Bruno

Even more outrageous and borderline pornographic than "Borat", "Bruno" tries hard at shock and awe but ends up with just laughs and yawns.

This time around, Sasha Baron Cohen tries to hard to top his last film. Much of the set up is the same, throwing an outrageous character into the figurative and literal laps of clueless people, it's not as fresh as the first time around. Don't get me wrong, there some some very funny moments but much of it has a "been there, done that" feel.

Bruno worked very well as a character on a sitcom with short skits. As a full length film, it runs out of steam and hopes the more outrageous "Bruno" gets, the less you'll notice how empty it begins to feel. There are moments of genuine satire and eye opening commentary of the ignorance and intolerance still in this country but like "Borat", some of the sequences feel staged and that lessens the impact.

Of course real or staged, many scenes are really quite funny and if "Borat" worked for you, "Bruno" will too.

Moon

Writer/director Duncan Jones borrows some elements from "2001: A Space Odyssey" and "Silent Running" and creates a fascinating tale of isolation in space. Sam Rockwell stars as the sole mining company employee serving a three year contract on the Moon. His only companion is a robot named Gerty voiced by Kevin Spacey.

Mr. Duncan does a nice job creating the claustrophobic environment for Mr. Rockwell, especially when thing may no longer be what they seem. Without ruining the plot, I can say that Mr. Rockwell delivers a knockout performance in what must have been a difficult acting assignment.

Because of the basic story elements, the film does tend to border on tedious at times but stay with it as there is an emotional impact at the end and the final outcome should stir some thought provoking conversation.

The Proposal

Romantic comedies are not really my favorite genre but my daughter picked this one so off we went. I have to say I was pleasantly surprised. Yes, it is a stereotypical story of opposites attracting and fairly unbelievable but it works because of the chemistry of it's stars, Sandra Bullock and Ryan Reynolds.

Ms. Bullock is adept at physical comedy and not afraid to poke fun at herself. Mr. Reynolds has an easy charm about him and wonderful facial expressions. The two stars really click together and combine to make the film a lighthearted romp that works even though you know the end even before the film starts.

Betty White co-stars as the feisty grandmother (also a very typical role) but finds a way to infuse her own charm into the character. Other co-stars are Craig T. Nelson (nice to see him working again) and Mary Steenburgen as the parents, Denis O'Hare as a cocky Immigration officer and Oscar Nunez (so good on The Office but a setback for Latin American actors here).

There's a fun epilogue during the credits so don't rush to leave when the film ends.

The Hurt Locker

Simply the most intense Iraq War movie since "Black Hawk Down". "The Hurt Locker" grabs you by throat from the opening minutes and never lets go. Director Kathryn Bigelow has made an visceral stunner of a film, based on the account of an embedded journalist who spent time with a bomb squad in Iraq.

This is an intimate portrait of three men and how the war affects them as they serve out their last month in rotation. While trying to survive the horror of the war itself, the intensity of serving on a bomb squad takes it to another level altogether. And to Ms. Bigelow's credit, her direction, camera work and editing put you, the viewer, right in the middle of this harrowing experience.

Jeremy Renner, Anthony Mackie and Brian Geraghty make up the squad who's job is to solely diffuse both bombs and bombers alike. While all three actors are terrific, this is a star turn for Mr. Renner, who is just mesmerizing to watch. There are some blink and you miss them "star" cameos but the film truly belongs to Mr. Renner.

"The Hurt Locker" is authentic, suspenseful, tension filled and down right scary. It's a huge accomplishment for Ms. Bigelow and everyone involved and one of the best films of the year so far.

Whatever Works

Over the past few years, Woody Allen has tried many different actors to be his surrogate in his films. Some have worked (John Cusack) and some have not (Kenneth Branagh). Larry David is the perfect choice. His character in this new comedy from Mr. Allen is similar to his personality on "Curb Your Enthusiasm" but here it's even more abrasive and annoying. Boris worries about death and disease constantly, is negative about everything and appears to have no redeeming qualities at all.

Into his life comes Evan Rachel Wood (in her first comedy, I believe) and somehow these two completely different souls connect. Further complication ensue with the arrival of Patricia Clarkson and Ed Begley Jr. as Ms. Wood's parents. The material is dated (apparently the original script has been kicking around for decades) and the film feels like a throwback to earlier Woody Allen comedies but that's not necessarily a bad thing.

It runs out of steam in the third act but there are plenty of great one-liners and some good acting particularly from Ms. Wood. If you are a fan of both Mr. Allen and Mr. David, you will definitely enjoy "Larry does Woody"...Whatever Works.

Public Enemies

Nobody working today can touch director Michael Mann when it comes to crime drama. "Public Enemies" works on almost every level for an adult audience looking for a quality film among animation, CGI, and explosions.

Johnny Depp stars as bank robber John Dillinger and Christian Bale is Melvin Pervis, the FBI's special agent charged with bringing down. Mr. Depp reaches deep to bring Dillinger to life and no one can top Mr. Bale when it comes to intensity. There are many scenes with little or no dialog and yet both actors convey so much through their expressions.

You can find similarities with Mr. Mann's earlier work, "Heat" starring Al Pacino and Robert DeNiro. Mr. Depp and Mr. Bale only have a few minutes of screen time together but it generates the same excitement as that earlier film. And I found the gun play equal to or even better than the shootouts in "Heat".

Using hand held camera's, Mr. Mann draws us intimately into this violent world. His excellent cinematography, editing and use of the film's music adds so much depth and color to the story, at times scenes are just poetry in motion.

Marion Cotillard co-stars as Billie Frechette, Mr. Dillinger's "moll" and she proves here that her performance as Edith Piaf was no fluke. Billy Crudup makes an interesting choice as J. Edgar Hoover and the rest of the cast is filled out by very reliable character actors including Stephen Lang, Stephen Dorff and Jason Clarke.

"Public Enemies" brings the heat.

Year One

Director Harold Ramis tries for a "Blazing Saddles" vibe in this new comedy but completely misses the mark. By combining contemporary language and references in an early historical setting, Mr. Ramis expects big laughs. It just doesn't work.

To begin with, the story is a mess. It's starts with what appears to be cavemen, played by Jack Black and Michael Cera banned from their tribe and turns into biblical skits that fall short of laughs and ends in Roman times in the city of Sodom (which I'm not sure is historically correct either). What really kills any hope of a coherent film is the terrible editing. Multiple scenes literally stop in their tracks leaving the viewer to wonder what happened next.

