand sanitizer. Is it enjoyable and entertaining? Not really considering how close we are to really experiencing an outbreak of this proportion. Is it compelling? Absolutely. The acting is first rate and the story is so relatable, you'll run to the restroom as soon as it's over to wash your hands.

Director Steven Soderbergh is adept at juggling a large cast and breaking them down into inter-locking sub-plots that still manage to maintain the bigger picture. In particular, Matt Damon as a widower fighting to protect what's left of his family and Jude Law's conspiracy blogger are two standout stories.

In the end, this is a public service announcement masquerading as film entertainment and it's worth your time, if only to educate you on proper sanitation protocols.

The Help

Terrific performances from a wonderful ensemble cast are the heart and soul of this dramatic setting at the dawn of the civil rights movement in Jackson Mississippi. When Skeeter Phelan, played by Emma Stone, comes home to Jackson and decides to write the stories of all the African-American "help", it ignites a flame in the town that will never die.

Viola Davis and Octavia Spencer are the first maids that come forward to tell their stories to Skeeter and these two women are incredibly powerful, each in their own way. Representing the white upper-class is Hilly Holbrook, played convincingly by Bryce Dallas Howard, who's social class and upbringing blind her to her racial bigotry. While Ms. Davis and Ms. Spencer are the heart of the film, you can't ignore the work of Ms. Stone (in her most mature role to date) who is both the anchor and catalyst for everything going on around her.

Allison Janney plays Skeeter's mother, raised to think one way but willing to change before it's too late. She is so well cast and has some great scenes of her own. Also co-starring is Jessica Chastain, who just continues to amaze with every role and Sissy Spacek, who also has some wonderful scenes as Hilly's mother.

"The Help" should expect at least six or more Oscar nominations and the biggest challenge will be who to nominate in the Best Actress and Best Supporting Actress roles. Every woman in the film so completely inhabits their character that the audience can't help but feel the emotions coming off the screen. I didn't read the book but I have to believe that the film brings these people to life in a perfect portrayal. Credit must be given to Tate Taylor who wrote the screenplay and directed the film.

"The Help" is cleaning up at the box-office and deservingly so.

The Debt

Based on the trailers that seemed to be running forever, this film delivers on it's promise. While it may strain credibility at times, it's still a pretty good espionage thriller with more than one good twist. Cutting back and forth in time, director John Madden, introduces characters and plot points like puzzle pieces that eventually come together to form a sobering picture.

The film stars Helene Mirren, Tom Wilkinson and Ciaran Hinds as retired Mossad agents, who 30 years ago undertook a mission to capture a Nazi war criminal posing as a doctor in East Berlin. In the flashbacks of 60's East Berlin, the agents are played by Jessica Chastain, Marton Csokas, and Sam Worthington. Ms. Chastain has seemingly come out of nowhere to be the "it" girl of the moment. She is currently in three films with at least three more before year end. The good news is rather than be overexposed, she is showing terrific range and maturity in this variety of roles and she should be enjoying a strong career for years to come. As young Rachel Singer in "The Debt", she is terrific.

The rest of the cast all do credible work even when the plot steers into the improbable and there is a fair amount of suspense to keep the audience engaged. I was reminded at times of films like "Marathon Man" and "The Boys From Brazil" (both higher quality but sharing similar themes). If you are looking for something with a little more substance at the end of the summer, this will be a good start before the avalanche of "Oscar" bait that begins in the next few weeks.

Rise of The Planet of The Apes

A smart script and some terrific CGI work make this prequel a plausible and exciting explanation for the eventual "planet of the apes". James Franco stars as a scientist working on a cure for Alzheimer's by testing his drugs on chimps. When things go wrong with a test subject, he ends up raising the remaining baby chimp, whom he names "Caesar", at his home. It soon becomes clear that Caesar's mother has past on the genetic codes to make him super smart and things progress from there.

Mr. Franco and co-star Frieda Pinto are pretty much eye candy as the "good" humans and Tom Felton does his "Draco Malfoy" evil bit as a sadistic kennel worker. John Lithgow plays Mr. Franco's father who has just a few scenes but one that is very key to the story. Brian Cox is under-used as another "bad" human but in a film like this, all the "bad" guys get their due. The CGI work, as stated, is really is terrific but the real star of the film is the motion capture work done by Andy Serkis who bring remarkable life to Caesar.

There are some clever nods to the original film and the plot evolves naturally to set up the outcome we all know and expect.. The film does leave room for a sequel that can still fill in some gaps between the timelines but specific bits and pieces make the evolution pretty clear. The climax on the Golden Gate Bridge is very exciting enhanced by a strong musical score. The one unfortunate part of the film is the brutal mistreatment of Caesar and the other chimps which, while very important to drive the revolt, is hard to watch. It should also make you sad to consider how, in real life, some people continue to mistreat animals. In that respect, this science fiction can also be seen as a cautionary tale for mankind.

The Devil's Double

This film is based on the true story of Latif Yahia, a soldier in the Iraqi army who was almost a perfect double for Uday Hussein (one of Saddam Hussein's sons). Dominick Cooper plays both roles and he is terrific as the madman, Uday and as the conflicted solider, Latif. Mr. Cooper plays Uday like an Iraqi "Scarface", living a life of sex, drugs and violence. If the screenplay is accurate, Uday was a complete psychopath who took and did whatever he wanted. He forces Latif to be his body double by threatening his family and Latif's life is no longer his own.

The facts and fiction play out against a backdrop of the first Gulf War. Malta doubles (no pun intended) for Iraq with wonderful cinematography and the film has a terrific soundtrack. The film co-stars Ludivine Sagnier as Uday's girlfriend, Sarrab, who becomes dangerously attracted to Latif.

Make no mistake, this film earns it's "R" rating. It is very violent and at times the depravity of Uday Saddam is hard to watch but it is necessary to juxtapose the actions of a good man thrown into a hellish existence.

I just can't say enough good things about Mr. Cooper's double triumph. This is by far the best work he's done on screen and while the story may not be for everyone, it's worth it just for his performance.

