Inside Llewyn Davis

          The Coen Brother make perfect films. They are not always great films but they are crafted with such precision and attention, that whatever the genre, they are perfect. Sometimes they are perfect in failure but more often in triumph.

           This new film reaches for greatness but falls a bit short. It takes place during the folk scene of New York in 1961.  Rather than explore that period in a wider scope, the Coen's focus on one particular fictional musician, Llewyn Davis. Davis is played by Oscar Isaac and he is a revelation. His character is very complex, a talented artist but a difficult person. He cares more for his art than commercial success yet he chases the success that eludes him anyway.

            The film also features Cary Mulligan and Justin Timberlake as a successful folk duo, John Goodman as a jazz musician Llewyn meets on a road trip, and F. Murray Abraham as a promoter in Chicago. Most of the actors drift in and out of the movie as it revolves around Llewyn. Besides Mr. Isaac, no one else has any sustained screen time. There is a standout scene involving a recording session with Mr. Isaac, Mr. Timberlake and Adam Driver, but the film really belongs heart and soul to Mr. Isaac. The trick the Coen's pull off is that you keep rooting for Llewyn no matter how abrasive and unlikable he becomes.

            While the film has its flaws (even in it's perfection), the music is terrific so credit executive producer T. Bone Burnett for an outstanding folk soundtrack performed by the actors.

And of course, the cinematography and the visuals in general are outstanding.

              "Inside Llewyn Davis" is a perfectly good film that could have been great, ironically much like the title character.

Don Jon

       This new film, written and directed by and starring Joseph Gordon Levitt is a spiritual cousin to "Saturday Night Fever". The big difference here is unlike dancing, Jon's obsession is internet porn. It's romantic and comedic but far from a romantic comedy.

       Jon is a New Jersey native that lives by a code of eight things. They are going to the gym, his spotless apartment, his car, his family, church, his boys, his girls, and his porn. When he thinks he's met the girl of his dreams, Barbara (played wonderfully by Scarlett Johansson), his life and his code are turned upside down.

        The twist here is that another woman, Ester (played by Julianne Moore) has an even greater impact on Jon that he never sees coming. Mr. Gordon Levitt keeps things light and fun but still makes his point about human connections. And while we see plenty of skin in the countless porn videos he watches, the camera work is subtle and the film easily avoids an X rating (although it does deserve it's R ).

         His family is played by Glenne Headley, Tony Danza, and Brie Larson.  It's a stereotypical Italian family in many ways but there is honesty in the script that keeps the characters interesting. The film is very funny and surprisingly touching.

We're The Millers

  Hoping to recapture the magic of the hysterically funny "Horrible Bosses", this time out, Jennifer Aniston and Jason Sudeikis fall short. "The Millers" is funny in a few spots but mostly just crude and rude, predicable and dare I say it...boring.

    Ms. Aniston plays a stripper with a heart posing as a soccer mom along side Mr. Sudeikis, a drug dealer posing as a nerd dad. It's Mr,. Sudeikis's idea to get a fake family in order to smuggle tons of marijuana  across the border from Mexico, stashed in an RV. He also enlists Emma Roberts as a runaway street kid and Will Poulter as the nerd teen next door to pose as "the kids".

      Much of the humor is at the expense of Kenny, Mr. Poulter's punching bag of a character. Ms. Aniston tries to recapture her bad girl image from "Horrible Bosses" (which she did very well and was very funny) but lightning doesn't strike twice and her inevitable strip tease looks more like an ad for a gym than sexy. I will give her credit for being in great shape. Mr. Sudeikis seems trapped in a typically bad "Saturday Night Live" skit that goes on much too long. Even Ed Helms looks embarrassed to play a natty criminal who sends Mr. Sudeikis down to Mexico.

       Considering the price of movie tickets these days, catch it on cable when there's nothing else on.

Short Term 12

     This new Indie drama is a star turn for Brie Larson. It's a powerful story about a young counselor in a temporary housing facility for troubled teens. Ms. Larson is probably best known for playing Toni Collette's daughter on Showtime's "The United States of Tara" but she takes center stage here and is remarkable in a multi-layered performance.

       Ms. Larson's character Grace is very good at her job. She connects easily with her troubled charges, having come from a troubled past herself. When a new girl (Kaitlin Dever) arrives with a similar history, Grace's own demons come back to haunt her, further complicating a new situation.

        Ms. Larson radiates raw honesty and emotion in a complex character. It is an award winning performance. Ms. Dever shows skills beyond her years as she bonds with Ms. Larson. Co-starring is John Gallagher Jr. as Manson, another counselor and Grace's boyfriend. Mr. Gallagher Jr.'s performance is not a far stretch from his character on the HBO series "The Newsroom" but he is adapt at "likable boy next door" roles and he brings much warmth to his role. Rami Malek adds some comic relief as a new counselor learning how to understand the kids. The other actors portraying the residents of "Short Term 12" are all very good but as they are written, the standout performances go to Kevin Hernandez and Keith Stanfield.

          This is a small but powerful drama that deserves an audience. it should garner many nominations for "Independent Spirit" awards.

The World's End

       Simon Pegg and Nick Frost are back to save the world. Working together with writer/director Edgar Wright (Mr. Frost also co-wrote the script), the same team that brought us "Shaun of The Dead" and "Hot Fuzz" return with a new comedy that's two films in one.

        "The World's End" starts out as a buddy comedy, when five childhood friends reunite to finish a pub crawl that they had started years ago as teens. They have all gone in different directions but Mr. Pegg's character, Gary King rounds them all up for one night of camaraderie and lots of drinking. 

           The friends are played by Mr. Frost, Martin Freeman, Eddie Marsdan, and Paddy Considine. Roseamund Pike co-stars as Mr. Freeman's sister, Samantha. It's a top notch ensemble cast in what begins as a comedy with heart but dramatically shifts gears in the second half of the film into an all out science fiction romp.