Mr. Black doesn't bother with acting and relies heavily on his frat boy shtick. If you're a fan of his style of humor, this film is for you. Mr. Cera fares somewhat better, actually eliciting laughs with his timing and deadpan humor. However, he deserves far better than having to urinate on his own face for laughs.

The film co-stars Oliver Platt (in the most embarrassing role of his career) as a gay high priest and David Cross as "Cain" who serves as a plot device to further the lame story.

If you want to laugh, watch the trailer and skip the movie.

The Taking of Pelham 123

There is no mistaking a Tony Scott film. They are all built for speed and "Pelham" literally fits the bill. Not exactly a remake but based on the 1974 film of the same name, "Pelham" is about a hijacked subway train and the interplay between the criminal and the transit worker who answers his call.

The original starred Walter Matthau as the transit worker and Robert Shaw as the ringleader. It was a tense game of cat & mouse between the two that turned on a clever plot point. The new version stars Denzel Washington as the transit worker and John Travolta as the hijacker. The intelligent interplay of the original is lost here, replaced by 21st century secrets and motives.

The two actors are very effective in their roles. Mr. Washington, in particular, is quite believable as the dispatcher with a secret of his own. Mr. Travolta is menacing enough but takes his part over the top, at times chewing up all the scenery. The film also stars James Gandolfini as the "Mike Bloomberg" mayor of New York and John Turturro as a hostage negotiator.

Everything about the new film is ramped up for speed. Much of the early part of the film is dialog between the leads and even that is short snappy patter. The "beat the clock" race through the streets is exciting enough but dumb. As one character suggest in the film, "why not take a helicopter". Why indeed?
And as a native New York, it bothers me no end when chase scenes through the streets of New York make no sense geographically. If you look closely, the runaway train passes Shea Stadium which is nowhere near where the train is supposed to be (and that's just one visual gaffe).

The film is decent summer entertainment but for an intelligent and tense thriller, rent the original.

Away We Go

An indie charmer from director Sam Mendes. This is the story of an expectant couple, Burt & Verona, who set out on a road trip across America to define their life and put down roots for their new family.

Starring as the 30 something couple are Maya Rudolph and John Krasinski. They are wonderful together (although the character of Burt could easily be related to Jim, the character Mr. Krasinski plays on "The Office"). As they travel from state to state, they meet friends and family who provide different directions their life together may take.

The film co-stars many familiar actors such as Catherine O'Hara, Jeff Daniels, Allison Janey, Jim Gaffigan, Maggie Gyllenhaal and Paul Schneider. Representing the people that Burt & Verona meet along their journey, their respective roles amount to cameos during various points in the film. Burt & Verona are the glue that holds the film together (exemplified by a pancake & syrup metaphor) and the one constant throughout.

The soundtrack is comprised of songs by Alexi Murdoch, a singer/songwriter in the Cat Stevens vein. His songs form a sweet backdrop as the couple follow their odyssey.

Written by Dave Eggers and Veldela Vida, this is a comic drama about a really nice couple that you will enjoy spending time with and will probably miss them when you leave the theater.

The Hangover

The raunchy buddy comedy gets a welcome makeover in this very humorous film. The premise sounds familiar when four friends decide to take a road trip for a bachelor party in Las Vegas but writers Scott Moore and Jon Lucas take a fresh approach by adding a bit of mystery to the plot. Think "Memento" as an "R" rated comedy.

Rather than follow a linear storyline, "The Hangover" really starts the "morning after" in Las Vegas when three friends try to piece together what happened the night before and why the groom is missing. When they wake in their trashed suite, Bradley Cooper, Zach Galifianakis, and Ed Helms have no memory of what transpired and spend the majority of the film piecing it all together. The three actors have wonderful chemistry and that makes the film's sum greater than it's parts. It's a very funny ensemble piece.

Director Todd Phillips keeps things moving at a brisk pace and never lingers too long on a joke. The film contains some great lines and even better visuals as we see Las Vegas in a familiar yet fresh way. Mike Tyson has a cameo that would have been funnier had it not been shown in the trailer but it's still pretty funny.

There is even more to laugh about during the credits so don't leave too early.

Up

Pixar does it again. The track record for this studio is simply amazing. I never expected the emotional impact of "Wall-E" and I never would have believed an animated film starring and old man and a boy would be such a touching and emotional thrill ride.

Up is an original story with so many adult themes, you can't simply dismiss this as a kid's film. Realizing one's dreams, dealing with loss, reconnection, love, faith, friendship, and the importance of a strong garden hose all come together in one man's quest to fulfill a dream.

The opening montage that sets up the story is beautifully written and very emotional. It will, however, go way over the heads of small children like the thousands of colorful balloons that carry our hero, Carl Fredrickson off on his adventure. The emotional plot continues as a genuine and touching relationship develops between Carl and his accidental guest, Russell.

Besides the emotion, "Up" is filled with exciting chases and many funny moments (provided by in large by "Dug" the dog and "Kevin" the bird). The menacing dogs may frighten young kids but the lighter moments of the film more than make up for it.

And I can't say enough about the animation. I saw the film in 3-D and the effect is not used for cheap visual gags but rather to enhance the colors, depth and detail of this wonderful film.

"Up" will not let you down.

The Brothers Bloom

Adrian Brody and Mark Ruffalo star as con artist brothers in this low key quirky comedy. The basic idea is a familiar one, one brother wants out and the other convinces him to do one last con. Their final mark is a wealthy young woman played by Rachel Weisz. Rinko Kikuchi as co-stars as "Bang Bang", an almost silent accomplice to the brothers.

Of course things do not go as planned and Ms. Weisz becomes the most interesting character in the film. Just who is conning whom becomes the central plot, along with exploring the strained relationship between the brothers.

The film takes us on a world tour from New Jersey to Greece with many other exotic stops along the way. There is a certain charm to the story as it unfolds with a fairytale-like quality. Mr.. Ruffalo, Ms. Kikcuchi and Ms. Weisz are all fun to watch, especially Ms. Weisz, who seems to be really enjoying herself. Mr. Brody on the other hand plays his usual brooding self and is rather a bore.

The highlight of the film is the opening sequence depicting the brothers as youngsters perpetrating their first con on the neighborhood kids, narrated by Ricky Jay. I would have really enjoyed the film more if it hadn't jumped to 25 years later.

Terminator:Salvation

Director McG reboots the system with this 4th entry in the Terminator series. Christian Bale stars as John Conner and Anton Yelchin co-stars as Kyle Reese. If these characters mean nothing to you, this is not the film for you.

