Animal Kingdom

Writer/director David Michod's first feature film is a nasty piece of business imported from Australia. Guy Pearce is the only "name" actor American audiences will recognize but you will not soon forget the rest of this cast.

This contemporary crime drama centers around the Cody family. The film's narrator is 17 year old grandson, J Cody, who comes to live with his grandmother and three uncles after a shocking opening scene. J is played by James Frecheville who, in his film debut, leaves quite an impact. Jackie Weaver plays grandmother Janine, the matriarch of this criminal brood. She resides over her family like the lioness analogy of the film's title. Her scenes late in the film are especially chilling.

All of Janine's sons are also well cast and make a very scary lot, especially "Pope", the oldest, played by Ben Mendlesohn. Mr. Pearce plays the lead detective trying to bring the whole family to justice. He knows J is minimally involved in their dirty deeds and tries to turn him against his family.

Mr. Michod shows confidence behind the camera and builds his suspense well. Violence is hovering on the edge of almost every scene but credit Mr. Michod for creating the mood and keeping the actual violence to a minimum (graphic though when it does happen). I look forward to seeing more of his work in the future.

Middlemen

Luke Wilson shines in an otherwise annoying film about the introduction of "porn for pay" on the Internet.
The story is "Inspired by real events" but inevitably creative license runs amok. The film is all over the place, at once comedic and then deadly serious. It's filled with stock characters like Russian mobsters, middle eastern terrorists, shady lawyers, porn stars and kindly FBI agents. At the center of it all is "Jack Harris", the problem solving business man with the brains to sort out everyone's problems and get rich quick.

Mr. Wilson does a great job as the family man, Harris, who succumbs to the lure of big money, sex and power only to find it's what what he really wants. Hmmm, haven't we seen this plot before...in about a gazillion movies? While his acting is terrific, the story is annoying and grating on the nerves. The action constantly moves back in forth in time confusing the viewer and the constant narration by Mr. Wilson really gets under your skin (no pun intended). A good script wouldn't need the voiceover to explain everything happening on screen.

The film also stars Giovanni Ribisi and Gabriel Macht as the two drug fueled friends that start the Internet porn business and James Caan as the aforementioned shady lawyer. While all the acting is good, it's not enough to sustain your interest in all these unlikeable characters.

At it's root, this little known history lesson is a cautionary warning of excess. Let this review be a cautionary warning as well.

The Disappearance of Alice Creed

What easily might be misinterpreted as another "torture porn" film in the vein of "Saw" or "Hostel" is actually nothing like that. Instead, the British import, "Alice Creed" takes a well prepared kidnapping and turns it south but not before many twists and turns in the road. There are scenes of violence as well as sexual situations and language but it is far from over the top and used sparingly without being exploitive.

This film reminded me a bit of an earlier British crime thriller, "Shallow Grave". All may not be what it seems and to say anything more would be unforgivable. The plot twists keep coming and I enjoyed every turn. The three character cast does a good job of keeping you guessing right up to the end.

Gemma Arterton stars as "Alice", the kidnap victim and while she plays most of the film tied to a bed with a gag in her mouth, she still manages to convey a wide range throughout the story. The only other characters are the kidnappers, Vic and Danny, played respectively by Eddie Marsan, (so good in "Happy Go Lucky") and Martin Compston ("The Damn United" and "Red Road").

There is some clever camera work particularly in the opening sequence and a great scene involving a bullet casing (which makes an interesting reappearance later on). Writer/Director J Blakeson takes a familiar plot and makes it fresh with the help of his talented cast.

Get Low

Not a lot happens in this backwoods tale of an old hermit who decides to throw himself a funeral before he dies but it's still worth the price of admission. The reason is simple...Robert Duvall plays the hermit, Felix Bush and Bill Murray plays the funeral director, Frank Quinn. It's a pleasure to watch these actors work.

Mr. Duvall is at the top of his game as the old man who decides it's time to "get low", a southern term for time to die, but not before he can confess a 40 year old secret. His "Felix Bush" comes off as a crazy old coot but he's a man with a twinkle in his eye, who knows exactly what he's doing at all times. His monologue at his funeral party is a class in acting all by itself. Mr. Murray's "Frank Quinn" is a perfect foil to Mr. Duvall. Quinn is a desperate man as business has been slow and he really needs this last shot to stay afloat. He's oily and conniving but Mr. Murray holds back what could have been over the top and balances his personal needs with his belief in his client.

Co-starring is Sissy Spacek, who is so comfortable in her scenes with Mr. Duvall, you'd think they've worked together for years (when in fact, it's their first film together). In addition to Ms. Spacek, Lucas Black plays Mr. Quinn's assistant, Buddy and the great Bill Cobbs plays Rev. Charlie Jackson, the only other person who knows Bush's secret. Everyone in this film is perfectly cast and the acting is just wonderful to watch.

The script is a simple one but filled with some great dialog and on-liners. The cinematography is breathtaking with beautiful shots in the Georgia woods. Like Mr. Duvall's character, the film itself is quiet and reserved but it sneaks up on you and will have a lasting impression.

Salt

It's been hard to escape the advertising for this film. Everywhere you go, you see these huge billboards asking the question, "Who Is Salt?". Salt is actually Evelyn Salt, play in full action hero mode by Angelina Jolie. Ms. Salt is a CIA agent who is identified as a Russian "sleeper" agent and suddenly everyone is after her, including her best friend and fellow agent, played by Liv Schreiber.

While the action comes fast and often, much of it is just hard to believe, especially Ms. Jolie's hand to hand fights with various agents and police. One punch or kick brings down every assailant. That criticism aside, it's still fun to watch her outsmart everyone and the script has enough twists and turns to keep you guessing which side she's really on.

This is a crowd-pleasing summer "popcorn" flick. You can check your brain at the door and just have fun with it. The ending leaves "Salt" wide open for a sequel although they do say, too much salt is not good for you.

Restrepo

This award winning documentary from Sebastian Junger and Tim Hetherington is a harrowing journey that puts you smack into a year in the lives and deaths of a platoon of soldiers fighting in Afghanistan. The soldiers are real, the bullets are real and the emotions run high.

Credit Mr. Junger and Mr. Hetherington for capturing every moment, whether it be boredom or the middle of a firefight, with unflinching camera work and editing. The film was shot over the course of a year from 2007-2008 in the Korengal Valley, know as "hell on earth" to the soldiers deployed there.

The filmmakers avoid any political or outside commentary and concentrate solely on the 15-20 men that make up the unit, that comes to be know as OP Restrepo. (You'll understand the name when you see the film) The film intersperses headshot interviews of the various men in between footage of them going about the daily routine of war.

This is a "no holds barred" look at modern warfare in a war that will seemingly never end.

The Kids Are Alright

It's entertaining to watch five good actors playing a very dysfunctional family but the novelty of this nuclear family having gay parents who's sperm donor suddenly enters their life wears thin. Not that the excellent cast doesn't try hard but the plot turns melodramatic and predictable.

Annette Bening and Julianne Moore play the parents of Mia Wasikowaska and Josh Hutcherson. Ms. Bening's character is written to be the annoying overbearing parent and she overplays the part annoying the audience as well as her screen family. Ms. Moore's character is more of a free spirit and it's hard to imagine they've been together at least 20 years, let alone raising two children who seem so well adjusted.

Into their lives comes Mark Ruffalo, when Mr. Hutcherson convinces his sister to contact their biological father. His presence soon turns the family dynamic upside down. Mr. Ruffalo's character is just too good to be true. He's sexy and single, owns an organic restaurant, drives a motorcycle and just so happens to be in need of Ms. Moore's gardening skills.

Everyone plays their part very well. It's a treat to watch the acting and there are some well written scenes but overall, it's just...alright.

Inception

Writer/Director Christopher Nolan is back in full brain twisting mode after giving us the thrill of "The Dark Knight". He confounded us with the trippy "Memento" which played with the concepts of the space/time continuum and now he enters our dreams to steal our thoughts and asks, "can the dream be the reality?"

