Sunday, March 12, 2017

Kong: Skull Island

                 After a run of serious foreign films for this critic, it was a nice change of pace to check my brain at the door and settle in for a good old fashioned monster movie adventure. Although there is nothing really old fashioned about the excellent special effects of this new version of the Kong legend.

                 The film stars a well known cast of Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, Corey Hawkins, John Ortiz, John C, Reilly and Shea Whigham. However, just about all the characters are completely superficial and exist to either end up victims or survivors. Ms. Larson's character is the "plucky" female hero that gets her closeup with Kong. Tom Hiddleston is the good looking solder of fortune hired as a tracker by scientist John Goodman. He agrees to join the expedition for lots of money. I'm sure that's the same reason he agreed to do the film. John C. Reilly's character provides the welcome comic relief.

            And of course there is Samuel L. Jackson. He is the crazier by the minute, Army Lieutenant Colonel leading his soldiers into a battle they can't win. We are treated to another great Samuel L. Jackson movie quote though, when another character says we need to wait for the cavalry, Mr. Jackson's reply is "I am the Calvary".

            This is a monster movie version of "Apocalypse Now". The story takes place at the end of the Vietnam war and the script seems to be making a very loose allegory about war but it never really gets there, instead opting to descend into monster mayhem.  And that is where the film does excel. The real stars are the special effects team and cinematographer, Larry Fong. The film looks great. The location is beautiful and Kong is magnificent in his raw power and fury. The various monsters are fun but far and few between. The climatic battle though, between Kong and the giant "skull crawler" is just terrific.

             For those who care, stick around for a brief scene, after the credits, setting up the inevitable sequel.

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