For the fans, it's an action heavy glimpse at the world post "Judgment Day" and while plenty of things blow up (including a great sequence on a bridge), there are moments of humanity that poke through all the twisted metal.

Mr. Bale is in full "Batman-like" intensity as the leader of the resistance while Mr. Yelchin (who seems to be everywhere these days) does an admirable job as John Conner's father to be. The nice surprise is Sam Worthington as Marcus Wright, a mystery man who holds his own against Mr. Bale and provides the emotional center . Dallas Bryce Howard and Moon Bloodgood also co-star to balance the testosterone.

McG pays his respect to the original film in a few surprising ways which I won't spoil here and if you are a fan, you will enjoy the metal carnage in this cross between "Terminator 2-Judgment Day" and "The Road Warrior".

Night At The Museum 2: Battle For The Smithsonian

Some fun special effects and a perky job of acting by Amy Adams (as Amelia Earhart) save this overblown sequel from total disaster. As usual, Hollywood takes a winning formula and decides bigger will be better for the second time around.

Ben Stiller remains perfectly cast as the straight man to even more historical characters brought to life in this second go-round. If one monkey slapping him in the first film is funny, let's get two monkeys to slap him around in the second film...yawn. Steve Coogan reprises his role as a Roman soldier and his finest moment comes astride a squirrel. Say it ain't so, Steve! Owen Wilson also reprises his role as the plucky cowboy who is reduced to spending most of the film drowning in an hourglass. There are many other characters from the first film that are nothing more than cameos for the thin new plot.

Upping the ante at the Smithsonian is a great concept. Introducing new historical characters and bringing inanimate art to life make for visual treats and clever one liners but overdoing it exposes the weak story. Only Ms. Adams, Mr. Stiller and Hank Azaria have any depth to their characters. Ms. Adams, in particular, elevates the entire film simply by actually acting rather than picking up a paycheck.

Kids will enjoy all the PG mayhem but adults will have settle for the aforementioned visuals and the talented Ms. Adams.

The Soloist

The trailer for this film has been in theaters for almost a year. When a picture's been on the shelf that long, you have to approach with caution. If it wasn't for the star power of Robert Downey Jr. and Jamie Foxx, this would have been a pass altogether.

Unfortunately good acting by Mr. Foxx and Mr. Downey Jr. can't save the melodramatic script, even though it's based on a true story. The film tries too hard to be many things. It tackles mental illness, the homeless, and the powers of music and friendship.

As much as Mr. Ayers (Jamie Foxx) is a fascinating subject, the film never truly engages the viewer and the subplot of Mr. Downey Jr. and his ex-wife (Catherine Keener) is confusing and unnecessary. Steve Lopez (Mr. Downey Jr.) is a writer for the Los Angeles Times. Finding Mr. Ayers on the street, befriending him and then telling his story was a worthy task. But you do have to ask yourself, just how much of this "friendship" becomes exploitive, considering the countless newspaper articles, book deal and movie rights that have ensued.

Star Trek

Simply awesome! Director J.J. Abrams and writers Roberto Orci and Alex Kurtzman deliver a terrific film completely reenergizing the Star Trek machine. The beauty of the new film is that you need not be steeped in Star Trek lore to understand the story or the characters. As for those who are long time fans, I can't imagine they will be disappointed either.

By taking the characters full circle back to their origins in Star Fleet, we can appreciate them from the beginning and watch their relationships take shape even in the face of certain disaster. The casting couldn't be more perfect. Chris Pine as a young James T. Kirk captures the impulsiveness, budding authority, and sex appeal of a young William Shatner. Zachary Quinto is incredibly believable as a young Spock and the rest of the crew works perfectly as the younger versions of iconic characters. Eric Bana, under much makeup, is a very credible villain and Bruce Greenwood, Wynona Rider, and Ben Cross all perform admirably in their supporting roles.

The plot works on all levels and the action moves at warp speed. Familiar lines and one terrific cameo will please the fans and even those new to this universe will enjoy themselves. Star Trek is back and I can't wait for the sequel.

Wolverine

All style and little substance, this X-Men origin story is strictly for Hugh Jackman fans or hard core X-Men fanatics. Mr. Jackman does a good job carrying the load, appearing in almost every scene but the flimsy story can't hold the weight of his metal claws.

Liev Schrieber, a fine classic actor, finds his inner animal and has fun with the role of Victor Creed, Wolverine's brother. Unfortunately the three times the brothers clash, it's like someone pressed rewind and by the third fight, boredom is setting in. Danny Houston replaces Brian Cox as Col. Stryker and falls short of Mr. Cox's commanding presence.

Ryan Reynolds co-stars as Wade Wilson and the screenplay totally messes with his character deviating from the Marvel Comics universe. As a fan of Mr. Wilson's "Deadpool" character, I was very disappointed by this story line but that aside, Wolverine's origin pretty much stays the course.

The climatic fight at the end is pretty well done but the actual end fizzles out weakly to the credits. The credits themselves are always worth reading as it takes a small army to create a film and everyone deserves some recognition but the extra footage post credits is disappointing compared to previous marvel films.

State of Play

Featuring a pedigree cast, this is a pretty enjoyable thriller that may remind some of the paranoid political thrillers of the '70s. Russell Crowe, Ben Affleck, Rachel McAdams, Helen Mirren, Robin Wright Penn, and Jeff Daniels all play their parts effectively to solve the murder of a congressman's aide.

Mr. Crowe plays the grizzled old world Washington Post reporter who teams up with Ms. McAdams, the Internet blogger for the paper and the film mergers the old and new guard effectively while editor Helen Mirren goes on about, "its not about the story but the need to sell more papers."

The plot gets a bit muddied and there is the requisite twist at the end but the film will hold your attention and is a good intellectual alternative to most films out right now.

Adventureland

Fading quickly from theaters is the new coming of age comedy, "Adventureland". This film had "summer flick" written all over it and the studio releases it in March? Well, the good news is the DVD will be out in time for a hot summer night.

From the director of "Superbad", comes this really sweet coming of age story that takes place in the summer of 1987 at an amusement park called obviously, "Adventureland". The period is captured beautifully by the clothes, makeup, attitude and great '80's soundtrack. Jesse Eisenberg and Kristen Stewart star and are both completely natural in their roles. The film also features Bill Hader and Kristen Wiig from Saturday Night Live and while they are always fun to watch, they are both wasted in underwritten roles. Ryan Reynolds also co-stars as the "hunk" employee with a secret.