            There are many terrific one-liners and funny moments but when the film shifts, it loses focus and falls apart. It's as if Mr. Wright and Mr. Frost ran out of story and decided that alien pod people and total chaos would provide a good cover masking the fact they didn't know how to finish what they started. If you have a few pints yourself before seeing the film, that won't make much difference and it will probably all seem hysterically funny right to the credits.

Elysium

      This is the new film from writer/director Neill Blomkamp, who's first film, "District 9"  was a breath of fresh air in in the science fiction genre. "Elysium" doesn't have the same impact but is still an an enjoyable sci-fi adventure.

       The film is set in the not to distant future where the Earth has been reduced to polluted rubble for millions and the elite class live off world in a giant orbiting space station known as "Elysium". It's a man-made paradise where disease has been eradicated by special machines.

        Matt Damon stars as "Max", a former criminal now trying to build a meager life on Earth until an accident at work gives him a reason to find a quick way to "Elysium". Jodie Foster also stars as the cold blooded head of security on the space station. The film features Diego Luna as Max's best friend, and Sharlto Copley as a ruthless mercenary working for Ms. Foster.  The acting is about what you would expect. Mr. Damon is a strong lead, Ms. Foster doesn't really work too hard and Mr. Copley makes a fine villain (a change from his starring role in "District 9").

         The sets on earth look leftover from "District 9" but the robots and spacecraft effects are well done. The story is familiar, class struggle, but Mr. Damon's motives begin selfishly and he becomes a reluctant hero for the masses.

          The film is being shown in IMAX 3-D which is totally unnecessary in order to enjoy it. Save your extra money and see the regular version. 

Only God Forgives

      And I thought "Drive" was bad. This new film from writer/director Nicolas Winding Refn makes his last film look like an Academy Award winner. What was star Ryan Gosling thinking? For that matter what was co-star Kristin Scott Thomas thinking? Right now, this has to be the top candidate for worst movie of the year.

      Odd artsy lighting, little dialog, long slow scenes where nothing happens and then random acts of gory violence...about sums up the film. What passes for a plot involves Mr. Gosling's character, Julian who is involved in the criminal underbelly of Bangkok. When his brother is murdered, his foul mouthed mother ( Ms. Scott Thomas) shows up looking for revenge. There is also a sword wielding cop who likes to sing in a nightclub. He haunts Julian in his dreams and then there is an actual confrontation.

       You can't say Mr. Gosling acts in this film. He barely moves or strings two sentences together. Ms. Scott Thomas is so far against type, she comes off absolutely ridiculous in an unbelievable role. I can't think of anything in this film worthy of a positive comment.

       The title is appropriate as only God would probably forgive Mr. Winding Refn for this waste of 90 minutes.

Blue Jasmine

      Woody Allen continues a hot streak with this drama based in San Francisco.  As usual, the film is written and directed by Mr. Allen and he has created still another in a long line of strong roles for women.  

       "Blue Jasmine" is bound to get star Cate Blanchett an Oscar nomination. She stars as Jasmine, a rich society wife who becomes penniless and is forced to move cross country and live with her sister in very unfamiliar surroundings. The film grows from an idea based loosely on the Bernie Madoff scandal and borrows heavily from "A Streetcar Named Desire" but it's still has the Woody Allen pedigree.

         All the roles in the film have been cast perfectly. Besides a wonderful performance from Ms. Blanchett, Alec Baldwin is terrific as her husband Hal, and Sally Hawkins does great work as her sister, Ginger. The film also features Bobby Cannavale, Peter Sarsgaard, Louis C. K., Michael Stulhbarg and a surprisingly good Andrew Dice Clay. Mr. Allen always seems to bring out the best in his actors and this ensemble is no different. The film, however, belongs to Ms. Blanchett, who moves through so many emotional twists and turns, it's hard to keep up. She is just brilliant.

           As usual, the cinematography is excellent as is the soundtrack. Filming outside of New York for his last few films seems to have rejuvenated Mr. Allen. Familiar yet fresh, the film is dramatic with some light moments. You may prefer a different ending but that will always be debatable. Go for the acting. It's perfection and should get Mr. Allen an Oscar nod as well for direction.

The Heat

 After a promising '70s style credit sequence, this new film from Director Paul Feig quickly falls into a stereotypical, mismatched buddy comedy with a standard formula. The lazy plot and direction are only saved by the great chemistry of Sandra Bullock and Melissa McCarthy.

     Ms. Bullock plays the buttoned-up, smug, FBI agent, Sarah Ashburn and Ms. McCarthy plays the sloppy, foul mouthed but street smart detective, Shannon Mullins. Its standard buddy comedy 101 where each character ends up a better person for working together.

      The film takes place in Boston and there is ample opportunity to make fun of Detective Mullins's stereotyped Irish family. Most of the laughs come from Ms. McCarthy foul mouth and the film doesn't hide from plenty of gutter humor. But I must admit, there is plenty of very funny dialogue in the film.

        Ms. Bullock is a fine actress, playing comedy as well as drama and she always seems to elevate the material but here she doesn't even try and instead lets go and just has fun playing off Ms. McCarthy.

          This one has sequel written all over it, which, with a stronger plot will probably make an even better film. I can see it now..."The Heat 2: Even Hotter"

The Attack

Written and directed by Zaid Doueiri,  this controversial new drama asks difficult questions with no easy answers.

Ali Suliman plays Dr. Amin Jaafari, a successful, Israeli Palestinian surgeon living in Tel Aviv. He has a good job, a loving wife but his world is turned upside down when it is revealed that his wife, Siham, has detonated a suicide bomb in a crowded restaurant killing herself and many others.

Coming as a complete shock, Dr. Jaafari at first, refuses to believe his wife could be capable of such an act but when facts reveal themselves, he sets out to discover how and why this could happen. He leaves Tel Aviv and sets out for the Palestinian territories in an attempt to discover the truth.

This is a thoughtful moving drama that puts the viewer inside Dr. Jaafari's world, feeling his grief and confusion about a person he only thought he knew. Mr Suliman acts with great conviction and it is easy to sympathize with him. There is no tidy Hollywood ending here but Mr. Doueiri tells a powerful story.

