The Monkey

 

        If you like your horror movies with a liberal dose of absurdly sick comedy, this new horror film from writer/director Osgood Perkins, is for you. It's origin is a short story by Stephen King, which is far more serious in its tale of a cursed toy monkey. Mr. Osgood's screenplay adds quite a bit of sick humor to the story making the high body count grisly but also outrageously funny.

        The film stars Theo James as adult twin brothers Hal and Bill Shelburn. Christian Convery plays the twins as young boys. Co-starring are Tatiana Maslany as Lois Shelburn, the boy's mother. Sarah Levy as Aunt Ida, Mr. Perkins himself as Uncle Chip and Rohan Campbell as Ricky. There are also cameos from Adam Scott and Elijah Wood.

         While there are no real scares (aside from the scary monkey itself) Mr. Perkins is quite adept at setting a creepy and unsettling  mood and maintaining it throughout the film even with the injection of his odd sense of humor. The murderous special effects are quite good as well. The basic plot is every time the monkey is wound up, it plays its drum and someone dies (in very original ways). There is no real backstory to the demon toy. It just is, so throw any logic out the window and enjoy the gory, yet humorous ride.

Captain America: Brave New World

 

      Watching the latest edition to the Marvel cannon, while not necessary, a refresher course of the 2008 "The Incredible Hulk and the TV mini-series, "The Falcon & The Winter Soldier" would both be helpful.

       Those already up to date on the Marvel universe will appreciate Anthony Mackie's version of Captain America but the script doesn't do him much favor. Taking itself very seriously as a "political thriller", there is little in the way of humor or emotion.

        Shades of "The Manchurian Candidate", mind control plays a big part in the script. The surprise villain responsible for the mind control is also responsible for releasing the Red Hulk upon the world, The highly anticipated arrival of said hulk comes fairly late in the film and while his CGI body is well done, other elements of CGI work come off shoddy and not convincing. 

         The film co-stars Harrison Ford as Thaddeus Ross (taking over from the late William Hurt), Giancarlo Esposito as villain "Sidewinder" (a more violent take on his Gus Fring character from "Breaking Bad"), Danny Ramirez as the new "Falcon", Shira Haas, miscast as Ruth Bat-Seraph, Carl Lumbly as Isaiah Bradley, Tim Blake Nelson as Samuel Sterns and two surprise cameos.

          While the film was written before the current administration in Washington, there appears to be subtle swipes taken at those now in charge. The story tries hard to be taken seriously but with so much Marvel lore to cover, the plot takes a back seat to the film acting as a bridge to the next chapter in the Marvel universe. The action scenes (despite the less than perfect CGI) are fun though.

            As with all Marvel films, there is a post credit scene that promises the return of Captain America as well as a hint of a new danger to come.

Becoming Led Zeppelin

 

           For the die hard fan, this new documentary is a must see but even the casual fan will absolutely enjoy it.

           Bernard MacMahon did the research, co-wrote the film with Allison McGourty and directed the film with the band's blessing.

           The film traces the roots of the band through new, exclusive interviews with Jimmy Page, Robert Plant, and John Paul Jones. John Bonham, who passed in 1980, is heard on previously unreleased audio interviews.

            Exploring the British music scene of the 1960's, we learn how the future bandmates started out as session musicians on various albums in various genres.  They finally get together in the summer of 1968 out of the ashes of "The Yardbirds" to become "Led Zeppelin". The film then follows the band through their growing success to become the #1 band in the world in 1970.

            The film includes full song performances, never-before-seen footage of their early U.S. and British concerts, and exclusive footage from their own archives. Formatted for IMAX cameras, with an incredible soundtrack, it has to be seen this way to fully enjoy the experience.