This is a brilliant film filled with solid acting and wonderful effects. It demands your attention or, like many of the characters themselves, you will be lost in its dreams. Mr. Nolan constructs a multi-layered dream within a dream landscape and takes us on a wild journey that followed carefully will captivate and stimulate your own mind. Your pilot for this flight of fancy is Leonardo DeCaprio and he is excellent as the self tortured "dream extractor". Ellen Page is your co-pilot as "The dream architect" who's main purpose is appears to be the audience's avatar and ask the questions that help explain the logic of the film. This is Ms. Page's first foray into an "adult" role and she handles herself admirably against heavyweights like Mr. DeCaprio and Michael Caine (In a little more than a cameo as Mr. DeCaprio's father).

The film also stars Joseph Gordon-Levitt and Cillian Murphy. Mr. Levitt has a wonderful sequence without gravity that is remarkable to watch and even more so as I believe it was done without any CGI effects. Mr. Murphy plays the "mark" who mind is invaded by Mr. DeCaprio and his team. Also co-starring Ken Watanabe, Tom Berenger, and Marion Cotillard. The entire cast is just perfect without any false notes to shatter the concept.

If you have trouble following the plot, I recommend you just let yourself go and enjoy the ride. There will be plenty of time for analysis and debate once the credits roll. And trust me, you will analyze and debate. "Inception" is the first truly original movie of the summer and one of the year's best.

The Girl Who Played With Fire

All of the "Millennium" trilogy has already been filmed in Sweden and now Part Two arrives here with sub-titles for fans who can't wait for the American version. If you haven't read the books, you may still enjoy the film but also find it confusing and not really appreciate the nuance of the characters. The film is very much the middle of the story and will only be fully appreciated after viewing the final chapter.

To trim the story for film, excess parts have been exorcised and that's both good and bad. The entire first 150 or so pages of the book exist for mere minutes during the opening credits which is a good thing as that sub-plot was silly to begin with. What has been trimmed and very much missed, is the investigation from the police point of view. Detectives that figure so prominently in the book are reduced to minor roles as the film focus remains on Salander and Bloomqvist. A major plot point left out of the first film removes the explanation of why Lisbeth has stopped talking to Bloomqvist as the second film begins. There other other minor changes to hasten the film along but they can be forgiven.

The good news is that Noomi Rapace and Michael Nyqvist have returned as said characters and it's fun to watch them, once again, bring these people to life. I can't imagine anyone else as Lisbeth Salander at this point as Ms. Rapace loses herself in the role of a very complicated woman. Thankfully, they will continue to play the roles in the third and final film, " The Girl Who Kicked The Hornet's Nest".

While the first film, "Dragon Tattoo" introduced the characters in a great stand alone mystery, this time the story gets personal and much more convoluted. Reveals and sequences stretch the boundaries of credibility but still make for an exciting story. Like the book, this film ends on a cliffhanger so don't expect closure. For that you'll have to wait for "Hornet's Nest".

Knight and Day

After a recent round of Indie films, I decided to jump back into the Hollywood pool with "Knight & Day". Now I know why I prefer Indies. Before we get to the film itself, let's chastise the studio marketing department for the worst title and marketing campaign to come along in years. The title has absolutely nothing but a sliver of a connection to the film and has no appeal whatsoever. Therein lies the problem. 20th Century Fox figured they have Tom Cruise and Cameron Diaz...heck we can call the movie "paper" and people will come. Guess what, they won't... according to the recent box office.

This film is a perfect example of the Hollywood machine gone awry. Take two superstars, add exotic global locations (including Brooklyn NY?), mix in a formula villain you can spot immediately and drag it out for maximum stunts, explosions and comedic interplay between the leads and what do you have? A film you have seen countless times before and probably done better. The script really insults the audience's intelligence.

You never forget for a moment that you are watching Tom Cruise and Cameron Diaz. They don't even bother trying to create characters. They try hard to just get by on their looks and charm. Credit Ms. Diaz especially in the charm department. She actually outshines Mr. Cruise in the fun to watch category. She is obviously having fun with her role and lets the audience in on the gag.

To be fair, the stunt work is good and many sequences are exciting (with the exception of some sub-par CGI) but just when you've have your fill of explosions, globe hopping and gunplay, you get more. For a film that runs under 2 hours, it seems like an eternity. A better title would have been "A Long Day's Journey Into Knight".

Micmacs

From the fertile mind of writer/director Jean-Pierre Jeunet comes this wonderful new film. Mr. Jenuet has brought us "Delicatessen", "City of Lost Children", "A Very Long Engagement" and most notably, "Amelie". His visual style is like no other and his whimsical approach to storytelling brings us films you never want to end. "Micmacs" happily falls into the same category.

This is a most original tale of a man plagued by arms dealers (don't try to understand, it's clear when you see it) who, with help from a ragtag band of misfits living under a junkyard, plots his revenge in a most outlandish and amazing way. It is delightful from start to finish. The actors are wonderful and the cinematography is incredible. The artistic, visual storytelling is done with a minimum of dialog propelled by a wonderful score (including vintage Max Steiner material).

Dany Boon stars as Bazil, the loner seeking revenge and he is a combination of Charlie Chaplin, Buster Keaton and Marcel Marceau. The film also stars Andre Dussollier, a popular French actor known more for drama than comedy and Julie Ferrier, a charming and most nimble contortionist. Rounding out the cast are a number of Mr. Jeunet's usual stalwarts from his earlier films.

In New York, "Micmacs" is still playing at The Angelika in Manhattan and Cobble Hill Cinema in Brooklyn. If you miss it, add it to the top of your Netflix list. It is easily one of my favorite films of the year.

The Killer Inside Me

Casey Affleck leaves his older brother Ben in the dust as the star of this new drama from director Michael Winterbottom. Mr. Affleck is mesmerizing as Lou Ford, a deputy sheriff in a small Texas town in the '50's. Beneath his quiet and polite exterior lies a total sociopath who leaves a trail of broken bodies in his wake as he goes about his daily business.

Mr. Winterbottom directs from the source novel by Jim Thompson, the very definition of pulp fiction. This slice of film noir has it all. Sex, violence, blackmail and murder all boil to the surface in a mix of "Blood Simple", "Body Heat" and "Blue Velvet". Be warned, the violence is graphic and difficult to watch.

Co-starring with Mr. Affleck are Kate Hudson, Jessica Alba, Ned Beatty, Simon Baker and Elias Koteas. For Ms. Hudson, it's a brave departure from her usual roles and she is quite good. Any film with Mr. Koteas is always a bit left of center and yet for him, it's one of his more subtle roles. Ms. Alba is physically revealing but also taps an inner strength she has only hinted at in other films. And of course it's always good to see Ned Beatty back on screen (he's been busy of late. He also does the voice of Lotso Huggins Bear in "Toy Story 3"). Mr. Baker is a bit of a disappointment bringing nothing new to his character, the town D.A. and the only person who suspects the truth. He might as well be playing his role from "The Mentalist" minus the humor.

I can't say enough about Mr. Affleck, who puts you inside the mind of Lou Ford and it's a chilling place to be. It's a performance that should be recognized but probably won't be due to the graphic nature of the role.

I Am Love

Tilda Swinton stars in this new Italian drama. She plays the matriarch of the rich and powerful Recchi family. A family that begins to show cracks in their perfect world as the film progresses. The story develops slowly as the camera lingers over every detail. Every frame of the film is like walking through an art museum. The direction and cinematography are exquisite. Ms. Swinton is excellent as always and one of the finest actors of her generation.

Metaphors abound in food, architecture, clothes and relationships. Food preparation becomes as sensual as new lovers in their seduction. Layers are slowly peeled away and new truths are revealed. This is very much an adult drama in a sea of animation and explosions typical of summer fare. Like a good meal, it is to be savored slowly. In many ways, it feels like a '50's melodrama and no doubt was inspired by films of that period.

The film is in Italian with subtitles. It's pace and low key style may not be for everyone but it does sneak up on you and lingers long after the credits roll.

Winter's Bone

Director Debra Granik made her debut with the excellent Indie film "Down To The Bone". That film also introduced Vera Farmiga, who has gone on to more well know Hollywood fare. Ms. Granik follows "Down To The Bone" with "Winter's Bone" and again launches the career of a wonderful actress.