The film doesn't have the same madcap moments of "Superbad" but it does capture the friendships and natural rhythms of its young cast in a comedy that will probably evoke memories of your own summer loves and low end jobs.

Sugar

Baseball movies have been around almost as long as the game itself. Always filled with emotion, they never fail to bring a tear or raise your spirit. Now comes a baseball movie that avoids the Hollywood clichés. "Sugar" is a fictionalized story of a young pitcher in the Dominican Republic who dreams of making it in the American big leagues and that's where the Hollywood version would start. However, that where it really ends.

The film takes you into the world of farm teams, A, double A, and triple A baseball. This is the harsh road leading to the majors littered with castoff hopefuls and wannabe superstars. We see the world through the eyes of Miguel "Sugar" Santos as he gets the call and gets his chance at American baseball.

Arriving in America, speaking barely any English, Santos might as well be on an alien planet. All he knows is baseball and like every other kid, dreams of playing one day in Yankee Stadium. The film takes us through the highs and lows of farm team baseball and shows the harsh realities for boys like Santos who dream big. It's an emotional journey with unexpected twists and turns. Algenis Perez Soto is excellent as Sugar. The camera constantly studies his bewildered face as he navigates through this foreign landscape.

This is a very different kind of baseball film. No big stars and certainly no big Hollywood ending. It will make you think the next time you consider the poor play of a major leaguer when you realize just how good he had to be to get to the big time. While "Sugar" may be a fictional character, his story is all too real.

Knowing

You "know" it's Spring when films like this can stay in the top 5 for weeks. "Knowing" is a weak script thrown in a blender with so many plot points from other movies that it comes out smooth but very bland.

Nicholas Cage stars in this "thriller" as an astro-physicist who figures out the end of the world when his son is handed a seemingly random page of numbers. The scribbled page was written and buried in a time capsule fifty years ago by a little girl who "heard" voices in her head. Without "knowing" too much, the film drags on with "X-Files" dialogue, a very disturbing plane crash, and some creepy men in raincoats.

Mr. Cage, along with Rose Byrne( both playing very serious) jump through the plot holes until the big reveal at the end. There are a few more disturbing scenes of catastrophe spaced throughout the film and it all adds up to nothing original.

Kudos to the film's composer as the soundtrack succeeds in sustaining a reasonable amount of suspense. What does it say when the music drives the film, rather than the plot? "Knowing" what happens only left me with more questions.

Sunshine Cleaning

"Sunshine Cleaning" may remind you at first, of "Little Miss Sunshine". Alan Arkin plays a very similar character in both films. Both contain a cute child, and both explore the dysfunctional family theme. However, with a darkly comic plot device and strong acting by Amy Adams and Emily Blunt, "Sunshine Cleaning" is an original experience. This comic drama is a perfect tale for these hard economic times.

Ms. Adams and Ms. Blunt play very believable sisters who couldn't be more different. Both have grown up dealing with their mother's suicide in their own way. Rose (Ms. Adams) is the more sensible one trying to make a living for herself and her young son. Nora (Ms. Blunt) is more of a wild child who matures through the course of the film when they go into business together.

The sister start a cleaning business for crime scene cleansing. This plot device allows for some strong drama as well as some unexpected comedy. Both women shine in their respective roles and are a pleasure to watch. Mr. Arkin plays their curmudgeon of a father always looking for a quick buck. The film also stars Clifton Collins Jr. in a role very different from his usual staple of villainous characters. Steve Zahn also plays against type as a married policeman having an affair with Rose.

This is an enjoyable and touching story, well played by it's strong cast.

The Great Buck Howard

Loosely based on the "amazing" Kreskin, a famous mentalist from the '60 & '70's, "Buck Howard" is a star vehicle for John Malkovich. As the fading star who's claim to fame is 61 appearances on the "Tonight Show with Johnny Carson", Mr. Malkovich brings both swagger and pathos to the character. In many ways, this film runs parallel to "The Wrestler", both portraying stars past their prime still working the circuit and looking for one more shot of glory.

Buck's much maligned road manager, Troy, is played by Colin Hanks, who also serves as the film's narrator. Also co-starring are Ricky Jay as Buck's long time manager, Emily Blunt as a publicist and in smaller roles, Deborah Monk and Steve Zahn. There are also many real life cameos of talk show hosts and fading stars of TV and film. In a bit of inspired casting, Tom Hanks plays Troy's father in a small cameo.

This "indie" film is an obvious labor of love for writer/director Sean McGinly and is a must see for any fans of Mr. Malkovich.

Duplicity

Writer/Director Tony Gilroy newest effort is a cross between his own "Michael Clayton", "Ocean's 11", and any Bourne film. The film stars Julia Roberts and Clive Owen as corporate spies duping each other and their respective companies. Unfortunately, it's the audience that ultimately gets duped.

It's a simple story made very complicated by the multiple flashbacks and various scamming going on. The story zigzags across the globe in "Bourne" fashion and has great locations. It's just difficult to follow the timelines. It's like watching a single episode of "Lost" if it was about corporate espionage. On a positive
note, it's a refreshing spy story without guns or car chases that makes you think how far pharmaceutical companies will go to protect a secret formula.

Ms Roberts and Mr. Owen have proven chemistry between them but the games they play and all the mistrust they project loses their credibility with the audience. Paul Giamatti and Tom Wilkinson co-star as the heads of the rival companies locked in a corporate power struggle. Mr. Wilkinson is credible but Mr. Giamatti chews the scenery and is miscast as a company CEO.

There's a final twist to the story that still leaves questions but by that point, you probably won't care anymore. It's all much ado about nothing.

Watchmen

An extremely different and very cool "superhero" movie. I understand fans of the graphic novel have issues with the film but having not read the story, I found it original and very entertaining. Director Zack Synder has found his niche, first with "300" and now "Watchmen".

These "superheroes" don't have powers (except one) and rely on weapons and fighting skills to get the job done. Many of the group are not even likeable. They live among us in an "alternate" 1985 where Richard Nixon is still president and we've won the Vietnam War. When one of them is killed, it sets off a chain of events that have repercussions on the fate of mankind.

The visuals are stunning (especially in IMAX) and the acting is what you'd expect when your character walks around in a heavy rubber or spandex costume. Jackie Earle Haley steals the film as "Rorschach", the "watchman" who narrates the story and seems to be having the most fun with his dark role. He also has the best line in the film, which I understand is a direct quote from the novel. The film also features Jeffrey Dean Morgan, Patrick Wilson, Carla Gugino, Billy Crudup, Matthew Goode, and Malin Akerman.