Fruitvale Station

Written and directed by Ryan Coogler, "Fruitvale Station" retraces the last day in the life of Oscar Grant before he was detained and killed by police in the Fruitvale BART station in Oakland California. The film is based on real events that were captured on video by other passengers on the train. 

The film opens with one of those videos and then in flashback, we learn how Mr. Grant spent his last day, New Years Eve 2009. Some of the events of the day are obviously accurate, preparing for his mothers birthday dinner, going out with his friends to celebrate New Year's Eve but scenes of Mr. Grant alone can only be assumed by Mr. Coogler.

We see, that while he had a minimal criminal past, he was trying to turn his life around for himself, his girlfriend and small daughter. He is not portrayed as a saint but an average guy trying to get by in a difficult life. As imagined by Mr. Coogler, the day presents some challenges but is fairly uneventful until the tragic circumstances at Fruitvale.

Mr. Grant is played by Michael B. Jordan and he is excellent in the part. He has a very natural way about him and is very engaging. His girlfriend is played by Melonie Diaz and their scenes together have an authentic tenderness about them. Octavia Spencer plays his mother, Wanda and she at her most powerful in scenes just after the shooting.

This is Mr. Coogler's first feature film and it has created a deserving buzz. He doesn't try to manipulate the audience with cheap sympathies. He presents a portrait of a man, through an objective lens and lets the audience draw their own conclusions from a horribly tragic moment.

The Bling Ring

     Written and directed by Sofia Coppola, this new film is based on real events and is Ms. Coppola's most "mainstream" film yet.
 
       The plot is based on an article in Vanity Fair magazine about a band of California teens that robbed the home of various celebrities. I can't decide what was worse, the stupidity of these kids or the stupidity of the celebrities that left doors open with little security. Yes, Paris Hilton, I'm talking about you. There is little motivation for the break-ins other than boredom and a desire for designer clothes, shoes and jewelry without buying it. Cash and drugs are a bonus.
 
        Katie Chang is the ringleader, Rebecca and her "gang" consists of Emma Watson as Nikki, Israel Broussard as Marc, and Taissa Farmiga as Sam. Ms. Chang plays Rebecca as a bored sociopath and she is scary good in the part. Ms. Watson's Nikki is an airhead who can't buy a clue and Ms. Watson is terrific against type, shattering her previous image from the Harry Potter films. Mr. Broussard garners sympathy as Marc, the boy looking to fit in and enjoying his new found status even as it leads him down a self destructive path. Ms. Farmiga gets off easy with not much to do except go along for the ride.
 
         It's straight forward storytelling with flourishes of Ms. Coppola's signature style. There are long tracking shots, scenes with little dialog  that still move the story and one wonderful long shot of a robbery taking place in a glass house lit up against the L.A. night. The cinematography is terrific and the musical choices on the soundtrack work perfectly. 
 
          The film is a sad commentary on life as a disaffected youth in Los Angeles. You know these kids will eventually be caught  because they are sloppy amateurs. They flaunt their escapades on Facebook and brag to their friends. All the parents in the film are portrayed as either divorced, uncaring, or clueless themselves. It's a story that has to be seen to be believed.

The Conjuring

        I've waited many years for a horror film to scare me again the way "Poltergeist" or "The Omen" did back in the pre-digital days. Finally the wait is over. I can happily say that "The Conjuring" produces real goosebumps and plenty of "jump" moments. The film genuinely scares.

        Based on an actual case from the files of Ed and Lorraine Warren (true life ghost hunters), the film is about the Perron Family and the spirits that haunted their home in the early seventies. How much of the film is actually true doesn't really matter. What does however, is that it makes good on its promises to give you the chills on a hot summer night.

        The Warrens are played by Patrick Wilson and Vera Farmiga. They are both excellent and one can easily see a franchise developed of films from their case studies. This film even starts with some scary moments from an earlier case that spills over into the current story in a very creepy way. The Perrons are played by Lili Taylor and Ron Livingston. Its great to see Ms. Taylor back in film and well cast in a very demanding role. As the mother of five daughters living in a haunted house, she is a major focus of the plot and most of the thrills and chills involve her character. Mr. Livingston does a good job as the caring husband trying to protect his family.

          Besides the strong acting, so much credit must be given to director James Wan. Having directed the original "Saw" and "Insidious", Mr. Wan knows a thing or two about scary movies. Here, he goes "old school" and scares without the "torture porn" or gory bloodletting of so many films today that pass for "horror". His lightning, pacing, music choices, and editing all contribute to the success of the film. 

         "The Conjuring" owes an obvious nod to "Poltergeist" with a little "Exorcist" thrown in for good measure. Mr. Wan has one misstep with "The Birds" scene which was unnecessary and seemed forced. Everything else works however and if you are a fan of scary movies, "The Conjuring" will definitely not disappoint. I also have to give credit to whomever edited the trailer as they don't give away everything and save plenty of shocks for the film.

Fill the Void

 A story of quiet beauty that takes place in a community of Orthodox Israeli Hasidim. Written and directed by Rama Burstein, a rookie filmmaker and Orthodox Jewish women herself, "Fill the Void" tells the story of Shira, an 18 year old girl facing a difficult decision when her older sister dies in childbirth.

     It is a fascinating look into a world bound by it's own laws and traditions but involving a situation that could be found in any close community that honors family and tradition.  Difficult choices have to be made. Blessings must be given and life changing decisions are at stake.

     The cinematography draws the viewer in with tight, close shots of the actors. Hadas Yaron plays Shira and she is a natural wonder. Her widowed brother-in-law is played by Yiftach Klein and their scenes together are gentle yet powerful under the surface.

      The editing is a little sloppy at times but can be forgiven by the strength and honesty of the film. Everything feels so real you'll forget you're watching actors speaking scripted words. If you are looking for something different from the usual summer fare, immerse yourself in this universal story of the ties that bind.

The Way, Way Back

 This new comedy/drama is a critics darling. It's entertaining and enjoyable but not quite deserving of all the accolades it's received.

