The Man From U.N.C.L.E.

        Ah, Robert Vaughn, where are you when we need you? Guy Richie's big screen treatment of the '60's T.V. show is all style and very little substance.  It's an origin story of how U.N.C.L.E.'s top two spies, Napoleon Solo and Illya Kuriakin meet for the first time and it's clever enough but poor acting and not enough action do not make for top notch entertainment.

         The film does have it's tongue planted firmly in it's cheek and and is saved from being a complete dud by it's humor, soundtrack and visuals. The '60's Europe recreation is "fab" and the wardrobe department worked overtime to get everything right. Although how exciting can it be watching the two leads argue over women's fashions?

           Henry Cavill looks the part as Agent Solo but has no personality. Arnie Hammer works hard on his accent as Illya but plays him as a big Russian bear. Hugh Grant co-stars in a small but significant role, especially if you are a fan of the original T.V. show. The femme fatale is played by Alicia Vikander and she is an absolute delight to watch. The other female lead, Elizabeth Debicki, makes a fine icy, cool villain. What can it say about the film when  the two featured women are more interesting than the two main male characters?

            The set-up is there for a sequel  and if it's made, I hope to  see a certain little New York tailor shop featured somewhere.

Mr. Holmes

      A quiet film of dignity, intelligence, wit and surprise, "Mr. Holmes" is an oasis from the loud action popcorn movies of summer. Ian McKellen plays an elderly version of a retired Sherlock Holmes living by the sea and tending to his honey bees. And of course, he is absolutely terrific.

       As his memories start to fade with age, Holmes struggles to remember details of his last case, which we see develop in flashbacks.  He relates the facts of the case to young Roger (played by Milo Parker) who's mother is Holmes's housekeeper, Mrs. Munro. Laura Linney co-stars as Mrs. Munro and it's quite a successful departure for the talented actress.

        This is a period film jumping between two earlier periods in time and Mr. McKellen doesn't miss a step or trick as the older and elderly versions of Holmes. His scenes with Roger are tender and witty and in the flashbacks, even as an older version of Sherlock Holmes, he does the character justice.

         The film is directed by Bill Condon with a quiet elegance and yet a twinkle in his eye. The screenplay is by Jeffrey Hatcher, with a very different take on the famous detective, who ends up solving more than one mystery.

          "Mr. Holmes" is a breath of fresh air and filled with simple pleasures, anchored by a wonderful Ian McKellen.

Mission Impossible: Rogue Nation

         Tom Cruise returns in this 5th installment of the series. With each film, logic continues to dwindle and plot holes continue to grow larger but that's not really important in these films. 

          The franchise exists as the perfect summer popcorn film...big stars and bigger stunts and in that respect, the film delivers. For my money, the stunts have been better in the previous  films but there is no denying that Tom Cruise hanging off the side of a plane during taking off is pretty incredible. The problem though, is by now it's certainly no surprise (duh, look at the poster)  and it occurs right at the beginning of the film.

            Mr. Cruise is joined once again by the IMF team of Simon Pegg , Jeremy Renner, and Ving Rhames. Mr. Pegg is comic relief, Mr. Renner provides exposition and Mr. Rhames stands around looking tough.  The new faces this time include Alec Baldwin as the pompous CIA chief, Sean Harris as the creepy villain, and Rebecca Ferguson as the femme fatale double agent. Ms Ferguson holds her own very well in the stunt department going literally toe to toe with Mr. Cruise.

          Directed by Christopher McQuarrie (who also wrote the screenplay), the film jumps from stunt to stunt with a simplistic story to bridge the action. While the stunts are well staged, Mr. McQuarrie doesn't know when to stop and the film runs too long and with so many sequences, you begin to lose interest. Credit Mr. Cruise however, for doing his own stunts. He appears to be in great shape and goes out of his way to prove it.