You may be confused at first if you are unfamiliar with the story, but it all comes together in a spectacular way. It's a trippy fun time at the movies. And I'd be remiss to not point out the terrific opening credit sequence and the excellent soundtrack.

Gomorrah

A pseudo documentary about the criminal activities of the Camora, street level mafia gangs that populate the area around Naples, Italy. The film focuses on six different characters in four main subplots that rotate throughout the film. This is not linear storytelling and won't appeal to the average film fan. If you are a fan of the HBO show, "The Wire", this film may appeal to you.

There are no heroes or heroines and actually, no redeeming characters at all. All the characters are caught up in the violent way of life and it's just a matter of who lives and who dies by the end of the film. The subplots introduce us to characters of all ages from the young boy making a dangerous life decision to the old man looking for a way out of the only life he's known.

This is not the Hollywood idea of the "Mafia". This is a grim, realistic portrait of a brutal life and while not a film to enjoy, it is certainly a fascinating two hour glimpse into this very real existence.

The International

With the exception of a exciting shoot out in a NY icon, this film is a "Bourne" clone without the action.

Clive Owen does an admirable job playing the action hero. It's just a shame there is not much action. The film is all talk and you need to pay attention to follow the story. Naomi Watts co-stars in a unnecessary role just so Mr. Owen has an additional person to talk to about the plot.

The story concerns an international bank that is up to it's books in shady, criminal activities and Mr. Owen is determined to get his interest's worth bringing them down. The best thing that can be said is the film is truly international taking the viewer on a world tour from New York to various European locations.

This is the kind of "thriller" that dominated the '60's. If "The International" had been made back then, it would have starred Michael Caine and you probably would have rushed out to see it. Today, you can wait for the DVD.

The Jonas Brothers: 3D Concert Experience

And what an experience it is. The live concert was fun even if I couldn't understand any of the words above the screaming girls. The film recreation is faithful to the concert but while it tries hard, it lacks the true excitement of a live show.

The 3D effect provides a sharp clear image but is not used to much special effect, except for some drumsticks and guitar picks thrown into the crowd. The songs are certainly easier to understand without all the screaming (although the film audience tried to recreate that effect as well).

This is purely for tween and teenage girls who find these brothers the "it" boy band of the moment.

Defiance

From writer/director Edward Zwick, comes this harrowing true story of a group of Jews that hid in the forests of Poland during WWII. Led by the three Bielski brothers, their numbers swelled to 1200 surviving four years hiding and fighting back again the German army.

The three brothers are played respectively by Daniel Craig, Liv Schreiber, and Jamie Bell. All three are excellent and the story is really remarkable. The film can be difficult to watch as you experience how these people survived but ultimately, it is an uplifting story and a very different kind of portrayal of Jews in a war movie. Rather than play the victims, these people band together for survival and to fight back against their oppressors.

As with most Zwick films, there are overly melodramatic moments and dialogue but overall, "Defiance" is a strong story, well told.

Coraline

Brilliant stop motion animation brings Neil Gailman's book to the screen. The film is being shown in 3D at most theaters and it is a visual treat.

The story starts out fairly normal but once Coraline Jones discovers an alternate world hidden behind a wall panel in her new house, things begin to get very weird. It's a cautionary tale of "be careful of what you wish for" and it's beautifully crafted.

Dakota Fanning does the voice work for Coraline and Teri Hatcher provides the voice of her mother. Also lending their vocal talents are Jennifer Saunders, Dawn French, and Ian McShane.

The film doesn't stoop to 3D tricks just for the effect. It does use the technique to add more depth to the animation and is only really playfully used during the end credits.

The film may not be suitable for small children as the story gets progressively weirder and creepier as it goes on. It is a great companion piece for "Nightmare Before Christmas" and "Corpse Bride".

Wendy & Lucy

Co-written and directed by Kelly Reichardt, "Wendy & Lucy" is a simple, yet poignant story of hardship in America today. Michelle Williams stars as Wendy, a young woman down on her luck, traveling through the Pacific Northwest with her dog Lucy.

The film pulls no punches and plays more like a documentary than a drama. Wendy becomes stranded in a small town and her economic situation has huge ramifications for both her and Lucy. At times, dire and hard to watch, there are moments of tenderness and what passes as friendship to give one hope and restore faith in humanity.

Ms. Williams does a remarkable job as Wendy. Everything about her performance is real and very raw. It is an Oscar worthy performance, unfortunately just overshadowed by Melissa Leo in "Frozen River". The two women, respectively, share performances of such depth and realism, it must have been a hard choice for Academy voters to award that last nomination.

Ms. Reichardt provides no easy answers but such is life in this sad and moving story.

Paul Blart:Mall Cop

With an opening at #1 for the week, you know it must be January. "Blart" scored based on the popularity of comedian Kevin James in the starring role. Mr. James is a funny physical comedian and the slapstick will appeal to kids but for adults, "Blart" has little to offer. This is usually the case with January openings.

The script is not bad but the direction is flat and much of the material misses the mark. The first half of the film is spent much too long establishing the fact that Blart is a overweight, lovable loser and only comes barely to life when his beloved mall is threatened by a robbery.

Skip this one unless the kids are restless and catch up on some of December's quality films you may have missed.

Revolutionary Road

Sam Mendes directs his wife, Kate Winslet and Leo DiCaprio in this suburban period piece. Reunited after starring together in "Titanic", this serious exploration of a marriage cracking at the seems, couldn't be more different than that box office titan.

The direction is excellent and the cinematography beautiful. The acting is what you'd expect from Mr. DiCaprio and Ms. Winslet. They both give their best to inhabit these characters. Ms. Winslet, in particular, is simply amazing and I'm convinced can do anything at this point in her career. Michael Shannon in a minor role does outstanding work in his scenes and helps bring out DiCaprio's best. What bothers me about the film is the script. Frankly, watching these two unlikeable characters come apart is boring. They have two children who we barely see and for all their scenes together, only a few really crackle with energy.The film also seems to end on four different occasions which is not the best sign for a good script.

The TV show "Madmen" captures the same period and characters better than this film. The complicated marriages in Madmen has much more depth of it's characters and their relationships. Save "Revolutionary Road" for DVD and be glad "Madmen" has been renewed for another season.

Valkyrie

You have to give director Bryan Singer and screenwriter Christopher McQuarrie a lot of credit. They have crafted a very suspenseful film even though you already know the outcome. This is not easy and they really pull it off. You almost expect a different ending to World War II based on this true story.