The Guard

Writer/ director John Michael McDonagh has his brother's sense of dark comedy but lacks the skill to pull it off as brilliantly as brother Martin. Getting a top notch performance out of Brendan Gleeson and a subtle low key performance out of Don Cheadle is not enough to elevate this independent crime comedy to the level of an "In Bruges" (a far better mismatched black comedy starring Mr. Gleeson and Colin Farrel).

The story is almost an afterthought to bring attention to the wry use of language and Mr. Gleeson's portrait of a sly Irish small town policeman who gets involved with Mr. Cheadle's American FBI agent chasing drug smugglers. The whole film is low key and moves by in a lazy idle way much like the life in Mr. Gleeson's Irish hamlet. There are some good laughs, mostly at the expense of the American agent but the dark outweighs the comedy and is overall disappointing.

I'll stick with "In Bruges". A far better story, direction and chemistry between the leads.

Point Blank

This French import is a thriller that hits the ground running and never lets up. It is pretty much non-stop action that will keep you on the edge of your seat, even though the basic premise has been done many times before.

Samuel, played by Gilles Lellouche, is a loving husband who's pregnant wife is kidnapped before his helpless eyes. Innocent of any crime, he is forced to help a criminal escape from the hospital where he works as a nurses aide. Things escalate from there and Samuel finds himself a wanted man pursued by both the police and rival gangsters in a race to save his wife and unborn child.

The various chase scenes on foot through Paris will leave you breathless and sudden twists come unexpectedly so pay attention. Roschy Zem plays Sartet, the mystery man Samuel must help and both actors have great chemistry as they end up in an uneasy alliance to stay alive.

In French with English sub-titles, "Point Blank" is playing in New York only at Cinema 3 on the Upper Eastside or downtown at The Sunshine Theater on Houston Street. I would recommend The Sunshine which has stadium seating and a much larger screen.

If you are looking for an adrenaline rush, this is the movie for you.

Crazy Stupid Love

Stupid may be in the title but this is a smart script and a very enjoyable adult comedy/drama. In many ways, it addresses clichés head on while at the same time managing to avoid them altogether. The cast is first rate and really sells the story.

Steve Carell and Julianne Moore play Cal and Emily, a couple who's life is turned upside down when Emily announces early on that she wants a divorce. When Cal meets Jacob, played by Ryan Gosling, at a local pick-up bar, Jacob takes him under his wing (complete with total makeover) to teach him the art of meeting and seducing women.

Multiple love interests are entwined among the various characters and they all come together in a most surprising way. The film has two directors, John Requa and Glenn Ficarra, both of whom do a great job balancing the subplots. The family, friends, kids, and strangers that all cross paths are very real characters dealing with the joys and anguish of love.

Emma Stone, as Hannah, continues to mature as an actor and holds her own in her scenes with Ryan Gosling (who shows a flair for comedy for the first time). Jonah Bobo plays Robbie, Mr. Carell's wise 13 year old son with love problems of his own and he is a standout. Mr. Carell does his best work yet balancing his silly side with some well done serious moments. Ms. Moore is good but becoming rote with too many similar characters. The same can be said for Marisa Tomei (but she's so good at her type of character).

This is a modern love story with a lot of heart and just the right touch of crazy.

Cowboys & Aliens

Take a high concept idea, mix it with stereotypic characters, throw in two action hero icons and how can you miss? It's a weak story but you can still have fun watching cowboy heroes defeat evil aliens and save the day.

Director Jon Favreau has developed a distinct action style. Many of the action sequences here reminded me of "Iron Man" but that's not necessarily a bad thing. He does a good job playing the high concept straight and keeping things dramatic despite the unlikely combination of the old west meets "Alien/Predator". He does show a flair for the visual with two scenes in particular. The first time the locals encounter the alien ship will remind you of Richard Dreyfuss in "Close Encounters of The Third Kind" but it still makes a visual impact (coincidently Steven Spielberg is an executive producer). The other visual standout is a shot of the Indians taking position among the bleached white rocks before the attack on the alien ship. It's a quick shot but looks great.

The screenplay's roots can be traced all the way back to "The Searchers" starring John Wayne (his grandson actually has a small part in the film). Rather than tracking his niece captured by Indians, Rancher Harrison Ford goes in search of his wayward son captured by aliens, here on Earth to mine our gold. Enter the mysterious gunslinger played by Daniel Craig (with a reasonable American accent) who teams up with the rancher, a gang of outlaws and the local Indian tribe to find their family members also captured by the aliens.

Olivia Wilde plays Ella, a woman with secrets of her own and the various other key characters are played by Sam Rockwell, Keith Carradine, Clancy Brown, and Walton Goggins. With the exception of Ms. Wilde's Ella, everyone else is a stock character out of any western. Mr. Ford and Mr. Craig take everything very seriously and keep you engaged as the film progresses towards it's inevitable climax.

It's a crazy concept that works on the strength and conviction of it's cast. So while not the most intelligent script, "Cowboys & Aliens" is still a fun ride... whether on horseback or spaceship.

Harry Potter & The Deathly Hallows, Part 2

Like one of Harry Potter's spells, this movie has been protected from critical review. There really is very little to write as we say goodbye to beloved characters that will live on in DVD immortality (and a Universal theme park). "Part Two" picks up moments after the end of "Part One" and it is a wonderful ride to the end of the line for Mr. Potter and friends.

If you are a fan, of course you will not be disappointed since splitting the last book into two films allowed for a much more thorough screen adaptation than the previous films. If you are not a fan, you really have no business going to see this anyway as you won't have a clue as to what is going on. Our three heroes, Harry, Hermione and Ron have grown up before our eyes and their maturity speaks volumes in this final chapter. There is some fine acting going on beneath all the CGI and special effects. Even Ralph Fiennes, as Vortemort, manages a worthy performance without a nose and bad teeth.

The film brings back beloved living and dead characters for many a farewell cameo (you can only get away with this in a film consumed with magic). I think three quarters of England's actors will be out of work now that this series has come to a close. Standout kudos to Maggie Smith, Alan Rickman, and Michael Gambon.