            Films like this are becoming interchangeable with Jason Bourne, James Bond, even the Fast & Furious series. Yes Hollywood, all the stunts are fun but please give us a well written script that provides suspense and intelligence to go along with all the action.

Fantastic Four

       Fantastic Flop is more like it. I don't remember the last time a film actually offended me because it was so bad. Here, four good actors are trapped in a fantastic foul-up of a film. Miles Teller plays Reed Richards. Mr. Teller was exceptional in "Whiplash". Now he is so miscast, it's criminal.  Jamie Bell plays Ben Grimm, otherwise known as The Thing. Again, good actor ridiculously miscast and the same can be said for Michael B. Jordan as Johnny Storm or Kate Mara as Susan Storm. There is no chemistry between them or the film with it's audience.

        The film runs 100 minutes. The first hour is all origin story (and not even the correct origin) with no action sequences at all. If this part of the film was a superhero, it's power would be boredom and the ability to put the audience to sleep.  The last 40 minutes contains a big action sequence where the heroes square off against Dr. Doom on a barren planet. It is a poorly conceived battle with the cheesiest CGI, seemingly left over from a 1970's arcade game. When The Thing shouts his signature line, it is forced and comes out of nowhere, losing all it's verbose appeal.

         20th Century Fox has only had success with The X-Men films. They can't get Spiderman right or The Fantastic Four forcing reboot after reboot and failing miserably every time. They should wise up and sell their rights back to Marvel studios who have shown they know what to do with their heroes.

           Do not waste your time or money on this "Forgettable Four".

Southpaw

          Jake Gyllenhaal takes the hits but it's the audience that gets sucker-punched in this cliche-ridden fight film.  Mr. Gyllenhaal is the only reason to watch this boxing boredom. He is just terrific as Billy Hope, a boxer on top of the world, who falls quickly after a tragedy. Of course he ends up being trained by the wise, ex-boxer, mentor played here by Forest Whitaker, for one more shot at the title and redemption.

         Written by Kurt Sutter (known for the TV show "Sons of Anarchy"), its a lazy script with nothing new to bring to the genre (except the plot device that sets the story in motion). Director Antoine Fuqua tries to bring "street cred" to the story with gritty dark visuals and Eminem rapping the title song, but it all feels fake and a constant retread of a story told many times.

          Rachel McAdams plays "Mo", Billy's wife in what amounts to a cameo. Their daughter, played by newcomer, Oona Laurence is a 10 year old bore who, unfortunately, can't hold her own in her scenes with Mr. Gyllenhaal. Curtis "50 Cent" Jackson is the stereotypical manager who turns on his fighter the minute he smells a better deal. And Mr. Whitaker, an actor with a quality pedigree walks through his role as the trainer using "Mickey" from the "Rocky" movies as his role model.

           There are so many contradictions, I don't know where to begin and the climatic fight, while very realistic,  just doesn't produce the same excitement as so many other "fight" films. What holds the film together is the committed performance by Mr. Gyllenhaal. His physical and emotional performance rises above the material and he's a winner, even if the film isn't.

Trainwreck

    I first saw Amy Schumer on "Last Comic Standing" many years ago. She was pretty funny but she didn't win. That's how I feel about her new movie, pretty funny in spots but not a winner.

    In her first starring role, Ms. Schumer plays Amy, an alcoholic, promiscuous single girl in the city, not really looking for love. She is a writer for a tabloid magazine  run by the always wonderful, Tilda Swinton.  I don't think I've ever seen Ms. Swinton in such a loose, contemporary role and she is clearly having a blast as the crude head of the magazine.

    The film plays like an anti-romantic comedy with Ms. Schumer in a role reversal of the usual male part.  The first half of the film is a series of encounters that allow Ms. Schumer to sleep around and toss off great one-liners.  When she is assigned to write a story about a sports doctor played by Bill Hader, love hits her when she least expects it. Not knowing how to deal with this new emotion is the basis of the rest of the film.