Tom Cruise plays Col. Claus Von Stauffenberg, a German soldier who believes his country but not Adolf Hitler and along with others plot his assassination. Mr. Cruise is passably in the role but only because there is not much range to the part. The film is well stocked with a fine supporting cast including Kenneth Branagh, Tom Wilkinson, Bill Nighy, and Terrance Stamp. Everyone plays Germans but speak in their natural English voices. This is an interesting decision on Mr. Singer's part to not bother with phony accents but rather start the film in German and blend it into English almost as if the audience has a Star Trek universal translator.

Everyone acts with with much pomp and circumstance and Mr. Singer frames the film with a countdown clock reminding us of the building tension. The taut direction and moody music all contribute to the mounting suspense of the operation. You almost expect them to pull it off but of course they don't. Everything leads to an unsatisfying conclusion but watching the plot unfold and learning the aftermath still make for a suspense filled thriller.

Doubt

A master class in acting. Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis are all superb in the film adaption of the John Patrick Shanley play, "Doubt".

Mr. Shanley wrote the screenplay and directed the film himself. Unlike "Frost/Nixon", which opened the stage play up quite a bit while still maintaining the intimacy of the conversations, Shanley opts to keep the action pretty much confined to the church and it's adjoining school. The film is powerful but is viewed like a filmed play. We only get a few glimpse's of life beyond the church and school grounds.

The scenes between the principle actors are all volatile and riveting. Ms. Streep is just a wonder taking on the persona of Sister Aloysius, the school principal who accuses Father Flynn of a very inappropriate act with one of the male students. Viola Davis has but one major scene but she too is excellent as the boy's mother in a confrontation with the Sister.

Regardless of your religious background, "Doubt" is a universal story about the ramifications of accusation and the aftermath of all involved.

Best of 2008

(10) Frozen River- Excellent Indy film. Melissa Leo is remarkable in a stripped to the bone, raw performance as a mother forced to do the unthinkable to save her family.
(9) The Reader- Intense drama with unexpected twists capped by an excellent performance by Kate Winslet.
(8) The Visitor- Another excellent Indy film with terrific performances and an emotional punch.
(7) Iron Man- Robert Downey Jr. makes you believe he is Iron Man. The comic book as film, done completely right.
(6) Wall-E- The most amazing animated film ever. The first 20 minutes are sheer poetry and the cautionary tale disguised as a robot’s love story is honest and poignant.
(5) Milk- Sean Penn in a wonderful performance that honors Harvey Milk and what he stood for.
(4) The Wrestler- Mickey Rourke in the comeback of the decade. Powerful, raw and not what you’d expect.
(3) Frost/Nixon- Frank Langella and Michael Sheen dazzle in this recreation of the political equivalent of Rocky.
(2) Slumdog Millionaire- Everything you could want in a film. It transports you to another world and pulls no punches while being extremely entertaining at the same time.
(1) Tell No One- The perfect thriller and perfect film. It works on every level. Direction, acting, plot, cinematography, editing and the music all come together to leave you breathless by the credits.

Honorable mention –

In Bruges- One of the best buddy films in a long time. Dark, yet extremely funny, this tale of two hit men hiding out in a picturesque city is bloody good fun.
The Dark Knight- Heath Ledger steals the film as The Joker but Christian Bale holds his own a s a dark brooding Batman in a very adult comic book movie.

2009 Worst of-

(10) The Spirit- All style and no substance.
(9) Leatherheads- Clooney tries hard but misses in this “screwball” period piece.
(8) Baby Mama- All the good jokes are in the trailer.
(7) Indiana Jones & the Kingdom of the Crystal Skull- A total rehash of every Spielberg/Lucas film ever made. Completely unoriginal and I hate to say it…boring.
(6) Hancock- All over the place. The “Sybil” of movies.
(5) The Day The Earth Stood Still- Cheesy effects including Keanu Reeves acting and boring non-action can’t even be helped by the dynamics of IMAX.
(4) You Don’t Mess With The Zohan- The rudest, crudest, stupidest film Adam Sandler has ever done. Who was the audience for this mess?
(3) Marley & Me- The dog was cute. The film was not.
(2) Righteous Kill- DeNiro and Pacino should be ashamed of themselves.
(1) Cloverfield- What the @*$%&? Gave me a headache.

Dishonorable mention-
The Happening- The word of mouth was so bad, I didn’t even have to see it to tell you it stunk.

The Reader

An intense human drama capped by an excellent performance by Kate Winslet. "The Reader" starts as an affair between a young man and older woman in post war Germany that affects them both for the rest of their lives.

The young man is played by David Kross and his older version played by Ralph Fiennes. Both are very well cast. Mr. Fiennes is particularly good as the elder Michael Berg, tortured by actions of the past. As good as the two men are, the film really belongs to Ms. Winslet. She plays Hanna Schmitz with restrained emotion, holding on to secrets of her own.

The film takes unexpected twists and turns with intricate results. It is a film that is sure to spark conversation and debate when it ends. A fascinating story that will definitely stay with you.

The Curious Case of Benjamin Button

David Fincher has always been a visionary director. He's made some remarkable films over the years and "Benjamin Button" is no exception. Everything about the production is first rate. There's just one thing nagging you as you sit in the dark enjoying the film, "where have I seen this before?", you're thinking to yourself...

"Benjamin Button" is "Forest Gump" revisited. Don't get me wrong. I thought Brad Pitt and Cate Blanchett were excellent, especially Ms. Blanchett. I thought the special effects of Mr. Pitt's aging were amazing but the story was "Forest Gump" with a different plot device and it just bothered me throughout the film.

The concept of reverse aging was original and the love story, classic with a twist. If you haven't seen, "Gump", you will have a wonderful film experience seeing "Benjamin Button". But even if you have seen the earlier film, "Button" is still very enjoyable, just not original.

Run Benjamin, run....

Marley & Me

A terrific memoir reduced to a TV movie of the week masquerading as big screen entertainment. Yes, the dog is cute but unfortunately the film is not.

To begin with, Marley as a young puppy is adorable but there is too little screen time for the pup and before you can say pooperscooper, Marley is an adult dog tearing through the house chewing anything in his way. Nicknamed "the world's worst dog" simply because he was never trained properly is certainly not Marley's fault. Who waits until a dog is an adult before going for training or obedience lessons? I guess his owners, played by Owen Wilson and Jennifer Anniston, were too busy trying to find chemistry between them or solving their own life problems. For a film named for the dog, way too much attention is spent on the humans.