"Winter's Bone", like it's predecessor, is set in bleak surroundings focusing on people living on or below the poverty line and features a strong female lead. Jennifer Lawrence plays Ree, a 17 year old taking care of her ill mother and younger brother and sister in the Ozark mountains of Missouri.
When her missing father skips a bail bond, Ree must find him or lose their home (which was put up against the bond).

Ms. Lawrence is wonderful as Ree. She's both tough and tender, beautifully balancing a complicated character. Co-starring as her uncle "Teardrop", is veteran actor John Hawkes, who was a regular on the excellent HBO series Deadwood. Mr. Hawkes brings multiple layers to a character who easily could have been a one note role. They are both terrific.

The script has elements of a Hollywood formula but it frequently veers off that path. The film has a documentary quality as we follow Ree's hunt for her criminal father. Ms. Granik has a knack for capturing the resolve of her characters living in a bleak and raw environment. She can make you feel the chill of an Ozark winter and find humanity buried beneath rough and sometimes scary exteriors. Her camera transports you to Ree's world and if you are unfamiliar with this way of life, this film will certainly raise your social awareness.

Jonah Hex

What is Josh Brolin thinking? Coming off terrific work in "No Country For Old Men" and "W", he picks this western based on a comic book for a follow-up? Josh, come on...I know Megan Fox is your co-star but really??

Based on the DC comic, "Jonah Hex" is the story of a disfigured bounty hunter looking for revenge against the men who killed his family. Mercifully the film is a mere 81 minutes but we still have to sit through wooden acting or in Ms. Fox's case, no acting and in John Malkovich's case, overacting. The premise is interesting only because of the supernatural twist (Mr. Hex can speak to the dead) but otherwise, this type of film has been done many times and much better. Ms. Fox appears on screen looking very pretty in her low cut bodice and if pretty were talent, she'd already have an Academy Award. Mr. Malkovich hams it up as the villain of the piece and while nice to see Will Arnett and Adian Quinn, their talents are totally wasted in small bland roles.

If you are a fan of the comic, which I was at one time, you'll want to see this out of curiosity, otherwise rent "The Outlaw Josey Wales".

Toy Story 3

Leave it to Pixar to get it right. An original story starring characters you've grown to love with witty dialog and wonderful animation. "Toy Story 3" completes the trilogy with sentimental closure that will satisfy and tug at your heartstrings.

All your favorites are back with their original vocal talents intact. Along with Woody, Buzz, Mr. & Mrs. Potatohead, Jessie and the rest, we are also introduced to Lotso Hugs Bear, Ken and Big Baby, among other new toys. When Andy (the owner of our favorite toys) grows up and packs for college, a new adventure starts and many adult themes are explored. There are many funny lines, some inside jokes (poking fun at other films) and surprisingly, quite a bit of suspense. Older kids as well as adults will really enjoy the film. Young children may find elements of the film very frightening and the message will definitely go over their heads.

The 3-D animation is not gimmicky but rather enhances and enriches the film, drawing out the colors and movement of the characters. I truly hope we don't get "Toy Story 4". Pixar nailed it here and these toys should go out on top.

Joan Rivers: A Piece of Work

An interesting and insightful look at the comic icon, Joan Rivers. This new documentary follows Ms. Rivers through a year in her life, interspersed with video clips of early stages of her career. Directed by Rick Stern and Anne Sundberg, the film is a brutally honest portrait of Ms Rivers on and off stage.

Opening with a tight close-up of Ms River's face sans makeup, you know you're in for a revealing look and credit Ms. Rivers for letting the cameras so completely into her life. Even if you are not a fan, it's interesting to walk in the shoes (and fabulous clothes) of the most successful female comic working today and discover what makes her tick.

There are ups and downs, outrageous comedy, plenty of foul language, and some touching intimate moments. The film is obviously made with love and while honest, it does skirt some issues and avoids controversy.

Ms. Rivers truly is a piece of work and may she continue to work for years to come.

Killers

About what you'd expect from a bunch of TV stars playing movie stars. "Killers" takes an retread storyline, mixes it with Ashton Kutcher, Katherine Heigl, Tom Selleck and Catherine O'Hara. It promises action, laughs and romance. All it delivers is an annoying Ms. Heigl, a bland Mr. Kutcher, Mr. Selleck's famous moustache (pointed out repeatedly in case you miss it), and Ms. O'Hara playing drunk for cheap laughs.

Spencer (Mr. Kutcher) and Jen (Ms. Heigl) meet "cute", marry and three years later live a dull life in the suburbs, when to her surprise, Jen discovers her husband is a CIA agent and people are suddenly trying to kill them. Mr. Selleck and Ms. O'Hara play Jen's parents who, under normal circumstances wouldn't have very much screen time but hang around enough for you to realize they are important to what passes for the plot.

You seen this before in "True Lies" or more recently "Mr. & Mrs. Smith". There is so much illogic in this film, 30 seconds can't cover all my questions. If you find the two young leads appealing, you probably won't be disappointed. If you care about acting and a good script, prepare to be let down.

The Girl With The Dragon Tattoo

Fans of this bestselling book will appreciate the work of the film's screenwriters. They have managed to trim the fat, streamline the story and for the most part, keep all the integrity of the book. I say most part, because I was disappointed in the ending. However, it's a minor point, especially for people who haven't read the book and are seeing the story through fresh eyes. Whether you know the story or not going in, it's a terrific mystery with clever plotting and unexpected twists.

The cast is excellent, especially Michael Nyqvist as Mikael Bomkvist and Noomi Rapace. Ms. Rapace, is remarkable as Lisbeth Salander. She captures the spirit and physical aspects of Lisbeth perfectly. She breathes life into Lisbeth with subtle facial expressions as well as broad strokes. She is an exciting actress to watch and I look forward to her recreating the role in the sequel.

The film is in Swedish subtitles but remains easy to follow for an American audience. There are moments of horrific violence but as in the book, they are important to the characters and the story. An American version is in the works with reportedly, Brad Pitt to star and David Finchner to direct. Mr. Finchner is a great choice to direct and Mr. Pitt, I'm sure will make a fine journalist but the success of the film will turn on who is cast as Lisbeth Salander. But don't wait. The original will grab you from the start and not disappoint.

Holy Rollers

Inspired by true events, this is a fascinating story of Hassidic Jews that became Ecstasy smugglers in the late '90's. The film stars Jessie Eisenberg as Sam, a young man at a crossroad in his Jewish life and Justin Bartha as Josef, the Orthodox yet conniving hustler that gets Sam caught up in the drug trade.

With this film, Mr. Eisenberg is starting to shed the awkward teenage roles he has played for so long. He is an engaging young actor and always interesting to watch. Mr. Bartha, known primarily for "The Hangover" as the missing groom, shows his range here as he pulls Sam deeper into into a corrupt world, betraying his values, family and his faith.

The best part of the film is early on watching Sam go about his daily Hassidic life and then his initiation and seduction into the drug trade. From there on, the story takes on familiar themes of the "good guy gone bad" and it's only the unusual setting that keeps the viewer engaged. While the principles do a good job, many of the secondary actors fall flat and even a cameo from rapper Q-Tip is disappointing. He should stick to rap. Mr. Eisenberg, however, is taking the next step in what continues to be a solid acting career.

Solitary Man

Backed by a pedigree cast, Michael Douglas shines in this new Indie drama from writer/director Brian koppelman. Away from the trappings of Hollywood blockbusters, Mr. Douglas has always done his best work and come award season, he should not be overlooked for his work in this film. It is easily his best role in years.

Mr. Douglas plays Ben, a successful car dealership owner, who gets some alarming news from his doctor one day. It changes his life and not for the better. He becomes so self absorbed, he can't see his life unraveling before him and how he betrays and hurts the people in his life. Susan Sarandon, Mary-Louise Parker, Danny DeVito, Jenna Fischer, and Jesse Eisenberg are all family and friends impacted by Ben's downward spiral. It's particularly nice to see Mr. Douglas and Mr. DeVito together again in a film. They have a natural chemistry together and it's been too long.

This film is to Michael Douglas what "Crazy Heart" was to Jeff Bridges. He's not afraid to take risks here and immerses himself in the role of Ben with nothing held back. The story is not pretty, sad actually, but worth your attention to see an actor at his best.