"The Deathly Hallows, Part Two" is exciting, dramatic, heartfelt and best of all, brings satisfying closure to a fantastic series.

Captain America

Even if you aren't familiar with the comic it's based on, you can still enjoy this action adventure as a fun "popcorn" summer film. Actually purists familiar with the source material may be upset with certain liberties (no pun intended) taken to the original origin story. The character of Bucky Barnes, for instance has completely been rewritten and during WWII, Nick Fury is nowhere to be seen but his "Howling Commandos" play a prominent part in the story.

Aside from these plot deviations, the film is still fun and sticks to the core of Captain America's origins. Chris Evans is perfectly cast as Steve Rogers, the puny soldier destined for greatness. Tommy Lee Jones is also perfect as the gruff Colonel in charge of the Super Soldier project. Hugo Weaving, always a good villain, brings the "Red Skull" to life with the right attitude and great makeup. A wonderful addition to the story and a fun nod to fans is the important part of Howard Stark, played by Dominic Cooper. Howard Stark will become the father of Tony Stark, who we all know by now is "Iron Man". Mr. Cooper is a great choice as you can really see the resemblance to Robert Downy Jr. and believe he could be his father. It also lays down the foundation for next year's "The Avengers" movie, especially with the addition of Samuel Jackson's "Nick Fury" cameo at the end.

The battle scenes are good but get a bit repetitive. Fortunately Cap's shield is a great special effect of it's own and fun to watch every time he uses it. The first third of the film takes a while to get going but there are some clever bits about a USO tour and a growing love interest, Peggy Carter (played by newcomer Hayley Atwell), who's daughter just has to show up in "The Avengers".

It's pretty obvious to the real fan that all the recent Marvel films have just been pieces of a bigger puzzle which will be next year's superhero blockbuster. The introduction of the Cosmic Cube in this film, a glimpse of "Hawkeye" in "Thor", Nick Fury at the end of "Iron Man" all help set the table for "The Avengers". Let's hope it's a meal worth waiting for.

Horrible Bosses

After being disappointed by "The Hangover 2" and "Bridesmaids", I had my reservations about this new comedy. I'm happy to say that "Horrible Bosses" is far from horrible. Yes, it's a raunchy buddy comedy but it has a clever plot, some great chemistry from it's three leads and most importantly it's funny throughout and doesn't overstay it's welcome.

Jason Bateman elevates any comedy and mixing in Jason Sudeikis and Charlie Day is a great formula for a summer comedy you can depend on. The three play friends who all hate their respective bosses for different reasons. The three bosses are played by Kevin Spacey, Colin Farrell and Jennifer Aniston. Mr. Spacey takes his "Swimming With Sharks" crazed boss character to another level while Ms. Aniston gets down and dirty as a sex crazed, foul mouthed dentist. Mr. Farrell goes over the top in a bad hairpiece and is truly a horrible boss but doesn't get enough screen time.

Jamie Foxx co-stars as a shady character the boys turn to for help when they decide to kill their bosses and Julie Bowen takes a break from "Modern Family" for a funny cameo as Mr. Spacey's wife. It's a great cast having a lot of fun with a outrageous premise. And for once, the trailer didn't give away all the fun parts so there is still plenty to enjoy. It's bawdy, silly stuff but clever in it's own way and deserves to be this summer's breakout comedy hit.

Bridesmaids

A distant female cousin to "The Hangover", writer/star Kristen Wiig tries hard to create the perfect all girl "buddy flick". While there are some genuine laughs and lots of gross-out moments, the film wears out it's welcome and runs about twenty minutes too long.

Ms. Wiig plays Annie, lovelorn and broke who is asked by her best friend, Lillian (Maya Rudolph) to be her maid of honor. She ends up competing with Lillian's rich sister-in-law (Rose Byrne). Laughs ensue when the girls go for a fitting after getting food poisoning and when Annie gets drunk on plane heading to a bachelorette party in Las Vegas.

As written, Annie is such a loser that her bottom just keeps going lower. Funny at first, each embarrassing or offensive moment starts to become increasingly pathetic and you stop laughing and start aching for her uncomfortable situation.

Ms. Byrne has been showing more range with each of her last few films and is well cast here. Ms. Wiig and Ms. Rudolph are very natural together (their "Saturday Night Live" connection obviously helps). Ellie Kemper (The Office), Melissa McCarthy and Wendi McLendon-Covey round out the bridesmaids and each has their own "wacky" quirk to amuse us.

Ms. Wiig is a comic gem and this is a perfect starring vehicle for her. With some tighter editing and writing, it would have been that much better.

Beginners

A pedigree cast of Ewan McGregor, Christopher Plummer and Melanie Laurent can't save this plodding, depressing story. Even the addition of a cute dog doesn't help. Written and directed by Mike Mills, this autobiographical story meanders back in forth in time, has characters that only appeal to the writer and follows no logical course except to constantly remind us how dysfunctional and sad all the characters are.

Mr. McGregor plays a humorless man who discovers his 78 year old father, played by Mr. Plummer, is gay and then shortly thereafter, also dying from cancer. I'm not giving anything away as all of this is revealed in the opening moments. The two men are wonderful actors and play their roles well but the material makes it hard to care for either one of them.

Jumping ahead a few months after his father has died, Mr. McGregor begins a relationship with Ms. Laurent (so good in "Inglorious Basterds"). We learn that his character is terrible at relationships and this one seems to be no different. The tedious film ends as they begin again (hence the title) and that's the big emotional payoff. Ironic that for a film called "Beginners", I couldn't wait for it to end.

A Better Life

From director Chris Weitz, comes this story of an illegal Mexican immigrant and his teenage son. Carlos is determined to give his son, Luis a better life in California and when he has the opportunity to have his own gardening business, he believes he's found his salvation. Life, however, takes unexpected turns for father and son in this poignant drama.

The film stars Demian Bichir, who is a major actor in Mexico but known here primarily for his role on "Weeds", the past few seasons. Mr. Bichir is just terrific as Carlos. He fears he is losing his son in many ways and with one turn of fate, they learn from each other and grow closer for it. His scenes with Jose Julian, who plays Luis are honest and heartbreaking.