All the cute fun moments are found in the trailer or commercial and for the few laughs and smiles they produce, there is much more sad and unsettling moments throughout the film. Certainly any dog lover will need a full box of tissues by the credits.

Pass on " Marley & Me" and rent the DVD of "My Dog Skip" instead.

Happy Go Lucky

From writer/director Mike Leigh comes a charming story of an eternal optimist. The film has all but disappeared from most theaters but is well worth hunting down. It has made quite a few Top 10 lists for this year and much about it is merited.

Sally Hawkins stars as Poppy, a free spirited young woman who rolls with life's punches with a smile and laugh. Ms. Hawkins is wonderful in the role and you can't help getting caught up in her good nature and positive outlook. When her bike is stolen Poppy signs up for driving lessons and Scott, her instructor turns out to be her exact opposite. This makes for some terrific scenes during the driving lessons. During the course of the film, Poppy encounters many of life's curveballs but she keeps swinging away affecting everyone around her.

This is a "small film" filled with many little pleasures. The acting is terrific and Mr. Leigh's direction, as always, is simple and direct, letting his actors create their roles along the way. You can't help but feel good after "Happy Go Lucky".

Slumdog Millioniare

A friend recommended this months ago and then the buzz began to build. I finally got a chance to see it for myself and the buzz is real. This is one of the best movies of the year.

When an Indian street kid gets a chance to appear on the Indian TV version of game show, "Who Wants To Be A Millionaire?", it seems like everyone in India begins to root for him except the police who think he's cheating. Through flashbacks we learn how a poor, uneducated boy named Malik manages to make it to the final question.

This is a suspenseful journey giving us a glimpse of life on the streets of Mumbai. It is also at it's heart, a love story between brothers, Salim and Malik and Latika, the true love of Malik's life. It is a remarkable tale of survival, love and destiny.

Throughout his life, Malik endures terrible hardships which the camera doesn't hide but the film is ultimately uplifting and director Danny Boyle does a wonderful job with his Indian cast.

Don't miss this soaring achievement.

The Spirit

"The Spirit" was created by Will Eisner, a pioneer in American comics. Artist and writer Frank Miller brings the character to life in the film version. The film has the look and feel of Mr. Miller's earlier film, "Sin City" but not the energy.

Comic fans and fans of "Sin City" will flock to "The Spirit" and probably admire the effort but the problem is Mr. Miller should have left the direction to someone else. The material is fun and the visuals unique and exciting but the film drags the thin plot out like a wet rope. There are some inspired sequences but much of the film is boring exposition and Mr. Miller would have been better off again with Robert Rodriquez as director.

Curiously the look of the film is 1940's and yet, people use computers and cell phones. There is also a Nazi sequence for absolutely no reason. While it's an interesting script, it does tend to meander in strange directions and that's where a better director might have tightened the story.

The film stars Gabriel Macht as The Spirit, Samuel Jackson as his nemesis, The Octopus. Mr. Macht plays the part as straight as a boy scout while Mr. Jackson is totally over the top, obviously having fun with the part. Also starring as various good/bad girls are Eva Mendes, Paz Vega, Sarah Paulson, and Scarlett Johansson. Jamie King also has a minor role as Lorelei, the angel of death and is barely recognizable. Louis Lombardi plays multiple clones of henchmen to The Octopus and Dan Lauria does his best tough cop bit as Inspector Dolan.

This one is strictly for the fans...

Gran Torino

Archie Bunker meets Dirty Harry. These may be dated references but they are American icons and so is Clint Eastwood. More occupied in directing (including this one) than acting, this may be Mr. Eastwood's acting swansong. If so, he goes out on top with an Oscar worthy performance as Walt kowalski, a cranky, bigoted Korean War veteran.

Walt is a combination Archie, Harry and some William Munny thrown in too. The film opens with the funeral of his wife and we quickly learn this is a man living with past demons in a modern world not to his liking. Walt could easily have been played over the top but Mr. Eastwood has tight control on the character and the layers come away ever so slowly.

The Asian family next door set off a series of events that reluctantly begin to involve Walt and while the racial slurs fly, he slowly comes around to his new neighbors.
The gang that terrorizes the family are stereotypical but a necessary evil to further the story. While you may think you know where it's going, you just may be surprised.

El rey de la montanta (King of The Hill)

A U.S. Premiere at the Spanish Cinema Now festival at Lincoln Center features the beautiful scenery of Spain's mountains but transforms them into something evil and menacing.

A man and woman, strangers brought together by a chance encounter soon find themselves targets of an unseen sniper. The film is a tense game of cat and mouse and plays out like an existential "Deliverance". There are no heroes nor villains, no clear motives and while there is closure, it is devastating and the final image may haunt you for some time.

Shot entirely on location in the mountains with a minimal cast and not much dialog, this may not be a film for everyone. Ultimately, it will provoke conversation long after it ends. The film is in Spanish with English subtitles.

Changeling

This one will be hard to find as it's been shoved aside for newer holiday films. I still wanted to see it before Award season and I'm glad I did.

Directed by Clint Eastwood, with his usual attention to detail. "Changeling" tells the true story of a missing child in 1928 Los Angeles. Angelina Joie stars as Christine Collins, a single mother who comes home from work to find her 9 year old son, Walter missing. What follows is an absorbing but tragic story that goes deeper than just an abduction. Christine's treatment by the Los Angeles Police department is a horrendous crime by itself.

Showing great range, Ms. Joie is excellent as Christine. It's amazing that this is the same actress who was so tough and strong in "Wanted". Her frailty here masks an inner strength that rises to the surface over the course of her ordeal. Ms. Jolie does a great job losing herself in the character and keeping the audience involved in her plight.

The film co-stars John Malkovich, Amy Ryan ( who steals her few short scenes), and Jeffrey Donovan. Credit Mr. Eastwood for employing many other actors who are just right for their parts and not stuffed into the film for name recognition. Colm Feore, Michael Kelly, Peter Gerety, and the rest of the cast are all terrific.

One could argue that the film runs too long but that is typical of Mr. Eastwood. He doesn't make short movies. He takes his time to involve his audience and give you a full, rich movie experience.

The Day The Earth Stood Still

Not even the grandeur of IMAX can save this stinker. Keanu Reeves is perfectly cast as an emotionless alien who drops into Central Park (in a swirling globe of bad CGI) to warn earthlings that the grand intelligence of the cosmos has decided to wipe us out as a species because we're screwing up the planet.