  It's a coming of age film filled with stereotypical characters and plot situations you've seen a thousand times. What saves it from failing is the wonderful cast working their hardest to deliver the story and entertain the audience. The film stars Toni Collette, Steve Carrell, Sam Rockwell, Allison Janney, Maya Rudolph, Rob Corddry, Amanda Peet, Liam James and AnnaSophia Robb.

  Allison Janney is very funny as the boozy sister of Mr. Carrell's character who lives next door to his summer beach house. Mr. Carrell is excellent against type as the bully boyfriend of Ms. Collette. Mr. Corddry and Ms. Peet are Mr. Carrell's close friends and Liam James is the featured character, Duncan, Ms. Collette's brooding teenager who hates her boyfriend.

  The story plays out in a beach town with one attraction, a water park run by Sam Rockwell with help from Maya Rudolph. Mr. Rockwell's character, Owen helps Duncan come into his own over the course of the summer. While Mr. Rockwell is the comic centerpiece of the film, he tries too hard to be quirky and funny. It's his least natural performance.

  Nat Faxon and Jim Rash wrote and directed the film together. They also have secondary comedic roles. The film is a nice effort, sunny and breezy like a day at the beach. But like a summer fling, it's soon forgotten and you're ready to move on.

World War Z

The new thriller from director Marc Forster stars Brad Pitt as a former U.N. troubleshooter forced back into action to solve the zombie apocalpyse. The film opens on Mr. Pitt and his co-star, Mireille Enos as they prepare breakfast for their two daughters. It isn't long before they are stuck in traffic and then their world changes forever.

We learn very quickly that there is a zombie worldwide infestation and no one is safe. Mr. Pitt is called on to locate the source of the plague to help find answers on how to eradicate it. The film moves through various countries and stressful situations as the zombie population continues to grow. Ms. Enos, so good on the AMC show "The Killing" is forced into the sterotypic "wife left behind" role with very little to do except worry about Mr. Pitt.

Mr. Pitt is a very charismatic actor and fun to watch in this film. There are plenty of exciting sequences and those who are expecting zombies like the ones on "The Walking Dead" will be very surprised. Granted there are some dead (no pun intended) spots as well but after the alleged multiple ending rewrites, it looks like they got it right

The special effects are pretty seamless and the rest of the cast take their roles very seriously which helps to keep the tension high. While the film can be suspenseful, I never found it particularly scary, nor is it particularly gory. "The Walking Dead is far more liberal with blood and guts.

The film is playing both in 2-D and 3-D. I don't think paying extra for 3-D will make much of a difference. I saw it in 2-D and found it a perfectly acceptable viewing experience.

Man of Steel

Superman gets another reboot in this new darker version, directed by Zack Snyder. Mr. Synder strives for the gravitas of "The Dark Knight" but never quite gets there and loses all the warmth and humor that came through in the Christopher Reeves version.

Russel Crowe makes a fine Jor-El, the biological father of Ka-El (Superman). He even gets to flex his muscles in an early fight sequence. His subsequent appearances grow heavy though and even Michael Shannon as evil General Zod gets fed up with him. Superman is played by Henry Cavill and he bears an uncanny resemblance to Mr. Reeves. What he lacks however, is any of the humor Mr. Reeves slipped into the role.

Amy Adams co-stars as Lois Lane and Lawrence Fishbourne plays Perry White. For this version, there is very little "Daily Planet" interaction and they've skipped over Jimmy Olsen completely. The version of Lois Lane here is more action hero than reporter in distress and the romance between her and Superman is almost an afterthought. The best acting in the film belongs to Kevin Costner and Diane Lane as Jonathan and Martha Kent, Superman's adopted parents. They contribute real feelings and emotions in their scenes, told mostly in flashback.

The action sequences are basically repeated fights between Superman and Zod and they become tiresome. By the time they battle it out in Metropolis, half the city is destroyed and yet a character proclaims "he saved us", but does anyone look around and say "at what cost?".

 I saw the film in IMAX 3-D and I don't recommend it. The sound is deafening, especially when buildings start coming down and any action sequence gets blurry the faster it moves on screen.

This Man of Steal stole my twenty one dollars. Maybe The Dark Knight can get it back for me.

White House Down

First Hollywood gave us "Olympus has Fallen" (and couldn't get up) and now thinking, a bigger director and more bankable stars, lets do it again and this time it will work. Fool me once, shame on me. Fool me twice, shame on you. This is the biggest White House disaster since Gerald Ford (ok that was a cheap shot but you get my point).

The fim stars Channing Tatum as a wannabe secret service agent and Jamie Foxx as the President of The United States. When the "bad guys" storm the White House (pretty easily I might add), Mr. Tatum springs into action protecting the President along with his "too adorable and smart for her own good", daughter. An early plot point convieniently puts them both inside the White House at the time it's invaded

Mr. Tatum has his legion of fans and is growing into a fine action hero but here he is just doing his impression of Bruce Willis in "Die Hard". Mr. Foxx, while a credible actor, here plays a very uncredible President. Maggie Gyllenhaal has the female lead but her character is poorly written (as are most of the characters). Jason Clarke, fresh off "Zero Dark thirty", plays the heavy in a very stereotypic role. The one actor worth watching is the always reliable JamesWoods, who plays an important part in the film. Nice to have you back, Mr. Woods. Watching you chew up the scenery was my favorite part of the film.

The film is directd by this century's Irwin Allen, Roland Emmerich who has a great track record for high concept disaster films. Here he falls as flat as his actors with poor effects and wooden acting. He even has a character name check his best effort just to remind the audience how exciting he can be (unfortunately not here).

"White House Down", regardless of the administration, doesn't get my vote.

This Is The End

Written and directed by Seth Rogan and Evan Goldberg, this is a very funny but uneven comedy about the end of the world. The film stars a who's who of todays's top comic actors basically playing exaggerated versions of themselves.

