Frontera

     Ed Harris, Eva Longoria, and Michael Pena star in this modern "western" that tackles the issues of illegal immigration from Mexico into the United States. It's a worthy topic deserving of our attention but the script becomes a little too neat and manipulative.

     Mr. Harris is a retired sheriff who's land borders Mexico. Amy Madigan, his real wife, plays his wife in the film. Mr. Pena is a Mexican illegal who crosses the border looking for work to support his wife, Ms. Longoria, and his family.  A tragic event sets things in motion that brings all the characters together.

      Trusting their lives to "coyotes", who smuggle them across the border, these people are just hoping for a better life in the United States. More often than not, they are robbed, sexually assaulted, and left to fend for themselves. The film pulls no punches in some of the harsher scenes in the sub-plot. 

       It is refreshing to see Ms. Longoria in a serious, un-glamorous role as she falls prey to one of these "coyotes". Her situation along with Mr. Pena's misfortune, is heartbreaking to watch.  Luckily Mr. Harris is doing his best Gary Cooper impression as he takes matters into his own hands to make things right. It is here that the script and the film score combine to really heighten our emotions and even though it feels manipulative, the final moments are very tense.

        I don't expect this film to last very long in theaters so look for it on video or cable if the subject matter interests you or you are a fan of Mr. Harris. He easily elevates any film he's in and "Frontera" falls into that category.

The Drop

      Based on a short story by crime novelist Dennis  Lahane, this new drama feels like a short story and never takes on the heft of a full fledged film. It's a gritty story with a good twist that builds plenty of tension but the final payoff fizzles rather than explodes.

       The film stars James Gandolfini, in his last film, as Marv and Tom Hardy as his cousin Bob. Marv runs a bar he once owned that has been taken over by Chechin criminals. Bob is his bartender. The bar is sometimes used as a "drop" for dirty money and a robbery sets the plot in motion.  Noomi Rapace is Nadia, a woman Bob meets when he rescues a puppy that has been tossed into a garbage can. John Ortiz co-stars as the detective looking into the robbery.

        Mr. Gandolfini returns to the type of crime character he plays so well but Marv is no "Tony Soprano". He's a has been hoping for one more shot but of course, things get complicated.  Even though the character is washed up, Mr. Gandolfini is still a commanding screen presence. Mr. Hardy struggles with his Brooklyn accent but does a good job as Bob, a man smarter than he appears, doing a slow burn for the majority of the film. 

          The film was held to be released in September when the "serious" fall films begin to appear. It's the first of many to come in award season but don't expect much. It's probably worth your time as a rental or pay per view if you are a fan of Mr. Gandolfini.

This is Where I Leave You

   Based on the best selling novel by Jonathan Trooper, this new comedy/drama has a screenplay by Mr. Trooper and remains pretty faithful to the novel. It is the story of the Altman family who gather together when the father dies.  The adult children are played by Jason Bateman, Tina Fey, Corey Stoller, and Adam Driver. Their mother is played by Jane Fonda. 

     Co-starring are Timothy Olyphant as Horry, the brain injured ex-boyfriend of Ms. Fey, Kathryn Hahn as Mr. Stoll's wife, Rose Bryne as a girl from Mr. Bateman's past, Connie Britton as Mr. Driver's girlfriend,  Ben Schwartz as the family rabbi and Debra Monk as Ms. Fonda's best friend. It's a very large ensemble film and everyone is well cast but play mostly to type. Standouts are Mr. Olyphant as Horry and Ms. Fonda  as the strong willed matriarch.

      There is the usual amount of sibling rivalry and infighting and this family has enough dysfunction that if Peter Jackson was directing, it would have been stretched to a trilogy. Secrets are kept and revealed, romances are rekindled and lost, and along the way there is humor and pathos. What worked in the novel begins to get tedious in the film as Mr. Trooper tries to jam all his ideas into a two hour film. It's also hard to share the wealth of the material when you have such a strong cast but director Shawn Levy does his best to give everyone a fair amount of screen time. The bulk of the heavy lifting falls to Mr. Bateman, who might as well be in an episode of "Arrested Development".

Magic in the Moonlight

           The latest film from writer/director Woody Allen is a light breezy romantic comedy set in the 1920's in the south of France. The scenery and costumes alone make it a worthwhile look.

            After his last film, "Midnight in Paris",  it is clear that Mr. Allen is enjoying writing period pieces and that makes them refreshing to watch. The plot revolves around a supposedly fake psychic played by Emma Stone and a master magician, played by Colin Firth. Sophie, the psychic and her mother are staying with a rich family in the south of France and have totally beguiled the mother and younger son.When a magician named Howard can't figure out how she is tricking them, he asks Mr. Firth's help in exposing the woman.

               The film co-stars Hamish Linklater as Brice, the son head over heels in love with Sophie, Jackie Weaver as his widowed mother, Simon McBurney as Howard and Eileen Atkins as Aunt Vanessa. Marcia Gay Harden plays Sophie's mother in what amounts to a cameo. Mr. Allen has assembled a terrific cast but clearly above the rest is Mr. Firth. He is wonderful in the film and his light comedy just shows another level of the depth and range of his acting. Ms. Stone does an admirable job but I was not overly impressed and felt her casting was the one misstep (She always seems like a girl trying to play an adult). Clearly Mr. Allen doesn't agree with me as his camera loves her.

                The location shooting is breathtaking and everything about the period wardrobe and props is pure eye candy. The film never takes itself too seriously even when Mr. Allen becomes dialogue heavy with his own philosophies. A highlight in the script is a scene late in the film between Stanley (Mr. Firth) and his Aunt Vanessa that is sheer poetry in the writing.

                Far from his best, "Moonlight" is still enjoyable and I hope Mr. Allen continues to find inspiration from his recent European settings for his inevitable next yearly film.

Frank

        Inspired by Chris Sievey, a singer who's stage name was Frank Sidebottom and always wore a giant paper-mache head, "Frank" is the story of an eclectic rock band and the idealistic young musician who joins them. This quirky film is dramatic, musical, funny and lovingly odd. It's the very definition of an Indie film that will never find a broad audience. It's the kind of film you seek out due to word of mouth or a review you just happen upon.