The story has moments of quiet beauty, suspense and sorrow but the growing strength of the father/son relationship anchors the film in hope for the future.

Super 8

In a summer filled with sequels, I was looking forward something fresh from two of the most talented people in the entertainment world, J.J. Abrams and Steven Spielberg. I guess I'll have to wait a little longer. Written and directed by Mr. Adams with Mr. Spielberg as Executive Producer, "Super 8" comes with huge expectations. And unfortunately it doesn't live up to most of them.

You can see and feel the Spielberg influence everywhere in this film. You might consider Mr. Abrams was paying tribute to his mentor but the film ends up a mixed bag of Mr. Spielberg's greatest hits. From "Jaws" to "Close Encounters of the Third Kind" and "E.T.", everything about this film feels like you've seen it before. Throw in a little "Stand By Me" from Rob Reiner and there you have it.

I will say the film's young cast is first rate. The boys have a natural friendship and ease with each other that is honest and refreshing. Elle Fanning is really coming into her own as an actress with a very bright future. The adults don't fare as well. Kyle Chandler (of TV's "Friday Night Lights") might as well be in a TV movie of the week and Noah Emmerich is simply a cartoon villain.

Steven Spielberg is one of my favorite directors but he can easily lay on the heavy sentimentality. You can just feel him pulling the strings in the last five minutes of the film. The over orchestration and abrupt change in attitude of two major characters has his stamp all over it. There is a spectacular train wreck early in the film which pulls you in quickly but is spoiled by the unrealistic moments after the crash. I don't like to give things away but I think you'll know what I mean if you see it. Like "Jaws", the threatening menace is unseen for most of the film which does heighten the suspense but again gets ruined by an "E.T." moment.

I give "Super 8" a not so super 4.

The Tree of Life

Or more appropriately, "The Tree of Slow Death". Director Terrence Malick has made only a handful of films over his career and every one is a visual masterpiece. "The Tree of Life" is no exception. It is beautiful to watch but I was bored beyond belief trying to decipher his message.

The film has little dialogue, and what little there is exists as voiceovers to the exquisite visuals. On the surface, the plot revolves around Brad Pitt and Jessica Chastain as a couple raising their three young sons in '50's Waco Texas. We learn early in the film that the middle son dies and then we are temporarily transported back to the dawn of creation as interpreted by Terrence Malik. After about 20 minutes of this highlight mind-blowing sequence, we return without explanation to the family.

Sean Penn turns up in the modern day sequences apparently as the oldest son now grown to adulthood but tortured by his past. At least that's the impression we get, in a role that is basically a cameo. The oldest son, Jack, as a boy is played by Hunter McCracken and he is a standout who holds his own in his scenes with Brad Pitt.

Mr. Malick likes to tell his stories visually and while they are a treat, many of the visuals are repeated to the point of exhaustion. You can view this film as pretentious or as a masterpiece but either way, you will be talking about it long after it ends...if you stayed awake.

X-Men: First Class

Five writers are credited with the screenplay and however they collaborated, they got it right. Director Matthew Vaughn takes a great script and translates it into a truly first class film in every respect.

The X-Men have always been sort of the "Anti-Avengers", much more serious in their own corner of the Marvel universe. This is a smart script that takes itself seriously and reboots the "X-Men" franchise. All the comic book mythos is there but the film works even if you are a casual fan or even unfamiliar with the other films. Of course if you are new to this franchise, you will miss the pleasure of two great cameos.

Coupled with a strong story, Mr. Vaughn brings a deft hand to the action sequences and molding the story to the real life Cuban missile crisis of the '60's brings plenty of gravitas to a film that could have gone in a completely different direction. He makes you believe that mutants forced the Russian's hand and almost set off World War III.

The casting is first class as well with James McAvoy as the young Charles Xavier (Professor X) and Michael Fassbender as the young Erik Lensherr (Magneto). Mr. Fassbender, in particular, is outstanding as the mutant balancing good and evil mixed in with a strong revenge motive. Rose Byrne has fun with her CIA operative role, as does Oliver Platt. Jennifer Lawrence moves on from "Winter's Bone" and takes on the role of a young Raven/Mystique. January Jones is perfectly cast as yet another "ice queen", playing Emma Frost (an important figure in X-Men lore) and rounding out the major cast is Kevin Bacon as Sebastian Shaw, the central villain of the film.

With so many superhero sequels constantly bombarding us, it's refreshing to have the original idea of a "prequel" that really jumpstarts the franchise. Smart, action packed and fun from start to finish.

Priest

"Priest" is a futuristic sci-fi western version of "The Searchers" with Paul Bettany filling in for John Wayne and vampires substituting for Indians. Mr. Bettany plays Priest, a military man of God, trained by the church to hunt vampires who goes in search of his missing niece, Lucy. Karl Urban plays a vampire version of Clint Eastwood's "man with no name" from his early spaghetti westerns. If this all sounds appealing, you will find it to be a lot of fun.

The special effects are well done and there is plenty of action (in 2 or 3-D) as Priest, his cowboy partner Hicks, played by Cam Gigandet, and another priest, played by Maggie Q try to rescue Lucy and stop the vampires from reaching the unprotected cities. The vampires are depicted more like monsters than the Dracula version. They are muscular and fast, have no eyes but huge teeth and of course, can only hunt at night. Only Mr. Urban, as a former priest turned vampire, can exist in sunlight. The last third of the film takes place on a gigantic transport train keeping the vampires safe from sunlight as they move closer to their target. We've seen the climax before but credit Mr. Bettany and Mr. Urban for pulling it off with a fresh twist.

Christopher Plummer takes a paycheck in a cameo as the head of the church and Brad Dourif also cameos as a stereotypic western "snake oil" con man.

The film comes to a conclusion but also sets up a part two, which if this one ends up successful, will be inevitable.

Midnight In Paris

Woody Allen's love letter to Paris is a charming light comedy and a most unexpected romance. It opens with a video postcard to the "City of Lights" before we even see the title credits. Mr. Allen's avatar this time around is Owen Wilson, as Gil, and his love affair with the Paris of old and new drives the plot.