     Mr. Hader is a terrific comedian but having him play the straight man is a complete bore. It may be right for the character but it's disappointing for the audience. The "actor" who steals the movie is LeBron James, playing himself as a close friend of Mr. Hader's. He is a natural and their scenes together are very funny.

      There is a subplot involving Amy's sick father, played by Colin Quinn and her sister, played by Brie Larson. Mr. Quinn basically plays himself, making Ms. Larson one of the few truly professional actors in the film and it shows. She has matured into a fine young actress who is always a pleasure to watch. Mike Birbiglia plays her husband and Evan Brinkman plays her stepson, Allister, in a role written for awkward laughs.

       There are some funny scenes throughout the overlong film but they are far and few between the awkward moments. Ms. Schumer's character is not likable. The "showstopper" at the finale made me what to scream "enough, make it stop". This is a film that will appeal to a very particular audience. Luckily for Ms, Schumer, she can always fall back on her very funny TV show.

Ant-Man

       Big things do come in small packages. Marvel Comics continues it's movie domination with it's latest and most unexpected hero, Ant-Man.

        The film stars Paul Rudd (an unlikely action hero but as it turns out, the right man for the job) as Scott Lang, Michael Douglas as Dr. Hank Pym, Evangeline Lilly as Hope Pym, Hank's daughter and Corey Stoll as Darren Cross. Co-starring are Michael Pena, Bobby Cannavale, Wood Harris and the rapper T. I. There are also some familiar cameos and some surprise stars from the Marvel Universe.

          Since this is an origin film, the first half is very dialogue heavy with just a few short action sequences to keep you interested in what's to come. Mr. Rudd is not quite his usual snarky self but he is never the less, charming and fun to watch. The real fun is the special effects. The small (no pun intended) visual taste in the beginning really pops in the second half of the film. Clearly the CGI artists had fun with their work as many scenes will have you laughing out loud.

          The CGI ants look a bit too metallic but they are quite detailed and fun to watch as Ant-Man leads them into battle. There are many clever action sequences making use of environments you wouldn't expect and one terrific fight with a surprise Marvel hero. Speaking of which, the film references the Marvel universe multiple times and keeps Ant-Man firmly rooted in the same reality. As to what added to the success of "Guardians of The Galaxy", the film doesn't take itself that seriously which is why Mr. Rudd is a perfect choice for the lead.  The self deprecating humor keeps the film lively and things never get too heavy.

          Make sure you stay through all the credits as there are two additional scenes once the film ends and they are both significant to the continuity of future Marvel films.

Me and Earl and The Dying Girl

     Yes, there is a dying girl but this clever new Indie film tries it's best to present an honest, unmelodramatic portrait of teen angst in a refreshing way. For the most part it succeeds although it does occasionally slip into said melodrama.

       Thomas Mann plays the "Me" in the title, a high School senior named Greg who is perfectly at home navigating his final school year staying invisible to the cliques around him. His "friend" is Earl (RJ Cyler), a black teen Greg has known since they were little kids. When Greg's mom learns of Rachel, a girl in Greg's school has been diagnosed with Leukemia, she tells Greg to befriend her, even though he barely knows her. Rachel is played by Olivia Cooke. The film also co-stars Connie Britton, Nick Offerman, Molly Shannon and Jon Bernthal as the various adults.

        Greg narrates the story with the plot separated into chapters (like the novel it is based on). The three soon become platonic friends and Greg and Earl entertain Rachel with videos of their home made movies, spoofs of Hollywood greats. These spoofs are some of the funniest scenes in the film. 

        The story remains upbeat, filled with odd ball humor and avoids, for the most part, the trappings of a typical teen comedy/drama. Greg is a quirky character that takes some time to warm up to but Earl is a likable character from the start. Their relationship with Rachel is interesting from a fresh perspective.

        "Me and Earl and The Dying Girl" deserved it's Audience Award at Sundance earlier this year. It is a funny, heartfelt film that will surprise you.