        Frank is the leader of a band with an unpronounceable name and he never removes his cartoonish giant head. Underneath, he is played by Michael Fassbender in a remarkable performance. His band is played by Maggie Gyllenhaal (irresistibly unlikable) , Francois Civil, and Carla Azar. Their manager is played by Scoot McNairy (so good in AMC's "Halt & Catch Fire"). They are an eclectic group who play together for no apparent reason except to make noise.  While touring Ireland, their keyboard player is hospitalized and a young musician named Jon, played by Domhnall Gleeson, ends up in the band. 

        The film is really Jon's story and Mr. Gleeson is just terrific (He has good genes. His dad is Brendan Gleeson). Seizing the opportunity to be in a band, Jon jumps at the chance but soon finds himself part of a life he could never imagine.

         If you are getting tired of the summer Hollywood machine and want something really unique and different, find this film. It will challenge and annoy you, make you laugh, make you sad, but ultimately entertain you.

Calvary

    The new film from writer/director John Michael McDonagh (The Guard) stars Brendan Gleeson in a magnificent performance as a village priest facing his own mortality and the increasing loss of faith in his community. 

     During confessional at the start of the film, Father James is threatened to be killed in one week's time, for the sins of another priest.  He spends his last days tending to the secular flock of townsfolk in his small Irish village. His resolve to the church never waivers even as the threat becomes more ominous.  As the week progresses, we are introduced to the various members of the village ( Chris O'Dowd, Adian Gillen, and M. Emmett Walsh, among others) , many of whom are suspects, as well as his daughter, Fiona, back home after a failed suicidal attempt.

     The film co-stars Kelly Reilly as Fiona and the relationship between Father James and his frail daughter is warm and tender. His relationship with the rest of the town is strained at best. While many people are friendly enough, Father James presence seems barely tolerated and his faith is constantly tested.

      Philosophical and spiritual questions are raised throughout and the film is a serious drama.  There is a prevailing dark humor that helps lighten the mood but the overall tone is foreboding and grim as the story moves towards its inevitable conclusion.

      The film is a microcosm of problems faced by the Catholic church in a world filled with an increasing loss of faith. Despite its dark and depressing tone, it's still a terrific film, both thoughtful and entertaining with beautiful scenes of the Irish coastline.

Love is Strange

 John Lithgow and Alfred Molina star in this new drama from writer/director Ira Sachs. Ben (Mr. Lithgow) and George (Mr. Molina) have been together nearly 40 years and after New York  passes the law allowing gay marriage, they decide to tie the knot. Things take a turn once they make it legal and the story grows from their new, unexpected situation.

    This is a compassionate, honest portrait of love that is tested between the two men and the friends and family that support them. Mr. Lithgow and Mr. Molina are wonderful together. They are so natural in their performance that you are fully engaged in their characters and and feel welcome in their world. 

     Co-starring are Marisa Tomei and Darren Burrows as Ben's niece and nephew. Ms Tomei gives a subtle yet strong performance and it's wonderful to see Mr. Burrows acting again (He was so good many years ago on the TV show, Northern Exposure). The film also co-stars Cheyenne Jackson, Manny Perez and Charlie Tahan in a pivotal role of Joey, Ben's great nephew.

      Besides the great cast, the other major character is Manhattan itself. Much like Woody Allen, Mr. Sach loves the city and there are great shots where the camera lingers just long enough at the end of a scene to appreciate the background of the city. The soundtrack too plays an important role. It is mostly Chopin and works beautifully to enhance the story.

     There are many themes at work here and Mr. Sachs balances them all but it is the strength of Ben and George's love that binds everything together. The end is bittersweet but Mr. Sachs leaves us in good place as we leave the theater.

Sin City: A Dame to Kill For

    Writer Frank Miller teams up once again with director Robert Rodriguez to bring us more tales of Sin City. If you enjoyed the original, you will be happy to return to this world of highly stylized art, violence and comic book film noir.

      Jessica Alba, Mickey Rourke, Bruce Willis (a cameo since he died in the original), Powers Boothe and Rosario Dawson all return and this time out are joined by Josh Brolin, Joseph Gordon-Levitt and Eva Green in the major roles.  Mr. Rouke is a standout bringing a heartfelt performance under tons of makeup to the unique character, Marv. Ms. Green brings the sexiness as the "femme fatale" Eva. Co-stars in minor roles include Christopher Meloni, Jeremy Piven, Dennis Haysbert and Ray Liotta. There is also a quick cameo from Lady Gaga.

     Much like the first, this is a living breathing comic book that delivers what you would expect, bullets, bondage gear, blood, sex and mayhem. The film is all about the visual. With the exception of Mr. Rouke and Ms. Green, every other character is a comic book stereotype devoid of any real emotion or depth. The three interwoven stories don't carry any weight or importance. They are basic stories of greed, lust, and revenge that justify the sex and violence.

        The real star of the film is the artwork that melds with the cinematography. This unusual technique is even more striking than the original film and looks fantastic in 3D.

Get On Up

    Chadwick Boseman stars as the "Godfather of Soul", James Brown in this new drama. Mr. Boseman is creating quite the career for himself portraying iconic figures in history. He was terrific in "42" as Jackie Robinson and shines here as James Brown, which is clearly not an easy task. He has all the moves down perfectly and embodies the man as well as the legend.

     The film co- stars Nelsan Ellis as Bobby Byrd, his long time friend and band member, Dan Ackroyd as his manager, Viola Davis as his mother who abandons him early in his life, and Octavia Spencer, who raises him when his father joins the army. The cast is excellent and all the acting in the film never feels false. Jamarion Scott plays Mr. Brown as a boy and he is a natural.

     While the acting and all the music are first rate, I can't say the same for the screenplay. The story is disjointed and all over the place, jumping around in time.  The film is broken down into significant periods in Mr. Brown's life but never sticks to a particular time frame. Plot lines are introduced and then left dangling, unresolved. The story would have been better served with a linear plot and maybe an occasional flashback but here the technique is misused and doesn't add anything to the story exception confusion.

      We are treated to important moments in Mr. Brown's life as well as in our own history. It's an honest portrait as it also doesn't shy away from Mr. Brown's drug use and abusive nature. He was a genius and a musical icon but as he says in the film, " you pay the cost to be the boss".

Lucy

      The new film from writer/director Luc Besson is his personal thesis on the potential of the human brain.   Mr. Besson is in the enviable position of having the clout to share his thoughts and ideas with the world through financing of this action drama. What happens when we unlock 100% of our brain's potential?