Besides Mr. Rogan, the film stars James Franco, Jonah Hill, Danny McBride, Craig Robinson, Jay Barruchel with featured cameos from Michael Cera, Emma Watson, Paul Rudd and Aziz Ansari. Even Rhianna has a cameo.

What passs for a story takes place at a party thrown by Mr. Franco. Once the heavens open up and the devil appears on earth, most of the characters disappear from the story one way or another, leaving the six principal stars to fend for themselves, barracaded inside Mr. Franco's home. Its a comic tale of survival among vain actors. Much of the humor is sophmoric, which is what you'd expect from this group.

When the jokes work, the film is hysterical but there are too many dead moments to sustain the laughs. It's probably a lot funnier if you see it in an altered state of mind but even sober, there are enough laughs to enjoy it.

Much Ado About Nothing

   Director Joss Whedon takes a break from superheroes to adapt a Shakespearean classic comedy. Using his own home for a set and employing many of his acting friends, Mr. Whedon sets the film in contemporary times but utilizes Shakespeare's original text.

     Filming in black and white is a bold move that pays off. The cinematography is crisp and clear and looks beautiful. The acting, while professional, is loose and light. Standouts in the film are Amy Acker as Beatrice, Alexis Denisof as Benedick and Reed Diamond as Don Pedro. The film also stars Clark Gregg as Leonato, Fran Kranz as Claudio and in a smaller but fun role, Nathan Fillion as Dogberry.

      It's a great introduction to Shakespeare as the story is not that difficult to follow if you are unfamiliar with the play. Everyone in the film seems to be having a good time. There is much drinking, dancing and carousing a midst the intrigue. Obviously Shakespeare never envisioned his play featuring ipods and iphones but everything works in this fun, modern version.

Now You See Me

   A movie about grand illusions that is really not very grand. It does however, give the illusion of entertainment. The tag line of "the closer you look, the less you see" could not be more apropos.

    Jesse Eisenberg, Isla Fisher,Woody Harrelson, and Dave Franco star as magicians, a mentalist  and a street con artist brought together under mysterious circumstances to perform grand illusions that are not what the seem. The film also stars Morgan Freeman, Michael Caine, Melanie Laurent, Mark Ruffalo, and  Common. Its a strong cast having fun in a no brainer that will entertain and amuse you if you don't think too hard.

    If you're the type to analyze everything, you will be disappointed by the reveals and the "twist" ending you saw coming, if you followed the clues. One reveal, in particular, is so complex that it completely defies logic. The expense, timing and control of the environment is impossible. But you accept it if you are invested in the story.  Of course films like this always throw in "red herrings" to keep you guessing and they do help keep things interesting.

    After the final "twist", the ending really disappoints. It's like watching air escape from a balloon that just goes flat. I suppose they do leave an opening for a sequel if the film does well, but that would be the biggest trick of all.

Frances Ha

    Written by Noah Baumbach and Greta Gerwig, directed by Noah Baumbach and starring Greta Gerwig, this charming Indie could easily have been the love child of Woody Allen and Lena Dunham. 

     Beautifully shot in black & white, with a wonderful score and soundtrack, the film brings to mind the mid-career cerebral comedies of Mr. Allen. It's story of a mid-twenties single woman struggling to find her way in New York will also bring to mind Ms. Dunham's HBO darling, "Girls". Regardless of the two comparisons, Mr. Baumbach and Ms. Gerwig find their own rhythm and originality in their interpretation of young adult life in New York. 

     What also sets it apart is the appeal of Ms. Gerwig character, Frances, who remains ever the optimist, despite life's little setbacks. Co-starring as Frances's best friend Sophie is Mickey Sumner (daughter of musician, Sting). Their relationship is the backbone of the film and it supports the story with strength and honesty.  Also in supporting roles are Adam Driver and Grace Gummer, both enhancing their Indie credibility. 

     The film is funny and sweet and a refreshing change from the onslaught of summer blockbusters.

Fast & Furious 6

If you are an action junkie with a need for speed, this is the film for you. Returning once again to the original crew, the creative team behind this series has found a way to up the ante with spectacular stunt sequences and pretty much non-stop action.

 Vin Diesel returns as Dom, along with Paul Walker, Tyrese Gibson, "Ludicris", Michelle Rodriguez, Jordana Brewster, Sung Kang and of course Dwayne "The Rock" Johnson. Joining them this time out is MMA star Gina Carano as a federal agent. Of course Michelle Rodriguez's character Letty is supposed to have died but the screenwriters find a convenient way to bring her back as they needed a motivating plot point.

The basic plot is nothing new but the stunts along the way are mind blowing. Whether or not they are real or CGI (or a combination of both) doesn't matter, everything blends seamlessly and looks incredibly real.

Even the fight sequences are bone crunching and there are plenty of those to go along with the explosions, car crashes and flying bullets. The much needed comedy relief is provided by the wise-cracking Ludicris and Tyrese.  There is an interesting clip from "Tokyo Drift" which sets up Fast & Furious 7 during the end credits so don't be in a hurry to leave.

The film is the very definition of summer popcorn fun. Check your logic at the door, put in your ear plugs and enjoy the ride.

Pain & Gain

 Director Michael Bay tones it down just a notch for this comedic look at a crime gone bad. The movie is based on a true story about three losers who decide to kidnap a wealthy businessman to get all his money and property. The premise is pretty ridiculous but amazingly it's all true.

      Mark Walhberg stars as Daniel Lugo, the "mastermind" who works in a gym and decides to kidnap one of his clients, played by Tony Shalhoub. This fitness freak enlists the help of his best friend, dimwitted Adrian Dorbal, played by Anthony Mackie to help him pull off the kidnapping. Deciding they need a third person for the job, they convince Paul Doyle, played by Dwayne Johnson (The Rock) to help them. These are the three dumbest criminals in history and what happens next is unbelievable, but as we are literally reminded, its a true story. 

      Mr. Bay shows a little restraint behind the camera but can't help show off his signature flourishes.  Stop action, slow-motion and excess violence all contribute to the ensuing mayhem. While the kidnapping turns violent, the movie is still very funny. The three leads all play dumb so well. Mr. Johnson, in particular is terrific as Paul Doyle. The film is definitely played for laughs with help from a supporting cast of Rebel Wilson and Rob Corddry.