Inside Out

       Pixar films have an uncanny knack for entertaining with a strong emotional core, This new film continues that tradition with a story that is smart and deeply heartfelt.  Be warned however, this is not a film for small children. It attempts to deal with basic emotions in a kid friendly anthropomorphic way but the concepts introduced are complex and may not be easily understood.

         For older children and adults, it is a very rewarding experience with an excellent message that will tug at your heartstrings. The animation is, of course, brilliantly rendered and the colors and physical comedy will appeal to the little ones ( They just won't grasp what's actually happening and may be frightened during certain scenes).

         When eleven year old Riley and her parents move from the comfort of their home in Minnesota to a new home in San Francisco, it triggers a massive reaction of emotions, portrayed by Joy (Amy Poehler), Fear (Bill Hader), Disgust (Mindy Kaling), Sadness (Phyllis Smith), and Anger (Lewis Black).  When Joy and Sadness are separated by the others, Riley goes deeper into a tailspin and it's up to her emotions to all work together to save the day. It's a heady concept (pun intended) and it works brilliantly. An imaginary friend, Bing Bong, voiced by Richard Kind, almost steals the film and helps it reach it's emotional core. As always, the vocal casting is spot on.

          As with most Pixar films, "inside Out" can easily be enjoyed by adults with or without children. Writers and co-directors Pete Docter and Ronnie del Carmen get inside our heads and our hearts.

Terminator:Genisys

            Not a sequel and not quite a reboot, but rather a recharge of the whole series. If you are familiar with the mythology, "Genisys" will blow your mind. If you don't know the story, rent the original before you go or you may have a hard time keeping up.

              This is a perfect film for IMAX 3-D as the visual and sound effects will knock you right out of your seat. There are terrific action sequences throughout the film and plenty of surprises that I don't intend to spoil. Needless to say, this installment is a game changer.

               Arnold Schwarzenegger is terrific, reprising his role as the original Terminator. It's as if he never left. He can still handle the action and adds a great deal of humor throughout the film. Sarah Connor is played by Emilia Clarke and who better than "the Khaleesi" of "Game of Thrones" to tackle the role. Kyle Reese is played by Jai Courtney in his biggest part to date and he does an admirable job in this major role. John Connor, the other main character in the series is played this time by Jason Clarke, who is becoming the "go to" actor for sci-fi reboots ( see Dawn of the Planet of the Apes).

              Credit writers Patrick Lussier and Laeta Kalogridis for a script that is familiar and yet, turns the whole Terminator mythology on it's head. It is a very welcome addition to the series.

Infinitely Polar Bear

      Mark Ruffalo stars as Cameron, a manic depressive bi-polar father of two little girls. Zoe Saldana co-stars as his wife, Maggie. The title refers to how his youngest pronounces his condition.  And while Mr. Ruffalo's acting is as excellent as always, his portrayal is one dimensional. Whether it's the direction or his interpretation but his only clinical sign (after a initial breakdown) is just being totally manic.

       When Maggie decides to go back to school to get an MBA, she leaves the girls in Cameron's care. The story is both amusing and heartbreaking and is clearly a showcase for Mr. Ruffalo. Imogene Wolodarsky plays Amelia, the older daughter and  Ashley Aufderheide plays Faith, the younger sister.  They are both very good and play well against Mr. Ruffalo.  The three share most of the screen time together.  

        The film is written and directed by Maya Forbes, based on her own experiences growing up with a bi-polar father. Since it's her own story, I can only assume it's a fairly accurate portrait of her life. Mental illness is not easy to get right on screen and while the film seems to paint a bit too cheerful picture, it's still a worthy drama.    

Spy

    Writer/Director Paul Feig has another hit with his muse, Melissa McCarthy.  Ms. McCarthy continues to improve with each film. She absolutely shines here in her first fully developed leading role.

       The movie is a clever send up of James Bond films from the opening credits to very funny sight gags. Ms. McCarthy plays a desk bound agent for the CIA who finally gets into the field when a fellow agent, played by Jude Law, is killed chasing a stolen nuclear bomb.