       Known for some pretty outrageous films (The Fifth Element), Mr. Besson also has a proven reputation of getting the most out of his female leads (Natalie Portman in "The Professional", Milla Jovovich in "The Fifth Element") and he proves it here again with the casting of Scarlett Johansson.

Ms. Johansson elevates what is a pretty far fetched "b-movie" into an action packed film with theories that you may actually start considering since she plays it so seriously. And of course, having Morgan Freeman co-star as a professor contemplating the same theories also adds a degree of "take this seriously" to the proceedings.

         The action sequences are a visual treat (I'd expect no less from Mr. Besson) and while the story tries hard to be convincing, it all becomes rather silly by the end. There are obvious illogical holes in the plot but Mr. Besson sacrifices logic to make his point. My own conspiracy theory or just a strange coincidence but this film may help to explain Ms. Johansson's character in the film "Her".

Guardians of the Galaxy

   The very definition of a summer popcorn movie, Marvel studios has another hit franchise in the making (the sequel has already been announced). If you like sci-fi adventure with tongue firmly in cheek, then"Guardians" is for you. It's the most fun you will have at the movies all summer.

       This is a space opera in the the truest sense. No hidden messages, no deep thinking, just good guys vs. bad guys hurling through space with the fate of the universe at stake. If you are a fan of the original comics, you will be happily satisfied, even with minor tweaks to the characters. If you know nothing of the comics, the story is still easy to follow (even if you don't know the difference between a Kree and a Badoon). Credit director James Gunn, who also wrote the screenplay (with Nicole Perlman) to keep things moving at a quick pace, oversee some of the best CGI ever created in the characters of Rocket Raccoon and Groot, and remain faithful to the source material even while injecting original ideas of their own.

       The cast is simply terrific. Peter Quill is a star making role for actor Chris Pratt. Zoe Saldana is perfect as the assassin, Gamora as is Wrestler David Bautista as Drax the Destroyer. Breathing sarcastic, yet heartfelt life into CGI Rocket Raccoon is Bradley Cooper and Vin Diesel does a lot with a little vocalizing Groot. While Mr. Pratt is clearly the lead, all the characters get equal screen time and play off each other beautifully. The film also features Lee Pace as the villain, Ronan the Accuser, Michael Rooker as Yondu, leader of the Ravagers, Djimon Hounsou as the villain, Korath, Benicio del Toro as The Collector, and John C. Reilly and Glenn Close as members of the Nova Force. 

         If you are a fan of '80's pop music, you will really love the soundtrack too. The music is integral to the story and contributes to the overall fun of the film. And, as with every Marvel film, stay through the credits for two extra scenes, one everyone will enjoy and one only real fans will appreciate.

Begin Again

    Mark Ruffalo and Keira Knightley star in this charming comedy/drama from the folks that brought us the film, "Once". An unconventional love story filled with terrific music, this is a film that goes down smooth on a summer night (which is what you can say about "Once" as well).

     The film co-stars Adam Levine, Hailee Steinfeld, Catherine Keener, Cee Lo Green, and Yaslin Bey (formerly known as Mos Def). Ms. Keener is Mr. Ruffalo's ex-wife and Ms. Steinfeld plays their teenage daughter. Mr. Bey, together with Mr. Ruffalo own Distressed Records. 

      Distressed is appropriate for Mr. Ruffalo as when the film starts he is very much down on his luck until he meets Ms. Knightley singing in a bar. She is a struggling songwriter and Mr. Ruffalo becomes inspired by her and decides to produce her first album. I won't spoil Mr. Levine's role but suffice to say, he does get to sing quite a bit (as does Ms. Knightley) and the original songs for the film make an excellent soundtrack.

      The editing at the beginning uses flashbacks in a clever way to introduce the characters. Director John Carney (who also wrote the screenplay) then takes the film to the streets of New York in an unusual way and the city itself becomes a character. There are equal parts drama and comedy but everything stays lighthearted and enjoyable.

Boyhood

    Written and directed by Richard Linklater, "Boyhood" is a remarkable achievement in so many ways. The film focuses on Mason, a 6 year old boy living an ordinary life and was shot in sections over a 12 year period. We watch Mason, his actor parents, played by Ethan Hawke and Patricia Arquette and everyone else in the film age naturally over the course of 12 years.

    The screenplay was written as the film was shot to match each time period so all the dialog and references are authentic to the appropriate year. The editing is flawless and you get the sense you are watching a 12 year documentary rather than a scripted story. The film itself runs almost three hours and captures moments big and small in Mason's life. There is nothing in the story that is sensational or manipulative. Everything is rather ordinary but the screenplay focuses on the little details that make even an ordinary life, extraordinary.

     When the film starts Mr. Hawke and Ms. Arquette are divorced and Mason and his sister (Played by Lorelei Linklater, the director's daughter) live with their mother. Mr. Hawke gets the kids every other weekend. Characters come and go and more importantly grow in many ways as the film progresses. 

      Ellar Coltrane plays Mason and being privy to the intimacy of his life from 6 to 18 is fascinating. Yes, the film is scripted but Mr. Coltrane and the rest of the cast are so natural, you feel like a voyeur in his life and once the film ends, you will find yourself wishing for a sequel. What happens next is left to the imagination but credit Mr. Linklater for stimulating us and looking at life through his lens in a new and captivating way.

A Most Wanted Man

  From the novel by John LeCarre, this is Phillip Seymour Hoffman's last completed film.  As with all of Mr. LeCarre's spy novels, this story is more about intelligence than gunfights and chase scenes. It is a slow, intriguing story with a meticulous performance by Mr. Hoffman. 

    Mr. Hoffman plays Gunter Bachmann, a German counter-terrorist agent leading a rogue task force in Hamburg. For his final performance, Mr. Hoffman's character is overweight, drinks and smokes too much and has pasty white skin behind a glimmer of intelligent eyes. Physically, he's a wreck but his performance still shows what a great actor he was.

   The film co-stars Rachel McAdams as a civil rights lawyer protecting a major character, Willem Dafoe as a banker brokering an important transaction and Robin Wright as a U.S. diplomat with her own agenda. The cast is very good but on film, the story comes off rather dull. We follow the players and we follow the money but the film never rises above a slow burn.

    Espionage films without much action depend on twists and turns and a complex puzzle for the audience to solve if you intend on keeping them involved. This plot is not that complicated and almost disappointingly easy to follow. While it does have one or two twists, it's really not enough to satisfy fans of this genre.