Robin Hood

A subject done many times before, director Ridley Scott decides to take a new approach and make a prequel about Robin Longstride, the man and how he became Robin Hood, the legend. In doing so, both Mr. Scott and his muse, Russell Crowe try to recreate the depth and emotion they conveyed in "Gladiator" while throwing in a little "Braveheart" as well.

While enjoyable enough, "Robin Hood" doesn't quite reach the heights of either aforementioned film. The tone of the film is dark and very serious. Mr. Crowe"s "Robin" is a one-note character with nothing new brought to the role. For 2 1/2 hours, there is nothing you haven't seen before and nothing very memorable. Cate Blanchett co-stars as "Maid" Marion Loxley in a role that is beneath her skill and Hollywood status. She's an obvious box-office draw but her scenes with Mr. Crowe, don't exactly ignite the screen with passion and she is wasted in a "damsel-in-distress" role.

There is a well-known supporting cast including William Hurt, Max von Sydow, and Danny Houston, all doing average work. Mark Strong, who is making a nice career for himself as the villain of the minute (see "Sherlock Holmes"), plays the traitorous Godfrey with evil abandon. The climatic battle sequence plays like a medieval version of the "Saving Private Ryan" opening scene and Mr. Strong does get his comeuppance just as you would expect.

Sean Connery, Kevin Costner, Cary Elwes, and a cartoon fox have all had their shot at Robin Hood. For my money, go all the way back to 1938 and "The Adventures of Robin Hood" starring Errol Flynn. They just don't make them like the used too.

Iron Man 2

With very few exceptions, sequels just don't live up to the originals. "Iron Man 2" definitely falls into this category. With the idea that bigger is better, actor/director Jon Favreau aims high but falls short with an over produced and overblown spectacle that will still appeal to fans simply because films like this are critic proof.

Robert Downey Jr. is still a dashing hero and quick with the one-liner but it's obvious he's working a lot harder than he did in the first film, which found him a lot more relaxed and natural. Gwyneth Paltrow isn't given much to do except whine and complain and Scarlett Johansson's best scene is when she lets her actions speak louder than her dialog. Don Cheadle, so loose in the "Oceans" films is stiff as the iron suit he wears as "War Machine". As the villains, Sam Rockwell hams it up as Justin Hammer and is actually quite funny while Mickey Rourke's "Whiplash" looks imposing but is beaten much too easy.

Mr. Favreau fills the screen with so much sound and vision, it masks the fact that there is very little action with only 3 sequences to pump up the audience. And while those scenes may look good, (don't be fooled by all the exploding cars and glass), there is never any sense of real danger or suspense.

Marvel Enterprises continues to use each film as building blocks in it's comic film franchise, hinting here to the arrival of a full blown "Avengers" film on the horizon(expected in 2012). We get more of Nick Fury (Samuel Jackson, who needs to be tougher), a piece of one hero's equipment put to comic good use, and if you stay past the credits, a sneak peek of the next Marvel hero waiting in the wings.

Despite it's overindulgent flaws, "Iron Man 2" was a bit better than expected and if you enjoyed the first film, grab your popcorn and immerse yourself in it's comic book silliness.

The Secret In Their Eyes

I hadn't seen all the nominees for Best Foreign film last year, but my money was on "A Prophet". That opinion has changed now that I've seen "Secret". This Spanish language film definitely deserves it's Academy Award. This multilayered film will haunt you and yet, satisfy as well.

Ricardo Darin, well know in South America, stars as Benjamin Esposito, a retired criminal court officer who decides to reexamine a case that has haunted him for 25 years. Mr. Darin gives a very nuanced performance balancing his way through the layers of the story which starts out like a episode of "Law & Order" but becomes so much more. The simple investigation of the crime soon becomes more complex with unexpected twists and turns.

On the surface, it's a murder mystery but there is a heartbreaking love story in place as well. The rape and murder of a young women sets the story in motion. Be warned that the scene of the crime is not pretty but the brutality of the crime is important to fuel Esposito's obsession in the case. When he decided to revisit the case, much of the film is told in flashback and the growing relationship between Mr. Darin and Soledad Villamil, reveals an unspoken love that still smolders years later.

Besides the two leads, there is some fine work by Guillermo Francella, as Pablo Sandoval, Esposito's friend and co-worker as well as Pablo Rago as the widower of the victim. All the acting is superb and the story grows richer with every scene. "The Secret In Their Eyes" is an intelligent, absorbing film that should not be missed.

Date Night

Steve Carell and Tina Fey star in this new comedy but don't go expecting "Liz Lemon" or "Michael Scott", the characters they play on TV or you will be disappointed. Taking two well known comedy actors who are known for their very strong characters and pairing them in a film seems like a wonderful idea but stripped of those characters, the results are only mildly amusing.

The two comics play a married couple from New Jersey who, tired of their routine lives, have a "date night" in Manhattan. Predictably, things go chaotically wrong after a case of mistaken identity. The plot is derivative from "The Out of Towners", a terrific comedy with Jack Lemmon and Sandy Dennis. In that film, it's as if the city itself conspires against the visiting couple. This time we are given the standard gangster and crooked politician with cops on the take who threaten our hapless couple.

There is one very funny sight gag involving a rowboat and an original idea for a car chase but not many "laugh out loud" moments. A scene in a back room club involving a pole dance is actually embarrassing for both Mr. Carell and Ms. Fey as well as for William Fichtner, who plays the crooked DA. Ms Fey gets the bulk of the good one-liners and Mark Walhberg is pretty funny in a self parody. D.J. Smoove (so funny on "Curb Your Enthusiasm") is wasted in what could almost be considered a racial stereotype as a frightened cabbie. Mark Ruffalo and Kristin Wiig are completely wasted in what amounts to a cameo but James Franco and Mila Kunis show some comic flair as the real couple being sought by the villains.

I'm sure the pitch for this film was great but a stronger script would have produced better results.

Kick-Ass

Let me be very clear...this film is not for everyone. It is ultra-violent and completely deserves it's R-rating. If watching an 11 year old girl maim and kill while using language unfit for many adults, let alone a child, is not your idea of fun then read no further. This is not your kind of movie.

On the other hand, if you are a fan of the graphic novel (IE; comic book) it's based on or films like "Sin City", or "Watchmen", then by all means, keep reading as this film is definitely for you. The screenplay is by director, Matthew Vaughn (who made the delicious British crime film, "Layer Cake"), Jane Goldman and Mark Millar and John Romita (who teamed up for the original comic book). They have rendered a perfect live action recreation of the comic and fans will love it.

It's a perfect cast. Aaron Johnson has his first major lead as Dave Lizewski/Kick-Ass and Christopher Mintz-Plasse as Red Mist, will make you forget him as "McLovin" in "Superbad". But two of the biggest surprises are a humble and subdued Nicolas Cage as "Big Daddy", who clearly respects the script and the wonderful Chloe Grace Moretz, who steals the film and will blow you away (literally & figuratively) as "Hit-Girl". Ms. Moreta is the aforementioned killer 11-year old with very adult language who is just remarkable in a role that has caused quite a stir. A controversy made worse when, not only does she main and kill but is herself, beaten to a pulp by Mark Strong, the villain of the piece (Mr. Strong is making quite the career of playing villains. He's also the sheriff of Nottingham in the upcoming "Robin Hood").

The film holds none of the gravitas of "Batman" and in many ways is a self parody of "super hero" movies. It can be extremely violent and very funny and the combination doesn't always work back to back but overall, for a film major studios wouldn't touch, it certainly will appeal to today's young audiences who are numb to the violence but are also in on the joke.

City Island

A small jewel buried beneath the blockbusters and spring rejects, "City Island" will amuse you and warm your heart. It's the story of the Rizzo family, born and raised for generations on City Island, a small piece of real estate located on Long Island sound, a stone's throw from the Bronx, New York.