       Her fellow agent in the field is played by tough guy Jason Statham, who hilariously makes fun of his own image. He almost steals the film but make no mistake, this is a star vehicle for Ms. McCarthy. She shows a wide range while maintaining her natural goofiness. Her verbal barrage of one-liners, whether scripted or ad-libbed are absolutely hysterical.

        The villains are played by Bobby Cannavale and Rose Byrne. Mr. Cannavale role is small but crucial to the plot. Ms. Byrne is clearly enjoying her role as the femme fatale who shares some great scenes with Ms.McCarthy. The CIA chief is played by Allison Janney, deserving of more screen time but good none the less.

       Mr. Feig makes good use of his globe hopping locations, moving briskly around Paris, Rome, and other major European cities. He and Ms. McCarthy have a natural connection that is evident on screen.

    "Spy" is funny, exciting, filled with actual intrigue and can easily be the start of a  franchise character.

Jurassic World

        New director Colin Trevorrow takes over the reins for this reboot of a huge franchise. The film is executive produced by Steven Spielberg and while he may not have been on set, you can feel his presence throughout the film. After an entire trilogy of dinosaurs running amok, Mr Trevorrow has big shoes to fill and guided by Mr. Spielberg, his reboot ultimately succeeds.

         It's a clever script that makes fun of itself right from the start. People are getting bored visiting Jurassic World. They've gotten used to seeing the dinosaurs now for years so of course, the mad scientists back in the lab must produce a bigger, meaner, scarier model. What could possibly go wrong?

          The film stars Chris Pratt as a raptor trainer (don't ask, just go with it) and Bryce Dallas Howard as the Director of the theme park. Co-starring is Vincent D'Onofrio representing the evil corporation with its own agenda and Irfan Khan as the billionaire who funds the park. Jake Johnson is comic relief and B.D. Wong is back as the mad scientist. The film also introduces the requisite kids (this time brothers) who, of course, are immediately in danger. They are played by Nick Robinson and Ty Simpkins.

           Mr. Pratt makes a dashing hero as he proved in "Guardians of the Galaxy" but his role here is not quite as freewheeling as Peter Quill. Ms. Howard does a good job of starting out as the Ice Queen and eventually melting into a caring human being, Being chased by  monster dinosaurs can have that kind of impact.

             The film starts slow with lots of sentimental backstory but picks up steam and holds a few good unexpected surprises for the audience. The CGI is better in some scenes than others but the raptors are just terrific. You really imagine them to be actually on screen interacting with the cast.

              I enjoyed it more as it went on and it ultimately does succeed as a perfect summer popcorn movie. You get what you expect...and then some.

love&mercy

    Director Bill Pohlad brings the story of Brian Wilson to life in this remarkable new film.  The screenplay cuts back and forth in time focusing on two seminal points in Mr. Wilson's life, the creation of "Pet Sounds" and dealing with his midlife mental issues.

      The film opens with the Beach Boys riding high on their success but Brian no longer interested in touring. While the group tours Japan without him, he stays behind to work on what would eventually become "Pet Sounds". The young Brian is played by Paul Dano and he is just terrific. Scenes in the studio, working with the musicians to create the album, you get chills watching him bring Mr. Wilson's genius to life. And you are chilled even further as the "voices in his head" get louder and he begins to totally breakdown.

       The older Brian is played by John Cusack and he is just as daunting, tacking mental health issues, and the domineering Dr. Eugene Landry, who was his doctor and legal guardian. Dr. Landry is played by the always reliable Paul Giamatti who overcomes a horrible hairpiece to create a vile human being who almost destroys Mr. Wilson. It is only when Brian meets Melinda Ledbetter (played beautifully by Elizabeth Banks), that, with her love and determination, he is able to get free from Dr. Landry and begin to really live again.