We then spend almost two hours watching a ridiculous Katy Bates as the Secretary of Defense, Jennifer Connelly as an Astro-biologist going all weepy over her step son, and Jaden Smith as the annoying step son, all debating over to kill or listen to Mr. Reeves.

As a New York Jet fan, my only satisfaction was watching Giant Stadium get destroyed by the aliens although I think I have a better model in a snow globe at home.

This film is boring, badly acted and a complete waste of time. Rent "Independence Day" ironically starring Jaden Smith's father, if you want to see landmarks being destroyed. And if you really want quality Sci-fi, rent the original "Day The Earth Stood Still" (cheesy effects by today's standard, but still the superior film).

And note to John Hamm- stick to "Mad Men"

Frost/Nixon

There are simply not enough superlatives to fit a 30 second review. This film is a crowning achievement for director Ron Howard and everyone associated with the movie.
Frank Langella and Michael Sheen recreate their Broadway roles and both are remarkable.

Mr. Langella won the Tony Award for the Broadway show and there is no doubt he will be nominated and have an excellent chance of taking home an Oscar as well. With hardly any makeup, he completely transforms himself into Richard Nixon. It is a performance of such depth and honesty, it takes your breath away. Michael Sheen matches him scene for scene in the interview sequences and channels every nuance of Mr. Frost.

The direction is crisp, lively and Mr. Howard opens up the story very naturally while keeping the intimacy of the theater experience. The lighting, music, and sets all recreate the period perfectly and enhance the story which plays out like a political version of "Rocky".

I can't say enough about the supporting cast either. Kevin Bacon, Oliver Platt, Sam Rockwell, Rebecca Hall, Toby Jones, and Matthew MacFadyen are all brilliant.

Intellectual, yet immensely entertaining, "Frost/Nixon" is not to be missed.

Milk

Utilizing archival footage and recreated scenes, director Gus Van Sant brings us the life and times of Harvey Milk (not to be confused with the documentary of the same name). Mr. Milk was the first openly gay official elected to public office back in the late 70's. His short time as San Francisco City Supervisor was a major victory for gay and civil rights.

Sean Penn, as Mr. Milk, adds another terrific performance to his portfolio. He is truly the best actor of his generation. Along with Mr. Penn, the film also features James Franco, Emile Hirsch, Diego Luna, Allison Pill, Dennis O'Hare, and Josh Brolin. All are excellent in their roles with Mr. Brolin, especially adding another excellent notch to his belt coming off "No Country For Old Men", and "W.". James Franco, as well, has shown depth and diversity to every film he's been in this year and he does the same in "Milk".

While a fascinating and important time capsule of a turbulent time, "Milk" becomes a bit tedious with protest after protest and election after election. It is Mr. Penn's powerful performance that propels the film to it's inevitable end. Where "Milk" succeeds is in honoring the life of a remarkable man who helped bring change to a country very much in need of it.

W.

Oliver Stone has done a remarkable job documenting past Presidents. In "W.", he chronicles the life of a president while still in office and misses the mark of his earlier films.

W. is interesting enough, giving the viewer insight into what makes Mr. Bush tick and showing us the uneven road his life has taken to the White House but it is little more than a TV movie of the week missing much of the bombastic style Mr. Stone is best known for.

The cast is uneven. Josh Brolin as "W." is wonderful. He captures every nuance, every gesture, of Mr. Bush perfectly and at times truly resembles him. Richard Dreyfuss is a perfect Dick Cheney, also getting the mannerisms correct. Also well cast are James Cromwell as George Bush SR., Ellen Burstyn as Barbara Bush, Scott Glen as Donald Rumsfeld, and Elizabeth Banks as Laura Bush. Missing the mark are Jeffrey Wright as Colin Powell and Thandie Newton as Condoleezza Rice.

The script cherry picks important moments in Mr. Bush's life (did we need the pretzel choking scene?) and range from satire to drama with a little "fairy tale" thrown in for good measure.

Once Mr. Bush leaves office, I'd like to see Mr. Stone try it again and not hold anything back.

Quantum of Solace

After a terrific debut as James Bond in "Casino Royale", Daniel Craig is shaken, not stirred into a mess of a follow-up. "Quantum" has one of the worst Bond plots ever (if you can even call it a plot). It is basically one long action sequence after another in order to distract the audience from realizing how ridiculous the whole thing really is.

Daniel Craig tries his best to live up to what he started in the previous film but there is only so much he can do when everything is literally falling apart around him. He makes a dashing Bond and certainly one of the best but he's never given a chance to develop the character beyond a human killing machine. Mathieu Almaric plays one of the lamest Bond villains in history. He should stick to what he does best, serious drama and eye blinking. Olga Kurylenko is the Bond "it" girl and while beautiful, can't decide if she is a damsel in distress or an action heroine. Judi Dench is back as M and has her usually fun with the role. And Jeffrey Wright also returns as Felix Leiter, with basically nothing to do except give Bond an address.

The action scenes are excellent but by the numbers. You can almost hear the writers..."Boat chase, check. Car chase, check. Foot chase, check. Airplane chase, check." Aside from a beautiful world tour, this is a bloated soulless Bond film. At the end of the credits, we are promised, "James Bond will return". He better be carrying a better script when he does.

Zack & Miri Make A Porno

Writer/Director Kevin Smith returns with a new comedy, that true to his nature will offend many and have others singing his praises. "Borrowing" Seth Rogan from his recent run of comedy hits, Mr. Smith has made a romantic comedy filled with the most vulgar language you can imagine.

Mr. Rogan stars as Zack and Elizabeth Banks is Miri, friends who find themselves beyond broke and looking for a way to pay the bills. Craig Robinson, from "The Office" is Delaney, Zack's friend who finances their attempt at a porno film.

Mr. Smith hides a sweet romance under mountains of offensive (to some) dialog, giving Mr. Robinson the best lines. He manages to also save some good stuff for Kevin Smith regulars, Jeff Anderson and Jason Mewes. Actually, Mr. Anderson probably has the funniest line in the movie following a particularly graphic scene.

Mr. Rogan and Ms. Banks have natural chemistry and their "porno" scene is at first very funny and then turns into something unexpected. This is a fun, silly film that is not about porno (although casting Traci Lords does add credibility) but rather friendship and true love. If not for his trademark dialog and sight gags, you would think Kevin Smith has gone mainstream. If you enjoy the film, make sure you stay through the credits.