The film still takes place in the late fifties and the visuals, set design and costumes are wonderful. All the songs from the original are in place but the filmmakers take some liberty with time and location and while some of the original choreography is noticeable, choreographer Justin Peck elevates the dance numbers for a modern audience and they are just as exciting as the original, if not more.
Mr. Spielberg and his frequent collaborator, cinematographer Janusz Kaminski make brilliant use of the camera, swooping in and out and around all the actors. They make bold choices for wide shots, close-ups and angles to maximize the look and feel of the story.
And speaking of bold choices, it is a cast of fairly unknown young actors in the lead roles, with the exception of Ansel Elgort (Baby Driver) as Tony. Maria is played by newcomer, Rachel Zegler, Riff is played by Mike Faist, Bernardo is played by David Alvarez (so good in American Rust), and Anita is played by Ariana DeBose. Mr. Alvarez and Ms. Debose almost steal the film out from under Ms. Zegler and Mr. Elgort. In secondary co-starring roles are Corey Stoll as Lt. Schrank, Brian D'Arcy James as Officer Krupke, Iris Memas as Anybodys, Josh Andres Rivera as Chino and in a wonderful casting choice, Rita Moreno (Anita in the 1961 film) as Valentina.
Nothing can replace the original as an American iconic film but this new version is a fine companion piece that contains many of its own rewards.
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