Sex Tape

     Cameron Diaz has sunk to a new low starring with Jason Segel in this raunchy but boring comedy. The subject is appropriate for the times. What if you made an amateur sex tape for your own enjoyment but it leaked onto the internet and you tried to retrieve it? The antics of this married couple to get back the video are meant to be funny but the script fails horribly.

      Aside from the sex tape itself ( of which we see "R" rated bits and pieces)' there is little action. The film is all exposition and terrible dialogue. There is only one mildly amusing sequence at the home of Ms. Diaz's boss, played by Rob Lowe. It starts out creepy, gets stranger and stranger but the weirder it gets, the funnier it somehow becomes.  Pay close attention to all the paintings. The laughs during this sequence involving Mr. Segel come at the expense of simulated violence to a German Shepard which I only enjoyed because Mr. Segel is on the losing end of the encounter.

         The film had promise...a good cast and an interesting premise. It's a shame it falls apart quickly and never really recovers. Even a cameo by a particular comedic actor late in the film can't save it.

          Life should have imitated art. Someone should have deleted the film before it showed up in theaters.

Dawn of the Planet of the Apes

       What a pleasant surprise. I wasn't expecting much as far as a sequel to a reboot of a beloved classic but "Dawn" is actually a better film than the first. It's a smart script with lots of emotion. The special effects are absolutely breathtaking and the motion capture work is brilliant.

         Andy Serkis breathes 100% life into Caesar, the ape leader. The film goes out of its way to show extreme close ups of Caesar as if showing off just what the technology can do. Jason Clarke, Keri Russell and Gary Oldman are the human stars in the film. They end up in conflict with the apes when they want to restart electrical power at a dam in the ape's territory.

           There are some good action sequences throughout and as I mentioned, the film actually packs an emotional punch. This is a film that deserves to be seen on a big screen. My biggest criticism is that it runs too long. It could have been better edited. Losing fifteen minutes or so would have kept things tighter and possibly more exciting.

          With technology advancing with every film, they can keep sequels coming for years although sooner or later the ape/human conflict has to end with the apes winning. After all, it isn't called Planet of the Apes for nothing.

Wish I Was Here

     Zach Braff follows up "Garden State" with this new film that could be described as a "Garden State" for adults. He tackles lots of themes, some better than others but his script is at its core is filled with stereotyped characters and situations that try too hard to be funny in a depressing drama.

      We learn early that a major character is dying, which is important to the story but the impending death casts a pall over the rest of the film. Mr. Braff's character is struggling with family, his job, and his relationship with his father and brother to the point of exhaustion. He has the loving supportive wife, played well by Kate Hudson and the requisite precocious little boy and more mature than her years, teenager daughter played wonderfully by Joey King.  His slacker brother is played by Josh Gadd, a good actor in a typical role and Mandy Patinkin is perfect as Mr. Braff's judgmental father.

        Mr. Braff stars, directs and has co-written the script with his brother. It is obviously a personal film for him and it's his direction that stands out. He does an admirable job getting the best out of his cast.  Ms. King, in particular excels here and is the best thing about the film. She has been steadily building up her resume in a slew of films, usually playing someone's daughter and is definitely a young actress on the rise. As with his previous film, Mr. Braff also makes excellent choices for the music in the background.

          There are some fresh settings for the story which helps mask the "I've seen this before" feeling but the ambition of the script ultimately disappoints. And, after suffering along with the characters, the audience is treated to a feel good ending that ties everything up neatly so you can leave the theater feeling better. So, at least, thank you for that, Mr. Braff.

Life Itself

 A new documentary from "Hoop Dreams" director, Steve James that examines the life and unfortunately, the death of film critic, Roger Ebert. The film is based on Mr. Ebert's book of the same title and it follows him from his early days at college writing for the school paper until his untimely death from cancer.

    It is an unflinching portrait of Mr. Ebert, the man and the critic and whether or not you agreed with his reviews, you still had to admire him for (along with fellow critic Gene Siskel) for making film criticism accessible to mainstream America. It was Mr. Ebert and Mr. Siskel who brought the world "Two Thumbs Up" when they would agree on a review. Many would argue that Mr. Siskel was the better critic and probably deserves a documentary of his own someday but it's Mr. Ebert who reminds us that he has won a Pulitzer Prize and is a critic of the people.

    The film balances flashbacks, film clips and interviews evenly to represent Mr. Ebert's contribution to film and more importantly to his family and the world. We see scenes from some of his favorite films and great clips from the TV show Mr. Ebert shared with Mr. Siskel for so many years. We learn that he married at age 50 to an African American woman named Chaz and that they had a wonderful marriage for 19 years. Many of scenes with Mrs. Ebert  after her husband's cancer diagnosis and subsequent deterioration are so raw and honest that they are hard to watch. However, it is Mr. Ebert love of life and fighting determination right to the end that you will remember and admire.

Obvious Child

   Comedian and actor Jenny Slate steps into the spotlight starring in this new comedy and she shines brightly. Her character, Donna Stern works in a bookstore during the day and does stand-up comedy at night. When her boyfriend dumps her,  Donna's life begins to take unexpected turns.

    Sometimes laugh out loud funny and sometimes heartbreaking, the film is always honest, and it is Ms. Slate that drives the raw comedy and emotions of the film.  Director Gillian Robespierre also wrote the screenplay and directing from her own material really helps keep the story grounded and brings out the natural performances from her cast.

     The film co-stars Gabby Hoffman as Donna's best friend, and Polly Draper and Richard Kind as her parents. But the film completely belongs to Ms. Slate who balances vulnerability and strength in an uncompromising performance. 

Snowpiercer

         Forget the latest installment of that noisy, repetitive Hollywood robot movie and treat yourself to an incredibly original science fiction film that you will label an instant classic. Famed Korean director Bong Joon-ho (The Host) makes his English language debut with this exciting, funny and smart sci-fi adventure.

          In the near future mankind attempts to stop global warming but instead sends the earth into a deep freeze that wipes out the majority of the planet. Survivors circle the globe on a high speed train called "Snowpiercer" where the poor are forced to live in squalor at the tail end and the rich live in the luxurious front end. Seeking better living conditions and equality for all, a plot is hatched by a rebellious lower class to break through the train and take over the engine. Sounds like a simple enough plot but this is no ordinary train and Mr. Joon-ho is no ordinary director.