While on vacation there with his fiancée, Inez, played by Rachel McAdams, Gil is magically transported each night at midnight to Paris of the 1920's where he meets and parties with the likes of Zelda and F. Scott Fitzgerald, Salvador Dali, Gertrude Stein, Ernest Hemingway and many other literary figures and artists of the time. He also develops a crush on Marion Cotillard (who wouldn't) who plays a woman drawn into affairs with the famous.

Gil is a screenwriter but longs to be taken seriously as a novelist. He brings his first novel to Gertrude Stein for a critique. Gertrude is played by Kathy Bates and she is terrific. All of the historical casting is spot on. Adrian Brody, in particular is a very funny Salvador Dali.

During the day, Gil contends with Inez, her parents and her annoying know-it-all ex-boyfriend, played by Michael Sheen but each night he is taken back to his magical era. Mr. Allen never explains the time travel but does draw us to Gil's eventual revelation that changes his life.

The film is an enjoyable soufflé without the calories.

Pirates of the Caribbean: On Stranger Tides

First of all, I saw this film in standard 2-D and saved the seven dollar 3-D extra fee. I don't think it made much of a difference as either way, the film is so dark, it might as well have been called "On Darker Tides". There were times I wished I had a flashlight to see any detail. Even the daylight scenes were poorly lit.

As for the story, it's pretty standard for what we've seen before from this franchise. You'll have no trouble following the plot as there is so much exposition, everything is constantly explained (even if it doesn't make much sense). Johnny Depp's charming rogue, Jack Sparrow wears out his welcome in the bloated two hour race to find the Fountain of Youth. He is at his best in the first third of the film. Geoffrey Rush is back as Captain Barbossa and he seems to be enjoying himself very much. The same can be said for Ian McShane who plays Blackbeard. You get the sense everybody is having fun playing pirate, including Penelope Cruz as Jack's rival/love interest.

The subplot of the handsome Christian falling in love with a Mermaid is an absolute waste of time and doesn't make up for the loss of Orlando Bloom and Kiera Knightly. Keith Richards, however does make another cameo as Jack's father but is smart enough to jump ship after one scene.

I've heard Johnny Depp enjoys playing Jack Sparrow so much, he's already signed on for a fifth film. Stop before it's too late. Abandon ship. This franchise has sunk.

The Hangover, Part II

The original "Hangover" was clever and very funny and of course made a ton of money which made a sequel inevitable. "Part II" takes us to exotic Bangkok for basically a retread of the first film. The filmmakers needed an exotic location to hide the fact their script is weak and their actors are lazy.

Ed Helms is back as Stu and his wimpy, screaming tantrums are funny the first time but become as tedious as Bradley Cooper's Phil who's dialogue consists of cursing in every situation. Zach Galifianakis plays the very strange, Allen who's man-child schtick also grows old. A golden opportunity is missed by not giving Justin Bartha more to do. Understandably he was the missing groom in the first film but here is wasted as a minor character on the sidelines. I've seen Mr. Bartha do comedy live on Broadway and he can be very funny. Leaving him on the sidelines was a big mistake.

Ken Jeong is back as the maniacal Mr. Chow, an even more embarrassing stereotype here but effective as the driver in a well done car chase. A two scene cameo by Paul Giammatti just gives him an excuse to mug for the camera and forget he can act. The best actor in the film is the drug dealing monkey who becomes central to the story. I loved his Rolling Stones vest buy scenes of him smoking a cigarette border on animal cruelty.

No one in the film really exerts any effort. Even when a character loses a finger, it doesn't even garner more than a shrug from anyone including the character himself. There are a few funny situations and one or two great lines but they are far and few between. The audience laughed more at the trailer for "Horrible Bosses" than all of "The Hangover II". Pack it in, Wolfpack.

The Double Hour

This is a terrific new Italian film that is difficult to review without revealing any of it's secrets. In basic terms, it can be described as a romance, a robbery and a mystery. But it is so much more that that.

When Sonia (Ksenia Rappoport) meets Guido (Filippo Timi) at a speed dating session, a romance develops but events take a very unexpected turn soon afterwards. It is best going into this film without knowing anything else and take pleasure in deciphering the multi-layered puzzle it soon becomes.

The chemistry between the leads is excellent and so important to the story. Ms. Rappoport carries the majority of the film and she admirably pulls off what becomes a very complex role. The direction and editing keep things well paced and the viewer engaged. This is important as the film demands your attention. Entertaining and thought provoking, "The Double Hour" will garner much conversation well after it ends.

Thor

You don't have to be versed in the comic book or Norse mythology of Thor to enjoy a reasonably exciting adaptation of the Marvel comic character, "The Mighty Thor". You do, however, need to enjoy mindless action adventure filled with cartoonish violence.

Director Kenneth Branagh infuses just enough Shakespearean gravitas to add human drama to the story but "Thor" is no "Dark Knight" and for most of the film, keeps things light and moving quickly. After all, this "origin" film is just a set up for next year's "The Avengers", which will star most of the recent influx of Marvel screen characters.

The film stars Chris Hemsworth, who is well cast as the fallen God banished to Earth in order to prove his worth. He is banished by Odin, the allfather, played with much pomp and circumstance by Anthony Hopkins. Natalie Portman plays the love interest, Jane Foster (a nurse in the comics who has morphed into an astro-physicist for the film). A nice surprise is Tom Hiddleston, who plays Thor's half-brother, Loki. He is very well cast as the God of Mischief who's schemes drive the plot.

Most of the story is adapted intact from the comic source with some minor changes that may disturb purists but simplify the plot to keep it moving. The special effects are disappointing and 3-D is once again wasted, adding nothing special to the visuals. If anything the film is actually darker and harder to see with the glasses on. See it in regular 2-D if you can. You'll save at least $3.50 and never miss the effect.

If you do go, stay past the credits as you will be rewarded with a clip that adds another piece to the "Avengers" storyline. And also keep you eye out for Jeremy Renner in a cameo that sets up another Marvel hero.