The cast could not be more perfect. Andy Garcia is Vince Rizzo and Julianna Margulies is Joyce, his wife of 20 years. They have a daughter, Vivian and a son, Vinnie and they are a loving but dysfunctional family, each hiding their own secrets. This is one of the best characters Andy Garcia has ever played. He shows a flair for comedy you don't often see and he is so natural in the role, you believe completely in the character. Ms. Margulies matches him scene for scene and easily balances the many sides of Joyce. The film also features Emily Mortimer and Alan Arkin in smaller but pivitol roles.

When a new character is introduced, secrets begin to unravel and family chaos reigns. To tell more would spoil the fun but I'm sure you'll have an enjoyable time visiting City Island and leave the theater smiling.

Clash Of The Titans

The original was cheesy, light and silly but fun to watch. This remake is cheesy, silly, and with the exception of three scenes, dull to watch. Sam Worthington, fresh off of "Avatar" is strong man of action but can't act his way out of his amor chestplate. And furthermore, he steals all his fighting techniques from watching Brad Pitt in "Troy".

The three scenes that will keep you awake are the attack of the giant scorpions, the battle with Medusa, and the final battle with the Kraken (which really is the highlight and saved for the end). Between these set pieces, you can go to the restroom, refill your popcorn or take a quick nap.

Liam Neeson and Ralph Fiennes lend their gravitas to the film as Zeus and Hades (respectively) but you can't even take them seriously. There is no character development and you probably won't even care who lives or dies. If you're in the mood for mindless swordplay and mythology that won't leave a lasting impression (even while you are watching it), then this one is for you.

I would also recommend that you find a theater showing it in 2-D, rather than 3-D (if you still insist on going). The 3-D technology is completely wasted here. The film was shot in 2-D and converted later to 3-D. It shows. Unlike "Avatar" the 3-D does nothing to enhance the visuals. It actually makes the film darker and harder to watch.

Greenberg

The latest drama from writer/director Noah Baumbach, stars Ben Stiller who turns in a terrific performance as the title character. The problem is, that while his performance is stellar, Roger Greenberg is a self absorbed, unlikeable 40 year old trying to restart his life after a breakdown and he's not fun to watch.

As the film began, I found myself hating every minute of it but then a funny thing occured. Mr. Stiller, playing against type makes this irritating, post breakdown, and almost comatose, character sympathetic. Greta Gerwig plays Florence, a personal assistant to Roger's brother and a potential love interest for Greenberg. Florence has her own neurosis to deal with and their very odd courtship becomes fascinating to watch.

Rhys Ifans plays Ivan, an old friend of Greenberg's and like Florence and Greenberg, he too lacks energy and drifts in and out of his scenes. And yet, you find yourself rooting for him to succeed with his own demons as well. It's a strange film where most of the characters lack any appeal but you are drawn to them anyway.

I can't count "Greenberg" as one of Mr. Baumbach's best. He co-wrote it with his wife, Jennifer Jason Leigh (who has a small role as Greenberg's ex-girlfriend). They have created unlikeable characters in awkward situations that don't do much to redeem themselves. But there is something brewing beneath the surface that keeps you engaged and that is also a testament to the fine acting by Mr. Stiller and Ms. Gerwig.

A Prophet

Nominated at this year's Oscars for best foreign film, "A Prophet" is a remarkable character study of a criminal's rise to power in the French penal system. When Malik ( played by Tahar Rahim) arrives in prison to start a six year sentence, he is a naïve 19 year old. Once there he learns more than just to read and write.

Niels Arestrup plays Cesar Luciani, the criminal kingpin of the prison. It is Cesar that forces Malik's initiation into hard time when orders him to murder another inmate. From that point on, Malik works for Cesar in return for protection. Mr. Arestrup's Cesar is a Corsican Don Corleone, controlling everything inside and out of the prison with a network of corrupt guards and informants everywhere. He is a force to be reckoned with.

Like Michael Corleone in "The Godfather", it is Malik who begins innocent and grows under the tutelage of his older father figure. The film is a lesson in the corruptive nature of power and the struggle for survival in a hostile environment, filled with mistrust and betrayal. There are moments of raw violence with an impact so strong, you'll imagine violence throughout, when in reality, it's just a few scenes.

Mr. Rahim is a compelling actor, hard to read but fascinating to watch as he grows through the course of the film. His scenes with the terrific Mr. Arestrup are wonderful to watch. Their last scene together is unforgettable.

The Runaways

Every great rock band always has a charismatic lead singer and guitarist to play off each other. The Runaways weren't a great band but they had plenty of charisma. They were trendsetters and broke the barrier for women in rock. This is the story of the band and in particular, the relationship between Joan Jett and Cheri Currie. The film is produced by Joan Jett and based on a memoir by Ms. Currie so one has to assume most of what we see on screen is fairly accurate.

The director, Floria Sigismondi, captures the energy and sleaze of 1975 Los Angeles with a keen ear and eye for the rock scene of that era. Kristen Stewart makes a memorable Joan Jett and Dakota Fanning gives her most adult performance yet (ironic as she plays a 15 year old) as Cheri Currie. Michael Shannon shows chameleon like abilities portraying record producer, Kim Fowley, a role unlike anything he's done to date.

The story concentrates on the volatile relationship between Ms. Jett and Ms. Currie. Much is being made about an on screen kiss but it makes sense as Ms. Jett's love for Ms. Currie is obvious from their first meeting. What eventually tears them apart is Ms. Currie's need for a life outside of the band unlike Ms. Jett, who's life is the band. It's fascinating to watch the rise and fall of The Runaways especially if you lived through that time period. For Today's youth, it's a cautionary tale of too much too soon.

The focus on Jett and Currie makes sense as they were the face and sound of the band but I would have liked to know more about the other three members of the band. In particular, Lita Ford, who gets no back story and yet went on to her own solo popularity years later. Even in the post script, there is no mention of Ms. Ford, drummer Sandy West or the bassist know simply as Robin.

Alice In Wonderland

You would think Tim Burton is the perfect director to give his particular vision to "Alice In Wonderland". And what better actor than his frequent collaborator, Johnny Depp, to play the Mad Hatter? Of course on paper it's a perfect match but unfortunately I was underwhelmed with Mr. Depp's performance. Buried beneath layers of makeup, Mr. Depp's Hatter seems barely mad at all and at times, just catatonic.

Helena Bonham Carter tries hard as The Red Queen, who's garish personality is matched only by her garish appearance but you soon grow tired of "off with her head". Anne Hathaway underplays the White Queen but blame Mr. Burton's direction. Mr. Burton appears so caught up in the world he's created that he's forgotten to breathe real life into his characters. Newcomer Mia Wasikowska is a wonder as Alice, the only character with a pulse, who coincidently is the only true human in Wonderland ( known here as Underland). The best characters, The White Rabbit and The Cheshire Cat, are products of excellent CGI.

As the film begins, we learn this is Alice's second trip to Wonderland, as Mr. Burton and his team have actually combined "Alice In Wonderland" and it's sequel "Through The Looking Glass" into one story mixing characters and story elements that are visually appealing but ultimately flat, even in IMAX 3-D. If only the story and characters were as vivid as the landscape they inhabit.

Green Zone

How wonderful to live in a country with freedom of speech and freedom of the press. Even when we're being fed lies, Hollywood can show us a version of the truth without repercussion. "Green Zone" is director Paul Greengrass's attempt reveal the truth about the lack of WMD's in Iraq during the 2003 invasion.

Matt Damon, so good in Mr. Greengrass's "Bourne" films, returns to his action persona as Roy Miller, a soldier who becomes obsessed with learning the truth after his unit fails to find any WMD's on their patrols. As an action hero, Mr. Damon has found his niche and he's always enjoyable to watch. What's not credible is how easily he can go rogue and act on his own without any question from his superiors of his actions or whereabouts.

The film has a pedigree cast including Amy Ryan as a journalist who finds herself being used as a pawn in a massive cover-up, Greg Kinnear as the sleazy government official manipulating the truth, Brendon Gleeson as the CIA officer who wants real answers, and an almost unrecognizable Jason Isaacs as a nasty Special Forces officer.

The film doesn't pull punches of our government at the time but sometimes the truth hurts. Politics aside, the film hits the ground running and zips by at a frenetic pace, leading up to an exciting chase scene at the end. Mr. Greengrass is a terrific action director who loves hand held cameras but the headache producing dizzy action is the price you pay for "you are there" realism.