         As the rebels move deeper through the train, the film gets weirder and weirder with each train car, a one of a kind set piece. The visuals are amazing and the action scenes are made even more exciting by the claustrophobic nature of the train. Mr. Joon-ho balances scenes of extreme violence with scenes of beauty and humor throughout the film.

          Chris Evans (fresh from playing Captain America) plays Curtis, the reluctant anti-hero of the rebellion. Jamie Bell plays his sidekick, Edgar. John Hurt is Gillam, the wise old mentor and Korean superstar Song Kang-ho is Namgoong Minsu, a mysterious character needed by the rebels and Ko A-sung is his daughter Yona. Octavia Spencer and Allison Pill are also aboard in very original roles. There is also a surprise cameo by a very recognizable dramatic American actor that I won't spoil and completing the great casting is the remarkable, unrecognizable Tida Swinton as Minister Mason, who provides much of the film's humor.

            Without the big bucks of Hollywood to promote this film, you won't find it playing multiple times a day in multiplexes but search for it while it's still on the big screen and you will be rewarded with the summer's most original and fun film so far.

We Are The Best!

   A new Indie film from Swedish director Lukas Moodysson, captures youthful rebellion in all it's joy and heartbreak. Taking place in Stockholm circa 1982, this is the story of Klara and Bobo, two 13 year old non-conformist girls who decide to start a punk rock band even though they have no idea how to play music.

    Considered outsiders and weird at their school, they find happiness at a local youth center thrashing around a set of drums and a bass guitar. When they actually write a song, they decide to become serious about the music and enlist the aid of Hedvig, a 14 year old loner who can actually play guitar. They form an all girl punk trio, still without much talent but plenty of spirit.

The three leads, Mira Barkhammar (Bobo), Mira Grosin (Klara) and Liv LeMoyne (Hedvig) are just terrific and perfectly cast. Ms. Barkhammar and Ms. Grosin, in particular, have great chemistry and talent to spare.

     Part coming of age drama, part musical, the film celebrates teen spirit with humor and grit. Boys threaten to break them apart and parents don't understand them but the girls determination lead them on. I would have liked even more musical performances but it's still a joy to watch. 

22 Jump Street

     Jonah Hill & Channing Tatum return in this predictable yet fresh sequel to "21 Jump Street". Predictable since they basically do the same film again although now they are undercover in college rather than High School. Fresh because they are self deprecating and constantly making fun of the fact they are doing a sequel.

     The twist this time is that the "bromance" may be over but the chemistry between the two actors still holds the film together. The jokes remain crude but the tongue in cheek gags are very funny even if they sometimes get lost in the toilet humor. The story itself is too long and the film feels like two movies stitched together but it's worth it just to get to the credits for a look at the imagined sequels to come.

      Ice Cube returns as the foul mouthed police captain in charge of Jump Street division. This time out he is given more to do and is obviously enjoying spoofing himself. There are a few surprise cameos but the film belongs to Mr. Tatum and Mr. Hill who are funny throughout.

      If you enjoyed the first film, you won't be disappointed. And if you don't catch it in the theater, they are already advertising the DVD...coming out any minute.

Edge of Tomorrow

     Director Doug Liman really knows how to hold your interest. This new action adventure is a science fiction "Groundhog's Day" and it easily could have become repetitive and silly. In Mr. Liman's capable hands however, he manages to keep things fresh and moving despite the repetitive nature of the story. 

      The most important element to it's success however is it's star. Tom Cruise is just terrific in one of his best roles in years. Here he plays against type to start and grows into the hero role guided by his equally terrific co-star, Emily Blunt. Mr. Cruise is at his most charming and yet conveys a genuine vulnerability we usually don't see in his action films. Ms. Blunt has come a long way from "The Devil Wears Prada" becoming an action hero in her own right. 

      The film co-stars Bill Paxton as a tough talking sergeant stuck in Mr. Cruise's repetitive loop as well as Brendon Gleeson as the General who sets things in motion. Noah Taylor plays the requisite scientist who knows the truth and how to defeat the enemy. There is also a ragtag group of soldiers all played by fresh faced actors that support Mr. Cruise.

    

 The special effects are quite good and the film is fast paced and very exciting. The premise is a bit far fetched by this is a summer blockbuster so just go with it. You will be very entertained.

A Million Ways to Die in The West

   If you are expecting this generation's Blazing Saddles, you will be disappointed. Although there is one scene that completely out grosses the famous campfire scene in that classic. Writer/ director Seth McFarlane straddles the line between a sweet comedic story and outright crude silliness never really committing to either one. 

     

   There are some good laughs, especially due to surprise cameos but Mr.McFarlane would have been better served letting someone else direct his material. He overplays too many jokes and they lose their effectiveness. He is also obsessed with western vistas as scene after scene of endless wide angle background shots go on forever. I get the satire of a few shots but they just keep coming with no discernible end. 

     

     It's a fun cast that seem to be enjoying themselves as well as serving the audience. Some of the scenes between Charlize Theron and Mr.McFarlane appear improvised and they crack each other up quite a bit. Liam Neeson makes a good villain and Sarah Silverman is perfectly cast as a foul mouthed prostitute...with good Christian morals (you will understand when you see it). Neil Patrick Harris steals every scene he is in besides stealing the heart of Amanda Seyfried.

     

     I could have done without the few racist jokes (although one in very poor taste is redeemed during the credits). Fans of Seth McFarlane will find the film critic proof and probably hysterically funny. I thought it could have been funnier.

The Immigrant

"The Immigrant"

     Writer/director James Grey's latest film is a period piece set in New York City circa 1921. It stars Marion Cotillard as Ewa, a Polish immigrant fresh off the boat with her sister Magda. When they arrive at Ellis island, Magda is taken to the hospital to be treated for lung disease and Ewa is threatened with deportation. She is rescued by Bruno, played by Joaquin Phoenix, and thus begins a complicated relationship when Bruno doesn't turn out to be the savior he appears to be.

       Mr. Grey shoots the film in a sepia tone to help give the illusion of 1921 and with authentic sets and some CGI, viewing the film appears to be a genuine return to the past. The hardships of life on the lower east side of New York are many and  life does not go easy for Ewa as she struggles to earn money to help her sister. As the story unfolds, she meets Orlando the Magician, played by Jeremy Renner, who has a history with Bruno and offers Ewa a possibility of a better life.