Incendies

Nominated at this year's Oscars for Best Foreign Film, "Incendies" well deserved the honor. This is an intense epic drama with a jigsaw puzzle of a plot that will draw you in and leave you reeling. It begins with the mysterious last wishes of a deceased woman and ends with a family changed forever.

A set of French Canadian twins are given two envelopes by their mother's attorney. The daughter is charged with finding their father (a man thought dead) and the son is charged with finding their brother (a brother they never knew existed). The daughter's search takes her to a unidentified Middle Eastern Country where she finally traces her father's path. Her brother soon joins her and he eventually discovers the truth about their long lost brother. Between their quest, there are flashbacks to their mother as a young woman that set the story in motion and plot her own course in this "Greek tragedy" of a tale.

The mother's story is both heartbreaking and remarkable. It is filled with sorrow and violence but also embraces the bond of love and family. Lubna Azubal portrays the mother, Nawal Marwan and she is fantastic in a very difficult role. The twins, Simon and Jeanne, are played by Maxim Guadette and Melissa Desormeaux-Poulin and they are both excellent, especially Ms. Desormeaux-Poulin as Jeanne.

The complex story pulls you in like a great novel that you can't put down. The revelations at the end and the final images will stay with you long after you leave the theater.

Water For Elephants

Having enjoyed the original novel by Sara Gruen, I was somewhat disappointed by the film version. Whenever a popular novel translates to the screen, sacrifices have to be made and there are subtle changes here that may bother fans of the novel. Now if you haven't read the book, you will probably enjoy this period love story set in a Depression era circus.

Robert Pattinson tries in vain to break free of his Edward Cullen (Twilight) persona. I give him credit for trying to break the mold he has created for himself but he comes up short. Playing the lead character, Jacob, Mr. Pattinson spends much of the film brooding much like his "Twilight" character minus the fangs. His love interest, Marlena, is played by Reese Witherspoon who does an admirable job with the animal cast but lacks chemistry with Mr. Pattinson. And the villain of the piece is well cast by the presence of Christoph Waltz, as August, Marlena's husband and the circus ringmaster.

The best casting decision is Tai (II) as Rosie, the elephant. Tai steals every scene she's in and has great chemistry with everyone. Her lemonade scene alone is worth the price of admission. While Rosie's sub-plot is both heartbreaking and rewarding, the love triangle between the leads lacks the passion conveyed in the novel. The film is hampered by a poor musical score that tries too hard to heighten the various moods and ends up bogging down the film.

There is still enough here to move an audience to break out in applause but it's not "The Greatest Show on Earth".

Your Highness

Even for the target audience, this medieval stoner comedy fails to bring the big laughs and ends up "Your Lowness". Danny McBride and James Franco try to recapture the laughs and silliness of "Pineapple Express" but spend too much time on juvenile jokes that fall flat and plot lines that veer off into just plain weirdness.

Starring as an odd couple of brothers, Fabious (Mr. Franco) and Thaddeus (Mr. McBride) embark on a quest to rescue Belladonna (Zooey Deschanel) from the clutches of the evil Wizard, Leezar (Justin theroux). Along the way, they meet Isabel (Natalie Portman) a feisty warrior woman with her own agenda for Leezar.

Ms. Portman looks great and ends up funnier than everyone else because she actually bothers to act and takes her character very seriously. Everyone else is just enjoying each other's company and having a grand old time at the expense of the audience.

Meek's Cutoff

Director Kelly Reichardt (Wendy & Lucy) teams once again with actress Michele Williams in this minimalistic "western" about a small band of pioneers lost in the Oregon wilderness. The year is 1845 and guide Stephen Meeks has led three families off the main artery of a wagon train heading west. Ms. Williams plays Emily Tetherow, the young bride of Solomon Tetherow played by Will Patton.

Meeks is played with bluster by Bruce Greenwood (hidden under long hair and scraggy beard) who insists he can lead the group to a fertile valley. The other families are played by Paul Dano and Zoe Kasdan as The Gateleys and Shirley Henderson and Neal Huff as The Whites. The White family also has a young son, Jimmy played by Tommy Nelson. These are the main characters we watch struggle with their daily existence low on water and food. Halfway through, there is a twist on their situation that creates new tensions. There are endless shots of their wagon train enduring hardships across a barren landscape as they put their faith in Meeks to lead their way.

The film is beautifully shot with wonderful cinematography and the acting is very authentic. You find yourself forgetting there is a film crew all around these people and believe in their loneliness and struggles. Ms. Williams, as usual, shines in her role as the most assertive of the women. Not much happens as the narrative is not your typical Hollywood plot. Audiences will be very divided on this film but it does have it's charms if you accept it for what it is, a journey more than a destination.

Jane Eyre

The seventh (I believe) version of the Charlotte Bronte classic stars upcoming actors Mia Wasikowska as the title character and Michael Fassbender as Edward Rochester. Star crossed lovers in the classic sense, their repressed passion builds slowly fueled by intelligent word play and soulful stares.

Both actors do an admirable job of expressing the love that grows between them but it is Ms. Wasikowska that really shines as Jane. She is in almost every scene and she is has a unique beauty that is hypnotic to watch. This classic love story also features Judi Dench, Sally Hawkins and Jamie Bell and plays out against a gorgeous windswept landscape in the English countryside.

The cinematography is excellent with lighting, in particular, playing an important part. Many scenes are lit solely by candlelight enveloping the viewer in Bronte's world.

Did the world need another version of "Jane Eyre"? Probably not, but for a younger generation, it's a great introduction to the classics.

Hanna

Saoirse Ronan plays the title character, "Hanna", in this new action thriller. Unfortunately, while she is fascinating to watch, the film doesn't really thrill. With a score by the Chemical Brothers and a few set action pieces, the film tries hard but it's a thin story that's violent and ultimately senseless.

Hanna is trained as a child to become an unbeatable assassin by her CIA rogue father, played by Eric Bana. They live in a secluded forest in Finland cut off from civilization. Completely naïve when it comes to human contact, Hanna is a stranger in a strange land once she makes that contact. All she knows how to do is survive and lives by the mantra "adapt or die".