The Ghost Writer

Director Roman Polanski does Brian DePalma. Based on the novel By Robert Harris, this new "suspense" drama plays like one of Mr. DePalma's thrillers, minus the sleaze factor and the thrill. The camera work, and in particular, the score reminded me of films like "Body Double" "Dressed To Kill" and "Raising Cain".

Ewan McGregor plays the title character, hired to "ghost" the autobiography of Andrew Lang, the former Prime Minister of England, played by Pierce Brosnan. Mr. McGregor is a very engaging actor and works hard to keep the audience's attention. His simple task of writing a book of memoirs takes on ominous tones after a dead body is discovered and shadowy figures begin to appear. He suspects there is more to the story than what he's been told and the plot slowly begins to reveals itself and I do mean slowly.

The movie holds your attention and builds towards what you would expect to be a big revelation at the end. Granted the final moments of the film come as a surprise but after such a long slow build, it all becomes clear too neat and quick and then one final twist in the last shot.

Mr. Polanski substitutes an island off the North Sea for Cape Cod and Mr. Bronson's exile for his own. The story of a American puppet Prime Minister is thinly veiled and the film contains a pretty obvious anti-American slant. There is very little action and the drama just drags on and on.

Mr. Brosnan is well cast in the Tony Blair...oops I mean Andrew Lang role and it's nice to see Kim Cattrall doing something else beside "Samantha Jones". The fine actor Tom Wilkinson also turns up as an important piece to the mystery.

There seems to be a big buzz around this film but to this critic, it's much ado about nothing.

Cop Out

You know there's problems here from the opening shot of New York City. With the Beastie Boys "No Sleep Till Brooklyn" playing in the background, the camera pans from Manhattan to stop at Long Island City, which is in Queens, not Brooklyn. Director Kevin Smith, working for the first time with someone else's script, plays it loose and lazy. There is no chemistry at all between stars Bruce Willis and Tracy Morgan. In fact Mr. Willis is content to sleep walk his way through his role taking back seat to the irritating mugging of Mr. Morgan. I haven't seen Bruce Willis with so little energy in a movie since "The Sixth Sense" and he had good reason in that film.

This is a tired retread posing as a homage (a word Mr. Morgan butchers for laughs) to the '80's black/white buddy cop films like "48 Hours", and "Running Scared". The best thing is the musical score, lifted right out of "Beverly Hills Cop". The plot is weak. The action boring and even perennial scene stealer Seann William Scott can't save this mess.

The film also co-stars Guillermo Diaz, who plays his bad guy role exactly like his character on "Weeds", Kevin Pollack as another detective caught up in the same case , and Rashida Jones, who deserves better than a few scenes as Mr. Morgan's wife, who may or may not be cheating on him.

"Cop Out" is a washout. Save your time and rent "48 Hours" instead.

Shutter Island

Martin Scorsese has undeniably made so many memorable films over the years that bear repeated viewing. Sadly, "Shutter Island" is not one of them. The master director and his muse, Leonardo DiCaprio have turned in an overlong and tedious "thriller" with a twist that's been done far better in other films.

There have been so many TV and radio spots for this film I could recite most of the dialog by heart. That, and the long running time sucked all the possible suspense right out of the film. There is certainly a more complex story here than the ads leave you to believe but by the time all is revealed, you're just grateful it's over.

I will say that Mr. DiCaprio remains one of the best actors of his generation and there is some fine work done by the supporting cast including Mark Ruffalo, Sir Ben Kingsley, Michelle Williams, Max von Sydow and a particularly good Patricia Clarkson (in a one scene cameo). It just doesn't add up to much by the end of the film.

Mr. Scorsese has always given each of his films their own vibrant life but here he actually repeats himself by recreating the atmosphere of "Cape Fear", his remake with Robert DeNiro. Shutter Island" gave him his biggest opening weekend box office. He gave us a disappointment.

The Wolfman

Benicio Del Toro channels Lon Chaney in this remake of the original horror classic. The film tries to remain faithful to the original but veers off course mixing bits of "American Werewolf In London" as well as "Werewolf of London" starring Oliver Reed.

Mr. Del Toro plays the tortured soul cursed by the bite of a werewolf along with Anthony Hopkins as his father, a man with a pretty obvious secret. Along for the hairy fun is Emily Blount and Hugo Weaving. Throw logic out the window when Ms. Blount, Fiancée to Mr. Del Toro's dead brother is instantly smitten with him and Mr. Weaving is conveniently setup for the sequel should there be one.

The film tries hard for chills and thrills but Danny Elfman's score is over the top with mood and menace and the cinematography is so black and blue, you would think the film itself was beaten by a beast. There's a nice mix of CGI as well as old fashioned makeup, courtesy of Rick Baker.

In the end, it's not a bad "popcorn" movie as it does have a pedigree cast trying hard to please but for today's over stimulated audiences, it's 'Ho Hum", another monster movie.

The Last Station

Set in the 1910 Russian countryside, this wonderful film is about the last days of famed author, Leo Tolstoy. At first thought, a film about Tolstoy...how dull but fireworks erupt on screen between Tolstoy and his wife Sofia, played brilliantly by Christopher Plummer and Helen Mirren.

The film plays like a Russian version of "The Lion In Winter" except in this version, it's the lioness that takes center stage. Ms. Mirren is a marvel to watch as the wife of the beloved revolutionary thinker who just wants the best for her family, while her husband's philosophy is to share all with the masses. Married for almost 50 years, this is a very human film about a couple's love versus their ideology. The scenes between Mr. Plummer and Ms. Mirren are filled with a level of acting few can match. Watching these two "giants of the screen" is pure pleasure.

The film co-stars Paul Giamatti as Tolstoy's disciple, Chertkov and James McAvoy as Bulgakov, Tolstoy's secretary. Both are excellent and hold their own with Mr. Plummer and Ms. Mirren. Mr. McAvoy, in particular, has the difficult role of trying to remain loyal to Tolstoy's philosophy while acknowledging Sofia's point of view. He is an everyman caught between two gigantic personalities.

The story comes from a novel supposedly based on the actual diaries of the principles. Some liberties are taken at the end but for the most part, the film is historically accurate. Besides the acting, the cinematography is breathtaking with beautiful shots of the Russian woods and countryside. If you're looking for something different, "The Last Station" is a great alternative to the Hollywood "top 10"

Percy Jackson & The Olympians: The Lightning Thief

Another movie franchise in the making, "The Lightning Thief" is based on the first book in a series about a young teen who discovers he is the son of Poseidon. The film is directed by Chris Columbus, who helmed the first Harry Potter movie, and knows a thing or two about fantasy films for young adults. Unlike the Potter books and films which are based on magic entwined with modern teenagers, "The Lightning Thief" and it's subsequent titles are rooted in Greek mythology but share a common bond in a hero who is unaware of his powers or lineage but soon discovers the truth about himself.

Using mythology as a background provides fertile plot points that keep the story moving with lots of action (requiring a lot of CGI), clever dialog and cameos galore for stars to ham it up as mythological figures. The image of Pierce Brosnan as a minotaur is a bit unsettling and Steve Coogan as Hades is a strange choice. However, Kevin McKidd as Poseidon, Uma Thurman as Medusa, and Sean Bean as Zeus are perfectly cast. Also co-starring in human roles are Catherine Keener as Percy's mother and Joe Pantoliano as his creepy stepfather.

The most important casting choice is of course, Logan Lerman, who plays Percy Jackson. Mr. Lerman does an admirable job of being a young hearthrob as well as action hero. His best friends are played by Brandon T. Jackson (who plays his role like a live version of "Donkey" from "Shrek") and Alexandra Daddario, who plays Annabeth as a young "Xena, Warrior Princess".

Mixing modern reality and ancient mythology create an enjoyable family film that will set the table for at least four more films to satisfy the legions of Percy Jackson fans out there.

The Lovely Bones

I enjoyed the book but therein lies the problem. If you've read the book, you will not appreciate the "in- between" as interpreted by director Peter Jackson. And if you haven't read the book, you still may not appreciate his vision for Susie Salmon's "in-between. The visuals are beautiful and surreal but they bog down the story and do nothing for Susie's heavenly narration of her murder and the family she leaves behind.