        The three leads are the only "name" actors in the film and they are all excellent, especially Ms. Cotillard. She is perfectly cast as Ewa with her beautiful features and sad eyes, it's easy to feel her pain and anguish at the situation forced upon her. It's also easy to see how both Mr. Phoenix and Mr. Renner can fall in love with her.

         The story is a bit thin and moves slowly but it's Ms. Cotillard that drives the film and there are small pleasures in many scenes. The closing shot, in particular, is beautifully framed and leaves it's image well beyond the credits.

Chef

 
     Jon Favreau juggles producer, writer, director and star duties in the charming indie film that takes him back to his roots before "Ironman" and "Cowboys and Aliens". Mr. Favreau plays Carl Casper, a very talented chef who is in a creative rut. When he clashes over the menu with restaurant owner Riva, played by Dustin Hoffman, he ends up with a terrible review by food critic, Ramsey Michel, played by Oliver Platt.
 
     The consequences of that review start him down a path of change that restore his creativity and make him a better man. His journey involves a food truck and the help of John Leguizamo, Sofia Vergara, Emjay Anthony and in a one scene cameo, Robert Downy Jr. Also on the menu is Bobby Cannavale and Scarlet Johnansson as his co-workers at Riva's restaurant.
 
      It's a great cast in a light and breezy film structured as a feel good movie and it succeeds on all levels. The music is terrific as is all the prepared food and I guarantee you will leave hungry. Make a night of it...see "Chef" and then head out to your favorite Cuban restaurant.

X-Men: Days of a Future Past

 
     If you are a fan of the series, you will be pleasantly rewarded with this well crafted next chapter in X-Men mythology. If you aren't familiar with the series, skip this film as you won't have any idea what's going on. The plot concerns time travel and that can always be confusing but director Bryan Singer does an admirable job keeping the story together.
 
     The film is full of X-Men cast members from all the films so fans will be happy to see all their favorite characters, both past and present. However, the story is so complicated that many characters are sacrificed to one or two scenes and dont get their fair share of the action (poor Halle Berry).  Hugh Jackman stars again as Wolverine and he has the largest role since he is sent back in time to convince the younger versions of Professor X and Magneto to work together to stop an event that will change the course of history for the worst. Ian McKellen and Patrick Stewart reprise their roles as the older Magneto and Professor X and Michael Fassbender and James McAvoy, once again play the younger versions. Jenniefer Lawrence gets a lot of screen time as Raven/Mystique since it is her actions in the past that need to be altered. New faces this time out are Evan Peters as Quicksilver, a cameo role but he gets the best scene in the film and Peter Dinklage as a mutant hating scientist ( also crucial to the plot).
 
       The CGI is first rate and the action sequences are terrific. Much of the humor in the film is provided at Wolverine's expense but it helps keep things from getting too dour. The climatic scenes switch back and forth between the future and the past and everything tends to mash together but it all makes sense in a comicbook universe sort of way. There are some surprise cameos as well that will keep the fans happy and as always, stay through the credits for a quick glance of things to come.
 
         So far, the X-Men win the battle of the summer blockbusters but I will withold final judgement until after "The Guardians of the Galaxy".
 
     

Godzilla

 
   What do Bryan Cranston, Julliette Binoche, David Strathairn, Ken Wantanabe, Sally Hawkins and Elizabeth Olsen all have in common?  Yes, they are all actors with serious acting credibilty and yes, they have all taken the money and ran for appearing in the newest remake of "Godzilla". Bryan Cranston plays a scientist who disappears from the movie before Godzilla even makes an appearance and Julliette Binoche plays his wife in a blink and she's gone moment. Ken Wantanabe and Sally Hawkins are scientists following the trail of the monsters but dont really do anything. Mr. Strathairn has the most screen time as an admiral commanding his fleet to shadow Godzilla as he swims from Toyko to San Francisco. And Ms. Olsen has the unfortunate sterotyped role of the worried wife and mother.
 
     The producers brought in these big guns to lure the public into thinking this was a serious monster movie. Well that's an oxymoron. What it really is, unfortunately, is a snorefest (except in Imax 3D, where the sound alone will keep you awake). The director, Gareth Edwards uses the "Spielberg" card by not revealing Godzilla to the audience until at least an hour into the film. Instead we get two strange looking monsters who eat radiation and are trying to find each other to mate.
 
     Godzilla has sprang from the ocean depths to prevent the other monsters from mating and then he leaves. That about sums up the plot. Much of Toyko and San Francisco get destroyed in the process (nice change from New York getting battered again).  Oh and I forgot to mention Aaron Taylor-Johnson as Mr. Cranston's son, Ford, who gets to globe hop at will chasing Godzilla too. 

      The CGI work is credible but Godzilla looks like he's put on a few pounds waiting for his remake. The 3D is wasted and while the fight scenes are fun in IMAX, there really isn't enough story here to keep you interested. Spoiler alert- I did enjoy how Godzilla kills the second monster.

   Yes, it was a man in a rubber suit but stick to the original.

The Amazing Spiderman 2

       The summer movie season kicks off early with the continuing story of The Amazing Spiderman "Andrew Garfield" Edition. Bigger and louder than the first reboot (especially in IMAX 3D), this one featuring once again, Emma Stone as Gwen Stacy and Sally Field as Aunt May. The villains this time around are portrayed by Paul Giamatti, Dane DeHaan, and Jamie Foxx. 

         Mr. Garfield has a boyish charm that suits him well as Spiderman and he continues to have great chemistry with Ms. Stone. Jamie Foxx as "Electro" is asked to play him as a tragic figure but once he transforms, is little more than a one note villain. His two pivotal battles with Spiderman account for most of the action.  Paul Giamatti plays a Russian gangster transformed into "The Rhino" but has very little screen time. Dane DeHaan takes over the role of Harry Osborn and while he plays evil well, he doesn't have the exaggerated presence to embody "The Green Goblin" and frankly there is too much Osborn and not enough "Goblin".

           The sub-plot of Peter Parker's past is explored in too much depth and stretches the film past the two hour mark. Further lapses between action sequences also contribute to the feeling that the film goes on far too long.

            The action scenes are impressive (especially in 3D) as Spiderman swings through the concrete canyons of Manhattan and squares off against "Electro" in Times Square. You may want to bring earplugs if you see it in IMAX. Director Marc Webb (no pun there) alternates between lulling you to sleep and waking you up with deafening fight scenes.