Upon learning of her existence, CIA agent, Marissa, played by Cate Blanchett hunts Hanna and her father, worried that they will expose her past secret experiments. It's all flimsy nonsense about creating super soldiers with poor plot twists you can easily see coming. Marissa is a strange character, (she has a weird obsession with clean teeth) and she employs an even stranger character, Issacs, played by Tom Hollander to do her dirty work.

The only saving grace is Ms. Ronan, who continues to hone her acting with each new role. There is something magnetic about her and as Hanna, she equally balances her naivety with her killer instincts. It's hard not to root for her, even when nothing makes too much sense.

Insidious

I had such high hopes for this new horror film after reading many other reviews. Maybe I've just been spoiled by too many good ones over my lifetime but "Insidious" just didn't give me sweaty palms and heart palpitations like "The Exorcist" or "Poltergeist" and certainly didn't send me to the nearest bar for a much needed drink after the original "The Omen".

Don't get me wrong. The film works very hard to scare you and definitely has it's "jolt" moments so if you are easily affected by these kinds of films, you will have a screaming good time. But for the true fan of the genre, this is nothing more than a poor rip-off of "Poltergeist". The film gives away to much in the trailer and even the poster so it's no surprise to say it's not the house that's haunted but rather a young family member.

The parents are played well by Rose Bryne and Patrick Wilson but they are stock roles (the worried mom and the disbelieving dad) until the last act when they both turn it up a notch to save their son. The film is rated PG-13 so there is isn't the usually gore factor to scare and repulse you. Instead the film relies heavily on atmosphere to pull you in and keep you nervous. Looking for an original angle, it's odd that the central evil presence looks exactly like "Darth Sidious" from "Star Wars". Was the makeup department budget slashed because too much money was spent on the fog machines?

If you are really looking for a good scare, invite some friends over, turn out the lights and watch "The Exorcist" or "Poltergeist", still two of the scariest movies ever made. Even, the original "House On Haunted Hill" (starring the great Vincent Price) surpasses "Insidious" for real goose-bump inducing horror. Until the next attempt, you just can't go wrong with the classics.

The Lincoln Lawyer

Matthew McConaughey stars as Mick Haller, the title character, who operates his law practice from the back seat of a Lincoln Continental. The film is from the bestseller by Michael Connelly and it translates very well to the screen. Mr. McConaughey is perfect for the role of the streetwise lawyer and I can foresee this becoming a franchise for him as long as Mr. Connelly keeps churning out bestsellers.

The first rate cast also includes Marisa Tomei, as Mick's ex-wife, Ryan Phillippe, as the predominant client, William H. Macy, as Mick's legal investigator, Josh Lucas, as the District Attorney and John Leguizamo, as a shady bail bondsman. Also included are Frances Fisher, Michael Pena and the return of '80s star Michael Pare. Everyone is working an angle and this legal thriller, while revealing it's hand early, still has some aces up it's sleeve.

I was a little disappointed in the role of Earl, Mick's driver who doesn't have much to do and seems wasted. But that point aside, the plot and the acting will keep you engaged. Mr. McConaughey has done his share of lazy films but when he feels like really acting, as he does here, he can really carry a film.

"The Lincoln Lawyer" would make a terrific TV series if the producers ever decided to go that route. It's got the kind of characters you would easily enjoy seeing again. For now, it's those characters that drive "The Lincoln Lawyer" to a victory lap.

Source Code

"Source Code" is a twisty action-thriller with elements of "Inception" and "Groundhog's Day". Directed by Duncan Jones, this is an exciting and suspenseful film that is anchored by a terrific Jake Gyllenhaal. His performance alone, sells the story.

When Mr. Gyllenhaal wakes up on a commuter train, he is in the body of another man. Initially confused, he slowly remembers why he is there. Sitting across from him is Michelle Monaghan, who once again plays the pretty love interest in peril. She has become quite adept at these roles and here, performs admirably. Apparently Mr. Gyllenhaal is a soldier taking part in a Government experiment to stop a terrorist from blowing up a train. As the audience, we learn along with him as plot points are slowly revealed.

Overseeing the experiment is Vera Farmiga as his "handler" and Jeffrey Wright as the creator of the "source code". There is a lot of sci-fi mumbo jumbo as to how the source code works but even if it goes over your head, you can sit back and enjoy the ride. Beyond the four leads, the rest of the cast is fairly unknown so that makes figuring out the identity of the bomber all the more fun. Usually a name actor will make it pretty obvious but that's not the case here which really helps propel the story.

I can't say enough how natural and believable Mr. Gyllenhaal is in the role of Colter Stevens. He really makes you root for the character and believe the situation, even when it gets fairly unbelievable.

Tyrannosaur

Actor Paddy Considine writes and directs his first full length feature, based on a short he made a few years ago. He gathers together a first rate cast with Peter Mullen, Olivia Cole, and Eddie Marsan in the lead roles. Mr. Mullen plays Joseph, a man full of anger that he wears on his sleeve. When he meets Hanna (Ms. Cole), he ever so slowly awakens new emotions to replace his rage. Their relationship is not what you expect, evident enough when we meet Hanna's husband, James (Mr. Marsan). Hanna has problems of her own, hidden below the surface and her marriage is not what it seems.

This is a serious drama with moments of raw violence against people and animals (two dogs do not fare well in the film) but it is also powerfully acted in an arc towards redemption and optimism. Mr. Considine's camera loves Mr. Mullen. He has always done fine work but this may be his best role and the way the camera lingers on his subtle expressions can be breathtaking.

The story is not complicated. It is character driven and well paced. Mr. Considine looks to have a long career behind the camera. I saw this at the New Director's/New Films Festival at Lincoln Center so don't look for it in theaters just yet. I'm not sure of it's release date but once it's released, it's worth a look, especially if you are a fan of gritty British drama.

Win Win

Writer/Director Tom McCarthy hits the trifecta. It started with "The Station Agent", followed by "The Visitor" and now "Win Win'. He is a master at telling small stories filled with memorable characters and rewarding moments. Not to mention, always finding the perfect cast.