         Some of the dissolves between time periods are disruptive and choppy but for the most part the device works and combined with the heartbreaking true story, terrific acting, and the brilliance of Brian Wilson, this is a must see on so many levels.

Slow West

          A new Indie western that at once is iconic and yet at the same time turns the genre upside down. Brilliant in its simplicity with wonderful cinematography, this is a film to be savored slowly and appreciated for it's quirkiness. 

          Kodi Smit-McGee stars as Jay, a lanky naive young man, new to the American west in search of his true love, Rose. In flashbacks, we see them together in Scotland when circumstances force Rose and her father to leave for America. The film opens on Mr. Smit-McGee staring up at the stars, alone at his campfire. Soon enough, he gets into trouble and is rescued by the film's narrator and his co-star, Michael Fassbender. Mr. Fassbender is a drifter in the iconic mold of Clint Eastwood's "man with no name".  The two men come to an arrangement of sorts and ride off together. 

           The land is expansive (New Zealand fills in for the American west) but the film is small. There are few characters within the contained story. There is no town, just the land, our two riders and the small band of bounty hunters following them, led by Ben Mendelssohn.  No better choice here than Mr. Mendlesohn to play the villain. He is wonderful in these types of roles.

           Writer/director John McLean respects the western genre but stages ample scenes with a Wes Anderson playfulness. There is requisite gun play but staged in unusual and original ways. The ending is  refreshingly different than expected but yet, makes sense at the same time. There is so much to enjoy in this "little" film that I can't wait to see it again.

Tomorrowland

   A two hour PSA wrapped around a commercial for visiting Disney World. Writer/director Brad Bird clearly wants us to know we are slowly killing the earth and only the most creative, brightest young minds can save us.

    George Clooney stars but doesn't really show up until halfway through the film (not counting a short introduction at the start). His character, Frank Walker could have been played by almost any leading actor today. Mr. Clooney doesn't really bring anything special to the role. Hugh Laurie co-stars as the film's villain. The real star however, is Britt Robertson. Ms. Robertson looks like a young Julia Roberts and has many of the same attributes that show she is a star in the making. Her acting is natural, charming and very appealing. She easily holds her own in all her scenes with Mr. Clooney. The other standout role, Athena, is played by Raffey Cassidy. Ms Cassidy is a young British actress who also has a bright future as an actress.

     The special effects are well done and there are a few scenes that highlight Mr. Bird's kinetic energy but the film plods along at times and it's clear message is no revelation. It's hard to tell exactly who the right audience is for this film. It will go over the heads of small kids, teens may not care and adults will get the message right away and then find themselves bored. It's a perfect film for high school science kids. After all, we are counting on them to save us.

Poltergeist

       Curiosity got the better of me. I loved the original  so I certainly wondered why bother doing a remake in the first place? Easy answer...money, which unfortunately this new film won't make.

       The story follows the same trajectory as the original but embellishes it with new millennial flourishes like flat screen TV's, cell phones and drones. It may do a good job modernizing the story but it completely forgets how to scare you. The original was a roller coaster ride of adrenaline rushes. Now we get second rate acting and stereotypical scares even when they mimic the original. The big climax falls flat and doesn't come anywhere near the first film.

        Sam Rockwell as the dad is the only saving grace in the film. Nobody does snarky sarcasm like Mr. Rockwell and he brings a welcome touch of comic relief. Rosemary DeWitt, as the mom does a serviceable job but doesn't have the "mama lion" instincts of Jobeth Williams. Jared Harris camps it up as a reality show ghost hunter, replacing the diminutive medium, Zelda Rubenstein.

        For real thrills and chills, stick to the original. When will Hollywood realize you shouldn't mess with the true classics?

The Connection

        Fans of the 1971 film, "The French Connection" will not want to miss this French perspective of the same time period. Writer/director Cedric Jimenez faithfully recreates the drug traffic years during the 70's when most of the Heroin in the U.S. was being smuggled in from France. The film overlaps the same investigation that the American film portrayed so well. The disclaimer at the starts reads "loosely based on real events".