Susie's parents are played by Rachel Weisz and Mark Wahlberg. They do an admirable job in roles that are underwritten for the screen. Susan Sarandon plays the grandmother in an over the top performance and Michael Imperioli is stereotyped as the detective in charge of the case. Susie's murderer is played by Stanley Tucci who gives a very creepy performance that was deemed Oscar worthy by his peers. Rose Mclver, as Susie's sister has the most tense scene in the film.

I have to save Saoirse Ronan for last, as Susie Salmon. Ms. Ronan is remarkable to watch. She was excellent in "Atonement" and once again shows acting maturity beyond her years. If not for her performance, the film would be unwatchable. She anchors the film and breathes life into this murdered young girl. She manages to rise above her scenes in the "in-between" and I look forward to seeing her work for years to come.

I give Mr. Jackson credit for tackling this novel. It's not an easy story to translate to the screen and while he tries hard, he just can't pull it off. This is a story you must interpret for yourself and for that reason, I recommend reading the book and take a pass on the film.

A Single Man

Colin Firth stars in this period drama from first time director Tom Ford. It's 1962 and George Falconer has just lost his lover of 16 years in a car accident. Mr. Firth is excellent as George. He is in almost every scene and his subtle expressions, restraint of emotion, and driven purpose serve him well. He is a man swollen with grief who can't express his loss to the world. He formulates a plan and methodically goes about his business effectively hiding his pain from those around him.

Julianne Moore co-stars in what amounts to a cameo. She really shines in their major scene together but her part is becoming all too familiar to some of her more recent work. Contrast this to her work on 30 Rock and you can really appreciate her range as an actress.

Mr. Ford co-wrote the screenplay and directs the film with his fashion world eye for color and detail. His use of lighting and color literally express George's emotions for the viewer. He does tend to let the camera linger a bit too long which slows down the pace of the film but the character study of George Falconer and Mr. Firth's portrayal will keep you engrossed.

The White Ribbon

Writer/director Michael Haneke brings us his latest film to excite and confound us. Mr. Haneke's work is always intelligent, provocative, disturbing, and frustrating. "The White Ribbon" is all of this and more.

Set just before World War One, in a small German village, the film concerns itself with an escalating series of strange accidents befalling the townspeople. There is an underbelly of hate and anger growing beneath the seemingly peaceful village and the actions at work here are not obvious or easily explained. By the end of the film, you should realize where this is going but, as with much of Mr. Haneke's work, there no easy answers.

The cinematography is remarkable. The film is shot in black and white and the stark images are haunting. It is beautiful to watch. There is no soundtrack. The lack of color and music add to the tension but may put off many viewers. The acting is excellent with never a false note. The children, in particular, will remind you of the '60's British film "Children of The Damned". They are convincingly creepy and marked with a sense of growing evil.

The White Ribbon of the title signifies innocence but the film shatters that innocence and will provoke discussion and debate long after it ends. It is in German with English subtitles.

Crazy Heart

A career high performance from Jeff Bridges anchors this tale of a past his prime county singer just trying to survive day to day on his charm and what's left of his talent. We've seen characters like this before in films, most recently in "The Wrestler" (which could be a distant cousin). Like Mickey Rourke in that film, Mr. Bridges gives a raw, uncompromising performance that drives the film and fully engages the audience.

When we first meet "Bad" Blake, he is getting by on booze, cigarettes, and one night stands in cheap motels. He hasn't written a new song in years and his protégé has passed him by to become a superstar on his own (Tommy Sweet, played by a surprising Colin Farrell). When he meets reporter Maggie Gyllenhaal, she awakens something in him, he had thought long dead. To it's credit, Crazy Heart avoids the relationship cliché and what remains is touching and authentic.

I also can't say enough about the great soundtrack, put together by T-Bone Burnett. Mr. Bridges and Mr. Farrell do their own singing on the original songs and there are some classics thrown in as well.

Robert Duvall produced the film and also co-stars in a small role, which brings to mind his own star turn in "Tender Mercies", a film with similar themes. In his younger day, I'm sure Mr. Duvall would have coveted the role of "Bad" Blake for himself. But the part belongs to Mr. Bridges and he reaches down deep for what will surely be an Oscar nominated performance ( as of this review, he has just won the Golden Globe).

BEST & WORST of 2009

Best of 2009

Honorable mention- Up- A very warm human comedy told through rich animation.

10) Star Trek- Works on every level. Great casting, credible story and action at warp speed. This one delivers the goods!

9) The Messenger- Excellent human drama with fantastic performances from Woody Harrelson and Ben Foster

8) Avatar- Spectacular visuals enliven and enhance the retread plot. Tells an old story in an entirely new setting and makes it fresh and exciting

7) Precious- devastating urban drama with amazing performances.

6) Fantastic Mr. Fox- Delightful. Visually brilliant in its simplicity and crafty in it’s dialog.

5) An Education- Coming of age story brilliantly written and acted.

4) District 9- Fantastic, original filmmaking. A political Sc-fi film like no other.

3) Inglorious Basterds- Another triumph from Quentin Tarantino.

2) Up in the Air- Very entertaining but also depressing dramady with spot on acting by George Clooney, Anna Kendrick and Vera Famiga.

1) The Hurt Locker- Authentic, visceral, and gripping story of war that keeps you on edge with unbearable suspense.

Worst of 2009

10) Wolverine- All Style and little substance. Decent action but flimsy story.

9) Paul Blart Mall Cop- Silly comedy with a few laughs courtesy of Kevin James.

8) Duplicity- Audience is the one who gets duped in this confusing, empty star vehicle for Julia Roberts and Clive Owen.

7) Twilight:New Moon- I just don’t get it but then again I’m not a teenage girl.

6) Sherlock Holmes- Overindulgent and actually tedious with characters that have no depth at all.

5) The International- Clive Owen can’t save this “Bourne” ripoff minus the action. A silly plot and a wasted Naomi Watts can’t make for the great worldwide locations and one solid action sequence.

4) Nine- Some enjoyable flashes but disappointing and a miscast Daniel Day Lewis.

3) Knowing- Not knowing would have been better. Un-original and dreary.

2) Year One- An awful mess on every level. How disappointing from the man who directed “Ghostbusters” and “Stripes”.

1) The Box- better left unopened.

It's Complicated

Rich white woman fairy tale with a charming Alec Baldwin and a very natural Meryl Streep. Nobody does "chick flicks" for adult women better than writer/director Nancy Meyers. However her films never seem to take place in the "real world". You have to laugh when Ms. Streep explains to her architect, "now I can have a real kitchen" when the one she is standing in comes right out of Architecture Digest. And this is also an alternative universe where minorities don't exist.

Steve Martin co-stars as a potential love interest for Ms. Streep who, after 10 years, is suddenly having an affair with her ex-husband played by Mr. Baldwin. Once again, the trailer gives you the best bits but John Krasinski provides much comic relief not seen in the trailers. Even if you know what's coming, the movie is still light and fun, even if unrealistic outside of certain circles.

If not for the A-list cast, this would have made a fine Lifetime Channel film. The principles elevate it beyond that and it does have it's charms. Who can resist Meryl Streep exclaiming "turns out I'm a bit of a slut"

The Messenger

How unfortunate that this film is disappearing all too quickly from theaters. It is a powerful, moving and honest drama with wonderful performances from Woody Harrelson, Ben Foster, and Samantha Morton.

Ben Foster plays Will Montgomery, a solider back from Iraq after being wounded in a firefight. With three months left on his tour of duty, he is assigned to the Casualty Notification Unit reporting to Tony Stone, played by Woody Harrelson. It is the job of these officers to notify the next of kin when a soldier is killed in service. Samantha Morton plays a young mother notified of her husband's death who touches something in Mr. Foster and Steve Buscemi has a moving cameo as a notified parent. On the surface, you might dismiss the plot as too depressing but there is also humor and healing at work here.

Each notification brings it's own special circumstances and as the two men bond, their own emotional layers reveal themselves as they grow closer. The acting is just superb. Ben Foster is no stranger to complex roles and this is easily one of the best things he's ever done. Woody Harrelson caps a busy year of work with a terrific performance and both actors honor the work of the real military personnel who perform this difficult assignment.