          You will laugh a lot at the stupidity but probably feel a little disturbed if you stop to think this all really happened. After all, the story involves torture and murder. It's a smart movie about really stupid people. 

Stark Trek: Into Darkness

Director J.J. Adams continues his reboot of Star Trek with a worthy sequel. The best thing to be said of "Into Darkness" is that you will feel like you're watching a TV episode of the original Star Trek on the big screen.

Writers Roberto Orci, Alex Kurtzman, Damon Lindelof and J.J. Adams treat their material with such love and respect for the original series that combined with the perfect casting, everything fits perfectly to recreate the world of Star Trek. There are the requisite verbal and sight gags that reference the original and yet, at the same time, this group make the film their own. The story borrows a major character from the past and gives him the back story he deserves.

The same cast returns and fill their respective roles admirably. Chris Pine is growing on me but he still has some work to do inhabiting the role that made William Shatner a star.  Zackary Quinto is a fine Spock and Karl Urban does a dead on Dr. McCoy with all his verbal nuances intact. Simon Pegg also returns as "Scotty, along with John Cho as Sulu, Anton Yelchin as Chekov, and Zoe Salanda as Uhura. The villain of the story is played by Benedict Cumberbatch who usually plays good guys and here, makes a truly ruthless villain.

There's plenty of action that plays well on the big screen, even in 2-D and I'm sure even more impressive in IMAX format and 3-D (although I was very satisfied without it). May the inevitable sequels live long and prosper. 

The Great Gatsby

       Director Baz Lurmann brings his over the top creativity to the forefront in this new version of "The Great Gatsby". It is more style than substance... but oh what style.

        Leonardo DiCaprio and Cary Mulligan star as the lovelorn Jay Gatsby and Daisy Buchanan. For Mr. Lurmann's vision, they are perfectly cast. Mr. DiCaprio inhabits the role with snap and polish and a glimmer of danger. Ms. Mulligan brings a luminescence and vulnerability to Daisy. Through Mr. Lurmann's lens, every scene they are in together elevates their very presence.

 Co-starring in this lavish production is Toby Maguire as Nick Carraway and Joel Edgerton as Tom Buchanan. Mr. Maguire is miscast as Nick. His goofy grin and wide eyed response to everything going on around him becomes increasingly annoying as the film goes on. His purpose as narrator would have been better served had he stayed off camera throughout. Mr Edgerton, on the other hand, is well cast as Tom and brings a strong and menacing aura to the role. Isla Fisher and Jason Clarke have the small but pivotal roles as Myrtle and George Wilson. 

 The fashions, party scenes, and every excess of the period is heightened and unfortunately, lost in this vision is the story. Every nuance of the novel that has been dissected and examined in English classes through the years is lost in the visual excess.

 As with all of Mr. Lurmann's films, you will be swept away by his visual style, strengthened by the chemistry between Mr. DiCaprio and Ms. Mulligan. But to understand what makes this a story for the ages, read the novel.

Mud

      This new Indie drama starring Matthew McConaughey (in a low key performance) is a kind of modern day "Huck Finn". Beside Mr. McConaughey in the title role, the film features a stellar cast including Sarah Paulson, Michael Shannon, Ray McKinnon, Sam Shepard, Paul Sparks and Reese Witherspoon. There is even a cameo from Joe Don Baker.

       While the film is filled with big stars from the Indie film world, two of it's biggest stars are a a pair of young teenage boys, Ty Sheridan as Ellis and Jacob Lofland as Neckbone. It is Ellis and Neckbone that discover Mud hiding out on a small Island on the Mississippi River. Mud, we come to find out is a wanted man trying to reunite with his girlfriend. Ellis is a hopeless romantic and Jacob is a realist but both take a liking to Mud and want to help him for their own reasons.

        It's an original story that meanders its way like the river where it takes place. There are triumphs and disappointments along the way. The acting is first rate but it's Mr. Sheridan in particular that really stands out. He has a long career ahead of him. Mr. McConaughey continues to shine in off kilter roles (see "Killer Joe").  He, along with the film itself, is filled with Southern charm.

Iron Man 3

      Thankfully better than "Iron Man 2" but no comparison to the first film in the series, this third outing is fun for the casual moviegoer but a disappointment for those well read in Iron Man mythology.

       Robert Downey Jr. returns as Tony Stark aka Iron Man, along with Gwyneth Paltrow, Jon Favreau and Don Cheadle all reprising their roles from the earlier films.  Mr. Favreau is also the executive producer and makes sure his character has a bit more to do in this installment.  As for the villains this time out, we have Sir Ben Kingsley and Guy Pearce. Sir Kingsley plays the infamous Mandarin from the pages of Iron Man and for the purists, they will be disappointed in the character's interpretation. He is terrific as always but not in the way you would expect.

       There are excessive jokes, excessive explosions, and literally excessive Iron Men. The film is overstuffed to fulfill it's blockbuster status.  It also features too much Tony Stark and not enough Iron Man.  Many will probably prefer it this way. Director Shane Black has worked with Mr. Downey before and makes the most of his humor and personality.  I would go as far as to categorize the film as a comedy with some heavy duty action sequences thrown in.

        If you've seen the trailers (and how can you miss them), you pretty much know what gets blown up but there are still some surprises in store, so grab your popcorn and settle in for a decent start to the summer movie season.

Disconnect

    This new ensemble drama loosely connects individual stories of characters unable or unwilling to connect in the new millennium. Cell phones, iPads, laptops and the internet all play important characters in director Henry Alex Rubin's cautionary tale.

   The film stars Jason Bateman (serious for a change), Hope Davis, Paula Patton, Alexander Skarsgard, Andrea Riseborough, Frank Grillo, Michael Nyqvist and Max Thieriot. Everyone is excellent in their roles, whether they are parents dealing with disaffected teens, a reporter who oversteps her boundaries to get a story, or a couple trying to cope with the loss of their child.