            Spiderman purists may take issue with deviations on Electro's origin, "The Rhino's upgraded body armor, Gwen Stacy's fate, and a lack of J.Jonah Jameson but the entertainment value is still there. It's just not quite "amazing".

Nymphomaniac Volume II

            It is more obvious now that writer/director Lars van Trier originally made a single four hour film cut up for U.S. distribution. Vol. 2 picks up immediately where Vol. 1 ends and continues the story of Joe, the woman found beaten in an alley and tended to by Seligman.

             Vol. 1 centered on Joe as a young woman discovering her sexuality. As we begin the second half, the adult Joe (Charlotte Gainsbourg) has lost all sexual stimulation and begins a descent into extreme kinds of sex in order to experience orgasm. She continues to relate her story to Seligman (Stellen Skarsgard) who passes no judgement and finds ways to wax philosophical about her increasingly strange life.  Mr. van Trier has a odd sense of humor and while there are a few disturbing yet somehow humorous scenes, most of Vol. 2 takes a more serious and darker tone.

              Shia LeBeouf returns as Jerome and as in Vol.1 is still embarrassing to watch. Jamie Bell co-stars now as "K",  a sadistic young man who invites women to knowingly and willingly be tied up and beaten. It's a brave but brutal role and I give Mr. Bell credit for taking on the challenge. Willem Defoe also has a small part as a shadowy figure who gives Joe a job as an unusual debt collector.

               As with all his films, Mr. van Trier is daring and provocative but after four hours of emotionless sex and various shots of both male and female genitalia sprinkled in between ridiculous dialog, you will find yourself bored rather than aroused. It all "climaxes" in an ending I found utterly repulsive and unnecessary.

The Raid 2

         Gareth Evans does it all...screenwriter, director, choreography and producer but it's star Iko Uwais that you will never forget in this "sequel" to "The Raid: Redemption". In the first film, Rama, a cop played by Uwais storms his way into an apartment complex overrun by bad guys and fights his way to the top in what was billed as one of the greatest action films ever (and was). "The Raid 2" picks up moments later as Rama, with barely time to breathe,  is recruited to go undercover and infiltrate a gang of very, very bad criminals.

           In this new film, Mr. Evans actually makes an attempt at a real plot but borrows heavily from "Infernal Affairs" (later done as "The Departed" by Martin Scorsese) as his undercover cop Rama, finds himself in the middle of a mob war. The dialog is silly, in sub-titles and barely necessary since you bought your ticket for the action but endure the story and you will be rewarded by amazing sequences. Mr Uwais is a living version of the cartoon Tasmanian Devil and has moves Bruce Lee could only dream of. The fight scenes are breathtaking in a beautiful ballet of violence and mayhem. No CGI here, you feel every punch and Mr. Evans has a particular style that leaves you surprised with every battle.

          You may quickly forget the plot but you will remember the fight in the prison yard, the fight in the kitchen, the fight in a moving car, and the fight in the hallway just to highlight the best of the action sequences. The fight choreography is incredibly real and so inventive that if you are a martial arts aficionado or just an action junkie, you will be blown away.

Draft Day

    Kevin Costner and sports films always make a great combination and "Draft Day" scores a touchdown, especially if you are a football fan. There have been comparisons to "Moneyball" which is understandable since they are both about the business side of sports but "Draft Day" has the advantage of a fictional story to add much more suspense to the plot.

         The film takes place over the course of the 12 hours leading up to the NFL draft, the time when teams announce which college players they are selecting in a pre-arranged numerical order. General Managers can wheel and deal up to the last second deciding on players and trading "picks" with other teams. For a team's general manager, coach and staff, it's their Superbowl with the future of their organization hanging in the balance.

          Mr. Costner plays Sonny Weaver, the GM of the Cleveland Browns. His "Cap" analyst/girlfriend is played by Jennifer Garner and other co-stars are Frank Langella as the owner of the team, Dennis Leary as the team coach and Chadwick Boseman (so good in "42") as one of Sonny's potential target players. Sean Combs is well cast in a supporting role as a sports agent representing another player Sonny covets. There are also many real life football players in various roles. 

            The film is fun and gets more exciting as the clock ticks down towards Cleveland's allotted pick time. What will Sonny do? That sums up the plot pretty succinctly. The film misses the "extra point" with too many melodramatic sub-plots thrown at Sonny to complicate his day and director Ivan Reitman relies way too much on split screen effects to tell the story. It's a very deliberate choice but ends up making the audience dizzy.

            Most of the action is not on the field but rather behind closed doors but it's still a fascinating look behind the scenes. To this football fan, it seems pretty accurate and probably close to what really happens on draft day.

Captain America: The Winter Soldier

     Credit screenwriters Christopher Markus and Stephen McFeely for a terrific script that turns a superhero movie into a political spy thriller. Grounded in reality, albeit a Marvel reality, the film works on all levels and is extremely entertaining.

      Chris Evans returns as Captain America along with Scarlett  Johansson as the Black Widow (Natasha Romanov) and Samuel Jackson as Nick Fury. All three have become very comfortable in their roles and are well suited to their comic book characters. Another Marvel superhero makes it to the big screen as Anthony Mackie co-stars as The Falcon (Sam Wilson) with upgraded wings. Sebastian Stan plays the title character, The Winter Soldier and he is a formidable opponent for "Cap". A big surprise is the addition of Robert Redford, playing against type as Alexander Pierce. Mr. Redford is the last person you would expect to see in a Marvel film but he seems to be enjoying himself immensely.

        There are secrets, plots and double agents galore when S.H.I.E.L.D is compromised and of course it's up to Captain America to save the day. Co-directors Anthony and Joe Russo balance the intrigue with many exciting action sequences culminating in an explosive finale. There are in-jokes for the devoted comic fans and of course, stay through the credits for a double surprise.

NOAH

     Writer/ director Darren Aronofsky bring us his own personal vision of the biblical story of Noah and the ark. It is a polarizing film that will certainly stir controversy but in the end, Mr. Aronofsky is not interpreting religion but rather making art. 

       The film is all over the place. At times totally weird and ridiculous and yet, also dramatic and believable. I had a hard time getting past one of the weirder, yet vital elements of the story but I leave it to you the viewer, to decide for yourself. Mr. Aronofsky attempts to ground the story in more human than religious terms (God is referred to only as "the creator") but that one odd decision (and you will know it when you see it) makes it too hard to take seriously.