        Jean Dujardin stars as Magistrate Pierre Michel who led the charge against the drug lords and in particular, Gaetan "Tany" Zampa, played by Gilles Lellouche. Both Mr. Dujardin and Mr. Lellouche are terrific in their respective roles. They only have a few scenes together but they are filled with machismo tension. 

        The film is a gritty, old fashioned police procedural with an authentic feel. There is nothing like the amazing chase scene in the American film since events don't transpire exactly the same way but the story itself holds your attention. There are enough drugs, corruption, gun play and illegal activity that, if you are a fan, may remind you of "The Wire".

       It's a wonder that  French filmmakers didn't make this film sooner but thankfully Mr. Jimenez has brought the story to life and closed the circle on an infamous period in history.

The Clouds of Sils Maria

     An intense  character study of women, art, celebrity and aging. This drama was a hit at Cannes. It features strong performances from it's three leads, Juliette Binoche, Kristen Stewart and Chole Grace Moritz. Ms. Binoche, in particular, is mesmerizing as the aging star grappling with  her latest role.  Ms. Stewart gives her finest performance to date as Ms. Binoche's  harried personal assistant and confidant  (she won the French Oscar for supporting actress).

     The story borrows elements from "All About Eve" when Ms. Binoche's character is asked to  play the older woman against the younger role she played 20 years earlier. Ms. Grace Moritz is the actress cast as the younger woman in a battle of wills against her aging boss. 

       It's a play within a film. Art imitating life, imitating art and can be terribly confusing at times, especially in the many scenes when Ms. Binoche and Ms. Stewart run lines that blend into their reality. It's a dialog heavy film that ruminates about life on many levels. Don't expect a linear A to B story. Writer/director Oliver Assasyas has no interest in a straight line. He figuratively drops you into this world for a two hour voyeuristic journey and then it's over. The story meanders going nowhere. Even when a major character literally disappears late in the film, no explanation is given.

        The scenery of Sils Maria, Switzerland is breathtaking.  The clouds of the title form an unusual formation through the valley known as "the Snake" and it's the metaphor of the film.  It's beautiful to watch but eventually evaporates.

Mad Max:Fury Road

      Writer director George Miller continues the story of Mad Max, the character he created in 1979 with Mel Gibson. The new film stars Tom Hardy as Max and it is an over the top visual masterpiece. However, as good as it is visually, the story is paper thin and only co-star Charlize Theron does anything close to real acting.

         Less a reboot and more of a continuation, "Fury Road" takes place in the same desert landscape as "The Road Warrior"  and like that film is basically a two hour chase scene. Ms. Theron plays Furiosa, a warrior woman more than capable of handling herself in the male dominated world. When she "kidnaps" five women used for breeding purposes, the evil despot, Immortan Joe sets out with his army of albino maniacs to kill her and bring back the missing women. Reluctant at first, Max ends up helping her escape.

            That's the story in a nutshell. Aside from Furiosa and some other warrior women who show up later, all the women in the film are either used for breeding or for harvesting their milk. It's pretty misogynistic but I suppose Ms. Theron's character more than equalizes things.  The title character really plays co-star to Furiosa. Mr. Hardy doesn't even have much dialog. Max is just a device to keep the action moving. Ms. Theron easily steals the picture.

             The real star, however, is the non-stop action. Nicholas Hoult plays Nuxx, the albino that starts out with Max as his human blood bag. He starts things in motion from the very beginning and the action never lets up. The violence, mayhem and road rage are an assault on the senses but actually a lot of fun in a very cartoonish sense.  It is far removed from any reality and quite a blast to watch. Just when the redundancy starts to bother you, Mr. Miller throws up another ridiculous stunt that amps up the wow factor. 

               If you are a fan of the series, you certainly won't be disappointed but this is definitely not a film for everyone.