  Mr. Rubin is heavy handed in making his point. The movie is filled with internet chat superimposed on the side of the screen or text messages going back and forth. Facebook pages reveal more emotion than characters can express in person.

Everything going wrong in our society today is consolidated by this microcosm of disconnected people. It's a serious drama that can leave you depressed. However, there is a glimmer of hope at the end that reminds you it's not to late to change the way we live our lives in the 21st century.

Deceptive Practices: The Mysteries and Mentors of Ricky Jay

 "Sleight of hand" master and magic historian, Ricky Jay is profiled in this new documentary by Alan Edelstein and Molly Bernstein. Not only is it a wonderful peek into the world and mind of Mr. Jay but it is a fascinating look at the magicians who influenced him.

  We learn a little bit about his childhood including his desire to perform magic at the age of four.  Also his love for his grandfather, who encouraged him and introduced him to some of his early mentors. We learn about Slydini, Cardini, Dai Vernon (The Professor) as well as many more colorful characters and master magicians.

    Mr. Jay does not do "stage" magic like David Copperfield or Doug Henning but rather is a master at cards and "close-up" magic. In addition to the fantastic history lesson, we are treated to many of the effects, illusions and sleight of hand that have made him famous. Through archival footage (some of it quite old), we we also get to experience some of the illusions by the masters.

    There is quite a bit of video footage of Mr. Jay as well performing through the years and also interviews with fans and friends, such as David Mamet (Mr. Jay has acted in many of his films). It's a wonderful ninety minutes that I could have easily watched for ninety more. It also made me immediately want to see "The Spanish Prisoner" again. A wonderful and surprising film in it's own right.

Oblivion

       What an appropriate title for the latest Tom Cruise snooze fest. This new sci-fi adventure is like instant hot cereal. Just add elements from other classic sci-fi films, add Tom, heat and serve.

        The first hour could be best summed up as watching "Top Gun" if it took place way in the future as Mr. Cruise flies around in a cool helicopter, shooting flying copies of R2D2. Earth, we come to find out has been destroyed. Mr. Cruise and his co-star, Andrea Riseborough spend their days making sure all of the planet's water is siphoned off safely to holding tanks for Earth's survivors on Titan.  We are basically watching a remake of "Wall-E" with live actors.

         Things pick up in the second hour with the introduction of a mysterious earth woman (Olga Kurylenko) and the ubiquitous appearance of Morgan Freeman. The special effects are well done but why do we always see remnants of The Statue of Liberty, The Washington Monument, The Brooklyn Bridge, and The Empire State building in every disaster movie? Aren't there other recognizable landmarks to choose from?

          For some strange reason, Melissa Leo thought appearing in this mess was a good idea. She dos play it safe though as she filmed her scenes from home using Facetime on an iPad.

          Of course if you are the type of person who enjoys watching Mr. Cruise grimace, square his jaw and shoot things for two hours, then "Oblivion" is for you.

42

     "42" is a rousing, crowd pleasing film based on the story of Jackie Robinson, the first African American to play major league baseball. Even if you don't like baseball,  it's a very human story of triumph, both in sports and over racial discrimination.

      Chadwick Boseman, a fairly unknown actor, plays Jackie Robinson with all the charisma and self assurance of a major movie star. Co-starring is an almost unrecognizable Harrison Ford as Branch Rickey, the owner of the Brooklyn Dodgers, who give Mr. Robinson a shot at the majors. Mr. Ford is absolutely wonderful in the role. It's one of the best things he's done in years.

        The film also stars Nicole Beharie as Rachel Robinson, Jackie's wife, Andre Hollard as Wendell Smith, a sports writer and chronicler of Jackie's story and Christopher Meloni as Brooklyn Dodger manager Leo Durocher. The film was written and directed by Brian Helgeland with much love and reverence for his subject. 

       Mr. Helgeland focuses on the first three years of Mr. Robinson's career and does a great job avoiding melodrama. Everything about the film glows with authenticity. Mr. Helgeland doesn't shy away from the ugliness of racism. A scene when the opposing manager in a game taunts Mr. Robinson with unbelievable slurs is difficult to watch but necessary to the story.

         The film has a great cast, a great script and a real life American hero. It should not be missed. 

The Place Beyond The Pines

      The first "serious" drama of the year has a great cast in an unusual character study. The film stars Ryan Gosling and Bradley Cooper but don't expect fireworks between them since they only have one very short scene together. Of course, that scene is pivotal and extremely crucial to the story.

         The Place Beyond The Pines is an Indian translation for Schenectady in upstate New York where the film takes place. It's a refreshing location for a film that deals with age old themes. Fathers and sons, family, and the choices we make that define our lives all play out in a low rent Shakespearean drama.

          The film moves in a slow deliberate rhythm seemingly weighed down by it's heavy subject matter. However, the acting is excellent and supporting players Harris Yulin, Eva Mendes, and Ray Liotta all shine (although Ray Liotta's bad cop routine is getting old). Only Rose Bryne is wasted as Mr. Cooper's wife. Newcomers Dane Dehaan and Emory Cohen have a bright future ahead of them.

            The cinematography is beautiful. Schenectady and the surrounding countryside have never looked better. Director Derek Cianfrance (who previously directed Mr. Gosling in "Blue Valentine") has stepped up his game and while it has it's flaws ( It could have easily been called "The Place Beyond The Cliches) it's still engaging and worth your time.

Trance

          The latest film from director Danny Boyle messes with your mind from the very start. Most thrillers stick the twist in the middle or at the end but "Trance" starts right out with a twist and keeps you guessing for the rest of the film.

         The film stars James McAvoy, Vincent Cassel, and Rosario Dawson. Mr. McAvoy works in an auction house and Mr. Cassel is a thief who wants to steal a valuable painting. Ms. Dawson's character is better left unsaid to avoid spoiling the fun.