This is the story of Mike Flaherty, a small town lawyer who also coaches the local high school wrestling team. Mike is played by Paul Giamatti, who notches another wonderful performance as a loving but flawed "everyman". Amy Ryan disappears once again into a role as his wife, Jackie, with a perfect New Jersey accent.

As his business falters and needing money, Mike becomes the guardian to one of his elderly clients, played with his usual gruff exterior, by Burt Young. Along with the job comes a monthly stipend that Mike desperately needs. Of course, things don't go quite as planned and get complicated in an unexpected way.

Co-starring as Mike's best friend is Bobby Cannavale, who is the source of much humor especially in his scenes with Mr. Giamatti and Jeffrey Tambor, the assistant wrestling coach. The three of them are truly funny together. Between the "laugh out loud" scenes are some terrific dramatic and tender moments from a rich script delivered by fine actors. I predict big things for Alex Shaffer.

You expect the story to be predictable and it's not. It's low key but thoroughly enjoyable. You can't lose with "Win Win".

The Adjustment Bureau

Take a little "Wings of Desire", "City of Angels" and add in some "Monsters Inc." and you've got "The Adjustment Bureau". You anticipate a Sci-fi type thriller based on the trailer but what you really get is a love story layered with spiritual arguments of free will vs. pre-destiny.

Matt Damon stars as a man who "sees behind the curtain" and finds out his life is not really his own. He meets and falls in love with Emily Blunt but is told by his "adjusters", their life together is not meant to be. Defying God (The Chairman), he refuses to give up on their future together. This, in turn, angers John Slattery and Terrence Stamp, "adjusters" trying to keep Mr. Damon on his pre-destined course.

Mr. Damon and Ms. Blunt have genuine chemistry and you believe in their love. It's the only thing that keeps you interested as not much happens and the actions of the adjusters are just ridiculous. You'll leave the theater debating whether or not your own "book" has been written which may prompt more lively discussion than the film does. What holds your attention are the New York City locations and Mr. Damon's likable "everyman" acting. The premise is a good one but it's laughably executed.

Carancho

Actor Richardo Darin (so good in "The Secret In Their Eyes" and "Nine Queens") returns in this Argentinian drama about an ambulance chasing lawyer who's tired of the insurance scams and is looking for a way out. When he meets a new doctor on the ambulance late shift, they begin a relationship that gives him hope for a better future. The doctor is played by Martina Gusman and while their relationship begins innocently enough, both discover they have secrets that will impact everything.

Approximately 8,000 people die every year in Argentina, according to the prologue and insurance fraud is a major industry preying on the victims and their families. The film, written and directed by Pablo Trapero, sheds light on these tragedies through a fictional story that cuts close to the truth. This is a dark drama fueled by the excellent work of Mr. Darin and Ms. Gusman. There is considerable bloodshed and the film is obviously in Spanish with subtitles but it's interesting subject matter and definitely worth the effort over the February Hollywood throwaways out there now.

Unknown

It's slim pickings in the dark days of February, once you've exhausted all the Oscar nominated films. You would expect a Liam Neeson action film to bring a little light to that darkness. You could do worse than "Unknown".

Mr. Neeson is becoming quite good as the guy to turn to when you are trouble in a European city. Here, he is Martin Harris, in trouble himself, after a car accident leaves him with spotty memory loss and a wife who no longer knows him. January Jones, so icy good on "Mad Men" plays basically the same role in contemporary clothes as Mr. Neeson's wife. Diane Kruger plays a cab driver with "too good to be true" survival skills who helps Mr. Neeson get his life back.

Frank Langella shows up late as a friend with a secret and Adian Quinn rounds out the American cast as "the other" Martin Harris. Everyone seems to have a secret agenda and nothing is quite as it seems. The central plot twist is a good one but there is too much exposition and so many plot holes, the film should have been called "Unbelievable" instead of "Unknown". There are a few good action sequences, particularly a car chase through the snowy streets of Berlin, but they are far and few between.

A cross between "The Bourne Identity" and "Taken" with a dash of Hitchcock thrown in, there are enough twists and turns to keep you interested but it's all rather forgettable once the lights come on.

Biutiful

I am a big fan of writer/director Alejandro Gonzalez Inarritu. His films are always poetic and emotional. "Biutiful" continues his exploration of the human condition but rather than a multiple cast of characters like his previous work, his focus here is on one man's struggle through life.

Javier Bardem gives a towering performance as Uxbal, a man struggling to raise two small kids, providing for them through the underbelly of the Barcelona underworld. He lives on the edge of a criminal life dealing with illegals and counterfeit products only to keep his family together. When he becomes ill, he becomes even more desperate to provide for his children. Mr. Bardem's performance anchors the film. He is in almost every scene and his on screen presence is so powerful, he's just a force of nature commanding your attention.

The cinematography is outstanding but the direction is erratic at times. Subplots dangle and seem unnecessary but to Mr. Inarritu's credit, there are still moments of absolute heartbreak along with scenes of pure beauty.

This is intense story with difficult moments but the humanity and strength in Mr. Bardem's performance is worth every minute. A well deserved best actor Oscar nomination.

Phil Ochs: There But For Fortune

This is an entertaining and important documentary about Phil Ochs. Mr. Ochs was a political folk singer popular in the 60's who's most famous songs were "I Ain't Marching Anymore" and "Small Circle Of Friends".

His circle of friends included Joan Baez, Bob Dylan, Pete Seeger, and Peter Yarrow. He was the most "political" of his contemporaries and never really had a "hit" record. "Pleasures From The Harbor" was probably his most commercial album and yet his music was the voice of a generation. This new documentary gives Mr. Ochs his due and at the same time capsulizes the turbulent 60's.

The film is full of songs and images as well as contemporary interviews with Mr. Ochs's family, friends and acquaintances. It provides insight into Mr. Ochs who, while they were friends, always felt overshadowed by Bob Dylan. It explores the inner demons that drove him to drink, his terrible bout with depression, but also celebrates the man's life and music.

The documentary is in limited release in NY but will open in other major cities throughout February and March. If you believe in the power of music as a tool for change and want to learn more about an unlikely American hero, this is a must see.