This is a deeply affecting story that will linger long after it's over. Don't miss it when it's available on DVD.

Sherlock Holmes

Sherlock Holmes as action hero? Basil Rathbone is turning over in his grave. Director Guy Ritchie re-imagines the famous sleuth for the 21st century and the result is an over the top film starring Robert Downey Jr. as Holmes and Jude Law as Dr. Watson.

Mr. Ritchie bludgeons us with fast paced sights and sounds practically begging for approval. He might as well be screaming "isn't this fun?" and "isn't this exciting?" Mr. Downey Jr. appears to have free reign over the character and his usual charm and wit are overblown and his portrayal soon becomes tedious even as total mayhem erupts on screen. Mr. Law tries his best to reel things in but as written, his relationship with Holmes plays like an 19th century version of "I Love You, Man".

Rachel McAdams co-stars as Irene Adler, a character who's motives are unclear. We never learn much about her except that she can run from the sewers of London to the top of Tower Bridge in record time. Her relationship with Holmes seems to change with every scene and while enjoyable to watch, her acting is wasted on a hollow role.

You can't escape the ads and previews for this film so once it starts, you feel as though you've already seen it. This is an prime example of Hollywood overindulgence. The audience is force fed a Holiday meal that looks appetizing but once digested, leaves you stuffed, uncomfortable and not asking for seconds. Unfortunately, the end sets up a sequel anyway. We can only hope for more character and less effects.

The Imaginarium of Dr. Parnassus

Writer/Director Terry Gilliam once again takes us for a wild ride inside his imagination. His vehicle is a magic mirror that transports a person into the imagination of the title character, played to perfection by Christopher Plummer. Of course many will seek out this film to see Heath Ledger's last performance, not even being familiar with Mr. Gilliam's earlier work or fertile mind.

Mr. Ledger does not disappoint as Tony, a mysterious and loveable rogue, who becomes part of the Dr. Parnassus Traveling show. In a macabre twist, when we first see Tony, he is dangling from the end of a noose, apparently dead. Revived by Dr. P's daughter, Valentina and the two other members of the troupe, Percy and Anton, Tony begins to earn his keep by attracting a bigger audience to the show.

And what a show it is. As the audience members pass though the mirror and into the mind of Dr. P, the screen fills with wild visions as the souls of each person are tempted by both good and evil. The evil comes in the form of Mr. Nick, the devil himself, played with flair and malice by Tom Waits. Besides the star power, the rest of the cast is also quite good. Verne Troyer (known primarily for Mini-Me) shows versatility as Percy, Andrew Garfield is heroic as Anton, and Lily Cole is delightful as Valentina.

What has created the most interest for this film was how to complete Mr. Ledger's role since he passed before the film was done. Luckily, the film has the luxury of a magic mirror and sequences of imagination that allow Tony to be played by three different actors, each time he passes through. Johnny Depp, Jude Law, and Colin Farrell each take turns playing Tony and the transformation works seamlessly in the context of the film. Mr. Depp and Mr. Law have the shorter scenes but do an admirable job keeping the character in synch. Mr. Farrell does a great job with the pivotal role of Tony in the last sequence.

Mr. Gilliam borrows from his earlier work with parts of the film resembling "The Fisher King" and even a nod to Monty Python with a dancing policemen bit. The film is a fanciful, trippy tale that will probably be best appreciated by Mr. Gilliam's fans but the pleasure of Mr. Plummer's performance as well as the "four Tonys" can appeal to anyone.

Nine

Hoping to recreate the magic of "Chicago", director Rob Marshall takes on the film adaption of the Broadway show, "Nine". Unfortunately, it lacks "all that jazz".

Daniel Day-Lewis is miscast as Guido Contini, the famous director who has lost his way while trying to make a new film. Mr. Day-Lewis is too good a dramatic actor to just brood or watch others perform from the sidelines. And as for his two musical numbers, well let's just say, stick to drama. The majority of the film is set on one incomplete sound stage where Guido is trying to start his new film and it's where most of the musical numbers take place. That alone makes things very repetitious and may have worked better if the songs were more memorable.

Mr. Marshall made "Chicago" work on screen by having the musical numbers play out in the actors minds. He utilizes the same technique here but the songs aren't as strong and the actors are just adequate performing them. The exceptions are Marion Cotillard and Penelope Cruz, who both shine above the rest of the cast. Ms. Cotillard is easily the best actress in the film, playing Guido's long suffering wife. Her singing and acting are terrific. Ms. Cruz does a great job as the mistress, Carla and does herself proud in her big, sexy musical number.

The rest of the "star" power fizzles. Judi Dench tries hard but shouldn't be doing musicals, Nicole Kidman has nothing to do but look pretty, and Kate Hudson has a fun number but is less than memorable. Sofia Loren adds some Italian authenticity as Mama and it is nice to see her on screen once again but she's not asked to do too much. Stacy "Fergie" Ferguson doesn't act but performs the most popular song "Be Italian" and it's one of the few musical highlights.

Skip "Nine" and rent "8 1/2", the original Italian film the musical is based on. It's a classic.

Invictus

Director Clint Eastwood gets overly sentimental with this new film based on Nelson Mandela and the 1995 Rugby World Cup. The story is inspiring enough but Mr. Eastwood manipulates the script, the music, and the cinematography to drive the emotion and inspiration over the top.

The story of how Mr. Mandela uses rugby to help unite his country is very inspirational. It's a tricky move to get an American audience involved in a film about South Africa and rugby. While the game sequences are exciting, not knowing enough about the sport hindered my emotional involvement and Mr. Eastwood's musical choices are very manipulative. When the 99% white team does a rugby clinic with a group of South African black kids, do we really need to hear a song called "Colorblind" during the scene.

Morgan Freeman is outstanding as Nelson Mandela. It's always tricky to recreate a true story with bigger than life true characters but Mr. Freeman honors Mr. Mandela with a very natural performance. The other big name in this film is Matt Damon as the captain of the South African rugby team. Unfortunately Mr. Damon's role is reduced to some inspirational team speeches and few shots of him actually involved in the rugby matches.

Mr. Eastwood is an accomplished director, who finds the human story behind the politics and sports but "Invictus" is far from his best film.

Avatar

James Cameron is once more "King of The World" with the release of his latest masterpiece, "Avatar". This new film is a visual spectacle that seamlessly fuses live action and computer images to create a stunning new world.

It's important to be dazzled by the visuals because you've seen this basic plot before in hundreds of film dating back to the earliest westerns. The evil "white man" or in this case, humans, exploit the indigenous population for their valuable resources. And, as with many of these films, resort to destroying their homes and killing off the local population to line their pockets.

Mr. Cameron liberally borrows this theme, along with plot points from the sci-fi classic book, " The Dragonriders of Pern", and even his own earlier films, "Aliens", in particular. Giovanni Ribisi, in "Avatar", basically plays the Paul Reiser role from "Aliens". But these are minor complaints because even though you've seen the plot before, you have never seen it presented like this.

Setting the story on his fictional world of Pandora, Mr. Cameron makes the story seem fresh and exciting in a most spectacular way. Every detail is perfect and moments into the film, you will forget you're watching computer generated images and everything and everyone will come alive before you. There are so many sequences that take your breath away, you might be better off with an oxygen tank rather than popcorn.

Sam Worthington plays Jake Scully, the former Marine turned Avatar to learn about the local population. Sigourney Weaver (in "Ripley" mode) is the biologist who has developed the avatar technology and opposes the military option. Stephen Lang is Coronel Quaritch, the tough as nails military leader, who easily becomes one of the all time great screen villains. Zoe Saldana, Wes Studi, and CC Pounder lend their voices and features to the main Na'vi characters. Mr. Cameron's film technology is so advanced, you just don't know where the actor stops and the technology begins.

To truly appreciate this film, I strongly recommend you see it in IMAX 3-D. This was the medium Mr. Cameron had in mind when he created the film and to see it on a regular screen in basic 2-D will just not do it justice. Avatar is a grand adventure on a whole new level.