         Mr. Boyle sets the story in motion rather nicely and the film gets off to a quick and exciting start.  The film bogs down in the middle, caught in it's attempt to be too smart for it's own good and the audience suffers for it. It makes a decent recovery in the last act but unless you've been totally won over by the premise, it ends as a disappointment.

         Mr. Boyle's films always have great editing and music. "Trance" is no different.  The song choices are terrific and the editing, especially with this plot, really makes a difference. It's just too bad the script asks too much of it's audience and then has a major character explain everything just to make sure you don't walk out totally confused.

Warm Bodies

    Yes, it's another zombie movie but it has a clever twist. "Warm Bodies" asks the question, what if zombies still have a shred of humanity buried within them and still maintain memories? Nicholas Hoult stars as "R", a teenage zombie who spends his life shuffling around an airport in search of human flesh. R speaks to the audience in voice over, explaining his situation but is definitely undead.

      Like most zombie movies, its never explained why the planet has become over run with zombies but of course there is always a small band of humans left trying to survive. When Julie, played by Theresa Palmer ventures out on a supply run with her boyfriend and a few others, they are attacked by R and other zombies. It's at this point, our twist is set in motion and the story becomes rather clever. Of course, it's an obvious zombie take on Romeo and Juliet when R and Julie fall in love but it's all in good fun when love literally sparks life. 

        Ms. Palmer and Mr. Hoult are both very attractive teen actors and have good chemistry together. In a bit of strange casting, John Malkovich is Julie's dad and the leader of the humans. This is not the usual type of film you would expect to find John Malkovich but I guess every actor needs a regular paycheck. Rob Corddry, on the other hand is perfect as R's zombie "best friend"... for lack of another term.

          "Warm Bodies" is probably already gone from theaters by now as the Spring crop of films begin to arrive but it's worth a viewing paired with "Night of The Living Dead".

Oz, The Great & Powerful

     A terrific idea with a disappointing result. As a prequel to "The Wizard of Oz", it's definitely fun to revisit Oz itself and learn how the wizard became the all powerful Oz. And course, we want to know how the witches ended up on their destiny's path but lackluster direction from Sam Rami and a miscast James Franco diminish what really could have been magical.

      Mr. Franco stars but his energy level is far below what we would expect from the con man who defeats the wicked witches and wins the heart of Glinda. What saves the film from being a complete dud are the fantastic visuals and the performances of Michelle Williams as Glinda, Rachel Weitz as Evanora, and Milla Kunis as Theodora.

        Especially in 3-D, the film looks beautiful and in a nod to the original, starts in black & white in the Kansas scenes and then turns to color when Mr. Franco arrives in Oz. For an adventure of this nature, you would expect more from Mr. Rami but the director moves the film ever so slowly toward it's big climax. There are some clever nods to the original and moments of intelligent wit but it's a dull trip down the yellow brick road. Kids will probably enjoy it although the flying baboons may be frightening for little ones.

A Good Day to Die Hard

        The fifth installment in a series that should have quit after two. The only thing remaining in the spirit of the original "Die Hard" is Bruce Willis's smirk. The plot (or what passes for a plot) moves the story to Moscow for a ridiculous story linking Russian villains and the Chernobyl disaster from 26 years ago. To most, Mr. Willis will be the only recognizable face in the film, which co-stars Jai Courtney (best know for cable TV's "Spartacus"). 

         Mr Courtney plays Jack McClane, Mr Willis's son, who as it turns out is a CIA operative in Moscow, unbeknownst to Mr. Willis. The fact that Mr. Willis doesn't know this is only the first of a series of poor plot points. Wounds heal miraculously, weapons appear just when they are needed and villains continue to talk (or in this case, dance) instead of shoot when  the heroes are captured.

        Aside from watching an infinite amount of vehicles being destroyed early on and a transport helicopter blown up later on, there's nothing here to hold your attention. Even a good joke about "a vacation" is wasted when repeated constantly. And don't even get me started on the rest of the bad dialogue.

         Yippee Kay Ay, this one dies easy.

Side Effects

      The new thriller from director Steven Soderbergh has a great cast and a very clever plot that I can't discuss without spoilers. While it may take some liberties with drugs and the pharmaceutical companies that make them, the script really takes off in unexpected ways and a film that starts slow ends with quite the payoff.

         Rooney Mara and Channing Tatum are a young married couple with issues. He's been in jail for 4 years on inside trading charges and she suffers from depression. Jude Law plays a psychiatrist who ends up treating Ms. Rooney and Catherine Zeta-Jones plays Ms. Rooney's former doctor. These are the things that are apparent. Everything else is quite fun for the audience as the film follows a very unexpected road.

         Ms. Rooney and Mr. Law are terrific in their respective roles. Mr. Tatum is a bit more restrained than usual (probably due to Mr. Soderbergh's excellent direction) and it's good to see Ms. Zeta-Jones in a clever part. The pace of the film starts slow and never really takes off but rather unfolds at it's own deliberate speed, slowly revealing layers like a good thriller should.

         The first third of the film wasn't really impressing me but by the time it ended, it had completely won me over. It's much more clever than you might suspect and a welcome relief during the traditional winter movie blues.

Parker

      Donald Westlake's anti-hero "Parker" has been played in the past by Lee Marvin and Mel Gibson. Now it's Jason Statham's turn and he makes the most of it in this action thriller. The story is fairly simple. Parker is a thief who is double crossed by his crew on a job. Left for dead, he manages to survive and seeks revenge.

       The Florida locations are beautiful and so is co-star Jennifer Lopez, who is surprisingly good as a real estate agent who gets involved with Parker. This is easily her best role since "Out of Sight" with George Clooney.  A nice twist in the plot is that Ms. Lopez is not a love interest but rather becomes a partner of sorts for Parker. The central villain in the film is played convincingly by Michael Chiklis.

        Mr. Statham is known for his fighting skills and action sequences and while "Parker" has fewer of them than most of his films, there are still some exciting moments. A fight sequence in a Miami high-rise is a highlight. By the time you read this, the film has probably left the theaters but its worth your time on video if you are a fan of either Mr. Statham or Ms. Lopez.