        Star Russell Crowe, as Noah, does take everything very seriously but his character goes so far over the top in his virtue and righteousness, that after rooting for him, you eventually want to throw him off the side of the ark. This is probably why he discovers wine and becomes the planet's first drunk. His wife is played by Jennifer Connelly and she has very little to do here but worry about her husband's sanity. Ray Winstone co-stars as a fictitious character representing the evils of man. Anthony Hopkins also co-stars as Yoda, err, I mean Methuselah, the oldest man on the planet and Noah's grandfather. He only has a few scenes but sets major plot points in motion with sage advice and a touch of magic.

        The cinematography and special effects are well done. All the creatures entering the ark and the flood itself are impressive but I left the film with more questions than answers. For starters, why are all the animals rendered unconscious but the humans are unaffected by Ms. Connolly's aromatic sleeping potion? And why does Mr. Aronofsky depict a sequence of evolution only to change gears and then have "the creator" create man? You can't have it both ways. The script also tells us we are all born of original sin, hence the creator's decision for a "do over" but in the end, love conquers all and the sin of incest is never an issue. After all, who's left to repopulate the earth except Noah's immediate family?

         As for better entertainment value, rent "A Beautiful Mind" for a wonderful Crowe/Connelly pairing and listen to Bill Cosby's classic bit, "Noah".

Nymphomaniac Volume I

        The latest self indulgent therapy from writer/director Lars van trier.  It's a unique one of a kind film that can only come from the mind of Mr. van trier. Since it is Volume 1 of a two part story, it's not really fair to review it as a stand alone film. I'm sure  Mr. van trier's original vision was a single four hour film but for whatever the reason, Vol. 2 will be released in two weeks.

         What I can say it that there is plenty of sex and nudity (body doubles were used), odd moments of humor and a terrific cameo by Uma Thurman. The film stars Charlotte Gainsbourg  as "Joe" and Stellen Skarsgard as "Seligman". When Joe is found beaten and bruised in an ally by Seligman, he brings her to his apartment to recuperate after she refuses an ambulance. It is there that she begins to tell him of her life filled with one sexual encounter after another. Mr. Skarsgard takes everything quite seriously but still finds a way to project the intended (I hope) humor of the script. In Volume 1, Ms. Gainsbourg has little to do except to narrate her story.

           In flashbacks, Joe is played by Stacy Martin, a fearless young actress who is terrific in a difficult part. She loses her virginity to a terribly miscast Shia LaBeouf, who returns later in the film to only embarrass himself further with a bad accent and even worse acting. Another miscast actor is Christian Slater, who plays Joe's father. In an effort to play a serious "art" role, he literally leaves himself exposed in the worst way.

           Whatever Mr. van trier is thinking, I have to hold judgement until after seeing Volume 2 but equating sex to fly fishing in Volume 1 certainly maintains his standing as an original and visionary filmmaker. Love him or hate him, his work is always controversial but fascinating.

The Grand Budapest Hotel

   Written and directed by Wes Anderson, this is probably his most fully realized and mainstream film. It has his usual whimsical charm , a wonderful plot, and inspired dialog.

        The majority of the film takes place in 1932 inside the grand hotel. The film stars Ralph Fiennes as M. Gustave, the manager of the hotel and he is simply wonderful. Tony Revolori is his protege, Zero the Lobby Boy. They make a lunatic pair who cannot stay out of trouble. The film is also filled with a bevy of terrific actors, most of whom have worked with Mr. Anderson in the past. Look for Bill Murray, Jeff Goldblum, Jason Schwartzman, Harvey Keitel, Adrien Brody, Jude Law, F. Murray Abraham, Edward Norton and Tilda Swinton just to name a few. 

         Unfortunately with the exception of Mr. Fiennes, Mr. Revolori, and possibly Saoirse Ronan, every other role is little more than a cameo.This leaves little room for character development but the film moves at breakneck speed and it's such fun to see these actors pop in and out, you don't mind their short screen time.

  

         Besides an entertaining and very funny script, Mr. Anderson also rewards his audience with visual treats. Eye popping sets, wonderful miniatures, and colorful use of animation all blend together to tell the tale. 

        "The Grand Budapest Hotel" is grand indeed. You'll be glad you checked in.

300: Rise of an Empire

        Billed as a sequel to "300", the film actually takes place at the same time and just after the outcome of that story. Loosely based and for the most part historically accurate, "Rise of An Empire" chronicles the "other" battle between the Persians and the Greeks during the Persian invasion. While the Spartan army of 300 tried in vain to hold off The Persian army, The Athenian general Themistocles battled the Persian navy at The Straits of Artimisium.

          General Themistocles is played by Sullivan Stapleton and while he knows his way around a sword, he lacks the charisma of Gerald Butler. His Persian rival is Eva Green, who plays Artimisia, leader of the Persian navy ( and named for the straits where the naval battle actually happened) . I doubt her character really existed but she does manage to steal the film anyway, especially during a rough sex scene with Mr. Stapleton. Returning from the first film is Lena Headey, who now leads the Spartans since the death of her husband Leonidas and Rodrigo Santoro as Zerxes, the Persian God-King.

         Filmed again in a highly stylized form, the visuals are further enhanced by 3-D and the action is pretty much continuous with buckets of blood and body parts seemingly flying off the screen into the audience. Fans of the first film will not be disappointed but if you are not interested in Greek history or intense, hyper-violent sword play, this is not the film for you.

Non-Stop

        Liam Neeson has become the action hero of February. Since "Taken", he has become the go to actor to save the February movie blues. At this point, it doesn't matter how ridiculous the plot or dialog, Mr. Neeson will save the day.

         "Non-Stop" is pretty ridiculous but Mr. Neeson takes the film very seriously and finds a way to rise above the poor material and sell this story of a mid-air crisis. The film is silly but it does have one thread of suspense going for it, trying to figure out who is behind the plot to kill a passenger every 20 minutes. There are plenty of suspects on the crowded airliner.

           Julianne Moore co-stars probably because she needed to make a car payment or was behind in her mortgage. She is too good an actress to waste her time in this "blink and it's gone to cable" movie. And if co-starring wasn't bad enough, her character disappears for most of the final act. Another waste of talent is the recent Academy Award winner, Lupita Nyong'o. She plays a flight attendant with almost nothing to do or say. 

            To make the most of this story, skip the film and re-watch the trailer. All the action and suspense are right there to enjoy for three minutes and it's free.